The Volga Boatman | |
---|---|
Directed by | Cecil B. DeMille Frank Urson (asst. director) |
Written by | Lenore J. Coffee |
Based on | The Volga Boatman by Konrad Bercovici |
Produced by | Cecil B. DeMille |
Starring | William Boyd Victor Varconi Elinor Fair |
Cinematography | J. Peverell Marley Arthur C. Miller Fred Westerberg |
Edited by | Anne Bauchens |
Music by | Hugo Riesenfeld |
Production company | Cecil De Mille Pictures Corp. |
Distributed by | Producers Distributing Corporation |
Release date |
|
Running time | 120 minutes |
Country | United States |
Language | Silent (English intertitles) |
Budget | $479,357 [2] |
Box office | $1,275,375 [2] |
The Volga Boatman is a 1926 American silent drama film directed by Cecil B. DeMille, [3] who reportedly said the film was, "his greatest achievement in picture making".[ citation needed ] The film's budget was $479,000 and it grossed $1.27 million. [2] The film was highly successful, turning William Boyd into matinee idol overnight.
As described in a film magazine review, [4] Vera, a princess engaged to a Russian nobleman, falls in love with Feodor, a young boatman. A revolution breaks out and the threatened princess is saved by the boatman, and brought to an inn as his wife. Here they are both captured by the royal army, where the woman’s former sweetheart makes her dance for the drunken soldiers. The boatman shoots one of them, and he and the princess are ordered to be shot. They are saved in time by the revolutionists, who force the noblemen to assume their places as boatmen. Realizing they are in love with each other, the boatman and the princess go their way.
The film was based on a 1926 Konrad Bercovici novel of the same title and was adapted for the screen by Lenore J. Coffee. Mitchell Leisen, Anton Grot, and Max Parker served as art directors. Costumes were done by Adrian. [5]
Location shooting for the film was carried out near Rio Vista, California, in 1925. [5]
Complete prints of The Volga Boatman are held by:
On June 27, 2000, the film was released on VHS by Kino Video. In July 2014, The Video Cellar released a lightly tinted DVD version of the film, and is currently the most widely available version. However, this version does not contain a musical score.[ citation needed ]
The Cheat is a 1915 American silent drama film directed by Cecil B. DeMille, starring Fannie Ward, Sessue Hayakawa, and Jack Dean, Ward's real-life husband.
William Lawrence Boyd was an American film actor who is known for portraying the cowboy hero Hopalong Cassidy.
Julia Faye Maloney, known professionally as Julia Faye, was an American actress of silent and sound films. She was known for her appearances in more than 30 Cecil B. DeMille productions. Her various roles ranged from maids and ingénues to vamps and queens.
Joan the Woman is a 1916 American epic silent drama film directed by Cecil B. DeMille and starring Geraldine Farrar as Joan of Arc. The film premiered on Christmas Day in 1916. This was DeMille's first historical drama. The screenplay is based on Friedrich Schiller's 1801 play Die Jungfrau von Orleans. This film was considered to be the "first cinematic spectacle about Joan of Arc."
The Little American is a 1917 American silent romantic war drama film directed by Cecil B. DeMille. The film stars Mary Pickford as an American woman who is in love with both a German soldier and a French soldier during World War I. Art direction for the film was done by Wilfred Buckland. John Hay Beith was technical advisor on the film, credited under his pen name, Ian Hay.
The Woman God Forgot is a 1917 American silent romance film directed by Cecil B. DeMille and starring Geraldine Farrar. Art direction for the film was done by Wilfred Buckland.
The Whispering Chorus is a 1918 American silent psychological drama film directed by Cecil B. DeMille. It is the first and earliest film considered a psychological drama.
Old Wives for New is a 1918 American silent drama film directed by Cecil B. DeMille. It is based on the 1908 novel of the same title by David Graham Phillips.
Till I Come Back to You is a 1918 American silent drama film directed by Cecil B. DeMille.
The Squaw Man is a 1918 American silent Western film directed by Cecil B. DeMille. It is a remake of DeMille's 1914 film of the same name, which is based upon a 1905 play by Edwin Milton Royle. The film was reportedly made as an experiment to prove DeMille's theory that a good film is based on a good story. It cost $40,000 to make and grossed $350,000. It would be remade again by DeMille in 1931.
Don't Change Your Husband is a 1919 American silent comedy film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the third of six "marriage films" directed by DeMille and the first DeMille film starring Gloria Swanson. A Chinese silent film, Don't Change Your Husband (1929), used the same English title, and a similar plot arc.
Something to Think About is a 1920 American silent drama film directed by Cecil B. DeMille. The film stars Elliott Dexter and Gloria Swanson.
Fool's Paradise is a 1921 American silent romance film directed by Cecil B. DeMille. The film stars Dorothy Dalton and Conrad Nagel. The film was based on the short story "Laurels and the Lady" by Leonard Merrick published in his 1908 collection The Man Who Understood Women. It was adapted for the screen by Sada Cowan and Beulah Marie Dix.
Saturday Night is a 1922 American silent romantic comedy film directed by Cecil B. DeMille and starring Leatrice Joy, Conrad Nagel, and Edith Roberts. It was Leatrice Joy's first film with DeMille.
Triumph is a 1924 American silent drama film directed by Cecil B. DeMille and starring Leatrice Joy and Rod La Rocque. It was based on a 1924 novel of the same name by May Edginton. The novel had previously been serialized in 1923 by The Saturday Evening Post.
Feet of Clay is a 1924 American silent drama film directed and produced by Cecil B. DeMille, starring Vera Reynolds and Rod La Rocque, and with set design by Norman Bel Geddes. The film is based on the 1923 novel by Margaretta Tuttle, and Beulah Marie Dix's one-act 1915 play Across the Border.
The Road to Yesterday is a 1925 American silent romantic drama film directed by Cecil B. DeMille. The film was based on a 1908 play of the same name by Beulah Marie Dix and Evelyn Greenleaf Sutherland and was adapted by Dix and Jeanie MacPherson. Art direction for the film was done by Paul Iribe, Anton Grot, Mitchell Leisen, and Max Parker.
Young April is a 1926 American silent romantic comedy film directed by Donald Crisp, and starring Bessie Love, Joseph Schildkraut, and Rudolph Schildkraut. The film was produced by Cecil B. DeMille's production company and distributed by Producers Distributing Corporation. The film was adapted from Egerton Castle's 1899 novel of the same name by Jeanie MacPherson and Douglas Z. Doty. Art direction for the film was done by Anton Grot and its costumes were designed by Adrian.
The Cheat is a 1923 American silent drama film produced by Famous Players–Lasky and distributed by Paramount Pictures, and is a remake of Cecil B. DeMille's 1915 film of the same name using the same script by Hector Turnbull and Jeanie MacPherson. This version stars Pola Negri and was directed by George Fitzmaurice.
Corporal Kate is a 1926 American silent romantic comedy film directed by Paul Sloane and starring Vera Reynolds and Julia Faye. The film was produced by C. Gardner Sullivan, with production at De Mille Pictures Corp., and released by Producers Distributing Corporation.