Triumph | |
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![]() 1924 theatrical poster | |
Directed by | Cecil B. DeMille Frank Urson (asst. director) |
Written by | Jeanie MacPherson |
Based on | Triumph by May Edginton |
Produced by | Cecil B. DeMille Adolph Zukor Jesse Lasky |
Starring | Leatrice Joy Rod La Rocque |
Cinematography | Bert Glennon |
Edited by | Anne Bauchens |
Music by | James C. Bradford |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 80 minutes |
Country | United States |
Language | Silent (English intertitles) |
Triumph is a 1924 American silent drama film directed by Cecil B. DeMille and starring Leatrice Joy and Rod La Rocque. [1] It was based on a 1924 novel of the same name by May Edginton. The novel had previously been serialized in 1923 by The Saturday Evening Post . [2]
As described in a film magazine review, [3] Anna Land is forewoman of the Garnet Can Works, controlled by William Silver, one of the late owner's sons. Another son, King Garnet, is destitute. Anna's ambition is to be a singer. King extorts $1,000 from Silver and aids Anna in making her debut, which is a success. Silver sends Anna abroad and follows her. She loses her voice as a result of an injury in a fire. King takes a job in the factory and works his way up. On Silver's return, he finds King has obtained control of the company. King makes Silver manager. The latter, knowing Anna really loves his brother, gives her up to King.
DeMille fell out with Adolph Zukor, one of the heads of Famous Players–Lasky, over the production costs of The Ten Commandments (1923). He completed Triumph and Feet of Clay (1924), before he departed Paramount to lead his own production company, Producers Distributing Corporation (PDC). He returned to Paramount only after the introduction of sound in the early 1930s.
Complete prints of Triumph are held by the Library of Congress (on 35 mm) and the George Eastman Museum in Rochester, New York. [4] [5]
Roderick Ross La Rocque was an American actor.
Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
Leatrice Joy was an American actress most prolific during the silent film era.
Julia Faye Maloney, known professionally as Julia Faye, was an American actress of silent and sound films. She was known for her appearances in more than 30 Cecil B. DeMille productions. Her various roles ranged from maids and ingénues to vamps and queens.
Forbidden Paradise is a 1924 American silent drama film, directed by Ernst Lubitsch, produced by Famous Players–Lasky, and distributed by Paramount Pictures. The film is based on a 1922 Broadway play, The Czarina, by Edward Sheldon, who adapted the Hungarian-language book by Melchior Lengyel and Lajos Bíró. The play starred Doris Keane, in one of her last stage roles, as Catherine the Great. Basil Rathbone costarred with Keane. The film stars Pola Negri as Catherine the Great and Rod La Rocque in the Rathbone role. Clark Gable makes his second appearance on film.
Saturday Night is a 1922 American silent romantic comedy film directed by Cecil B. DeMille and starring Leatrice Joy, Conrad Nagel, and Edith Roberts. It was Leatrice Joy's first film with DeMille.
Manslaughter is a 1922 American silent drama film directed by Cecil B. DeMille and starring Thomas Meighan, Leatrice Joy, and Lois Wilson. It was scripted by Jeanie MacPherson adapted from the novel of the same name by Alice Duer Miller. Art direction and costumes for the film were done by Paul Iribe.
Feet of Clay is a 1924 American silent drama film directed and produced by Cecil B. DeMille, starring Vera Reynolds and Rod La Rocque, and with set design by Norman Bel Geddes. The film is based on the 1923 novel by Margaretta Tuttle, and Beulah Marie Dix's one-act 1915 play Across the Border.
Java Head is a 1923 American silent romantic drama film directed by George Melford and starring Leatrice Joy, Jacqueline Logan, Frederick Strong, Alan Roscoe, and Betty Bronson in a bit part. It is based on a popular novel of the same name by Joseph Hergesheimer, which in turn is named after the geographical feature.
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.
Icebound is a 1924 American silent drama film directed by William C. deMille, produced and distributed by Paramount Pictures, and based on a 1923 Pulitzer Prize Broadway produced play of the same name by Owen Davis. This film production was made at Paramount's Astoria Studios in New York City. Actress Edna May Oliver returned to the role that she played in the Broadway version.
A Society Scandal is a 1924 American silent drama film directed by Allan Dwan, and starring Gloria Swanson and Rod La Rocque. Distributed by Paramount Pictures, the film is based on a 1922 play The Laughing Lady, by Alfred Sutro which starred Ethel Barrymore in 1923 on Broadway and originally in 1922 with Edith Evans in UK.
The Cheat is a 1923 American silent drama film produced by Famous Players–Lasky and distributed by Paramount Pictures, and is a remake of Cecil B. DeMille's 1915 film of the same name using the same script by Hector Turnbull and Jeanie MacPherson. This version stars Pola Negri and was directed by George Fitzmaurice.
The Coming of Amos is a 1925 American silent romantic drama film directed by Paul Sloane, produced by Cecil B. DeMille and distributed by his Producers Distributing Corporation. Copies of this film survive and can be found on home video and more recently on DVD.
The Dressmaker from Paris is a 1925 American silent romantic comedy drama film directed by Paul Bern. The story was written by Howard Hawks and Adelaide Heilbron. Heilbron also wrote the screenplay. The film starred Leatrice Joy and was her last film for Paramount Pictures. The film was costume designer Travis Banton's first assignment.
The Silent Partner is a 1923 American silent drama film produced by Famous Players–Lasky and released through Paramount Pictures. It was based on a series of articles from the Saturday Evening Post by Maximilian Foster and directed by Charles Maigne. Leatrice Joy and Owen Moore star in the feature. The film is a remake of the 1917 film of the same name.
Gigolo is a 1926 American silent romantic drama film produced by Cecil B. DeMille and released by Producers Distributing Corporation. William K. Howard directed and Rod La Rocque and Jobyna Ralston star. The film is based on a novel, Gigolo, by Edna Ferber.
Don't Call It Love is a 1923 American silent romantic comedy film directed by William C. deMille and written by Clara Beranger and Julian Street based upon the play Rita Coventry by Hubert Osborne. The film stars Agnes Ayres, Jack Holt, Nita Naldi, Theodore Kosloff, Rod La Rocque, and Robert Edeson. The film was released on December 24, 1923, by Paramount Pictures.
Night Life of New York is a 1925 American silent comedy film directed by Allan Dwan and written by Paul Schofield and Edgar Selwyn. The film stars Rod La Rocque, Ernest Torrence, Dorothy Gish, Helen Lee Worthing, George Hackathorne, and Arthur Housman. The film was released on August 3, 1925, by Paramount Pictures.
Made for Love is a 1926 American silent drama film directed by Paul Sloane, produced by Cecil B. DeMille, and starring Leatrice Joy.