The Happy Return is the first of the Horatio Hornblower novels by C. S. Forester. It was published in 1937. The American title is derived from the expression "beat to quarters", which was the signal to prepare for combat. This book is sixth by internal chronology of the series. Hornblower's past history as described here does not entirely accord with his history as revealed in the stories written later, but Forester never revised the book.
The fall of Tenochtitlan, the capital of the Aztec Empire, was an important event in the Spanish conquest of the empire. It occurred in 1521 following extensive manipulation of local factions and exploitation of pre-existing political divisions by Spanish conquistador Hernán Cortés. He was aided by La Malinche, his interpreter and companion, and by other indigenous allies.
The Aztec Empire or the Triple Alliance was an alliance of three Nahua city-states: Mexico-Tenochtitlan, Tetzcoco, and Tlacopan. These three city-states ruled that area in and around the Valley of Mexico from 1428 until the combined forces of the Spanish conquistadores and their native allies who ruled under Hernán Cortés defeated them in 1521.
La Noche Triste was an important event during the Spanish conquest of the Aztec Empire, wherein Hernán Cortés, his army of Spanish conquistadors, and their native allies were driven out of the Aztec capital, Tenochtitlan.
The Spanish conquest of the Aztec Empire, also known as the Conquest of Mexico, the Spanish-Aztec War (1519–1521), or the Conquest of Tenochtitlan was one of the primary events in the Spanish colonization of the Americas. There are multiple 16th-century narratives of the events by Spanish conquistadors, their indigenous allies, and the defeated Aztecs. It was not solely a small contingent of Spaniards defeating the Aztec Empire but a coalition of Spanish invaders with tributaries to the Aztecs, and most especially the Aztecs' indigenous enemies and rivals. They combined forces to defeat the Mexica of Tenochtitlan over a two-year period. For the Spanish, Mexico was part of a project of Spanish colonization of the New World after 25 years of permanent Spanish settlement and further exploration in the Caribbean.
Bucking Broadway is a 1917 American silent Western film directed by John Ford, probably his sixth feature film. Long thought to be lost, along with about 60 of Ford's 70 silent films, it was found in 2002 in the archives of the CNC. It was subsequently restored and digitized and is available on the Criterion Blu-Ray of John Ford's Stagecoach.
Abbie Jean MacPherson was an American silent actress, writer and director. She is known for her collaborations with directors D. W. Griffith and Cecil B. DeMille, and was a founding member of the Academy of Motion Picture Arts and Sciences.
The Secret Man is a 1917 American silent Western film, directed by John Ford and featuring Harry Carey. Two of the five reels of the film survive at the Library of Congress film archive.
Joan the Woman is a 1916 American epic silent drama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc. The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Schiller's 1801 play Die Jungfrau von Orleans. This film was considered to be the "first cinematic spectacle about Joan of Arc."
The Little American is a 1917 American silent romantic war drama film directed by Cecil B. DeMille. The film stars Mary Pickford as an American woman who is in love with both a German soldier and a French soldier during World War I. A print of the film is housed at the UCLA Film and Television Archive and has been released on DVD.
Nan of Music Mountain is a 1917 American silent drama film directed by George Melford and Cecil B. DeMille. The film is based on Frank H. Spearman's novel of the same name and stars Wallace Reid and Anna Little.
The Devil-Stone is a 1917 American silent romance film directed by Cecil B. DeMille, co-written by his mother Beatrice deMille and Jeanie MacPherson, and starring Geraldine Farrar. The film had sequences filmed in the Handschiegl Color Process. Only two of six reels are known to survive, in the American Film Institute Collection at the Library of Congress. This was the last of Farrar's films for Paramount Pictures.
Big Timber is a 1917 American silent film Northwoods/drama produced by the Oliver Morosco Company and distributed by Paramount Pictures. It was directed by William Desmond Taylor and starred Kathlyn Williams and Wallace Reid. It is not known whether the film currently survives, and it may be a lost film.
La Conquista is an opera in two acts by Lorenzo Ferrero set to a trilingual libretto by the composer and Frances Karttunen, based on a concept by Alessandro Baricco. It depicts the major episodes of the Spanish conquest of the Aztec Empire in 1521 and the subsequent destruction of the Aztec civilization. The libretto (English-Spanish-Nahuatl) is a blend of historical and literary sources drawn from transcriptions of indigenous and European literature, both kept, with some exceptions, in their original languages. The texts are taken from The Truthful History of the Conquest of New Spain by Bernal Díaz del Castillo, the Book XII of the Florentine Codex, the works of Juan Boscán Almogáver, Bernardino de Sahagún, Lope de Vega, Heinrich Heine, and from Aztec prayers, songs and poems as collected in Cantares Mexicanos and Romances de los señores de Nueva España.
The Hell Cat is a 1918 American silent Western film produced and distributed by Goldwyn Pictures. Reginald Barker directed and Geraldine Farrar starred. It is not known whether the film currently survives.
The Riddle: Woman is a 1920 American silent drama film directed by Edward José, distributed by Pathé Exchange, and starring opera singer Geraldine Farrar in her last film. This film was also the film debut of Madge Bellamy.
The Call of the East is a 1917 American silent drama film directed by George Melford and written by Beulah Marie Dix. The film stars Sessue Hayakawa, Tsuru Aoki, Jack Holt, Margaret Loomis, James Cruze, and Ernest Joy. The film was released on October 15, 1917, by Paramount Pictures. It is not known whether the film currently survives, which suggests that it is a lost film.
Love Letters is a 1917 American silent drama film directed by Roy William Neill and written by Ella Stuart Carson and Shannon Fife. The film stars Dorothy Dalton, William Conklin, Dorcas Matthews, Thurston Hall, Hayward Mack, and William Hoffman. The film was released on December 24, 1917, by Paramount Pictures. A print of Love Letters is held by the Library of Congress.
The Firefly of France is a lost 1918 American silent drama film directed by Donald Crisp and written by Margaret Turnbull based upon a novelette by Marion Polk Angelotti. The film stars Wallace Reid, Ann Little, Charles Ogle, Raymond Hatton, Winter Hall, and Ernest Joy. The film was released on July 7, 1918, by Paramount Pictures.
The Love Burglar is a 1919 American silent drama film directed by James Cruze, written by Walter Woods based upon a play by Jack Lait, and starring Wallace Reid, Anna Q. Nilsson, Raymond Hatton, Wallace Beery, Wilton Taylor, and Edmund Burns. The film was released on July 13, 1919, by Paramount Pictures.
