Time In | ||||
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Studio album by | ||||
Released | June 14, 1966 | |||
Recorded | October 1965 | |||
Genre | Jazz | |||
Length | 37:44 | |||
Label | Columbia - CS 9312 | |||
Producer | Teo Macero | |||
Dave Brubeck chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Penguin Guide to Jazz Recordings | [2] |
Time In is a 1966 studio album by Dave Brubeck, the last of Brubeck's 'Time' series.
All the compositions on it were written by Dave Brubeck (two co-written with his wife Iola Brubeck) and performed by the Dave Brubeck Quartet. Stylistically, they cover a considerable range, from slow ballads in a West Coast jazz sound, to some of the religiously themed work he began to essay in the later 1960s (Forty Days, which would later appear in his The Light in the Wilderness: An Oratorio for Today), to more driving bebop-influenced numbers.
AllMusic's reviewer Thom Jurek wrote that it was "one of his most musically adventurous. ... of all the 'Time' recordings, this is the least commercial ... Though it is seldom celebrated as such, this is one of Brubeck's finest moments on Columbia." [3]
The Absolute Sound's Jeff Wilson wrote: "This 1965 release ended the Dave Brubeck Quartet’s series of time-themed albums, the most famous being 1959’s Time Out , which contained the ever-popular 'Take Five'. Time In was also one of the final records by a much-loved quartet that included Paul Desmond on alto saxophone. With more than two dozen albums behind them by the time this album was recorded, was the foursome a spent force? Definitely not—and, in fact, one listen to Time In will dispel any notions of the quartet as 'polite jazz'. On the ironically-titled opening track, 'Lost Waltz' [ sic ], the group swings with an urgency that reaches its peak during Brubeck’s vigorous solo. 'Softly, William, Softly' is a deeply expressive ballad, and 'Lonesome' is equally moving. Throughout Time In Brubeck’s compositions bring out the best in Desmond, whose light, airy sound was the musical equivalent of a martini so dry it would have passed inspection by Winston Churchill." [4]
Bonus Tracks added to 2004 CD issue
(Times are as given on the CD; the album numbers differ slightly.)
Paul Desmond was an American jazz alto saxophonist and composer and proponent of cool jazz. He was a member of the Dave Brubeck Quartet and composed that group's biggest hit, "Take Five".
At Carnegie Hall is a jazz live album by the Dave Brubeck Quartet. It was recorded at the famed Carnegie Hall in New York City on Friday, February 22, 1963. Critic Thom Jurek described it as "one of the great live jazz albums of the 1960s". Critic Jim Santella wrote, "This is timeless music from a classic ensemble. Goosebumps are guaranteed."
Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as 9
8, 6
4 and 5
4. The album is a subtle blend of cool and West Coast jazz.
Jazz Impressions of New York is a jazz album released by Dave Brubeck. The compositions were for the television show Mr. Broadway.
Take Five Live is a 1962 live album by American jazz singer Carmen McRae with pianist Dave Brubeck, focusing on interpretations of his songs. This was McRae's second album with Brubeck; their first, Tonight Only with the Dave Brubeck Quartet, was released in 1961.
Jazz Goes to College is a 1954 album documenting the North American college tour of the Dave Brubeck Quartet. It was Dave Brubeck's first album for Columbia Records. He was joined by alto saxophonist Paul Desmond, double bassist Bob Bates, and drummer Joe Dodge. The album was re-released on CD and cassette in the Columbia Jazz Masterpieces series in 1989 and on CD by Sony International in 2000.
Time Further Out is a jazz studio album by the Dave Brubeck Quartet released by Columbia Records in November 1961. It features the "classic" lineup of the quartet: pianist and leader Dave Brubeck, alto saxophonist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello. The album was recorded by engineer Fred Plaut and produced by Teo Macero.
Time Changes is a 1964 album by The Dave Brubeck Quartet, based upon the use of time signatures that were unusual in jazz music.
Bernstein Plays Brubeck Plays Bernstein is a 1961 studio album by The Dave Brubeck Quartet. Its title refers to the fact that it consists of both a Brubeck composition conducted by Leonard Bernstein and Bernstein compositions played by the Dave Brubeck Quartet. The title is also an echo of Dave Brubeck's 1956 solo debut album, Brubeck Plays Brubeck.
Gone with the Wind is a jazz album released by The Dave Brubeck Quartet in 1959 on Columbia CL 1347 (monophonic) and CS 8156 (stereo).
London Flat, London Sharp is an album by Dave Brubeck. It was recorded in 2004 and contains quartet performances of new and previously recorded pieces, most of which were written by Brubeck.
Brandenburg Gate: Revisited is a studio album by The Dave Brubeck Quartet accompanied by an orchestra arranged by Howard Brubeck.
Brubeck and Rushing is a 1960 album by The Dave Brubeck Quartet and the singer Jimmy Rushing.
Brubeck in Amsterdam is a 1962 live album by Dave Brubeck and his quartet recorded on 3 December at the Concertgebouw in Amsterdam, though unreleased until 1969. Six of the tracks are from Brubeck's musical The Real Ambassadors.
Tonight Only! is a 1961 album by the Dave Brubeck Quartet featuring the singer Carmen McRae.
Take Ten is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded in 1963 which were released on the RCA Victor label with cover art by Andy Warhol.
Buried Treasures is a 1967 live album by Dave Brubeck and his quartet, recorded during their tour of Mexico. It was released in 1998. A second live album recorded on their tour, Bravo! Brubeck!, was released in July 1967.
The Crossing is 2001 studio album by pianist Dave Brubeck and his quartet.
The Dave Brubeck Quartet in Europe is a live album by pianist Dave Brubeck and his quartet recorded in 1958 in Copenhagen, Denmark. The cartoon on the cover of the album of Brubeck and his quartet was drawn by Arnold Roth.
Jazz Impressions of Eurasia is a studio album by pianist Dave Brubeck and his quartet recorded after, and inspired by, their 1958 world tour sponsored by the American state department during which they played 80 concerts in 14 countries, including Turkey, Iran, Iraq, India, Pakistan, and Afghanistan, over three months. In the liner notes to the album, Brubeck notes that "These sketches of Eurasia have been developed from random musical phrases I jotted down in my notebook as we chugged across the fields of Europe, or skimmed across the deserts of Asia, or walked in the alleyways of an ancient bazaar. ... I tried to create an impression of a particular locale by using some of the elements of their folk music within the jazz idiom." The album was recorded in July and August 1958 at the Columbia 30th St. Studios in New York.