Theodore Kosloff was a Russian-born ballet dancer, choreographer, and film and stage actor. He was occasionally credited as Theodor Kosloff.
The Volga Boatman is a 1926 American silent drama film directed by Cecil B. DeMille, who reportedly said the film was, "his greatest achievement in picture making". The film's budget was $479,000 and it grossed $1.27 million. The film was highly successful, turning William Boyd into matinee idol overnight. The filming location was Wood Island, near Rio Vista, California, in 1925.
The Virginian is a 1914 American silent Western film based on the 1902 novel The Virginian by Owen Wister. The film was adapted from the successful 1903–04 theatre play The Virginian, on which Wister had collaborated with playwright Kirke La Shelle. The Virginian starred Dustin Farnum in the title role, a role he reprised from the original play. It was directed by Cecil B. DeMille.
The Man from Home is a 1914 American drama film based on a play written by Booth Tarkington and Harry Leon Wilson. It was directed by Cecil B. DeMille. In 1922, the story was remade in the UK by George Fitzmaurice as The Man From Home, and released by Famous Players–Lasky. The stage play was a big hit for actor William Hodge in the role of Pike in the 1908 Broadway season.
Rose of the Rancho is a 1914 American silent Western film directed by Cecil B. DeMille. It is based upon the play of the same name by David Belasco and Richard Walton Tully. The film cost $16,988 to make, and grossed $87,028.
The Captive is an American silent-era film released on April 22, 1915. It was released on five reels. The film was written, directed, edited, and produced by Cecil B. DeMille. Jesse L. Lasky was another producer and Jeanie MacPherson worked with DeMille to write the screenplay. The film is based on a play written by Cecil B. DeMille and Jeanie MacPherson. The Captive grossed over $56,000 on a budget of $12,154. Blanche Sweet stars as Sonia Martinovich, alongside House Peters who stars as Mahmud Hassan. The film details the romantic war-era plight of Sonia and her lover Mahmud.
The Wild Goose Chase is a 1915 American comedy-drama film directed by Cecil B. DeMille. The film was written by DeMille's brother William and starred Ina Claire. The Wild Goose Chase is now considered a lost film.
Chimmie Fadden is a 1915 American silent comedy film directed, written and edited Cecil B. DeMille. The film starred Victor Moore in the title role and is based on the play and short story of the same name by Edward W. Townsend. It was followed by a sequel Chimmie Fadden Out West. It is a surviving film formerly thought lost for decades. A print is kept at Cinemateket-Svenska Filminstitutet, Stockholm.
Carmen is a 1915 American silent drama film directed by Cecil B. DeMille. The film is based on the novella Carmen by Prosper Mérimée. The existing versions of this film appear to be from the re-edited 1918 re-release.
The Golden Chance is a 1915 American silent drama film directed by Cecil B. DeMille. Art direction for the film was done by Wilfred Buckland. DeMille remade the film in 1921 as Forbidden Fruit.
The Trail of the Lonesome Pine is a 1916 American silent drama film directed by Cecil B. DeMille, who also wrote the screenplay. Art direction for the film was done by Wilfred Buckland.
Maria Rosa is a surviving 1916 American silent drama film directed by Cecil B. DeMille. It was based on a 1914 Broadway stage play Maria Rosa by Àngel Guimerà. On the stage the principal parts were played by Dorothy Donnelly and Lou Tellegen, future husband of this film's star Geraldine Farrar.
The Dream Girl was a 1916 American silent drama film directed by Cecil B. DeMille. Based on an original story by DeMille writer Jeanie MacPherson, the film starred Mae Murray and Theodore Roberts.
Joan the Woman is a 1916 American epic silent drama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc. The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Schiller's 1801 play Die Jungfrau von Orleans. This film was considered to be the "first cinematic spectacle about Joan of Arc."
The Woman God Forgot is a 1917 American silent romance film directed by Cecil B. DeMille. A copy of the film is in the George Eastman House Motion Picture Collection.
The Devil-Stone is a 1917 American silent romance film directed by Cecil B. DeMille, co-written by his mother Beatrice deMille and Jeanie MacPherson, and starring Geraldine Farrar. The film had sequences filmed in the Handschiegl Color Process. Only two of six reels are known to survive, in the American Film Institute Collection at the Library of Congress. This was the last of Farrar's films for Paramount Pictures.
Don't Change Your Husband is a 1919 American silent comedy film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the third of six "marriage films" directed by DeMille and the first DeMille film starring Gloria Swanson. A print of the film is stored at the George Eastman House. The film was released on DVD by Image Entertainment with The Golden Chance. A Chinese silent film, Don't Change Your Husband (1929), used the same English title, and a similar plot arc.
For Better, for Worse is a 1919 American silent drama film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the second of four "marriage films" directed by DeMille and the second DeMille film starring Gloria Swanson. For Better, for Worse was adapted for the screen by William C. DeMille. Jeanie MacPherson wrote the film's scenario.
Saturday Night is a 1922 American silent romantic comedy film directed by Cecil B. DeMille and starring Leatrice Joy, Conrad Nagel, and Edith Roberts. It was Leatrice Joy's first film with DeMille.
Feet of Clay is a 1924 American silent drama film directed and produced by Cecil B. DeMille, starring Vera Reynolds and Rod La Rocque, and with set design by Norman Bel Geddes. The film is based on the 1923 novel by Margaretta Tuttle, and Beulah Marie Dix's one-act 1915 play Across the Border.
