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"Tweedle Dee" | ||||
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Single by LaVern Baker | ||||
from the album LaVern Baker | ||||
B-side | "Tomorrow Night" | |||
Released | November 1954 | |||
Recorded | 1954 | |||
Genre | Rock and roll [1] | |||
Length | 2:55 | |||
Label | Atlantic | |||
Songwriter(s) | Winfield Scott | |||
LaVern Baker singles chronology | ||||
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"Tweedlee Dee" (also "Tweedly Dee" or "Tweedle Dee") is a rhythm and blues novelty song with a Latin-influenced riff written by Winfield Scott [2] for LaVern Baker and recorded by her at Atlantic Records' studio in New York City in 1954. It was her first hit, [3] reaching number 4 on Billboard magazine's R&B chart and number 14 on its pop chart. [4] It was Scott's first commercially successful song. [5]
"Tweedle Dee" | ||||
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Single by Georgia Gibbs | ||||
from the album Song Favorites of Georgia Gibbs | ||||
B-side | "You're Wrong, All Wrong" | |||
Released | December 1954 | |||
Recorded | 1954 | |||
Genre | Traditional pop | |||
Length | 2:35 | |||
Label | Mercury | |||
Songwriter(s) | Winfield Scott | |||
Georgia Gibbs singles chronology | ||||
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The arrangement and vocal style of the song attempted to adapt a black vocal style to one that would satisfy the tastes of the white record-buying market, featuring a light tone and a frisky rhythm beat. The backing vocals are provided by Atlantic's in-house backing group at the time, The Cues (credited here as The Gliders), consisting here of first tenor Abel DeCosta, second tenor Ollie Jones (formerly of The Ravens), bass Edward Barnes, and baritone (and songwriter) Winfield Scott. [6] Also on the session were tenor sax player Sam "The Man" Taylor and drummer Connie Kay. [7]
Baker closely approached a pop style in her recording, but a cover of the song was quickly recorded by Georgia Gibbs for Mercury Records, a major label, which had better distribution than Atlantic, an independent label. The cover version, which had the same lyrics and closely imitated the style and arrangement of the original. became a gold record for Gibbs, ruining any chance of Baker's recording becoming a pop hit. [8] It was common at that time for major record companies to release cover versions of R&B hits aimed at the wider white audience, a practice not forbidden by United States copyright law. According to Atlantic's engineer, Tom Dowd, Mercury hired the same arranger, the same musicians and tried to hire the same engineer. [3] Baker attempted to get her congressman to introduce legislation to prevent the copying of arrangements but was unsuccessful. [9]
Numerous performances of the song have been recorded, including versions by:
Chart (1972/73) | Position |
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Australia (Kent Music Report) [10] | 25 |
United Kingdom (Official Charts Company) [11] | 4 |
United States (Billboard Hot 100) [12] | 59 |
The song is heard in the films La Bamba , Uncle Buck , and The Departed .
"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. It was a number one single for two months and did well on the United Kingdom charts; the recording also reentered the UK Singles Chart in the 1960s and 1970s.
Delores LaVern Baker was an American rhythm and blues singer who had several hit records on the pop charts in the 1950s and early 1960s. Her most successful records were "Tweedle Dee" (1955), "Jim Dandy" (1956), and "I Cried a Tear" (1958).
"The Wonder of You" is a song written by Baker Knight. It was originally recorded by Vince Edwards in 1958, but this recording has never been released. In an interview with a DJ from Chattanooga, Tennessee, Ray Peterson told the story of how Baker Knight confided that "The Wonder of You" was originally written as a gospel song.
"Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965.
"Hearts of Stone" is an American R&B song. It was written by Eddie Ray and Rudy Jackson, members of the San Bernardino, California-based rhythm and blues vocal group the Jewels which first recorded it for the R&B label in 1954. The Jewels began as a gospel group, then became the Marbles, recording for the Lucky label out of Los Angeles. According to Johnny Torrence, leader of the Marbles/Jewels, it was taken from a song they recorded in their gospel days.
Winfield Scott, also known as Robie Kirk, was an American songwriter and singer. He wrote or co-wrote the hit songs "Tweedle Dee" for LaVern Baker, and he was a co-writer with Otis Blackwell of "Return to Sender" for Elvis Presley. "Return to Sender", written for the Presley film Girls! Girls! Girls!, was a U.K. No.1 single and peaked at No.2 on the U.S. Billboard Hot 100.
"Pledging My Love" is a blues ballad. It was written by Ferdinand Washington and Don Robey and published in 1954.
"Crying in the Chapel" is a song written by Artie Glenn and recorded by his son Darrell Glenn. The song was released in 1953 and reached number six on the Billboard chart.
"Heaven Help Us All" is a 1970 soul single composed by Ron Miller and first performed by Motown singer Stevie Wonder. The song continued Wonder's string of Top 10 singles on the pop charts reaching #9 on the Hot 100 singles chart and #2 on the R&B chart, the latter causing it to be his first runner-up since "Yester-Me, Yester-You, Yesterday". It was one of four hits Wonder scored from his Signed, Sealed & Delivered album. The song has since been covered dozens of times in a variety of styles.
"Good Rocking Tonight" is a jump blues song originally released in 1947 by its writer, Roy Brown and was covered by many recording artists. The song includes the memorable refrain, "Well I heard the news, there's good rocking tonight!" The song anticipated elements of rock and roll music.
"He'll Have to Go" is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a hit in both genres early in 1960.
"There Goes My Everything" is a popular song written by Dallas Frazier and published in 1965. "There Goes My Everything" is now considered a country music standard, covered by many artists.
"It's Now or Never" is a song recorded by Elvis Presley and released as a single in 1960. The song is one of the best-selling singles by Presley, and one of the best-selling physical singles of all time. It was recorded by Bill Porter at RCA Studio B in Nashville. It is written in E major and has a tempo of 80 BPM.
"Yes Tonight Josephine" is a 1957 song written by Winfield Scott and Dorothy Goodman, and performed by Johnnie Ray. It was a hit single in both the US and UK.
"634-5789 " is a soul song written by Eddie Floyd and Steve Cropper. It was first recorded by Wilson Pickett on December 20, 1965 and included on his 1966 Atlantic Records album The Exciting Wilson Pickett with backing vocals by Patti LaBelle and the Blue Belles. The single reached number 1 on the Billboard Hot Rhythm & Blues Singles chart and number 13 on the Hot 100 singles chart.
"I'll Be There" is a song written and originally recorded by Bobby Darin in 1960. It was first released as B-side to his single "Bill Bailey". As such it entered the Billboard charts on July 11, 1960, and reached position 79.
"I Cried a Tear" is a song written by Fred Jay and Al Julia and performed by American singer LaVern Baker. Atlantic Records released it as a single in 1958, which became Baker's most successful appearance on the record chart hits. King Curtis played the saxophone.
"Rock and Roll (I Gave You the Best Years of My Life)" is a 1973 song written and originally performed by Australian singer Kevin Johnson, most famously covered by American singer Mac Davis.
The Cues were an American R&B vocal group, who recorded both under their group name and under various other names as backing singers for artists on Atlantic Records and other labels in the 1950s. They recorded as the Rhythmakers with Ruth Brown; as the Blues Kings with Big Joe Turner; the Gliders with LaVern Baker; and as the Ivory Tones with Ivory Joe Hunter. Independently, they also recorded as the Four Students. Researcher Marv Goldberg has claimed that "because of their unique role in the recording industry, The Cues probably participated in more hit records than any other group."
"Any Way That You Want Me" is a song written by Chip Taylor that was first released in September 1966 by Tina Mason as the B-side to her single "Finders Keepers". It has been covered by a number of artists, with the most successful version being by English rock band the Troggs.