After Five | |
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![]() Publicity photo published in a contemporary newspaper. | |
Directed by | Cecil B. DeMille Oscar Apfel |
Screenplay by | William C. DeMille |
Based on | After Five by Cecil B. DeMille and William C. DeMille |
Starring | Edward Abeles |
Cinematography | Alfredo Gondolf |
Distributed by | Paramount Pictures |
Release date |
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Running time | 50 minutes |
Country | United States |
Languages | Silent English intertitles |
After Five is a 1915 American silent thriller comedy film directed by Cecil B. DeMille and Oscar Apfel. Based on the play of the same name by DeMille and his brother William, the film stars Edward Abeles. [1]
Ted Ewing (Edward Abeles) invests both his own and the money of his fiancée, Nora Heldreth (Betty Schade), when a broker friend offers big investment returns. After the broker friend disappears, though, Ewing believes that he has squandered their money, and sets out on a course of action to recover it. He takes out a life insurance policy and then tries to get himself "accidentally" killed. His numerous attempts are to no avail. Next he hires some strong arms to kill him since they have apparently been following him anyway. He gives the money for his murder for hire to his valet, Oki (Sessue Hayakawa). But then the broker returns and Ewing discovers that his investment has doubled! With the strong arms after him, Ewing must straighten out the situation before it's too late.
The Cheat is a 1915 American silent drama film directed by Cecil B. DeMille, starring Fannie Ward, Sessue Hayakawa, and Jack Dean, Ward's real-life husband.
Kintarō Hayakawa, known professionally as Sessue Hayakawa, was a Japanese actor and a matinée idol. He was one of the most popular stars in Hollywood during the silent film era of the 1910s and early 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a leading man in the United States and Europe. His "broodingly handsome" good looks and typecasting as a sexually dominant villain made him a heartthrob among American women during a time of racial discrimination, and he became one of the first male sex symbols of Hollywood.
Fannie Ward, also credited as Fanny Ward, was an American actress of stage and screen. Known for performing in both comedic and dramatic roles, she was cast in The Cheat, a sexually-charged 1915 silent film directed by Cecil B. DeMille. Reportedly, Ward's ageless appearance helped her to achieve and maintain her celebrity. In its obituary for her, The New York Times describes her as "an actress who never quite reached the top in her profession ... [and who] tirelessly devoted herself to appearing perpetually youthful, an act that made her famous".
Tsuru Aoki was a Japanese stage and screen actress whose career was most prolific in the United States during the silent film era of the 1910s through the 1920s. Aoki may have been the first Asian actress to garner top billing in American motion pictures.
Teru Shimada was a Japanese-American actor.
Brewster's Millions is a lost 1921 American comedy film starring Fatty Arbuckle. It is an adaptation of the 1902 novel written by George Barr McCutcheon as well as the 1906 Broadway smash hit play of the same name starring Edward Abeles.
Brewster's Millions is a 1914 American comedy film directed by Oscar Apfel and Cecil B. DeMille and starring Edward Abeles. It is an adaptation of the 1902 novel written by George Barr McCutcheon. The novel had also been turned into a successful 1906 Broadway play of the same name that also starred Edward Abeles. Abeles's success in the play led to his being cast in this film.
For Better, for Worse is a 1919 American silent drama film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the second of four "marriage films" directed by DeMille and the second DeMille film starring Gloria Swanson. For Better, for Worse was adapted for the screen by William C. DeMille. Jeanie MacPherson wrote the film's scenario.
Sessue Hayakawa was one of the first Asian actors and filmmakers to gain great fame and success in the United States. He starred in both English-language and Japanese-language films. His career peaked during the silent film period but continued on and eventually thrived in the talkie era, culminating with an Academy Award-nominated performance in The Bridge on the River Kwai in 1957.
The Dragon Painter is a 1919 English language silent romance drama film. It is based on the novel of the same name, written by Mary McNeil Fenollosa. It stars Sessue Hayakawa as a young painter who believes that his fiancée, is a princess who has been captured and turned into a dragon. It was directed by William Worthington and filmed in Yosemite Valley, Yosemite National Park, and in the Japanese Tea Garden in Coronado, California.
The Secret Game is a surviving 1917 American silent drama film produced by Jesse Lasky and released through Paramount Pictures. It was directed by William C. deMille and starred Sessue Hayakawa. It survives complete at the Library of Congress and was released on DVD.
The Clue is a lost 1915 American drama silent film directed by James Neill and Frank Reicher and written by Margaret Turnbull. The film stars Blanche Sweet, Gertrude Kellar, Edward MacKay, Sessue Hayakawa, Page Peters and Ernest Joy. The film was released on July 8, 1915, by Paramount Pictures.
Each to His Kind is a lost 1917 American drama silent film directed by Edward LeSaint and written by George DuBois Proctor and Paul West. The film stars Sessue Hayakawa, Tsuru Aoki, Vola Vale, Ernest Joy, Eugene Pallette and Guy Oliver. The film was released on February 5, 1917, by Paramount Pictures.
The Courageous Coward is a 1919 American silent drama film directed by William Worthington and featuring Sessue Hayakawa and Tsuru Aoki in lead roles. It is presumed to be a lost film, with only reel 5 preserved at the EYE Film Institute Netherlands film archive.
The White Man's Law is a surviving 1918 American silent drama film directed by James Young and written by Marion Fairfax and John B. Browne. The film stars Sessue Hayakawa, Florence Vidor, Jack Holt, Herbert Standing, Mayme Kelso, and Forrest Seabury. The film was released on May 6, 1918, by Paramount Pictures.
Sessue Hayakawa: Silent Cinema and Transnational Stardom is a biography of actor Sessue Hayakawa, written by Daisuke Miyao, assistant professor of film at the University of Oregon, and published by Duke University Press. It won the 2007 Book Award in History from the Association of Asian American Studies and the John Hope Franklin Book Award from Duke University (2007).
His Birthright is a 1918 American drama film directed by William Worthington for Haworth Pictures Corporation. Sessue Hayakawa produced the film and played the lead role. The rest of the cast includes Marin Sais, Howard Davies, Mary Anderson, and Hayakawa's wife Tsuru Aoki.
Five Days to Live is a 1922 American silent drama film directed by Norman Dawn and featuring Sessue Hayakawa, Tsuru Aoki, Goro Kino, Misao Seki, Toyo Fujita, and George Kuwa.
The Brand of Lopez is a 1920 American film directed by Joseph De Grasse and produced by Sessue Hayakawa's Haworth Pictures Corporation. Although the main characters are a matador and an actress, there are no bull fighting or theater scenes portrayed in the film.
An Arabian Knight is a 1920 American drama film directed by Charles Swickard and produced by Sessue Hayakawa's Haworth Pictures Corporation. Its survival status is classified as unknown, which suggests that it is a lost film.