"Trying to Live My Life Without You" | |
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Single by Otis Clay | |
from the album Trying to Live My Life Without You | |
B-side | "Let Me Be the One" |
Released | December 1972 |
Genre | R&B [1] |
Length | 2:50 |
Label | Hi |
Songwriter(s) | Eugene Williams |
"Tryin' to Live My Life Without You" | ||||
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Single by Bob Seger & the Silver Bullet Band | ||||
from the album Nine Tonight | ||||
B-side | "Brave Strangers (Live)" | |||
Released | August 25, 1981 | |||
Recorded | October 6, 1980 | |||
Genre | Rock | |||
Length | 4:04 | |||
Label | Capitol | |||
Songwriter(s) | Eugene Williams | |||
Producer(s) | Bob Seger, Punch Andrews | |||
Bob Seger & the Silver Bullet Band singles chronology | ||||
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Audio | ||||
"Tryin' to Live My Life Without You" on YouTube |
"Trying to Live My Life Without You" or "Tryin' to Live My Life Without You" is a song written by Eugene Frank Williams, originally popularized by soul singer Otis Clay. In early 1973 it reached #102 on the Billboard Bubbling Under chart. On February 17, 1973, Clay performed the song on Soul Train . [2] It has since been covered by several other artists, most notably Bob Seger on his 1981 Nine Tonight album, Dr. Feelgood on their 1982 Fast Women & Slow Horses album, Brinsley Schwarz and at live performances by The California Honeydrops.
The song is sung from the point of view of a man who is addressing his former lover. During the song's verses, the narrator tells of various habits he has had over his lifetime, such as smoking "five packs of cigarettes a day", drinking "four or five bottles of wine." and womanizing with many young women. In the song, he states that breaking those former habits was difficult, but not nearly as difficult as getting over the girl and forgetting the love they shared.
Chart (1973) | Peak position |
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U.S. Billboard | 102 |
U.S. Billboard Hot Soul Singles [3] | 24 |
U.S. Cash Box Top 100 [4] | 70 |
Bob Seger's cover of the song is the most successful version of the song, reaching number five on the pop singles charts. It is known for Seger's spoken prelude on top of the bassline: "Alright, you guys feel funky tonight? ... This is an old Memphis song, old Memphis song...." The Nine Tonight liner notes claim that Seger's saxophone player, Alto Reed, played all the saxophones heard on that song, at the same time. Most likely this is possible from studio overdubbing on top of the live performance.
Record World said it is a "soulful rocker that captures Seger at his best." [5]
"Are You Lonesome Tonight?" is a song written by Roy Turk and Lou Handman in 1926. It was recorded several times in 1927—first by Charles Hart, with successful versions by Vaughn De Leath, Henry Burr, and the duet of Jerry Macy and John Ryan. In 1950, the Blue Barron Orchestra version reached the top twenty on Billboard's Pop Singles chart.
"Send One Your Love" is a 1979 soul single by American and Motown musician and singer Stevie Wonder from his album Stevie Wonder's Journey Through "The Secret Life of Plants" (1979). Released in November 1979 as the album's lead single, the song reached number four on the US Billboard pop singles chart in 1979 The song also became Wonder's second single to top the adult contemporary chart, following 1973's "You Are the Sunshine of My Life", topping the chart for four weeks. On the soul charts, "Send One Your Love" went to number five.
"We've Got Tonite" is a song written by American rock musician Bob Seger, from his album Stranger in Town (1978). The single record charted twice for Seger, and was developed from a prior song that he had written. Further versions charted in 1983 for Kenny Rogers as a duet with Sheena Easton, and again in 2002 for Ronan Keating.
"Fire Lake" is a song written and recorded by the American musical artist Bob Seger. He had planned to record "Fire Lake" for his 1975 album Beautiful Loser, but the track was not finished. The song had been partly written years before, in 1971, and was finally finished in 1979 and released in 1980 on Seger's album Against the Wind. The single reached number 6 on the Billboard Hot 100. A live version of the song appeared on the album Nine Tonight, released in 1981.
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"Heartache Tonight" is a song written by Don Henley, Glenn Frey, Bob Seger and JD Souther, recorded by the Eagles and features Glenn Frey on lead vocals. The track was included on their album The Long Run and released as a single in 1979. It reached No. 1 on the U.S. Billboard Hot 100 in November of that year and was certified Platinum by the Recording Industry Association of America representing one million copies sold. It was the Eagles' final chart-topping song on the Hot 100.
"Shame on the Moon" is a song written and recorded by Rodney Crowell on his 1981 self-titled album. It was covered by Bob Seger & the Silver Bullet Band as the lead single from their 1982 album The Distance.
"Shakedown" is a 1987 song recorded by Bob Seger, from the soundtrack of the film Beverly Hills Cop II. The music was written by Harold Faltermeyer, who also wrote the score for the film, and Keith Forsey, with lyrics by Seger. The song became a number-one hit on the Billboard Hot 100, the Cash Box Top 100, Seger's only such top mark singles-wise, as well as the Album Rock Tracks chart, where it became his second number-one hit, spending four weeks at the top. In Canada, it went to number one as well, topping the RPM 100 national singles chart.
The discography of Bob Seger, an American rock artist, includes 18 studio albums, two live albums, five compilation albums and more than 60 singles. Bob Seger's albums have sold over 50 million copies and received seven multi-platinum, four Platinum and two Gold certifications by the RIAA.
Otis Lee Clay was an American R&B and soul singer, who started in gospel music. In 2013, Clay was inducted to the Blues Hall of Fame.
"I'm Just a Singer (In a Rock and Roll Band)" is a 1973 hit single by the English progressive rock band the Moody Blues, written by the band's bassist, John Lodge. It was first released in 1972 as the final track on the album Seventh Sojourn and was later released as a single in 1973, with "For My Lady" as its B-side. It was the second single released from Seventh Sojourn, with the first being "Isn't Life Strange", which was also written by Lodge.
"Love on a Two-Way Street" is a soul ballad written by Sylvia Robinson and Bert Keyes in 1968. The song was originally recorded by Lezli Valentine, an artist signed to All Platinum, the record label that Sylvia Robinson co-owned with her husband, Joe. The song was then recorded by The Moments, an R&B vocal group signed to All Platinum subsidiary Stang Records, as filler for their 1968 album Not on the Outside, But on the Inside, Strong!. Sylvia and Joe decided to release the song as a single in March 1970 and it went on to become one of the biggest R&B hits of that year, spending five weeks at number one on Billboard's Soul Singles chart and reaching number three on the Hot 100 chart. Billboard ranked the record as the No. 25 song of 1970. It was also certified gold by the RIAA for sales of one million copies.
"Any Day Now" is a popular song written by Burt Bacharach and Bob Hilliard in 1962. It has been recorded by numerous artists over the years, including notable versions by Chuck Jackson in 1962, Alan Price in 1965, Elvis Presley in 1969, Scott Walker in 1973 and Ronnie Milsap in 1982. In the lyrics, the singer predicts the imminent demise of a romantic relationship and describes the sadness this will leave.
"Funny How Time Slips Away" is a song written by Willie Nelson and first recorded by country singer Billy Walker. Walker's version was issued as a single by Columbia Records in June 1961 and peaked at number 23 on the Hot C&W Sides chart. The song has been featured in several live action films and television shows, such as in the first episode of the second season of AMC’s Better Call Saul and in the 2020 Netflix drama The Devil All the Time.
"All I Know" is a song written by American songwriter Jimmy Webb, first recorded by Art Garfunkel on his 1973 debut solo album, Angel Clare, released by Columbia Records. Instrumental backing was provided by members of the Wrecking Crew, L.A. session musicians. Garfunkel's version is the best known and highest-charting version, peaking at number nine on the Billboard Hot 100 and number one on the Easy Listening chart for four weeks in October 1973. Garfunkel's version begins with a solo piano, before he begins to sing. When the orchestration is beginning to fade out, the solo piano takes over, playing melodic passages to the song's end.
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