Alice in Wonderland | |
---|---|
Music | Walter Slaughter |
Lyrics | Lewis Carroll and Henry Savile Clarke |
Book | H. Savile Clarke |
Basis | Lewis Carroll's novels Alice's Adventures in Wonderland and Through the Looking-Glass |
Productions | 1886 West End West End revivals in 1888, 1898, 1900, 1906, 1907, 1909, 1910, 1913, 1914, 1915, 1916, 1917, 1920, 1921, and 1922 |
Alice in Wonderland is a musical by Henry Savile Clarke [1] (book and lyrics) and Walter Slaughter (music), based on Lewis Carroll's books Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871). [2] It debuted at the Prince of Wales's Theatre in the West End on 23 December 1886. Aubrey Hopwood (lyrics) and Walter Slaughter (music) wrote additional songs which were first used for the 1900 revival.
The piece, billed as "A musical dream play in two acts", achieved considerable popularity. At Carroll's request, Slaughter retained the old tunes in the parodies such as "Bonny Dundee". [3]
There were several amateur productions of Alice after the book's publication, and Carroll himself considered dramatizing the story for the professional stage. In 1877 he wrote to Arthur Sullivan (of Gilbert and Sullivan) in an attempt to persuade him to write the songs for a musical production. Sullivan was interested in the idea and proposed that he would compose a score to Carroll's libretto. Carroll hesitated, partly at the high fee Sullivan suggested for his work. Wanting to know what he would get for his money, Carroll suggested that Sullivan first score a song or two. After this the proposed collaboration fizzled out. [4]
In August 1886 the dramatist and critic Henry Savile Clarke wrote to Carroll asking to adapt Alice in Wonderland for the stage. [4] Carroll gave permission but with several stipulations:
There are one or two wishes on the subject, which I will name for your consideration: but the only essential consideration is that I should have your written guarantee that, neither in the libretto nor in any of the stage business, should any coarseness, or anything suggestive of coarseness, be admitted. ... This piece ought to be an Operetta (like The Mikado ) and not a Pantomime. [5]
Carroll was involved completely in the production from beginning to end, offering advice on everything from the adaptation of the novel to choosing the cast. [6] [7] He chose the child actress Phoebe Carlo for the title role, bought her costumes at his own expense and sent her to the actress Kate Terry for lessons in elocution. [8] Dorothy D'Alcourt, who played the Dormouse, was aged 6+1⁄2. [9]
The production opened on 23 December 1886 at the Prince of Wales's Theatre in London. The Theatre described the piece as a pantomime but wrote in its review, [10] "Alice in Wonderland will not appeal to the children alone. ... Mr. Savile Clarke has done wonders. ... The play is beautifully mounted, and splendidly acted, Miss Phœbe Carlo being very successful as the little heroine... she played in a delightful and thoroughly artistic fashion, and in this respect she was closely followed by a tiny mite, Miss Dorothy D'Alcort, who plays first the Dormouse. ... Mr. Edgar Bruce, Mr. Walter Slaughter (who has written some charming music for the piece), and Mr. Savile Clarke, all deserve unstinted praise." [11] The piece was frequently revived over the next four decades.
Act I, "Alice's Adventures in Wonderland", is in two scenes: "A Forest in Autumn" and "A Glade in Wonderland". [12] Act II, "Through the Looking Glass", consists of four scenes: "Through the Looking Glass"; "The Garden of Live Flowers"; "A Sea-Shore"; and "The Banqueting Hall – The Forest Again." [12] A review in The Theatre summarised the story as follows:
The musical was frequently revived during West End Christmas seasons during the four decades after its premiere. London productions were mounted at the Globe Theatre in 1888, with Isa Bowman as Alice; [14] the Opera Comique in 1898; [15] the Vaudeville Theatre in 1900, with some new lyrics by Hopwood and music by Slaughter; [12] [16] the Metropole Theatre, Camberwell in 1902; the Prince of Wales's Theatre (1906); [17] the Royal Court Theatre in 1909; the Savoy Theatre in 1910; [18] the Comedy Theatre in 1913; [19] the Savoy in 1914; the Duke of York's Theatre in 1915; the Savoy in 1916; [20] and the Garrick Theatre in 1921. [21] [19]
Adult actors who appeared along with the mainly juvenile casts included Irene Vanbrugh as the Knave of Hearts (1888); [22] Ellaline Terriss as Alice and Seymour Hicks as the Hatter (1900); [16] Marie Studholme as Alice, Alice Barth as the Duchess and the Red Queen, Stanley Brett as the Mad Hatter and J. C. Buckstone as Tweedledee at the Prince of Wales's Theatre (1906); [17] Dan Leno Jr (1909, in a production conducted by Marjorie Slaughter, the composer's daughter); [23] [24] and C. Hayden Coffin as the Hatter (1913 and 1921). [25]
Through the Looking-Glass, and What Alice Found There is a novel published on 27 December 1871 by Lewis Carroll, a mathematics lecturer at Christ Church, University of Oxford, and the sequel to Alice's Adventures in Wonderland (1865). Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it. There she finds that, just like a reflection, everything is reversed, including logic.
Alice in Wonderland is a 1933 American pre-Code fantasy film adapted from the novels by Lewis Carroll. The film was produced by Paramount Pictures, featuring an all-star cast. It is all live action, except for the Walrus and The Carpenter sequence, which was animated by Harman-Ising Studio. The film was seen by Walt Disney, and inspired him create his company's 1951 animated adaptation.
The Hatter is a fictional character in Lewis Carroll's 1865 book Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass. He is very often referred to as the Mad Hatter, though this term was never used by Carroll. The phrase "mad as a hatter" pre-dates Carroll's works. The Hatter and the March Hare are referred to as "both mad" by the Cheshire Cat, in Alice's Adventures in Wonderland in the sixth chapter titled "Pig and Pepper".
Alice in Wonderland is a 1985 American two-part made-for-television adventure family fantasy musical film of Lewis Carroll's books Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871). An Irwin Allen production, it used a huge all-star cast of notable actors and actresses. The title role was played by Natalie Gregory, who wore a blonde wig for this miniseries. Alice in Wonderland was first telecast December 9, 1985, and December 10, 1985, at 8:00pm EST on CBS.
Alice in Wonderland is a 1951 American animated musical fantasy comedy film produced by Walt Disney Productions and released by RKO Radio Pictures. It is based on Lewis Carroll's 1865 novel Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass. The production was supervised by Ben Sharpsteen, and was directed by Clyde Geronimi, Wilfred Jackson, and Hamilton Luske. With the voices of Ed Wynn, Richard Haydn, Sterling Holloway, Jerry Colonna and Kathryn Beaumont in her film debut, the film follows a young girl, Alice, who falls down a rabbit hole and enters a nonsensical world, Wonderland, which is ruled by the Queen of Hearts, while encountering strange creatures, including the Mad Hatter and the Cheshire Cat.
Alice in Wonderland is a 1966 BBC television play, shot on film, based on Lewis Carroll's 1865 book Alice's Adventures in Wonderland. It was adapted, produced and directed by Jonathan Miller, then best known for his appearance in the satirical revue Beyond the Fringe.
Alice in Wonderland is a 1976 American erotic musical comedy film loosely based on Lewis Carroll's 1865 book Alice's Adventures in Wonderland. The film expands the original story to include sex and broad adult humor, as well as original songs. The film was directed by Bud Townsend, produced by William Osco, and written by Bucky Searles, based on a concept by Jason Williams.
Alice in Wonderland is a 1999 made-for-television film adaptation of Lewis Carroll's books Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871). It was first broadcast on NBC and then shown on British television on Channel 4.
An unbirthday is an event celebrated on all days of the year which are not a person's birthday. It is a neologism which first appeared in Lewis Carroll's 1871 novel Through the Looking-Glass. The concept gave rise to "The Unbirthday Song" in the 1951 animated feature film Alice in Wonderland.
The Looking Glass Wars is a series of three novels by Frank Beddor, heavily inspired by Lewis Carroll's 1865 novel Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass. The premise is that the two books written by Lewis Carroll are a distortion of the "true story".
Alice's Adventures in Wonderland is a 1972 British musical film directed by Australian filmmaker William Sterling, based on Lewis Carroll's 1865 novel of the same name and its 1871 sequel, Through the Looking-Glass. It had a distinguished ensemble cast and a musical score composed by John Barry with lyrics written by Don Black. In addition, make-up artist Stuart Freeborn created film visuals based on the original drawings by John Tenniel from the first edition of the novel.
The Dormouse is a character in "A Mad Tea-Party", Chapter VII from the 1865 novel Alice's Adventures in Wonderland by Lewis Carroll.
Through the Looking Glass is a chamber opera by the Australian composer Alan John to a libretto by Andrew Upton, based on Lewis Carroll's 1871 book and on the life of Alice Liddell, the girl for whom Carroll wrote the story's 1865 prequel, Alice's Adventures in Wonderland.
Alice in Wonderland is a 1915 American silent film adaptation of Lewis Carroll's classic 1865 novel, Alice's Adventures in Wonderland, directed and written by W. W. Young and starring Viola Savoy as Alice.
A 1982 Broadway stage performance of Alice in Wonderland was telecast on PBS's Great Performances in 1983. Directed by Kirk Browning, it was produced by PBS affiliate WNET in New York. Black-and-white papier-mâché costumes aimed to re-create the book's original artwork by John Tenniel.
But Never Jam Today was a 1979 musical with music by Bert Keyes and Bob Larimer, lyrics by Larimer, and a book by both Larimer and Vinnette Carroll. The musical is based on the works of Lewis Carroll, and takes its title from the "jam tomorrow" discussion in Carroll's 1871 novel Through the Looking-Glass.
Alice in Wonderland and Through the Looking-Glass is a 2001 stage adaptation of Lewis Carroll's 1865 novel Alice's Adventures in Wonderland, and the 1871 novel Through the Looking-Glass. It was written by Adrian Mitchell. A 2 hour adaptation of both of Carroll's novels, it holds the distinction for currently being the most comprehensive stage adaptation of the books yet made, with the endings of both novels intact and only minor changes made for theatrical staging reasons.
Alice's Adventures Under Ground is a 2016 one-act opera by Gerald Barry to his own libretto, based on Lewis Carroll's 1865 children's book Alice's Adventures in Wonderland and its 1871 sequel Alice Through the Looking-Glass. First performed in a concert staging at the Walt Disney Concert Hall, Los Angeles on 22 November 2016, it received its stage premiere at the Royal Opera House on 3 February 2020. The staging was a joint production by the Royal Opera House, Irish National Opera and Dutch National Opera, and was directed by Antony McDonald.
Alice in Wonderland is a 1962 Australian television film based on Lewis Carroll's 1865 novel Alice's Adventures in Wonderland. It was a pantomime and aired as part of the BP Super Show.
Alice Through the Looking Glass (1966) is a live action musical film made for television, directed by Alan Handley, and based on Lewis Carroll's 1871 novel Through the Looking-Glass. The show aired November 6, 1966 on NBC television in the United States. Bob Mackie and Ray Aghayan worked together on the costume designs, which won them an Emmy Award in 1967.