Novels ↙ | 12 |
---|---|
Articles ↙ | 25 |
Stories ↙ | 21 |
Collections ↙ | 1 |
Scripts ↙ | 6 |
Screen appearances ↙ | 13 |
Forewords, introductions and afterwords ↙ | 16 |
Miscellanea ↙ | 9 |
References and footnotes |
The works of William Gibson encompass literature, journalism, acting, recitation, and performance art. Primarily renowned as a novelist and short fiction writer in the cyberpunk milieu, Gibson invented the metaphor of cyberspace in "Burning Chrome" (1982) and emerged from obscurity in 1984 with the publication of his debut novel Neuromancer . [1] [2] Gibson's early short fiction is recognized as cyberpunk's finest work, [3] effectively renovating the science fiction genre which had been hitherto considered widely insignificant. [4]
At the turn of the 1990s, after the completion of his Sprawl trilogy of novels, Gibson contributed the text to a number of performance art pieces and exhibitions, [2] [5] [6] as well as writing lyrics for musicians Yellow Magic Orchestra and Debbie Harry. [7] [8] He wrote the critically acclaimed artist's book Agrippa (a book of the dead) in 1992 before[ citation needed ] co-authoring The Difference Engine , an alternate history novel that would become a central work of the steampunk genre. [9] He then spent an unfruitful period as a Hollywood screenwriter, with few of his projects seeing the light of day and those that did being critically unsuccessful. [10]
Although he had largely abandoned short fiction by the mid-1990s, Gibson returned to writing novels, completing his second trilogy, the Bridge trilogy at the close of the millennium. After writing two episodes of the television series The X-Files around this time, Gibson was featured as the subject of a documentary film, No Maps for These Territories , in 2000. [11] Gibson has been invited to address the National Academy of Sciences (1993) and the Directors Guild of America (2003) and has had a plethora of articles published in outlets such as Wired , Rolling Stone and The New York Times . His third trilogy of novels, Pattern Recognition (2003), Spook Country (2007) and Zero History (2010) have put Gibson's work onto mainstream bestseller lists for the first time. [12]
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cybernetics, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Neuromancer is a 1984 science fiction novel by American-Canadian writer William Gibson. Considered one of the earliest and best-known works in the cyberpunk genre, it is the only novel to win the Nebula Award, the Philip K. Dick Award, and the Hugo Award. It was Gibson's debut novel and the beginning of the Sprawl trilogy. Set in the future, the novel follows Henry Case, a washed-up hacker hired for one last job, which brings him in contact with a powerful artificial intelligence.
William Ford Gibson is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson coined the term "cyberspace" for "widespread, interconnected digital technology" in his short story "Burning Chrome" (1982), and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works of Gibson's have been credited with "renovating" science fiction literature in the 1980s.
Johnny Mnemonic is a 1995 cyberpunk film directed by Robert Longo in his directorial debut. William Gibson, who wrote the 1981 short story, wrote the screenplay. Keanu Reeves plays Johnny, a data courier with an overloaded brain implant designed to securely store confidential information. The film, set in 2021, portrays a dystopian future wracked by a tech-induced plague, awash with conspiracies, and dominated by megacorporations. Takeshi Kitano portrays the CEO of a megacorporation attempting to suppress the data; he hires a psychopathic assassin played by Dolph Lundgren to do so. Ice-T and Dina Meyer co-star as Johnny's allies, a freedom fighter and a bodyguard, respectively.
John Shirley is an American writer, primarily of fantasy, science fiction, dark street fiction, westerns, and songwriting. He has also written one historical novel, a western about Wyatt Earp, Wyatt in Wichita, and one non-fiction book, Gurdjieff: An Introduction to His Life and Ideas. Shirley has written novels, short stories, TV scripts and screenplays—including The Crow—and has published over 84 books including 10 short-story collections. As a musician, Shirley has fronted his own bands and written lyrics for Blue Öyster Cult and others. His newest novels are Stormland and Axle Bust Creek.
Omni was a science and science fiction magazine published for domestic American and UK markets. It contained articles on science, parapsychology, and short works of science fiction and fantasy. It was published as a print version between October 1978 and 1995. The first Omni e-magazine was published on CompuServe in 1986 and the magazine switched to a purely online presence in 1996. It ceased publication abruptly in late 1997, following the death of co-founder Kathy Keeton; activity on the magazine's website ended the following April.
The Sprawl trilogy is William Gibson's first set of novels, composed of Neuromancer (1984), Count Zero (1986), and Mona Lisa Overdrive (1988).
Burning Chrome (1986) is a collection of short stories written by William Gibson. Most of the stories take place in Gibson's Sprawl, a shared setting for most of his early cyberpunk work. Many of the ideas and themes explored in the short stories were later revisited in Gibson's popular Sprawl trilogy.
Intrusion Countermeasures Electronics (ICE) is a term used in cyberpunk literature to refer to security programs which protect computerized data from being accessed by hackers.
"Johnny Mnemonic" is a science fiction short story by American-Canadian writer William Gibson. It first appeared in Omni magazine in May 1981, and was subsequently included in Burning Chrome, a 1986 collection of Gibson's short fiction. It takes place in the world of Gibson's cyberpunk novels, predating them by some years, and introduces the character Molly Millions, who plays a prominent role in the Sprawl trilogy of novels.
Molly Millions is a recurring character in stories and novels written by William Gibson, particularly his Sprawl trilogy. She first appeared in "Johnny Mnemonic", to which she makes an oblique reference in Neuromancer. She later appeared in Mona Lisa Overdrive under the name "Sally Shears".
"Skinner's Room" is a science fiction short story by American-Canadian author William Gibson, originally composed for Visionary San Francisco, a 1990 museum exhibition exploring the future of San Francisco. It features the first appearance in Gibson's fiction of "the Bridge", which Gibson revisited as the setting of his acclaimed Bridge trilogy of novels. In the story, the Bridge is overrun by squatters, among them Skinner, who occupies a shack atop a bridgetower. An altered version of the story was published in Omni magazine and subsequently anthologized. "Skinner's Room" was nominated for the 1992 Locus Award for Best Short Story.
Tom Maddox was an American science fiction writer, known for his part in the early cyberpunk movement.
"The Gernsback Continuum" is a 1981 science fiction short story by American-Canadian author William Gibson, originally published in the anthology Universe 11 edited by Terry Carr. It was later reprinted in Gibson's collection Burning Chrome, and in Mirrorshades, edited by Bruce Sterling. With some similarity to Gibson's later appraisal of Singapore for Wired magazine in Disneyland with the Death Penalty, as much essay as fiction, it depicts the encounters of an American photographer with the period futuristic architecture of the American 1930s when he is assigned to document it for fictional London publishers Barris-Watford, and the gradual incursion of its cinematic future visions into his world. The "Gernsback" of the title alludes to Hugo Gernsback, the pioneer of early 20th century American pulp magazine science fiction.
"Red Star, Winter Orbit" is a short story written by William Gibson and Bruce Sterling in the 1980s. It was first published in Omni in July 1983, and later collected in Burning Chrome, a 1986 anthology of Gibson's early short fiction, and in Sterling's 1986 cyberpunk anthology Mirrorshades. The story is set in an alternate future where the Soviet Union controls most of the Earth's resources, especially oil. As a result of this the United States is no longer a dominant economic power on earth and the Soviets have won the space race.
Richard Kadrey is a novelist, freelance writer, and photographer based in Austin, Texas.
"Burning Chrome" is a science fiction short story by Canadian-American writer William Gibson, first published in Omni in July 1982. Gibson first read the story at a science fiction convention in Denver, Colorado in the autumn of 1981, to an audience of four people, among them Bruce Sterling. It was nominated for a Nebula Award in 1983 and collected with the rest of Gibson's early short fiction in a 1986 volume of the same name.
Distrust That Particular Flavor is a collection of non-fiction essays by American author William Gibson, better known for his speculative and science fiction novels.
This story originally appeared in a Canadian 'zine, Virus 23, 1989.