| "After You've Gone" | |
|---|---|
 Sheet music cover (1918) | |
| Song | |
| Published | 1918 |
| Composer(s) | Turner Layton |
| Lyricist(s) | Henry Creamer |
"After You've Gone" is a 1918 popular song composed by Turner Layton with lyrics by Henry Creamer. [1]
| "After You've Gone" | |
|---|---|
| Sheet music cover (1918) | |
| Song | |
| Published | 1918 |
| Composer(s) | Turner Layton |
| Lyricist(s) | Henry Creamer |
"After You've Gone" is a 1918 popular song composed by Turner Layton with lyrics by Henry Creamer. [1]
It was recorded by Marion Harris on July 22, 1918, and released by Victor Records. [2]
The song became so popular that the sheet music was later decorated with tiny photographs of the 45 men who made the song famous, including Paul Whiteman, Rudy Vallée, B.A. Rolfe, Guy Lombardo, and Louis Armstrong. [3]
The chorus adheres to a standard ABAC pattern but is only 20 measures long. There are four 4-bar phrases, followed by a 4-measure tag. The song is harmonically active, with chord changes in almost every measure. The opening four notes to the chorus are identical to the opening notes of "Peg o' My Heart" (1912) — at the time songwriters often borrowed the first few notes of a hit melody. [4]
"What Is This Thing Called Love?" is a 1929 popular song written by Cole Porter, for the musical Wake Up and Dream. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played compositions.
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Liza (All the Clouds'll Roll Away)" is a song composed by George Gershwin with lyrics by Ira Gershwin and Gus Kahn. It was introduced in 1929 by Ruby Keeler (as Dixie Dugan) in Florenz Ziegfeld's musical Show Girl. The stage performances were accompanied by the Duke Ellington Orchestra. On the show's opening night in Boston on June 25, 1929, Keeler's husband and popular singer Al Jolson suddenly stood up from his seat in the third row and sang a chorus of the song, much to the surprise of the audience and Gershwin himself. Jolson recorded the song a few days later on July 6, 1929, and his rendition rose to number nine on the charts of the day.
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