The Private Lives of Adam and Eve | |
---|---|
Directed by | Mickey Rooney Albert Zugsmith |
Written by | Robert Hill |
Based on | story by George Kennett |
Produced by | Red Doff executive Albert Zugsmith |
Starring | Mickey Rooney Mamie Van Doren Fay Spain Mel Tormé Martin Milner Tuesday Weld Cecil Kellaway Paul Anka |
Cinematography | Philip H. Lathrop |
Edited by | Eddie Broussard |
Music by | Van Alexander |
Production companies | Albert Zugsmith Productions Fryman Enterprises Famous Players |
Distributed by | Universal Pictures |
Release date |
|
Running time | 86 minutes |
Country | United States |
Language | English |
The Private Lives of Adam and Eve is a 1960 Spectacolor comedy film starring Mickey Rooney (who also co-directed), and Mamie Van Doren. It is an American B-movie in which the plot revolves around a modern couple who dream that they are Adam and Eve. Others of their acquaintance assume the roles of various characters from the Book of Genesis during the fantasy sequences.
A bus heading toward Reno, Nevada, is being driven by Doc Bayles, whose passengers include a traveling salesman (Hal Sanders) and a runaway teen (Vangie Harper).
Feuding couples begin boarding. A waitress, Evie Simms, wants to go to Reno to divorce her husband Ad, having caught him kissing Lil Lewis, a neighbor. Lil wants a divorce from her own husband, casino boss Nick Lewis, who tries to catch up to the bus in a broken-down car belonging to Pinkie Parker, a beatnik.
A jealous Nick commandeers the bus when Doc briefly gets off and then inadvertently drives Ad off a cliff, nearly killing him. When a raging storm heads everyone's way, they take shelter in a church. Ad and Evie fall asleep and seem to have the same dream, that they are in the original Garden of Eden, facing temptations from the Devil that could affect the future of all mankind.
When they wake up, the storm has passed. The travelers pair off, Ad with Evie, and Lil with Nick, and Vangie with Pinkie, to see where the road takes them next.
In July 1957, Albert Zugsmith announced he would make a film about Adam and Eve as part of a multi-picture deal he had at MGM. George Peck was reported as working on the script. [1] It was then reported that Richard Matheson would write a script based on a treatment by Robert Smith. [2] Its working title was Flesh and the Devil. [3]
The movie wound up not being made at MGM. It was a co-production between Famous Artists, the company of Albert Zugsmith, and Fryman, the company of Mickey Rooney and Red Doff; Universal distributed. Filming started on 7 July 1959. [4]
Shooting was temporarily suspended when Rooney came down with German measles. [5] Shooting finished in August. [6]
"I pick my titles to get 'em into theatres", said Zugsmith. "Thousands of exhibitors say amen to that." [7]
Universal planned to premiere the film simultaneously in all towns in the United States called "Paradise". However this was abandoned when it was discovered that there were only nine such towns; eight had a population of less than 500 and only two had movie theatres. [9]
The National Legion of Decency gave the film a "Class C" or "condemned" rating, saying it was "blasphemous and sacrilegious" and resorts to "indecencies and pornography" that are "blatant violations of Judeo-Christian standards of modesty and decency." [10]
The film was released nationally on 11 January 1961. [11]
The Los Angeles Times said the cast was "professional" but that the script wasn't "too bright ... an unpleasant combination of scraps of professional piety and masses of suggestive buffoonery." [12]
Mickey Rooney was an American actor. In a career spanning nearly nine decades, he appeared in more than 300 films and was among the last surviving stars of the silent-film era. He was the top box-office attraction from 1939 to 1941, and one of the best-paid actors of that era. At the height of a career marked by declines and comebacks, Rooney performed the role of Andy Hardy in a series of 16 films in the 1930s and 1940s that epitomized the mainstream United States self-image.
Mamie Van Doren is an American actress, singer, model, and sex symbol who rose to prominence in the 1950s and 1960s. A blonde bombshell, she is one of the "Three M's" along with Marilyn Monroe and Jayne Mansfield, who were friends and contemporaries. In 1953, Van Doren, then named Joan Lucille Olander, signed a seven-year contract with Universal, which hoped that she would be their version of Marilyn Monroe. During her time at Universal, she starred in teen dramas, exploitation films, musical, and comedy films among other genres. She has married five times, and had intimate affairs with many other Hollywood actors. She was one of the leading sex symbols in the 1950s.
The Beat Generation is a 1959 American crime film noir from Metro-Goldwyn-Mayer starring Steve Cochran and Mamie Van Doren, with Ray Danton, Fay Spain, Maggie Hayes, Jackie Coogan, Louis Armstrong, James Mitchum, Vampira, and Ray Anthony. It is a sensationalistic interpretation of the beatnik counterculture of the "Beat Generation" The movie was also shown under the title This Rebel Age. The movie is about a "beatnik" who is a serial rapist, who is pursued by a police detective. The director was Charles F. Haas. Richard Matheson and Lewis Meltzer are credited with the screenplay.
Thomas Lee Kirk was an American actor, best known for his performances in films made by Walt Disney Studios such as Old Yeller, The Shaggy Dog, Swiss Family Robinson, The Absent-Minded Professor, and The Misadventures of Merlin Jones, as well as the beach party films of the mid-1960s. He frequently appeared as a love interest for Annette Funicello or as part of a family with Kevin Corcoran as his younger brother and Fred MacMurray as his father.
Richard Quine was an American director, actor, and singer.
How to Stuff a Wild Bikini is a 1965 Pathécolor beach party film from American International Pictures. The sixth entry in a seven-film series, the movie features Mickey Rooney, Annette Funicello, Dwayne Hickman, Brian Donlevy, and Beverly Adams. The film features a brief appearance by Frankie Avalon and includes Buster Keaton in one of his last roles.
Michael Callan, sometimes known as Mickey Collins, was an American actor best known for originating the role of Riff in West Side Story on Broadway, and for his film roles for Columbia Pictures, notably Gidget Goes Hawaiian, The Interns and Cat Ballou.
Walter Lawrence Burke was an American character actor of stage, film, and television whose career in entertainment spanned over a half century. Although he was a native of New York, Burke's Irish ancestry often led to his being cast in roles as an Irishman or Englishman. His small stature and distinctive voice and face also made him easily recognizable to audiences even when he was performing in minor supporting roles.
The Big Wheel is a 1949 American drama sport film directed by Edward Ludwig starring Mickey Rooney, Thomas Mitchell, Mary Hatcher and Michael O'Shea. It includes the final screen appearance of Hattie McDaniel.
Michael O'Shea was an American actor, who appeared on the stage, in feature films, and television in a career that spanned between the 1940s and early 1970s. He also was a comedian, musician, band leader, and performed on radio.
Albert Zugsmith was an American film producer, film director and screenwriter who specialized in low-budget exploitation films through the 1950s and 1960s.
Riffraff is a 1936 American drama film directed by J. Walter Ruben and starring Jean Harlow, Spencer Tracy and Una Merkel. The screenplay was written by Frances Marion, Anita Loos and H. W. Hannaford.
High School Confidential! is a 1958 American crime drama film directed by Jack Arnold, starring Mamie Van Doren, Russ Tamblyn, Jan Sterling, John Drew Barrymore, Jackie Coogan, Diane Jergens and Michael Landon.
Baby Face Nelson is a 1957 American film noir crime film based on the real-life 1930s gangster, directed by Don Siegel, co-written by Daniel Mainwaring—who also wrote the screenplay for Siegel's 1956 sci-fi thriller Invasion of the Body Snatchers—and starring Mickey Rooney, Carolyn Jones, Cedric Hardwicke, Leo Gordon as Dillinger, Anthony Caruso, Jack Elam, John Hoyt and Elisha Cook Jr.
Van Alexander was an American bandleader, arranger, and composer.
The Big Operator is a black and white 1959 American crime/drama film starring Mickey Rooney as a corrupt union boss, with Steve Cochran, Mel Torme and Mamie Van Doren as co-stars. The film is a remake of Joe Smith, American (1942) with labor union thugs replacing Axis spies.
Andy Hardy Comes Home is a 1958 American comedy film directed by Howard W. Koch. It is the 16th and final film in the Andy Hardy series, with Mickey Rooney reprising his signature role. It was produced 12 years after the previous Hardy film, and was an attempt to revive what had once been an enormously popular film series. Because the film fell short of box office projections, Metro-Goldwyn-Mayer did not continue the Andy Hardy series.
Sidney L. Miller was an American actor, director and songwriter.
A Dog of Flanders is a 1960 American drama film directed by James B. Clark, with stars David Ladd, Donald Crisp and Theodore Bikel. It is based on the 1872 novel of the same name by Ouida. It was released on March 17, 1960, by 20th Century Fox in CinemaScope and Color by De Luxe.
Platinum High School is a 1960 American crime drama romance film directed by Charles Haas and starring Mickey Rooney, Terry Moore and Dan Duryea. It was based on the 1960 novel of the same name by Irving Shulman.