Under the Midnight Sun | ||||
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Studio album by | ||||
Released | 7 October 2022 | |||
Recorded | 2020–2022 | |||
Studio | Rockfield Studios, Psalm Studios, Wax Studios, Clearlake Audio, & Anti Machine Machine Studio | |||
Genre | ||||
Length | 35:02 | |||
Label | Black Hill Records | |||
Producer | Tom Dalgety | |||
The Cult chronology | ||||
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Singles from Under the Midnight Sun | ||||
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Under the Midnight Sun is the eleventh studio album by the British rock band The Cult, released on 7 October 2022 through Black Hill Records. [2] The record was produced by Tom Dalgety primarily at Rockfield Studios, where the band had recorded their debut album Dreamtime in 1984. [3]
In a June 2019 interview with LA Weekly , vocalist Ian Astbury stated that The Cult were "long overdue" to release new music, noting that "we do have some stuff we've been working on, but it's yet to see the light of day." [4] Six months later, Astbury told Atlantic City Weekly that the band was going to start working on new music in 2020, saying "we've got a few pieces lying around in various stages of completion. The intention is to get together in the New Year and take a look at what we've got and decide how we are going to go about moving forward. It's an essential part of any creative lifeblood." [5] On May 6, 2020, The Cult announced on their Twitter page that they had signed to Black Hill Records. [6]
On August 15, 2020, guitarist Billy Duffy announced on his Twitter that the band had begun recording with producer Tom Dalgety at Rockfield Studios. [2] Progress was slow for nearly two years, hampered by the COVID-19 pandemic, and the album being recorded remotely, with the half of the band tracking it at Rockfield Studios and Astbury in the United States. In May 2022, Duffy told The Yorkshire Post that the ‘main bulk’ of the album was finished and mastered. [7] On July 7, 2022, the band announced the album title and released "Give Me Mercy" as its first single. Astbury said of the single, "it perfectly fit these thoughts I’d been having about our culture’s need to move past assumptions of duality. We need new language because words can’t express where we’re going." [8]
The album name is said to have come from Astbury's experience during the 1986 Provinssirock festival in Finland. [9] [10] [11] Astbury was quoted recollecting about the event: “It’s three in the morning, the sun’s up, and there’s all these beautiful people in this halcyon moment. People are laying on the grass, making out, drinking, smoking. It was an incredible moment. When the world stopped [for the pandemic], I had this moment to write in real time, to calculate. I was compelled by this vision, this anomaly, this memory, of being under the midnight sun." [12]
The album is the first album since Beyond Good and Evil (2001) not to feature drummer John Tempesta who was absent from the recording sessions for unknown reasons but continued to be a member of the band. [13] Drums on the album were instead provided by Ian Matthews of Kasabian. [14]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 70/100 [15] |
Review scores | |
Source | Rating |
AllMusic | [16] |
Blabbermouth.net | 8.5/10 [17] |
Clash | 7/10 [10] |
Classic Rock | [18] |
Distorted Sound | 8/10 [19] |
Mojo | [9] |
PopMatters | 6/10 [11] |
The Telegraph | [12] |
Under the Midnight Sun has [14] received generally positive reviews from critics. Blabbermouth.net contributor Dom Lawson praised the new album, noting that it "imagines a new strain of muscular rock, where psychedelic string sections, the desert-bound twang of Duffy's guitar and prosaic but gripping melodies drift in and out of the motoring throng." [17] Similarly, Classic Rock writer Dave Everley mentioned that "there are moments [in the album] that are as good as anything The Cult recorded back in their 80s heyday." [18]
On a more critical level, AllMusic writer Thom Jurek commented that the album "is solid but also has a real shortcoming: it lacks musical diversity. Too many of these melodies are similar enough that they're indistinguishable from one another.” [16] Additionally, The Telegraph contributor Nick Ruskell said that “for much of its second half, [the album’s] magic doesn’t catch quite so well." [12] Yet, John Garrat of PopMatters more clearly noted that the album's "second half is sturdier overall, though it lacks the first half’s proportions of highs and lows." [11]
All songs written by Ian Astbury and Billy Duffy, except where noted.
Per album liner notes [20]
The Cult are an English rock band formed in Bradford in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead vocalist Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the United Kingdom in the mid-1980s as a post-punk and gothic rock band, with singles such as "She Sells Sanctuary", before breaking into the mainstream in the United States in the late 1980s establishing themselves as a hard rock band with singles such as "Love Removal Machine". Since its initial formation in 1983, the band have had various line-ups; the longest-serving members are Astbury and guitarist Billy Duffy, who are also the band's two main songwriters.
Southern Death Cult were a British post-punk/gothic rock band that formed in Bradford during the early 1980s. They are now primarily known for having given their lead vocalist and parts of the name to the multi-platinum hard rock band the Cult. Despite the similarities in the names, "Southern Death Cult" were distinct from "Death Cult"/"the Cult".
Ian Robert Astbury is a British singer who is the lead vocalist, frontman and a founding member of the rock band the Cult. During various hiatuses from the Cult, Astbury fronted the short-lived Holy Barbarians in 1996, and later from 2002 to 2007 served as the lead singer of Riders on the Storm, a Doors tribute band that also featured Ray Manzarek and Robby Krieger from the original Doors. He replaced Rob Tyner during an MC5 reunion in 2003, as well as appearing on several one-off guest vocal performances on other artists' songs.
Dreamtime is the debut studio album by the English rock band the Cult. Released on 31 August 1984 by Beggars Banquet Records, it peaked at No. 21 on the UK Albums Chart and was later certified silver by the BPI after having sold 60,000 copies. The first single, "Spiritwalker", peaked at No. 1 on the UK Independent Singles Chart. Dreamtime has subsequently been reissued in roughly 30 countries worldwide.
Ceremony is the fifth studio album by British rock band The Cult, first released on 23 September 1991. The most popular songs on the album are “Wild Hearted Son” and “Heart of Soul”.
Sonic Temple is the fourth studio album by British rock band The Cult, released on 10 April 1989. The album features some of the band's most popular songs, including "Fire Woman" and "Edie ". Sonic Temple was the last album recorded with longtime bassist Jamie Stewart, who left in 1990, and the first to feature session drummer Mickey Curry.
Love is the second studio album by the English rock band the Cult, released on 18 October 1985 by Beggars Banquet Records. The album was the band's commercial breakthrough, reaching number four in the UK and staying on the chart for 22 weeks. It produced three Top 40 singles in the UK, "She Sells Sanctuary", "Rain", and "Revolution". It has been released in nearly 30 countries and sold an estimated 2.5 million copies. Love was recorded at Jacob's Studios in Farnham, Surrey, in July and August 1985.
William Henry Duffy is an English rock musician, best known as the guitarist of the band The Cult.
Beyond Good and Evil is the seventh studio album by English rock band The Cult. Released in 2001, it marked their first new recording in six and a half years. The record debuted at No. 37 on the charts in the United States, No. 22 in Canada, No. 25 in Spain.
Electric is the third album by British rock band the Cult, released in 1987. It was the follow-up to their commercial breakthrough Love. The album equalled its predecessor's chart placing by peaking at number four in the UK but exceeded its chart residency, spending a total of 27 weeks on the chart.
The Cult is the sixth studio album from English rock band, The Cult. It was released in October 1994 on Beggars Banquet Records and it is also the band's last album on Sire Records in the US. It is also commonly referred to as the "Black Sheep" record, due to the image of a Manx Loaghtan black sheep on the front cover. The record also features one of the very rare times when Ian Astbury and Billy Duffy have shared songwriting credit with anyone: bassist Craig Adams is credited as co-author of "Universal You".
Pure Cult: The Singles 1984–1995 is a singles compilation by The Cult, authorized by the band to replace the previous unauthorized High Octane Cult. It is also a reissue of the 1993 compilation Pure Cult: for Rockers, Ravers, Lovers, and Sinners, with minor changes.
Born into This is The Cult's eighth studio album, and was released on October 2, 2007 in the US, Canada, South Africa, and Sweden. It was released in Hungary, Denmark, Spain and France on 1 October, and in Finland on the 3rd.
High Octane Cult is a United States and Japan greatest hits compilation featuring every single The Cult had released at the time, with the additional "Beauty's on the Street" and "In the Clouds". It was released by The Cult's then record company Beggars Banquet Records without The Cult's participation. In the years since its release, singer Ian Astbury and guitarist Billy Duffy have occasionally been vocal about their dislike of this release, with Astbury calling it "sad" on their official website in 2006. Beggars Banquet had planned on using handmade drawings by Ian Astbury for the album's artwork, but when the drawings were lost, the record company subsequently replaced it with less than stellar car photos, and the band photo from The Cult's Sonic Temple record was used in the jacket sleeve, along with a short bio about the band, which guitarist Billy Duffy publicly expressed his disapproval about.
BXI is a collaborative EP by the Japanese band Boris and the Cult lead vocalist Ian Astbury. The EP was released in September 2010 in CD, black, blue and pink vinyl, and digital formats through Southern Lord Records. Boris and Ian Astbury had performed live together, including on May 30, 2010, at the Sydney Opera House and on September 7, 2010, at the Brooklyn Masonic Temple in Brooklyn, New York.
Choice of Weapon is the ninth album by the British rock band The Cult. The album was initially planned for release in 2011, but the release date was pushed back to May 2012. It was initially released on 18 May in Europe, before being released in the UK on 21 May and then in the US the following day. Recording sessions for Choice of Weapon began in March 2011 with Chris Goss, who produced the 2010 Capsule EPs. The sessions took place at studios in New York City, Los Angeles, California, and the "California desert". The album was finished in January 2012. During the recording sessions, Bob Rock teamed up with The Cult for the first time since 2001's Beyond Good and Evil and co-produced Choice of Weapon. Choice of Weapon was named iTunes "Rock Album of the Year" in 2012.
Tom Dalgety is an English record producer and audio engineer. He is most noted for his work with Pixies, Ghost, and Royal Blood. He was nominated for Grammy Awards in 2019 for his production work on the Ghost album Prequelle and production and songwriting on the Ghost track "Rats".
Hidden City is the tenth studio album by the British rock band The Cult, released on 5 February 2016 through Cooking Vinyl and Dine Alone Records. It is the final part of a trilogy that began with Born into This (2007), and The Cult's first album since their 1994 self-titled album not to feature bassist Chris Wyse; the role was filled by producer Bob Rock and Chris Chaney. It also marks the fifth time Rock had produced a Cult album.
The Rockfield Files is a four-track EP by English rock band the Damned, released on 16 October 2020. It was released by London-based label Search and Destroy in a joint venture with Spinefarm Records. The EP marks the last recording with longtime drummer Pinch, who left the band in late 2019. The title is a reference to the 1970s American television series The Rockford Files.