The Cheat is a 1915 American silent drama film directed by Cecil B. DeMille, starring Fannie Ward, Sessue Hayakawa, and Jack Dean, Ward's real-life husband.
Leatrice Joy was an American actress most prolific during the silent film era.
Rose of the Rancho is a 1914 American silent Western film directed by Cecil B. DeMille. It is based upon the play of the same name by David Belasco and Richard Walton Tully. The film cost $16,988 to make, and grossed $87,028.
The Girl of the Golden West is a surviving 1915 American Western silent black-and-white film directed by Cecil B. DeMille. It was based on the 1905 play The Girl of the Golden West by David Belasco. Prints of the film survive in the Library of Congress film archive. It was the first of four film adaptations that have been made of the play.
The Arab is a 1915 American silent adventure film directed by Cecil B. DeMille. Edgar Selwyn wrote and starred in the Broadway play version of the story in 1911, and this film is based on that play. Selwyn reprises his role from his play. This film was refilmed by Metro Pictures in 1924 as The Arab.
The Heart of Nora Flynn is a 1916 American silent drama film directed by Cecil B. DeMille. It stars Marie Doro in her first film for Jesse L. Lasky. Art direction for the film was done by Wilfred Buckland. It premiered on April 23, 1916 at the Strand Theatre in New York City
Joan the Woman is a 1916 American epic silent drama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc. The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Schiller's 1801 play Die Jungfrau von Orleans. This film was considered to be the "first cinematic spectacle about Joan of Arc."
The Devil-Stone is a 1917 American silent romance film directed by Cecil B. DeMille, co-written by his mother Beatrice deMille and Jeanie MacPherson, and starring Geraldine Farrar.
We Can't Have Everything was a 1918 American silent drama film produced and directed by Cecil B. DeMille and adapted for the screen by his brother, William C. De Mille. The film was based upon a 1917 novel of the same name by Rupert Hughes. Art direction for the film was done by Wilfred Buckland.
The Squaw Man is a 1918 American silent Western film directed by Cecil B. DeMille. It is a remake of DeMille's 1914 film of the same name, which is based upon a 1905 play by Edwin Milton Royle. The film was reportedly made as an experiment to prove DeMille's theory that a good film is based on a good story. It cost $40,000 to make and grossed $350,000. It would be remade again by DeMille in 1931.
Don't Change Your Husband is a 1919 American silent comedy film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the third of six "marriage films" directed by DeMille and the first DeMille film starring Gloria Swanson. A Chinese silent film, Don't Change Your Husband (1929), used the same English title, and a similar plot arc.
For Better, for Worse is a 1919 American silent drama film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the second of four "marriage films" directed by DeMille and the second DeMille film starring Gloria Swanson. For Better, for Worse was adapted for the screen by William C. DeMille. Jeanie MacPherson wrote the film's scenario.
Something to Think About is a 1920 American silent drama film directed by Cecil B. DeMille. The film stars Elliott Dexter and Gloria Swanson.
Forbidden Fruit is a 1921 American silent drama film directed by Cecil B. DeMille, and starring Agnes Ayres, Forrest Stanley, Clarence Burton, and Kathlyn Williams. It is a remake of the 1915 film The Golden Chance, which was also directed by DeMille.
Saturday Night is a 1922 American silent romantic comedy film directed by Cecil B. DeMille and starring Leatrice Joy, Conrad Nagel, and Edith Roberts. It was Leatrice Joy's first film with DeMille.
Feet of Clay is a 1924 American silent drama film directed and produced by Cecil B. DeMille, starring Vera Reynolds and Rod La Rocque, and with set design by Norman Bel Geddes. The film is based on the 1923 novel by Margaretta Tuttle, and Beulah Marie Dix's one-act 1915 play Across the Border.
The Golden Bed is a 1925 American silent drama film directed by Cecil B. DeMille. It is based on the 1924 short story Tomorrow's Bread by Wallace Irwin, originally published in Pictorial Review. Jeanie MacPherson wrote the screenplay.
The Road to Yesterday is a 1925 American silent romantic drama film directed by Cecil B. DeMille. The film was based on a 1908 play of the same name by Beulah Marie Dix and Evelyn Greenleaf Sutherland and was adapted by Dix and Jeanie MacPherson. Art direction for the film was done by Paul Iribe, Anton Grot, Mitchell Leisen, and Max Parker.
Locked Doors is a 1925 American silent romantic drama film directed by William C. deMille and starring Betty Compson. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
