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Events in the year 1725 in Japan .
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| See also: | Other events of 1725 History of Japan • Timeline • Years | ||||
Events in the year 1725 in Japan .
Emperor Tsuchimikado was the 83rd emperor of Japan, according to the traditional order of succession.
This article contains information about the literary events and publications of 1725.
Emperor Higashiyama was the 113th emperor of Japan, according to the traditional order of succession. Higashiyama's reign spanned the years from 1687 through to his abdication in 1709 corresponding to the Genroku era. The previous hundred years of peace and seclusion in Japan had created relative economic stability. The arts flourished, including theater and architecture.
Tagawa Matsu or Weng-shi (翁氏), was the mother of Koxinga, daughter of Tagawa Shichizaemon, a vassal of Hirado Domain. She was a Japanese who lived most of her life in the coastal town of Hirado, then later migrated to China.
Chikamatsu Monzaemon was a Japanese dramatist of jōruri, the form of puppet theater that later came to be known as bunraku, and the live-actor drama, kabuki. The Encyclopædia Britannica has written that he is "widely regarded as the greatest Japanese dramatist". His most famous plays deal with double-suicides of honor bound lovers. Of his puppet plays, around 70 are jidaimono (時代物) and 24 are sewamono (世話物). The domestic plays are today considered the core of his artistic achievement, particularly works such as The Courier for Hell (1711) and The Love Suicides at Amijima (1721). His histories are viewed less positively, though The Battles of Coxinga (1715) remains praised.
Donald Lawrence Keene was an American-born Japanese scholar, historian, teacher, writer and translator of Japanese literature. Keene was University Professor emeritus and Shincho Professor Emeritus of Japanese Literature at Columbia University, where he taught for over fifty years. Soon after the 2011 Tōhoku earthquake and tsunami, he retired from Columbia, moved to Japan permanently, and acquired citizenship under the name Kīn Donarudo. This was also his poetic pen name and occasional nickname, spelled in the ateji form 鬼怒鳴門.
Genroku (元禄) was a Japanese era name after Jōkyō and before Hōei. The Genroku period spanned the years from September 1688 to March 1704. The reigning emperor was Emperor Higashiyama (東山天皇).
Kanshō (寛正) was a Japanese era name after Chōroku and before Bunshō. This period spanned from December 1460 through February 1466. The reigning emperors were Go-Hanazono-tennō (後花園天皇) and Go-Tsuchimikado-tennō (後土御門天皇).
Shinigami are kami that invite humans toward death in certain aspects of Japanese religion and culture. Shinigami have been described as monsters, helpers, and creatures of darkness. Shinigami are used for tales and religions in Japanese culture.
The Love Suicides at Amijima is a domestic play (sewamono) by Japanese playwright Chikamatsu Monzaemon. Originally written for the bunraku puppet theatre, it was adapted into kabuki shortly after its premiere on 3 January 1721. It is widely regarded as one of his greatest domestic plays and was hailed by Donald Keene as “Chikamatsu’s masterpiece”.
The Love Suicides at Sonezaki is a jōruri play by the Japanese playwright Chikamatsu Monzaemon. The double suicides that occurred on May 22, 1703 inspired Chikamatsu to write this play and thus The Love Suicides at Sonezaki made its debut performance on June 20, 1703. Chikamatsu added new scenes in the 1717 revival including the villain's punishment. The Love Suicides at Sonezaki's reception was popular and helped springboard Chikamatsu's future success as a playwright. In the first year alone since the play's premirere, no less than seventeen couples committed double suicide. In fact, the bakufu banned Chikamatsu's shinjū plays in 1722 because of their content's popularity. The Love Suicides at Sonezaki was Chikamatsu's first "domestic tragedy" or "domestic play" (sewamono) and his first love-suicide play (shinjūmono). Until this play, the common topic for jōruri was jidaimono or "history plays" while kabuki performances showed domestic plays. The Love Suicides at Sonezaki separates into three scenes, staged over a day and a night. The two central characters are an orphaned oil clerk named Tokubei and Ohatsu, the courtesan he loves. There is a beginning scene that shows Ohatsu going on a pilgrimage that performances and translations often leave out. This play also includes a religious aspect involving Confucianism and Buddhism.
Four Major Plays of Chikamatsu is a collection of four major dramas by the famous Japanese playwright Chikamatsu Monzaemon. The four plays were first translated by Donald Keene in 1961, and have appeared in various collections and books over the years; Four Major Plays contains a Preface, an Introduction, and two appendices in addition, and is published by Columbia University Press.
The Crucified Lovers, also titled A Story from Chikamatsu, is a 1954 Japanese drama film directed by Kenji Mizoguchi. It was adapted from Monzaemon Chikamatsu's 1715 bunraku play Daikyōji mukashi goyomi.
Jōkyō (貞享) was a Japanese era name after Tenna and before Genroku. This period spanned the years from February 1684 through September 1688. The reigning emperors were Reigen-tennō (霊元天皇) and Higashiyama-tennō (東山天皇).
Takemoto Gidayū was a jōruri chanter and the creator of a style of chanted narration for Japan's puppet theatre which has been used ever since. The name "gidayū" has since become the term for all jōruri chanters. He was a close colleague of the famous playwright Chikamatsu Monzaemon, and founder and manager of the Takemoto-za puppet theatre.
Donald Howard Shively was an American academic, historian, Japanologist, author and professor emeritus of East Asian Languages and Cultures at the University of California, Berkeley. He was a leader of Japan studies in the United States.
A dōka is an ethical Japanese waka with a lesson. Well-versed poems of dōka contain the central dogma, appealing to Japanese people and easy to memorize.
Events in the year 1653 in Japan.
