|Old Wives for New|
|Directed by||Cecil B. DeMille|
|Written by||Jeanie MacPherson|
|Based on||Old Wives for New|
by David Graham Phillips
|Produced by||Cecil B. DeMille|
Jesse L. Lasky
|Edited by||Cecil B. DeMille|
Famous Players-Lasky / Artcraft
|Distributed by||Paramount Pictures|
|Language||Silent (English intertitles)|
Old Wives for New is a 1918 American silent drama film directed by Cecil B. DeMille.   Prints of the film survive at the International Museum of Photography and Film at George Eastman House. 
As described in a film magazine,  disgusted by the unattractive, slovenly appearance of his wife Sophy (Ashton), Charles Murdock (Dexter) goes on a long hunting trip. He meets Juliet Raeburn (Vidor), falls in love with her, and while telling her of his love, he reveals that he is a married man. Upon his return, his wife flies into a frenzy of jealousy. To forget, he goes out with his business partner Tom Berkeley (Roberts), meets Viola Hastings (Manon), who is being provided for by Berkeley, and another woman of the cafes. Viola shoots Berkeley when she finds him in another woman's bedroom and Juliet Raeburn's name is connected to the scandal by a false report. Murdock, to protect Juliet, goes abroad with another woman. After his wife obtains a divorce, Juliet and Murdock meet in Venice, renew their friendship, and marry.
Like many American films of the time, Old Wives for New was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors issued an Adults Only permit for the film and cut, in Reel 1, the intertitle "A shrewd sensualist" etc., Reel 3, the two intertitles "With a ribbon and a feather Berkeley pays his debts" and "Suppose he didn't get you the ermine?", the incident of Mrs. Murdock pointing to a place near her in bed, Reel 4, the intertitle "No, I can't forget, I'll take you only to your apartment", all scenes of young woman in man's arms on chair, Reel 5, all scenes of young woman in man's arms on chair, young woman shooting man and all scenes of her on floor after shooting, and the four intertitles "I killed him; he was a beast", "We've got to get him to his hotel", "Hushing it up", and "I won't turn you over to the police yet". 
The Squaw Man is a 1918 American silent Western film directed by Cecil B. DeMille. It is a remake of DeMille's 1914 film of the same name, which is based upon a 1905 play by Edwin Milton Royle. The film was reportedly made as an experiment to prove DeMille's theory that a good film is based on a good story. It cost $40,000 to make and grossed $350,000. It would be remade again by DeMille in 1931. The 1918 The Squaw Man is a lost film with only the last reel extant.
The Woman in the Web is a 1918 American drama film serial directed by Paul Hurst and David Smith. It was the 9th of 17 serials released by The Vitagraph Company of America. This World War I period serial about a Russian princess and the overthrow of the Tsar introduced the concept of the Red Menace to serials. The serial is now considered to be a lost film.
The Mystery Ship is a 1917 American adventure film serial directed by Harry Harvey and Henry MacRae. The film is considered to be lost.
The Brass Bullet is a 1918 American adventure film serial directed by Ben F. Wilson. It is now considered to be a lost film.
The Bull's Eye is a 1917 American film serial directed by James W. Horne. It is now considered to be a lost film.
The Fatal Ring is a 1917 American action film serial directed by George B. Seitz. Silentera.com reports that the UCLA Film and Television Archive may have a complete print.
The Hidden Hand is a 1917 American film serial directed by James Vincent. This is a lost serial.
The Seven Pearls is a 1917 American silent action film serial directed by Louis J. Gasnier and Donald MacKenzie. Fragments are held by the Library of Congress.
Hands Up is a lost 1918 American adventure film serial directed by Louis J. Gasnier and James W. Horne. The serial was Ruth Roland's breakthrough role.
The House of Hate is a 1918 American film serial directed by George B. Seitz, produced when many early film studios in America's first motion picture industry were based in Fort Lee, New Jersey.
Which Woman? is a 1918 American silent drama film directed by Tod Browning and Harry A. Pollard. The film stars Ella Hall as a reluctant bride and Priscilla Dean as an adventuress and leader of a gang of thieves. The story was remade in 1923 as Nobody's Bride.
The Grand Passion is a 1918 American silent Western film directed by Ida May Park and starring Dorothy Phillips, Jack Mulhall, and Lon Chaney. Ida May Park also wrote the screenplay, based on a novel The Boss of Powderville by Thomas Addison. The film was allegedly shown in some theaters under the title of The Boss of Powderville.
When a Woman Sins is a 1918 American silent drama film directed by J. Gordon Edwards and starring Theda Bara.
You Can't Believe Everything is a 1918 American silent drama film directed by Jack Conway and starring Gloria Swanson. It is not known whether the film currently survives, and it is likely to be a lost film.
The Bride's Awakening is a 1918 American silent drama film released by Universal Pictures and produced by their Bluebird production unit. Robert Z. Leonard directed the film and his then-wife Mae Murray was the star. A print of the film is housed at the EYE Institute Nederlands.
Riders of the Purple Sage is a 1918 American silent Western film directed by Frank Lloyd and starring William Farnum, Mary Mersch, and William Scott. The film is about a former Texas Ranger who goes after a group of Mormons who have abducted his married sister. This Frank Lloyd silent film was the first of five film adaptations of the novel.
Wolves of the Rail is a 1918 American silent Western film produced, directed by, and starring William S. Hart. Thomas H. Ince assisted Hart in supervising the production.
The Hell Cat is a 1918 American silent Western film produced and distributed by Goldwyn Pictures. Reginald Barker directed and Geraldine Farrar starred. It is not known whether the film currently survives.
The Fighting Trail is a lost 1917 American silent Western serial film directed by and starring William Duncan. It was produced and distributed by the Vitagraph Company of America. It was released in 15 chapters.
The Gun Woman is a 1918 American silent Western film directed by Frank Borzage and starring Texas Guinan. It was produced and distributed by the Triangle Film Corporation.