A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. [1] The idea for the photo came from Esquire's art director, Robert Benton, rather than Kane. [2] However, after being given the commission, it seems the latter was responsible for choosing the location for the shoot. [3] The subjects are shown at 17 East 126th Street, [lower-alpha 1] between Fifth and Madison Avenue, where police had temporarily blocked off traffic. Published as the centerfold of the January 1959 ("Golden Age of Jazz") issue of Esquire, [4] the image was captured with a Hasselblad camera, and earned Kane his first Art Directors Club of New York gold medal for photography. [3] [5] It has been called "the most iconic photograph in jazz history". [6]
The scene portrayed is something of an anachronism, as by 1957 Harlem was no longer the "hotbed" of jazz it had been in the 1940s, and had "forfeited its place in sun" to 52nd Street in Midtown Manhattan. [7] Many musicians who were formerly resident in the area had already moved to middle-class parts of New York, or did so shortly thereafter. [8] Kane himself was not that certain who would turn up on the day, as Esquire staff had merely issued a general invitation through the local musicians' union, recording studios, music writers, and nightclub owners. [9]
In 2018, a book was published to mark the 60th anniversary of the event, with forewords by Quincy Jones and Benny Golson, [lower-alpha 2] and an introduction by Kane's son, Jonathan. [11]
Following the death of Benny Golson in September 2024, Sonny Rollins is the last living adult musician featured in the photograph. [12]
Count Basie, having grown tired of standing, sat down on the curb, and gradually a dozen children followed. [14] Most of the children were neighborhood residents, although the second child from the right, Taft Jordan Jr., had accompanied his father, Taft Jordan, to the photo session. [14] The photography crew was already having trouble directing the adults, and the presence of the children added to the chaos: one of the children appearing in the window kept yelling at a sibling on the curb; another kept playing with Basie's hat; Taft Jordan Jr. had been scuffling with the older child seated to his left. [14] Ultimately, Art Kane realized that any further attempt to organize the proceedings would be futile, and he decided to incorporate the subjects' actions. [14]
Notable absentees were Louis Armstrong, John Coltrane, and Miles Davis (all touring), Duke Ellington (in Milwaukee), Benny Goodman (in Los Angeles), and Ella Fitzgerald (recording in Chicago). Ruby Braff, Billie Holiday, "Philly" Joe Jones, Max Roach, and Ben Webster were also not present. [10]
Willie "The Lion" Smith had sat down to rest on a nearby stoop when the photo chosen for publication was taken, but appears in unused frames. [15] [16]
Ronnie Free, Mose Allison and Charlie Rouse arrived too late to participate in the Esquire shoot, but they were photographed by Dizzy Gillespie alongside Mary Lou Williams, Lester Young and Oscar Pettiford. [17] [18]
Jean Bach, a radio producer of New York, recounted the story behind the photograph in her 1994 documentary film, A Great Day in Harlem . This incorporated 8 mm film footage taken by bassist Milt Hinton on the day of the shoot. [2] The film was nominated in 1995 for an Academy Award for Documentary Feature. Bach described how, upon the film's release, a number of similar photographs employed the "A Great Day in..." theme. [19] Hugh Hefner assembled Hollywood-area musicians for "A Great Day in Hollywood" in conjunction with a sneak preview of A Great Day in Harlem. [19] Soon afterwards, "A Great Day in Philadelphia" included musicians such as Jimmy Heath, Benny Golson and Ray Bryant. [19] During the filming of Kansas City (1996), musicians including Jay McShann posed for "A Great Day in Kansas City". [19] A multi-page supplement in The Star-Ledger featured "A Great Day in Jersey", while a Dutch photograph was titled "A Great Day in Haarlem". [19] In 1998, "Great Day in St Paul" was taken by Byron Nelson. [20]
The trend spread to other styles of music, with Houston blues musicians posing for "A Great Day in Houston". [19] "A Great Day in Hip Hop" was followed by XXL's "The Greatest Day in Hip Hop". [19] An Atlanta radio station gathered musicians for "A Great Day in Doo-Wop". [19] A New York cellist, inspired by both the original photograph and the film, assembled chamber musicians for "A Great Day in New York". [19] The New York Post ran "A Great Day in Spanish Harlem". [19]
The photograph was a key plot point in Steven Spielberg's 2004 film The Terminal . The film starred Tom Hanks as Viktor Navorski, a character who comes to the United States in search of Benny Golson's autograph, with which he can complete his deceased father's collection of autographs from the musicians pictured in the photo. Golson himself made a cameo appearance in the film. [21] [22] [23]
Walter Theodore "Sonny" Rollins is an American retired jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians.
Benny Golson was an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson was known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.
Arthur Stewart Farmer was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while at high school in Los Angeles. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player.
Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".
Jazz is a 2001 television documentary miniseries directed by Ken Burns. It was broadcast on PBS in 2001 and was nominated for an Emmy Award for Outstanding Documentary or Nonfiction Series. Its chronological and thematic episodes provided a history of jazz, emphasizing innovative composers and musicians and American history.
Art Kane was an American fashion and music photographer active from the 1950s through the early 1990s. He created many portraits of contemporary musicians, including Bob Dylan, Jefferson Airplane, Sonny and Cher, Aretha Franklin, Frank Zappa, Jim Morrison, Janis Joplin, the Rolling Stones, and The Who.
"I Remember Clifford" is an instrumental jazz threnody written by jazz tenor saxophonist Benny Golson in memory of Clifford Brown, the influential and highly regarded jazz trumpeter who died in an auto accident at the age of 25. Brown and Golson had done a stint in Lionel Hampton's band together. The original recording was by Donald Byrd in January 1957.
Wilbur Bernard Ware was an American jazz double bassist. He was a regular bassist for the Riverside record label in the 1950s, and recorded regularly in that decade with Johnny Griffin, Kenny Dorham, Kenny Drew, and Thelonious Monk. He also appeared on records released by J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, and Grant Green, among others.
Sahib Shihab was an American jazz and hard bop saxophonist and flautist. He variously worked with Luther Henderson, Thelonious Monk, Fletcher Henderson, Tadd Dameron, Dizzy Gillespie, Kenny Clarke, John Coltrane and Quincy Jones among others.
Roy McCurdy is a jazz drummer.
Thomas Bryant was an American jazz double-bassist.
Daniel Bernard Bank was an American jazz saxophonist, clarinetist, and flautist. He is credited on some releases as Danny Banks.
Thomas S. "Tom" McIntosh was an American jazz trombonist, composer, arranger, and conductor.
A Great Day in Harlem is a 1994 American documentary film directed by Jean Bach about the photograph of the same name. It was nominated for an Academy Award for Best Documentary Feature.
Janette Beckman is a British documentary photographer who has worked in London, New York and Los Angeles. Beckman describes herself as a documentary photographer. While she produces a lot of work on location, she is also a studio portrait photographer. Her work has appeared on records for the major labels, and in magazines including Esquire,Rolling Stone,Glamour,Italian Vogue,The Times,Newsweek,Jalouse,Mojo and others.
The Jazz of the City Atlanta is a historic, color portrait of over 100 jazz musicians surrounding then-Mayor Shirley Franklin created in the Atlanta City Hall Atrium. Similar to the iconic, black and white, jazz portrait A Great Day in Harlem taken by Art Kane in 1958 — THE JAZZ OF THE CITY ATLANTA 2007 photograph marked a great day in Atlanta jazz history and the 30th anniversary of the Atlanta Jazz Festival.
Joseph Lewis Thomas was an American swing jazz trumpeter, who was born in Webster Groves, Missouri, and died in New York City, New York.
Jean Bach was an American documentary film director, radio producer and jazz aficionado. Bach directed the 1994 documentary, A Great Day in Harlem, based on a 1958 photograph of the same name.
William John Crump was an American jazz musician, who played alto and tenor saxophone, clarinet, flute, and oboe. He is remembered today mainly as one of the 57 musicians pictured in Art Kane's 1958 photograph A Great Day in Harlem, which appeared in the January 1959 issue of Esquire magazine. At the time, Crump was playing in house bands at the Apollo Theater and Savoy Ballroom in Harlem, New York.
A Great Day in Hip Hop is a black-and-white photograph of over 200 hip hop artists and producers in Harlem, New York, taken by photographer Gordon Parks on September 29, 1998. It was commissioned by XXL magazine, as a homage to Art Kane's A Great Day in Harlem, photographed in 1958.