The lamentation of Christ is a painting by the Flemish artist Anthony van Dyck dated to 1628-1630. [1] It is in the collection of the Alte Pinakothek in Munich. [2] The artist had treated the same subject in multiple works, including two versions in the Royal Museum of Fine Arts Antwerp in Antwerp and one in the Kunsthistorisches Museum in Vienna.
Deposition may refer to:
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek, re-built in 1981, covers nineteenth-century art, and Pinakothek der Moderne, opened in 2002, exhibits modern art. All three galleries are part of the Bavarian State Painting Collections, an organization of the Free state of Bavaria.
Cornelis de Wael was a Flemish painter, engraver and merchant who was primarily active in Genoa in Italy. He is known for his genre paintings, battle scenes, history paintings and still lifes. Through his art work, support for Flemish painters working in Italy and role as an art dealer, he played an important role in the artistic exchange between Italy and Flanders in the first half of the 17th century. His work also had an influence on local painters such as Alessandro Magnasco, particularly through his scenes of despair and irony.
Theodoor Rombouts was a Flemish painter who is mainly known for his Caravaggesque genre scenes depicting lively dramatic gatherings as well as religiously-themed works. He is considered to be the primary and most original representative of Flemish Caravaggism. These Caravaggisti were part of an international movement of European artists who interpreted the work of Caravaggio and the followers of Caravaggio in a personal manner.
Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.
Isabella Brant was the first wife of the Flemish baroque painter Peter Paul Rubens, who painted several portraits of her.
Sir Peter Paul Rubens was a Flemish artist and diplomat. He is considered the most influential artist of the Flemish Baroque tradition. Rubens' highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasised movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.
Andries van Eertvelt (1590–1652), was a Flemish painter, draughtsman and engraver who was one of the first Flemish artists to specialize in marine art. Several of his pupils also became prominent marine artists.
The Lamentation of Christ is an oil-on-panel painting of the common subject of the Lamentation of Christ by the Netherlandish artist Rogier van der Weyden, dating from around 1460–1463 and now in the Uffizi Gallery, Florence, Italy.
Cornelis van der Geest was a spice merchant from Antwerp, who used his wealth to support the Antwerp artists and to establish his art collection. He was also the dean of the haberdashers guild.
HelenaFourment was the second wife of Baroque painter Peter Paul Rubens. She sat for a few portraits by Rubens, and also modeled for figures in Rubens' religious and mythological paintings.
The Battle of the Amazons or Amazonomachia is an oil on wood painting produced around 1618. It shows an amazonomachy, i.e. a mythological battle between the ancient Greeks and the Amazons, a nation of all-female warriors.
Jacob Andries Beschey was a Flemish painter and draughtsman who mainly painted religious paintings that were in the style of, or inspired by, Peter Paul Rubens.
The Vision of the Blessed Hermann Joseph or The Mystical Engagement of the Blessed Hermann Joseph to the Virgin Mary is a 1629-1630 painting by the Flemish Baroque painter Anthony van Dyck.
Rest on the Flight into Egypt is a 1630 painting by Anthony van Dyck, probably commissioned by a layman. Featuring the Holy Family of Joseph, Mary, and Jesus, it was owned by Maximilian II Emanuel, Elector of Bavaria and is now in the Alte Pinakothek in Munich. The Rest on the Flight into Egypt was a popular subject in art.
The Lamentation over the Dead Christ is a painting by the Flemish painter Anthony van Dyck, created c. 1629. It is now in the Royal Museum of Fine Arts Antwerp.
The Deposition or Lamentation over the Dead Christ is a painting by the Flemish artist Anthony van Dyck. Dating to 1635, it is one of his final treatments of the subject. It was commissioned by Cesare Alessandro Scaglia, who intended it to hang over his tomb in the Recollects Convent in Antwerp. It is now in the Royal Museum of Fine Arts Antwerp.
The Deposition or Lamentation over the Dead Christ was a painting by the Flemish painter Anthony van Dyck, produced between 1629 and 1630. It measured 220 cm by 166 cm. Its final owners were the Kaiser Friedrich Museum then the Gemäldegalerie, Berlin, before it was lost in May 1945 in the Friedrichshain flak tower fire. A copy of the work is now in the Gedächtniskapelle of the Deutschordensmünster in Heilbronn.
Pietà is a c. 1600 oil on canvas painting by Annibale Carracci, the earliest surviving work by him on the subject, which was commissioned by Odoardo Farnese. It moved from Rome to Parma to Naples as part of the Farnese collection and is now in the National Museum of Capodimonte in Naples. It is one of many 16th century Bolognese paintings dedicated to the theme of the Pietà, and it is counted among Carracci's masterpieces.
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