The Macomber Affair | |
---|---|
Directed by | Zoltan Korda |
Screenplay by | Seymour Bennett Casey Robinson Adaptation: Frank Arnold |
Based on | The Short Happy Life of Francis Macomber 1936 Cosmopolitan by Ernest Hemingway |
Produced by | Benedict Bogeaus Casey Robinson |
Starring | Gregory Peck Joan Bennett Robert Preston |
Cinematography | Karl Struss |
Edited by | George Feld Jack Wheeler |
Music by | Miklós Rózsa |
Production company | Benedict Bogeaus Productions |
Distributed by | United Artists |
Release date |
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Running time | 89 minutes |
Country | United States |
Language | English |
Box office | $1.6 million [1] |
The Macomber Affair is a 1947 American adventure drama film starring Gregory Peck, Joan Bennett, and Robert Preston. [2] Directed by Zoltan Korda and distributed by United Artists, it portrays a fatal love triangle set in British East Africa between a frustrated wife, a weak husband, and the professional hunter who comes between them.
The screenplay was written by Casey Robinson and Seymour Bennett and adapted by Bennett and Frank Arnold, based on "The Short Happy Life of Francis Macomber", the 1936 Ernest Hemingway short story.
The film was re-released in 1952 by Lippert Pictures as The Great White Hunter. [lower-alpha 1]
Distraught American Margaret "Margot" Macomber was unhappily married to her American husband, Francis Macomber, when the couple arrived in the Kenya Colony of British East Africa. Now he is dead from a gunshot wound to the back of his head.
As she and their guide, English big-game hunter Robert Wilson, land in Nairobi, Kenya, a flashback dissolves to he and Robert meeting at the Norfolk Hotel to plan their safari over a whiskey.
Francis, a wealthy man, then alienates his wife with his displays of cowardice and physical delicateness while on the trip. Margo is attracted to Robert, so, to prove his masculinity, Francis sets out to kill a lion. He succeeds only in wounding it. Robert insists the animal must be tracked and killed so it will not suffer. When the wounded lion charges, Francis runs and Robert must dispatch it. Francis is repeatedly, and accidentally, emasculated by Robert throughout the day. A furious Margot humiliates her husband by kissing Robert on the lips.
As the couple's animosity grows, Francis is cruel and abusive to an African servant and Robert has to restrain him. The next morning, Francis wounds a cape buffalo with a courageous shot, comes to terms with his physical weaknesses, reconciles with Wilson (to whom he also expresses forgiveness for his wife), and thereby becomes a man. When the wounded cape buffalo charges and is not immediately dropped by shots from Macomber and Wilson, Margot takes aim and shoots. Her bullet strikes Francis dead.
Robert tries to get her to admit that the shot was accidental as Margot prepares to go on trial. It is left unclear whether she intentionally shot her husband or merely feels guilt that the accident validated what was in her heart.
Variety wrote, "African footage is cut into the story with showmanship effect, and these sequences build up suspense satisfactorily", "scenes in which lions and water buffalos charge...will stir any audience." and while it has some "unreal dialogue", the film's "action is often exciting and elements of suspense frequently hop up the spectator;" [3]
Bosley Crowther, in The New York Times , said the film, except for the beginning and the end, was a "quite credible screen telling" of a short story Hemingway felt was one of his best. Crowther also said that "it makes for a tight and absorbing study of character on the screen" if you ignore what the producers added at the beginning and the end. [4] Crowther's review opined that "the contrived conclusion that the guide has fallen in love with the dame and that possibly the shooting was accidental is completely stupid and false". [4]
Time magazine said it was "a brilliantly good job—the best yet—of bringing Hemingway to the screen." [5]
Eldred Gregory Peck was an American actor and one of the most popular film stars from the 1940s to the 1970s. In 1999, the American Film Institute named Peck the 12th-greatest male star of Classic Hollywood Cinema.
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Joan Geraldine Bennett was an American stage, film, and television actress. She was one of three acting sisters from a show-business family. Beginning her career on the stage, Bennett appeared in more than 70 films from the era of silent films, well into the sound era. She is best remembered for her film noir femme fatale roles in director Fritz Lang's films—including Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street (1945)—and for her television role as matriarch Elizabeth Collins Stoddard in the gothic 1960s soap opera Dark Shadows, for which she received an Emmy nomination in 1968.
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"The Short Happy Life of Francis Macomber" is a short story by Ernest Hemingway. Set in Africa, it was published in the September 1936 issue of Cosmopolitan magazine concurrently with "The Snows of Kilimanjaro". The story was eventually adapted to the screen as the Zoltan Korda film The Macomber Affair (1947).
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Francis Bosley Crowther Jr. was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though his reviews, at times, were perceived as unnecessarily mean. Crowther was an advocate of foreign-language films in the 1950s and 1960s, particularly those of Roberto Rossellini, Vittorio De Sica, Ingmar Bergman, and Federico Fellini.
White hunter is a literary term used for professional big game hunters of European descent, from all over the world, who plied their trade in Africa, especially during the first half of the 20th century. The activity continues in the dozen African countries which still permit big-game hunting. White hunters derived their income from organizing and leading safaris for paying clients, or from the sale of ivory.
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Philip Hope Percival (1886–1966) was an English-born renowned white hunter and early safari guide in colonial Kenya. During his career, he guided Theodore Roosevelt, Baron Rothschild, and Ernest Hemingway on African hunts. Hemingway modelled the fictional hunter Robert Wilson in his story "The Short Happy Life of Francis Macomber" after Percival. Percival also worked with well-known white hunters like Bror von Blixen-Finecke and mentored Sydney Downey and Harry Selby, and was known in African hunting circles as the "Dean of Hunters".
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