The Golden Bed | |
---|---|
Directed by | Cecil B. DeMille |
Written by | Jeanie MacPherson |
Based on | Tomorrow's Bread by Wallace Irwin |
Produced by | Adolph Zukor Jesse Lasky |
Starring | Lillian Rich Vera Reynolds |
Cinematography | J. Peverell Marley |
Edited by | Anne Bauchens |
Production company | |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 90 minutes |
Country | United States |
Language | Silent (English intertitles) |
Budget | $437,900 [1] |
Box office | $816,487 [1] |
The Golden Bed is a 1925 American silent drama film directed by Cecil B. DeMille. [2] It is based on the 1924 short story Tomorrow's Bread by Wallace Irwin, originally published in Pictorial Review. Jeanie MacPherson wrote the screenplay. [3]
As described in a review in a film magazine, [4] even as a child golden-haired Flora Lee Peake (Rich) attracted the opposite sex. Little Admah Holtz (La Rocque), peddling candy, would give her some of his wares. She sleeps on a golden bed adorned with swans that her parents pampered her with. When she grew up, her father (Walthall) used his last dollar to bring about her marriage to the Marquis de San Pilar (Kosloff), while her younger sister Margaret (Reynolds) went to work assisting Admah, who now owns a candy store. Soon after, the Marquis found Flora submitting to the embrace of the Duc (Cain). On a mountain climb the Marquis and Duc fight on a snow covered ledge atop a glacier, and the Marquis cuts the rope so that they both fall to their death in a crevasse. Flora returns home and soon has ensnared Abmah, now a wealthy man. Her extravagance brings him near to ruin. To satisfy her, he throws a ball where all the decorations are made from candy, but he has used some of the firm's funds. Admah is arrested for this and is sent to prison for five years. Margaret, who loves Admah, remains true and buys and operates the store, while Flora runs off with Bunny O'Neill (Baxter). Bunny throws her down and, now a wreck, returns to her old home, now a boarding house, and goes to her room with its famous golden bed. Admah, released from prison, also returns to the home and Flora dies in his arms. Going to his old store he finds Margaret waiting, and they start life anew.
Complete 35 mm and 16 mm prints of The Golden Bed are held by the George Eastman Museum in Rochester, New York. [2] [5]
Cecil Blount DeMille was an American filmmaker and actor. Between 1914 and 1958, he made 70 features, both silent and sound films. He is acknowledged as a founding father of American cinema and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. He was an active Freemason and member of Prince of Orange Lodge #16 in New York City.
The Ten Commandments is a 1956 American epic religious drama film produced, directed, and narrated by Cecil B. DeMille, shot in VistaVision, and released by Paramount Pictures. The film is based on the 1949 novel Prince of Egypt by Dorothy Clarke Wilson, the 1859 novel Pillar of Fire by J. H. Ingraham, the 1937 novel On Eagle's Wings by A. E. Southon, and the Book of Exodus, found in the Bible. The Ten Commandments dramatizes the biblical story of the life of Moses, an adopted Egyptian prince who becomes the deliverer of his real brethren, the enslaved Hebrews, and thereafter leads the Exodus to Mount Sinai, where he receives, from God, the Ten Commandments. The film stars Charlton Heston in the lead role, Yul Brynner as Rameses, Anne Baxter as Nefretiri, Edward G. Robinson as Dathan, Yvonne De Carlo as Zipporah, Debra Paget as Lilia, and John Derek as Joshua; and features Sir Cedric Hardwicke as Seti I, Nina Foch as Bithiah, Martha Scott as Yochabel, Judith Anderson as Memnet, and Vincent Price as Baka, among others.
1917 in film was a particularly fruitful year for the art form, and is often cited as one of the years in the decade which contributed to the medium the most, along with 1913. Secondarily the year saw a limited global embrace of narrative film-making and featured innovative techniques such as continuity cutting. Primarily, the year is an American landmark, as 1917 is the first year where the narrative and visual style is typified as "Classical Hollywood".
The year 1915 in film involved some significant events.
Anne Baxter was an American actress, star of Hollywood films, Broadway productions, and television series. She won an Academy Award and a Golden Globe, and was nominated for an Emmy.
Samson and Delilah is a 1949 American romantic biblical drama film produced and directed by Cecil B. DeMille and released by Paramount Pictures. It depicts the biblical story of Samson, a strongman whose secret lies in his uncut hair, and his love for Delilah, the woman who seduces him, discovers his secret, and then betrays him to the Philistines. It stars Victor Mature and Hedy Lamarr in the title roles, George Sanders as the Saran, Angela Lansbury as Semadar, and Henry Wilcoxon as Prince Ahtur.
Roderick Ross La Rocque was an American actor.
Sarah Blanche Sweet was an American silent film actress who began her career in the early days of the motion picture film industry.
Julia Faye Maloney, known professionally as Julia Faye, was an American actress of silent and sound films. She was known for her appearances in more than 30 Cecil B. DeMille productions. Her various roles ranged from maids and ingénues to vamps and queens.
Theodore Kosloff was a Russian-born ballet dancer, choreographer, and film and stage actor. He was occasionally credited as Theodor Kosloff.
Elmer Clifton Forsyth was an American director, screenwriter, and actor from the early silent days.
Madam Satan or Madame Satan is a 1930 American pre-Code musical comedy film in black and white with Multicolor sequences. It was produced and directed by Cecil B. DeMille and starred Kay Johnson, Reginald Denny, Lillian Roth, and Roland Young.
Lillian Rose Rich was an English-born actress of the silent era. She appeared in more than 60 films between 1919 and 1940.
Why Change Your Wife? is a 1920 American silent comedy film directed by Cecil B. DeMille and starring Gloria Swanson.
The Affairs of Anatol is a 1921 American silent comedy-drama film directed by Cecil B. DeMille, starring Wallace Reid and Gloria Swanson. The film is based on the 1893 play Anatol by Arthur Schnitzler. It was adapted by Jeanie MacPherson for the screen with assistance from Beulah Marie Dix and Elmer Harris. Art direction for the film was done by Paul Iribe.
Triumph is a 1924 American silent drama film directed by Cecil B. DeMille and starring Leatrice Joy and Rod La Rocque. It was based on a 1924 novel of the same name by May Edginton. The novel had previously been serialized in 1923 by The Saturday Evening Post.
Feet of Clay is a 1924 American silent drama film directed and produced by Cecil B. DeMille, starring Vera Reynolds and Rod La Rocque, and with set design by Norman Bel Geddes. The film is based on the 1923 novel by Margaretta Tuttle, and Beulah Marie Dix's one-act 1915 play Across the Border.
Clara Beranger was an American screenwriter of the silent film era and a member of the original faculty of the USC School of Cinematic Arts.
The Coming of Amos is a 1925 American silent romantic drama film directed by Paul Sloane, produced by Cecil B. DeMille and distributed by his Producers Distributing Corporation. Copies of this film survive and can be found on home video and more recently on DVD.
Don't Call It Love is a 1923 American silent romantic comedy film directed by William C. deMille and written by Clara Beranger and Julian Street based upon the play Rita Coventry by Hubert Osborne. The film stars Agnes Ayres, Jack Holt, Nita Naldi, Theodore Kosloff, Rod La Rocque, and Robert Edeson. The film was released on December 24, 1923, by Paramount Pictures.