Amaru (mythology)

Last updated
Amaru
AmaruMitoPeru.jpg
A sketch of an Amaru
Folklore Inca mythology
An amaru depicted on a Qiru. Amaru kero.jpg
An amaru depicted on a Qiru.

In mythology of Andean civilizations of South America, the amaru or katari (aymara) is a mythical serpent or dragon. In Inca mythology, Amaru is a huge double-headed serpent that dwells underground, at the bottom of lakes and rivers. [1] Illustrated with the heads of a bird and a puma, Amaru can be seen emerging from a central element in the center of a stepped mountain or pyramid motif in the Gateway of the Sun at Tiwanaku, Bolivia. When illustrated on religious vessels, amaru is often seen with bird-like feet and wings, [2] so that it resembles a dragon. Amaru is believed to be capable of transcending boundaries to and from the spiritual realm of the subterranean world. [2]

On Inca mythology it is described: "Dragon or rather a Chimera of Inca Mythology. It had multiple heads consisting of either a puma's, a condor's, or a llama's head with a fox's muzzle, condor wings, snake's body, fish's tail, and coated in crocodilian or lizard scales. [3] It was found frequently throughout Andean iconography and naming within the empire, and likely predates the rise of the Inca".

Another author stated: "(Sacred serpent) was a serpent or dragon deity often represented as a giant winged serpent, with crystalline eyes, a reddish snout, a llama head, taruka horns, and a fish tail. [4] Depending on the variations of the Amaru, whether in the various animal features, names or tonality of its skin according to the legend told, the ophidic form of the Amaru was always present. It's symbolism is very broad: water, storms, hail, wisdom, rainbow, the Milky Way, etc. [4] In Inca mythology, it was a symbol of wisdom, which is why the image of said totemic being was placed in the children of the Houses of Knowledge "Yachay Wasikuna". [4] Amaru is associated with the economy of water, that irrigate the agricultural lands, symbolizing the vitality of the water that allows the existence of the Aymara people. [4] Thus the deity Amaru symbolizes the water that runs through the irrigation canals, rivers and springs and that makes it possible for the seeds of the crop to be transformed into vegetables. [4] Amaru is a mythical being that is also related to the underworld, the earth and earthquakes. According to the myths, the Amarus have protective or destructive behaviour. [4] There's a myth called "Amaru Aranway" that is about two powerful Amarus fighting against each other, causing destruction and death as the fight still goes on. Then, Viracocha send the god Illapa (Lightning) and Wayra (Wind) to defeat them. [4] The two Amarus tried to fight the gods but then they tried to escape flying to the skies, but Wayra drag them back to earth with the power of wind and Illapa fought and put the final blow to them. When the two Amarus died, they turned into the chain of mountains that are located in valle del Mantaro, Peru. [4]

See also

Related Research Articles

The serpent, or snake, is one of the oldest and most widespread mythological symbols. The word is derived from Latin serpens, a crawling animal or snake. Snakes have been associated with some of the oldest rituals known to humankind and represent dual expression of good and evil.

<span class="mw-page-title-main">Tiwanaku</span> Archaeological site in Bolivia

Tiwanaku is a Pre-Columbian archaeological site in western Bolivia, near Lake Titicaca, about 70 kilometers from La Paz, and it is one of the largest sites in South America. Surface remains currently cover around 4 square kilometers and include decorated ceramics, monumental structures, and megalithic blocks. In AD 800 the site has been conservatively estimated to have been inhabited by 10,000 to 20,000 people.

<span class="mw-page-title-main">Yamata no Orochi</span> Japanese dragon

Yamata no Orochi, or simply Orochi (大蛇), is a legendary eight-headed and eight-tailed Japanese dragon/serpent.

<span class="mw-page-title-main">Staff God</span> Religious icon in the Andes

In "Southern Andean Iconographic Series" the Staff God pose is a religious icon and a standardized pose reminiscent in its way of the standardized poses in Byzantine art. The pose shows a front-facing human or human-like figure with vertical attributes, one in each hand. There is no uniform representation of a "Staff God". Dozens of variations of "Staff Gods" exist. Some scholars think that some of these personages are possible depictions of Viracocha or Thunupa. However, there is little evidence to support the idea that these front-facing figures do represent deities. Some researchers point to their attributes and spatial organization which seem to indicate that they are ritual practitioners. Some attributes in their hands were identified as Qirus, Snuff trays and Spear-throwers. The "rays" radiating or sprouting out of the faces of Tiwanaku front-facing figures appear to have approximately the value of an aureole. They may represent flows and distribution of energy. At the Wari site of Conchopata a vessel was found which shows a Staff God in which the "rays" can be interpreted as a Anadenanthera colubrina tree sprouting from its head whereas the circular elements do represent its seed pods.

<span class="mw-page-title-main">Rainbows in mythology</span>

The rainbow has been a favorite component of mythology throughout history among many cultures around the world. Abrahamic traditions see it as a covenant with God to preserve the world from a second flood. Whether as a bridge to the heavens, messenger, archer's bow, or serpent, the rainbow has served as a symbol for millennia. There are myriad beliefs in a complex diversity with several repeated themes.

<span class="mw-page-title-main">Religion in the Inca Empire</span> Religion in the Inca Empire

The Inca religion was a group of beliefs and rites that were related to a mythological system evolving from pre-Inca times to Inca Empire. Faith in the Tawantinsuyu was manifested in every aspect of his life, work, festivities, ceremonies, etc. They were polytheists and there were local, regional and pan-regional divinities.

<span class="mw-page-title-main">Snakes in mythology</span> Serpent that only appears in myths and legends

Snakes are a common occurrence in myths for a multitude of cultures. The Hopi people of North America viewed snakes as symbols of healing, transformation, and fertility. Snakes in Mexican folk culture tell about the fear of the snake to the pregnant women where the snake attacks the umbilical cord. The Great Goddess often had snakes as her familiars—sometimes twining around her sacred staff, as in ancient Crete—and they were worshipped as guardians of her mysteries of birth and regeneration. Although not entirely a snake, the plumed serpent, Quetzalcoatl, in Mesoamerican culture, particularly Mayan and Aztec, held a multitude of roles as a deity. He was viewed as a twin entity which embodied that of god and man and equally man and serpent, yet was closely associated with fertility. In ancient Aztec mythology, Quetzalcoatl was the son of the fertility earth goddess, Cihuacoatl, and cloud serpent and hunting god, Maxicoat. His roles took the form of everything from bringer of morning winds and bright daylight for healthy crops, to a sea god capable of bringing on great floods. As shown in the images there are images of the sky serpent with its tail in its mouth, it is believed to be a reverence to the sun, for which Quetzalcoatl was also closely linked.

Amaru may refer to:

<span class="mw-page-title-main">Gate of the Sun</span> Bolivian monolith

The Gate of the Sun, also known as the Gateway of the Sun (in older literature simply called " monolithic Gateway of Ak-kapana", is a monolithic gateway at the site of Tiahuanaco by the Tiwanaku culture, an Andean civilization of Bolivia that thrived around Lake Titicaca in the Andes of western South America around 500-950 AD.

<span class="mw-page-title-main">Pumapunku</span> Terraced platform mound in Bolivia

Pumapunku or Puma Punku is a 6th-century T-shaped and strategically aligned man-made terraced platform mound with a sunken court and monumental structure on top that is part of the Pumapunku complex, at the Tiwanaku Site near Tiwanacu, in western Bolivia. The Pumapunku complex is an alignment of plazas and ramps centered on the Pumapunku platform mound. Today the monumental complex on top of the platform mound lies in ruins.

<span class="mw-page-title-main">Weather god</span> Deity associated with thunder, rains and storms

A weather god or goddess, also frequently known as a storm god or goddess, is a deity in mythology associated with weather phenomena such as thunder, snow, lightning, rain, wind, storms, tornadoes, and hurricanes. Should they only be in charge of one feature of a storm, they will be called after that attribute, such as a rain god or a lightning/thunder god. This singular attribute might then be emphasized more than the generic, all-encompassing term "storm god", though with thunder/lightning gods, the two terms seem interchangeable. They feature commonly in polytheistic religions, especially in Proto-Indo-European ones.

<span class="mw-page-title-main">Lupaca</span>

The Lupaca, Lupaka, or Lupaqa people were one of the divisions of the ancestral Aymaras. The Lupaca lived for many centuries near Lake Titicaca in Peru and their lands possibly extended into Bolivia. The Lupacas and other Aymara peoples formed powerful kingdoms after the collapse of the Tiwanaku Empire in the 11th century. In the mid 15th century they were conquered by the Inca Empire and in the 1530s came under the control of the Spanish Empire.

<span class="mw-page-title-main">Inca mythology</span> Myths of the Inca civilization

Inca mythology is the universe of legends and collective memory of the Inca civilization, which took place in the current territories of Colombia, Ecuador, Peru, Bolivia, Chile, and Argentina, incorporating in the first instance, systematically, the territories of the central highlands of Peru to the north.

<span class="mw-page-title-main">Andean civilizations</span> Civilizations of South Americas Andes Mountains

The Andean civilizations were South American complex societies of many indigenous people. They stretched down the spine of the Andes for 4,000 km (2,500 mi) from southern Colombia, to Ecuador and Peru, including the deserts of coastal Peru, to north Chile and northwest Argentina. Archaeologists believe that Andean civilizations first developed on the narrow coastal plain of the Pacific Ocean. The Caral or Norte Chico civilization of coastal Peru is the oldest known civilization in the Americas, dating back to 3500 BCE. Andean civilization is one of the six "pristine" civilizations of the world, created independently and without influence by other civilizations.

<span class="mw-page-title-main">Huarochirí Manuscript</span> Text in Classical Quechua

The Huarochirí manuscript is a text in Classical Quechua from the late 16th century, describing myths, religious notions and traditions of the Indians of Huarochirí Province. The main roles in the myth are played by mountain deities (Huacas), including the rivals Paryaqaqa and Wallallu Qarwinchu, who also act as protectors of regional ethnicities. This text is an important monument of early colonial Quechua literature, because it is unique in its detailed description of the traditional beliefs of the indigenous Andean population of the former Inca Empire. It has been described as 'the closest thing to an Andean bible'.

<span class="mw-page-title-main">Tiwanaku Empire</span> Pre-Columbian polity in Western Bolivia

The Tiwanaku Polity was a Pre-Columbian polity in western Bolivia based in the southern Lake Titicaca Basin. Tiwanaku was one of the most significant Andean civilizations. Its influence extended into present-day Peru and Chile and lasted from around 600 to 1000 AD. Its capital was the monumental city of Tiwanaku, located at the center of the polity's core area in the southern Lake Titicaca Basin. This area has clear evidence for large-scale agricultural production on raised fields that probably supported the urban population of the capital. Researchers debate whether these fields were administered by a bureaucratic state (top-down) or through a federation of communities with local autonomy. Tiwanaku was once thought to be an expansive military empire, based mostly on comparisons to the later Inca Empire. However, recent research suggests that labelling Tiwanaku as an empire or even a state may be misleading. Tiwanaku is missing a number of features traditionally used to define archaic states and empires: there is no defensive architecture at any Tiwanaku site or changes in weapon technology, there are no princely burials or other evidence of a ruling dynasty or a formal social hierarchy, no evidence of state-maintained roads or outposts, and no markets.

Mama Quilla, in Inca mythology and religion, was the third power and goddess of the moon. She was the older sister and wife of Inti, daughter of Viracocha and mother of Manco Cápac and Mama Uqllu (Mama Ocllo), mythical founders of the Inca empire and culture. She was the goddess of marriage and the menstrual cycle, and considered a defender of women. She was also important for the Inca calendar.

<span class="mw-page-title-main">South American cougar</span> Subspecies of carnivore

The South American cougar, also known as the Andean mountain lion or puma, is a cougar subspecies occurring in northern and western South America, from Colombia and Venezuela to Peru, Bolivia, Argentina and Chile.

*Trito is a significant figure in Proto-Indo-European mythology, representing the first warrior and acting as a culture hero. He is connected to other prominent characters, such as Manu and Yemo, and is recognized as the protagonist of the myth of the warrior function, establishing the model for all later men of arms. In the legend, Trito is offered cattle as a divine gift by celestial gods, which is later stolen by a three-headed serpent named *H₂n̥gʷʰis ('serpent'). Despite initial defeat, Trito, fortified by an intoxicating drink and aided by the Sky-Father, or alternatively the Storm-God or *H₂nḗr, 'Man', together they go to a cave or a mountain, and the hero overcomes the monster and returns the recovered cattle to a priest for it to be properly sacrificed. He is now the first warrior, maintaining through his heroic deeds the cycle of mutual giving between gods and mortals. Scholars have interpreted the story of Trito either as a cosmic conflict between the heavenly hero and the earthly serpent or as an Indo-European victory over non-Indo-European people, with the monster symbolizing the aboriginal thief or usurper. Trito's character served as a model for later cattle raiding epic myths and was seen as providing moral justification for cattle raiding. The legend of Trito is generally accepted among scholars and is recognized as an essential part of Proto-Indo-European mythology, although not to the level of Manu and Yemo.

References

  1. Steele, Paul R. (2004). "Encyclopedia of Mythic Narratives, Themes, and Concepts". Handbook of Inca Mythology . Santa Barbara, CA: ABC-CLIO. pp.  95–98. ISBN   1576073548.
  2. 1 2 Smith, S. (2011). "Generative landscapes: the step mountain motif in Tiwanaku iconography" (PDF). Ancient America. 12: 1–69. Archived from the original (PDF) on 2023-02-13. Retrieved 2014-04-27.
  3. "List of dragons in mythology and folklore", Wikipedia, 2023-04-29, retrieved 2023-05-08
  4. 1 2 3 4 5 6 7 8 Brian S. Bauer (June 1996). "Legitimization of the State in Inca Myth and Ritual". American Anthropologist. 98 (2): 327–337. doi:10.1525/aa.1996.98.2.02a00090. ISSN   0002-7294.