ଉତ୍କଳ ସଙ୍ଗୀତ ମହାବିଦ୍ୟାଳୟ | |
 Main Entrance of Utkal Sangeet Mahavidyalaya | |
Other name | USM |
|---|---|
| Type | Performing Arts |
| Established | 16 April 1964 |
| Founder | Odisha Sangeet Natak Akademi (OSNA) |
| Affiliation | CHSE, Odisha Utkal University of Culture |
| Principal | Dr. Bijaya Kumar Jena |
| Location | , , 751020 , 20°16′27.3″N85°50′00.7″E / 20.274250°N 85.833528°E |
| Campus | Urban |
| Website | www |
 | |
Utkal Sangeet Mahavidyalaya is a performing arts-cum-educational institution in Bhubaneswar, Odisha, [1] [2] India.
Utkal Sangeet Mahavidyalaya was established by former Chief minister of Odisha Biju Patnaik on 14 April 1964, under Administrative Control of Odisha Sangeet Natak Academi (OSNA) till 1981. Then, from 1981 to 1999 it was affiliated to Utkal University.
Presently, Higher secondary course of this institution affiliated to CHSE, Odisha and Bachelor's and Master's Degree are affiliated to Utkal University of Culture since 1999. [3] [4]
It has several departments in the performing arts that students can choose to pursue, such as dance, drama, classical vocal, different musical instruments.
It offers 7 years of education and training, and includes a two year Higher Secondary School Certificate, a three year Bachelor of Arts, and a two year Master of Arts. Students are educated in the liberal arts and the performing arts at the same time. The Mahavidyalaya has been home to several luminaries in the world of Odissi music and Odissi dance over its history, both as its faculty and alumni.
Odissi music
Odissi Mardala
Odissi dance
On completing 50 years, the music school celebrated its Golden jubilee for five days in 2014. Around 1,200 participants and folk art groups of the state including Students, alumni, former and present faculty and staff members of Utkal Sangeet Mahavidyalaya participated in the golden jubilee celebrations. Celebrated by walking from Sachivalaya Marg to Ekamra Haat and then back to the college. [11] [12] [13]
Odissi music is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic sangita-shastras or treatises, unique Ragas & Talas and a distinctive style of rendition.
Mrudanga, also known as Khola is a classical percussive instrument native to the east Indian state of Odisha with a developed distinct traditional repertoire and technique. It has been used alongside the Mardala in Odissi classical music from ancient times, which is a comparatively bass-heavy drum as opposed to the high-pitched Mrudanga.
Guru Pankaj Charan Das (1919–2003) was an Indian classical dancer, choreographer and the Ādi Guru of Odissi dance. He is known as the 'Father of Odissi dance'.
Minati Mishra was an Indian classical dancer and actress, known for her expertise in the Indian classical dance form of Odissi. She was reported in 2011 to be the oldest-living Odissi performer. The Government of India honored Mishra in 2012, with the fourth-highest civilian award of Padma Shri.
Deba Prasad Das was an Indian classical dancer, considered by critics and connoisseurs as one of the four first generation gurus of the Indian classical dance form of Odissi. His Odissi style is robust and unique. He was a recipient of the 1977 Sangeet Natak Akademi Award. and 1974 Odisha Sangeet Natak Akademi Award.
Aruna Mohanty is an Odissi dancer, choreographer and guru. She is currently the Secretary of the Orissa (Odisha) Dance Academy. She has received a number of awards for her work, including the Padmashree award.
Mardala is a classical percussive instrument native to the east Indian state of Odisha, traditionally used as the primary accompaniment in Odissi classical music. The instrument is slightly different from other instruments that might have similar names in the Indian subcontinent due to its unique construction, acoustic features and traditional playing technique.
PanditGopal Chandra Panda is a Guru of Odissi classical music, vocalist, researcher and composer. A disciple of Singhari Shyamsundar Kar, he has authored several books such as Odissi Raga Ratnabali & Odissi Raga Darpana, and is acclaimed for his efforts to collect & document several traditional Odissi ragas from the hinterlands. Panda served as a lecturer and head of department in the Utkal Sangeet Mahavidyalaya for nearly three decades. He has performed in music festivals across the country and is the founder of the Gopal Panda Odissi Academy. In 2011, Panda received the Sangeet Natak Akademi Award for his contributions to Odissi music.
PanditRamarao Patro is an Odissi music Guru, Odissi Bina exponent or Binākāra, noted composer & vocalist. He has composed music for hundreds of Odissi dance items and has worked closely with the founding Gurus of Odissi dance including Guru Pankaj Charan Das, Guru Deba Prasad Das & Guru Kelucharan Mahapatra. He has widely performed Odissi Bina recitals across the state. He presently teaches Odissi Veena to students at Guru Ramhari Das' Odissi Gurukul at Biragobindapur, Puri, Odisha. Patro is the very last Guru and artiste of the Odissi Veena.Patro started his initial training at the age of six in the Gandhiji Sangita Kalamandira established by Acharya Tarini Charan Patra in his hometown. He initially trained under Guru Bauribandhu Das and Guru Krusna Chandra Brahma. He then learned vocal Odissi music and the intricacies of the Bina in the Odissi style of music from Tarini Charan Patra himself. He later joined the Utkal Sangeet Mahavidyalaya as a student and continued his musical education there. He is the author of a voluminous book 'Odissi Sangita Baridhi' documenting details of 60 Odissi ragas and 140 traditional Odissi compositions as taught by Guru Tarini Charan Patra.
PanditRamhari Das is a leading singer, composer, musicologist and Guru of Odissi music. Known for his renditions, compositions, lecture-demonstrations and writings, Das has served as a professor and led the Odissi vocal department in prominent musical institutions of Odisha, including the Utkal Sangeet Mahavidyalaya and the Utkal University of Culture. He is the founder of Ramhari Das Odissi Gurukula at Biragobindapur, Puri. For his contributions to Odissi music, Das received the Sangeet Natak Akademi award in 2008.
Dhaneswar Swain is an exponent and Guru of the Odissi Mardala, the traditional percussion instrument of Odissi music. He is known for his rhythmic compositions and fingering techniques, as well as his efforts to promote solo Mardala recitals and group presentations combining traditional percussive instruments from Odisha. He founded Vadya Vani Gurukula, an institution for training and research in Odissi Mardala, and other traditional Odisha percussion instruments.
Desaraja AdiguruSinghari Shyamasundar Kar was a renowned Odissi musician, Guru, singer, scholar and composer. Born to a sebayata (servitor) family of the Jagannatha Temple, he was groomed under veteran masters of the temple tradition and soon rose to be one of the towering Gurus of Odissi classical music in the 20th century. He was most known for his powerful voice and intricate style, his command over the Mardala as well as his contribution towards the academic institutionalization of Odissi music education. Most of the performers of Odissi music, Mardala and Odissi dance of his period admit to having come under the commanding influence and knowledge of Singhari. He died on 16 March 1975.
Dhanasri is a rāga belonging to the tradition of Odissi music. Falling under the meḷa of the same name, the raga uses komala gandhara and komala nisada swaras and is traditionally associated with the karuṇa rasa. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana.
Gujjari is a rāga belonging to the tradition of Odissi music. Falling under the meḷa Karnāta, the raga uses komala gandhara, komala dhaibata and komala nisada swaras and is traditionally associated with the karuṇa rasa. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana. Among its angaragas, Mangala Gujjari is most prominent and has been used by Jayadeva in his Gita Govinda, alongside Gujjari itself.
Baradi is a rāga belonging to the tradition of Odissi music. Falling under the meḷa Barādi, the raga uses komala rusabha, komala dhaibata and tibra madhyama swaras and is traditionally associated with the karuṇa rasa. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana. This raga has been used by the 12th-century Odia composer Jayadeva in his Gita Govinda along with its angaraga Desa Barādi.
Sokabaradi is a rāga belonging to the tradition of Odissi music. Falling under the meḷa of the same name, the raga uses komala rusabha, komala dhaibata, komala nisada and tibra madhyama swaras and is traditionally associated with the karuṇa rasa. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana.
Mangala Gujjari is a rāga belonging to the tradition of Odissi music. Falling under the meḷa Karnāta, the raga uses komala rusabha, komala gandhara, komala dhaibata and komala nisada swaras along with their suddha counterparts and is traditionally associated with the karuṇa rasa. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana. This raga is traditionally believed to have been created by Jayadeva in his Gita Govinda.
Abhiri is a rāga belonging to the tradition of Odissi music. Falling under the meḷa Karnāta, the raga uses komala gandhara, komala dhaibata and komala nisada swaras and is traditionally associated with the karuṇa rasa. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana.
Debakiri is a rāga belonging to the tradition of Odissi music. Falling under the meḷa Dhanasri, the raga uses komala gandhara and komala nisada swaras and is traditionally associated with the karuṇa and bhakti rasas. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana.
Sri is a rāga belonging to the tradition of Odissi music. Falling under the meḷa of the same name, the raga uses komala nisada swara and is traditionally associated with the melancholic karuna rasa. The raga is mentioned in treatises such as the Gita Prakasa and Sangita Narayana. Among its angaragas, Dhanasri, Bangalasri, Karunasri, Malasri, Madhusri, Dakhinasri are well-known.
{{cite web}}: CS1 maint: unfit URL (link){{cite web}}: CS1 maint: unfit URL (link)