| The Moment's Energy | ||||
|---|---|---|---|---|
 | ||||
| Live album by Evan Parker Electro-Acoustic Ensemble | ||||
| Released | 2009 | |||
| Recorded | November 2007 | |||
| Venue | Lawrence Batley Theatre Huddersfield, England | |||
| Genre | Jazz | |||
| Length | 66:55 | |||
| Label | ECM ECM 2066 | |||
| Producer | Steve Lake | |||
| Evan Parker chronology | ||||
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| Evan Parker Electro-Acoustic Ensemble chronology | ||||
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The Moment's Energy is an live album by the Evan Parker Electro-Acoustic Ensemble recorded at the Lawrence Batley Theatre in November 2007 and released on ECM in 2009. [1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| All About Jazz | [3] |
| The Guardian | [4] |
| DownBeat | [5] |
The AllMusic review by Thom Jurek awarded the album 4 stars stating "this work is more modern composition than merely free or experimental jazz. This is a gorgeous work when taken as a whole, a musical journey through multi-dimensional landscapes and sonic shadows that seems to stretch time itself." [2]
On All About Jazz John Kelman called it "an album where there's both greater density and delineation, an even broader dynamic scope and, quite simply, one of the most ambitious mixtures of form and freedom, and extant and new-found textures" and "A composition that could never be performed the same way twice, its careful construction of sound in real-time and post-production makes for an ambitiously considered experience of great power and unsettling subtlety." [3]
The Guardian's John Fordam observed "Different combinations of players come to the fore in each piece, which imparts variety to these abstract soundscapes." [4]
The Penguin Jazz Guide called it "a composed piece for improvising ensemble that delivered a work of unparalleled sophistication and presence" noting "the sound-world of the piece is determined to a broad extent by the individual performers, but it is Parker's imagination - capricious responsive but in no way totalizing - that makes the piece so successful ... Though some may cite the ensemble's transatlantic collaboration with Roscoe Mitchell as a greater achievement, this remarkable collaborative work is its masterpiece." [6]
Writing for DownBeat, John Ephland stated: "The earnest, sincere and able execution of this material by seasoned and well-trained artists suggest 'a new chamber orchestra'... There is cohesion and a kind of forward movement here. And their edginess spills over into a kind of frolicking playfulness light years from the energy of so-called free-jazz." [5]
All compositions by Evan Parker
Evan Shaw Parker is a British tenor and soprano saxophone player who plays free improvisation.
The Out-of-Towners is a live album by American jazz pianist Keith Jarrett recorded at the Bavarian State Opera in Munich on July 28, 2001 and released by ECM on August 30, 2004. Jarrett's trio—the Standards trio—features rhythm section Gary Peacock and Jack DeJohnette.
The Lost Chords find Paolo Fresu is an album by American composer, bandleader and keyboardist Carla Bley with Andy Sheppard, Steve Swallow, and Billy Drummond and Paolo Fresu recorded in Europe in 2007 and released on the Watt/ECM label.
Passing Ships is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1969 for the Blue Note label but not released until 2003. The album features Hill with a six-piece horn section performing seven original compositions.
L'imparfait des langues is an album by French jazz musician Louis Sclavis, recorded in April 2005 and released by ECM in 2007, his fifth for label, and twelfth overall.
The Jewel in the Lotus is the debut album by jazz woodwind player Bennie Maupin, recorded in March 1974 and released on ECM later that year. The sextet's rhythm section consists of pianist Herbie Hancock, bassist Buster Williams and percussionists Billy Hart, Freddie Waits and Bill Summers, with guest appearances from trumpeter Charles Sullivan. The title is a translation of the Buddhist mantra Oṃ maṇi padme hūṃ.
Toward the Margins is an album by the Evan Parker Electro-Acoustic Ensemble, recorded in 1996 and released on the ECM New Series the following year.
Drawn Inward is an album by the Evan Parker Electro-Acoustic Ensemble recorded in December 1998 and released on ECM the following year.
Class Trip is an album by American jazz guitarist John Abercrombie recorded in February 2003 and released by ECM on April 26th, 2004. The quartet features violinist Mark Feldman and rhythm section Marc Johnson and Joey Baron.
Re: Pasolini is a double album by Italian jazz pianist Stefano Battaglia, recorded in 2005 and released on ECM in 2007, and is dedicated to the figure of filmmaker and writer Pier Paolo Pasolini. The cover artwork features a still from the film The Gospel According to Matthew (1964), considered one of his masterworks.
Composition/Improvisation Nos. 1, 2 & 3 is a live album by jazz saxophonist and composer Roscoe Mitchell recorded in Germany in September 2004 and released on ECM in 2007.
Boustrophedon is a live album by free jazz saxophonist and composer Evan Parker and the Transatlantic Art Ensemble, featuring Roscoe Mitchell, recorded in Germany in September 2004 and released on ECM in 2008.
Memory/Vision is a live album by the Evan Parker Electro-Acoustic Ensemble recorded at the Norwegian Academy of Music in Oslo in October 2002 and released on ECM the following year.
The Eleventh Hour is an album by British saxophonist and improvisor Evan Parker's Electro-Acoustic Ensemble recorded in November 2004 and released on ECM the following year.
Shadow Man is an album by American composer and saxophonist Tim Berne's band Snakeoil, recorded in January 2013 and released on ECM in October later that year.
Rava on the Dance Floor is a live album by Italian jazz trumpeter and composer Enrico Rava with Parco della Musica Jazz Lab, performing songs by Michael Jackson recorded in Italy in 2011 and released on the ECM label.
Fleuve is the second album credited to the Pierre Favre Ensemble, recorded in Switzerland in October 2005 and released on ECM October the following year—twenty two years after the ensemble's 1984 debut, Singing Drums, presenting a new line-up that departed from the previous incarnation's all-percussion sound. The septet now included harp, double clarinet, double bass, tuba, guitar, bass guitar, soprano saxophone, and serpent—an instrument rarely used in jazz.
Hommage à Eberhard Weber is a live tribute album celebrating German double bassist and composer Eberhard Weber's 75th birthday recorded by the German public broadcaster SWR in Stuttgart in 2015 featuring Pat Metheny, Jan Garbarek, Gary Burton, Scott Colley, Danny Gottlieb, Paul McCandless, with Michael Gibbs and Helge Sunde conducting the SWR Big Band which was released on the ECM label.
Imaginary Cities is a studio album by the Chris Potter Underground Orchestra recorded in December 2013 and released on ECM in January 2015, Potter's second album for the label. The ensembles features the return of his "Underground Quartet"—consisting rhythm section Craig Taborn, Adam Rogers, and Nate Smith—alongside vibraphonist Steve Nelson, bassist Scott Colley, bass guitarist Fima Ephron, and a string quartet.
Hasselt is a live album by the Evan Parker Electro-Acoustic Ensemble, recorded during the Open Circuit: iNTERACT 2010 festival, held at Kunstencentrum Belgie in Hasselt, Belgium. The first three tracks, recorded on May 21, 2010, feature sub-groups drawn from the Ensemble, while the final track, recorded on May 22, 2010, is an extended outing for the entire Ensemble. The album was released in 2012 by Psi Records.
