American Hi-Fi (album)

Last updated

American Hi-Fi
Americanhifi.jpg
Studio album by
American Hi-Fi
ReleasedFebruary 27, 2001
Recorded2000
StudioPlantation Mixing and Recording
Genre
Length48:48
Label Island
Producer Bob Rock
American Hi-Fi chronology
American Hi-Fi
(2001)		 The Art of Losing
(2003)
Singles from American Hi-Fi
  1. "Flavor of the Weak"
    Released: December 22, 2000
  2. "Another Perfect Day"
    Released: 2001

American Hi-Fi is the debut studio album by American rock band American Hi-Fi. It was released on February 27, 2001, by Island Records. Stacy Jones formed American Hi-Fi in 2000; later that year he went to Maui, Hawaii to record drums for Nina Gordon's debut solo album. The rest of American Hi-Fi joined Jones and recorded their debut album with producer Bob Rock at Planation Mixing and Recording. Described as a pop punk and power pop album, American Hi-Fi was compared to Blink-182, Foo Fighters, and Weezer.

Contents

"Flavor of the Weak" was released as the lead single in December 2000. Following the release of the album, American Hi-Fi toured with the likes of Eve 6, and Our Lady of Peace. "Another Perfect Day" was released as a single later in the year. Music videos were released for both of the songs.

American Hi-Fi received generally favorable reviews from music critics, many of whom praised the band's guitarwork. The album peaked at number 81 on the US Billboard 200, and number 83 in the UK. The album went on to sell over 750,000 copies that year. "Flavor of the Weak" charted on several Billboard radio charts, while "Another Perfect Day" appeared on one.

Background and production

During the 1990s, musician Stacy Jones was a member of acts such as Letters to Cleo, Aimee Mann, and Veruca Salt, all of whom he played drums for. [1] [2] In 2000, Jones taught himself how to play guitar in around a week, and formed BMX Girl in Killington, Vermont. [1] [3] [4] The name was changed to American Hi-Fi at the suggestion of the Rolling Stones member Keith Richards. [3] Jones recruited his friends: Drew Parsons on bass, who had previously played with Tracy Bonham; Jamie Arentzen on guitar, previously of Sky Heroes; and Brian Nolan on drums, former member of Figdish. [2] Jones went to Maui, Hawaii to play drums for former Veruca Salt vocalist Nina Gordon's debut solo album with Bob Rock. [5]

In an attempt to keep the momentum of American Hi-Fi ongoing, the rest of the band was invited to join Jones in Maui. They set up in a garage close to the studio, and began practicing. The band wrote several songs here, and booked a club show in order to improve their performance. Rock took a break from recording Gordon to see the band play. After their show, Rock offered to work on their debut. [5] Recording sessions were held at Planation Mixing and Recording in Maui with Rock producing. [6] Recording was handled by Brian Joseph Dobbs, with second engineer Eric Helmkamp. Mike Gillies did some digital editing. [6] Arentzen said Rock was "one of the reasons it's so huge-sounding. There was never enough stuff on there. [He'd say] 'OK, let's double that, let's put more, more, more,'" [4] In a 2003 interview, Jones said if they played a piece of music that "sounded kind of angular, [Rock] would steer us away from it". [7] Rock mixed all of the recordings, except for "I'm a Fool", which was done by Randy Staub. [6]

Composition

Musically, the sound of American Hi-Fi has been described as pop punk, [8] and power pop, [9] drawing comparisons to Blink-182, Foo Fighters, and Weezer. [3] All of the songs on the album were written by Jones, influenced by the disbandment of Veruca Salt. Stacy's work as a drummer in Veruca Salt was displayed in the rhythm-focused songs on American Hi-Fi. [2]

The opening track "Surround" is an alternative rock song, which was reminiscent of In Color (1977)-era Cheap Trick. [3] "Flavor of the Weak" is about a girl that was mistreated by her partner; it features a guitar solo that recalled the work of Cheap Trick. [2] [3] "A Bigger Mood", as well as "Scar", is driven by Nolan's drum parts and Arentzen's guitarwork, channeling the sound of Sugar. [3] "I'm a Fool" includes Fountains of Wayne-esque vocal harmonies, and is followed by the Nirvana-indebted "Hi-Fi Killer". [3] [10] "Blue Day" includes a homage to the Rolling Stones' track "Sympathy for the Devil" (1968). [3]

Release

On November 26, 2000, American Hi-Fi was announced for release early next year. The following month, American Hi-Fi toured the US east coast with SR-71. [11] "Flavor of the Weak" was released to radio on January 9, 2001. [12] On February 12, the band performed on The Late Late Show with Craig Kilborn . [11] American Hi-Fi was released through Island Records on February 27 of that year. [13] The UK version included the demo "Black Satellite", and the music video for "Flavor of the Weak". [14] For the following two months, American Hi-Fi supported Eve 6 on their headlining US tour. [15]

Following this, the band went on a six-week US tour with Our Lady Peace, and played some shows in Canada. While in Canada, they appeared and performed on MuchMusic and Open Mike with Mike Bullard . [16] In late May, the band performed at the HFStival. [17] In June and July, the band again supported Eve 6, this time as part of the Civic Tour. [18] "Flavor of the Weak" was released as a single in Europe on August 24, 2001; the European version included "Blue Day", a demo of "Vertigo", and an acoustic version of "Flavor of the Weak", while the Australian version featured the "Vertigo" demo, alongside "Scar", and the music video for "Flavor of the Weak". [19] [20] The song's music video is a homage to the film Heavy Metal Parking Lot (1986); [16] the idea for it originated from a party while on tour. [7]

In September and October, the band embarked on the Launch Vibreaker Tour in the US. [21] They played a one-off show in the UK in November with the 45s. [22] "Another Perfect Day" was released as a single in 2001, with the bonus tracks "Still Sideways", "Wall of Sound", and the demo "Black Satellite". [23] The song's music video featured Patton Oswalt dressed as a hot dog mascot. [3] The live album Rock n' Roll Noodle Shop: Live from Tokyo, recorded in Japan, was released in May 2002. [10] In 2016, the band released an acoustic version of the album, dubbed American Hi-Fi Acoustic. [3]

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [24]
Chart Attack Favorable [25]
Drowned in Sound 2/10 [26]
Kerrang! Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [27]
Melodic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [28]
Ox-Fanzine Favorable [29]
Rock Hard 7.5/10 [30]
Rolling Stone Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [31]
The Rolling Stone Album Guide Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [32]

American Hi-Fi was met with mainly positive reviews from music critics. AllMusic reviewer Mario Mesquita Borges said American Hi-Fi brought "fresh new strains to the genre on their eponymous debut," sustaining a "high quality standard throughout the whole record." [24] Ox-Fanzine 's Elmar Salmutter called the album "a really nice affair", providing "enough guitar broadsides not to drift into the insignificant mainstream". [29] Buffo Schnadelbach of Rock Hard said that in spite of the band's tendencies "poppy vibes and sentimental melodies," their debut "sounds guitar-heavy and powerful enough to fall under the heading of rock." [30] Melodic reviewer Johan Wippsson called the record "modern rock at its best," with "great melodies and ... great production" from Rock. [28]

The staff at Chart Attack wrote that the album "blasts out 13 tracks of shimmering rock 'n' roll bliss that's miles high with distorted hooks". Though they considered it a "bit bubble-gummy at times," it had "such infectious pop sensibilities that it's hard to resist having another listen." [25] Rolling Stone writer Barry Walters wrote that despite the band's "absurd lack of originality ... American Hi-Fi outshine most recent radio-friendly pop-punk, with instantly welcoming songwriting and ferocious instrumental skills". [31] Nathan T. Birk from Ink19 said "Flavour of the Weak" was "dead-on indicative of the band’s self-titled debut," despite it being its "weakest track". He said that while the band seemed unsure of which act they were trying to emulate, they "nonetheless deliver[ed] some soothingly smooth pop-rockers". [33] Terry Bezer of Drowned in Sound held a negative assessment and opened his review by claiming this album is "the sort of shit that makes you feel like pulling a gun on yourself and squeezing the trigger with maximum force." [26]

American Hi-Fi peaked at number 81 on the US Billboard 200, and number 83 in the UK. [34] [35] Throughout 2001, the album would go on to sell over 750,000 copies. [8] "Flavor of the Weak" charted at number 5 on Alternative Airplay, [36] number 15 on Mainstream Top 40, [37] number 35 on Adult Top 40, [38] number 37 on Radio Songs, [39] number 41 on Hot 100, [40] It also reached number 31 in the UK. [35] "Another Perfect Day" reached at number 33 on Alternative Airplay. [36] NME listed the album on a list of nostalgic pop punk records. [8] Cleveland.com ranked "Flavor of the Weak" at number 85 on their list of the top 100 pop-punk songs. [41]

Track listing

All songs written by Stacy Jones. [6]

No.TitleLength
1."Surround"3:11
2."Flavor of the Weak"3:08
3."A Bigger Mood"3:38
4."Safer on the Outside"4:01
5."I'm a Fool"4:00
6."Hi-Fi Killer"3:05
7."Blue Day"3:33
8."My Only Enemy"3:28
9."Don't Wait for the Sun"3:50
10."Another Perfect Day"3:38
11."Scar"4:03
12."What About Today"3:34
13."Wall of Sound"5:18
Total length:48:48
UK bonus tracks
No.TitleLength
14."Black Satellite" (demo)3:10
15."Flavor of the Weak" (music video; enhanced content) 

Personnel

Personnel per booklet. [6]

Charts

Chart performance for American Hi-Fi
Chart (2001)Peak
position
US Billboard 200 [34] 81
US Heatseekers Albums (Billboard) [42] 1
UK Albums (OCC) [35] 83

Related Research Articles

<span class="mw-page-title-main">The Rock Show</span> 2001 single by Blink-182

"The Rock Show" is a song by American rock band Blink-182 for the group's fourth studio album, Take Off Your Pants and Jacket (2001). It was released as the lead single from the album on May 7, 2001. The track was composed primarily by bassist Mark Hoppus about meeting a girl at a rock concert. It was inspired by the band's early days touring punk rock clubs, mainly Soma in their hometown of San Diego.

<span class="mw-page-title-main">Veruca Salt</span> American alternative rock band

Veruca Salt is an American alternative rock band founded in Chicago in 1992 by vocalist-guitarists Nina Gordon and Louise Post, drummer Jim Shapiro, and bassist Steve Lack. They are best known for their first single, "Seether", which was released on the 1994 album American Thighs. That success was followed up with 1997's Eight Arms to Hold You. By 1998, Post was the only original member still in the band and continued on with other musicians. Veruca Salt released the album Resolver in 2000 and the album IV in 2006. After a hiatus in 2012, the band reformed with its original lineup. Their fifth studio album, Ghost Notes, was released in 2015.

<i>A Place in the Sun</i> (Lit album) 1999 studio album by Lit

A Place in the Sun is the second studio album by the American rock band Lit, released on February 23, 1999.

<i>Warning</i> (Green Day album) 2000 studio album by Green Day

Warning is the sixth studio album by the American rock band Green Day, released on October 3, 2000, by Reprise Records. Building upon its predecessor Nimrod (1997), it eschewed the band's trademark punk rock sound and incorporated acoustic elements and pop and folk styles. Lyrically, the album contains more optimistic and inspirational themes in comparison to the band's earlier releases. Warning was also Green Day's first album since Kerplunk (1991) that was not produced by Rob Cavallo, although he did have a hand in its production and was credited as executive producer.

Pop-punk is a rock music fusion genre that combines elements of punk rock with power pop or pop. It is defined by its fast-paced, energetic tempos, and emphasis on classic pop songcraft, as well as adolescent and anti-suburbia themes. It is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave, college rock, ska, rap, emo, boy band pop and even hardcore punk. It is sometimes considered interchangeable with power pop and skate punk.

<i>Parallel Lines</i> 1978 studio album by Blondie

Parallel Lines is the third studio album by American rock band Blondie, released on September 23, 1978, by Chrysalis Records to international commercial success. The album reached No. 1 on the UK Albums Chart in February 1979 and proved to be the band's commercial breakthrough in the United States, where it reached No. 6 on the Billboard 200 in April 1979. In Billboard magazine, Parallel Lines was listed at No. 9 in its top pop albums year-end chart of 1979. The album spawned several successful singles, notably the international hit "Heart of Glass".

<i>No Pads, No Helmets...Just Balls</i> 2002 studio album by Simple Plan

No Pads, No Helmets...Just Balls is the debut studio album by Canadian rock band Simple Plan. Formed by members of Reset, Simple Plan spent over a year recording their first album with producer Arnold Lanni. It is a pop-punk record that revolves around being an outcast, drawing comparisons to Blink-182, Good Charlotte and New Found Glory. After signing with major label Atlantic Records, "I'm Just a Kid" was released as a single in February 2002, with No Pads, No Helmets...Just Balls following on March 19. It received a mixed reaction from music critics, with some commenting on the lack of originality and others praising the production.

<i>From Here to Infirmary</i> 2001 studio album by Alkaline Trio

From Here to Infirmary is the third studio album by American punk rock band Alkaline Trio. It was their first album for Vagrant and their only album with Mike Felumlee, who replaced their previous drummer, Glenn Porter. When Felumlee left the band shortly after the album's release, Atom Willard filled in on tour and appeared in the music video for "Private Eye", before Derek Grant became their new permanent drummer.

<span class="mw-page-title-main">American Hi-Fi</span> American rock band

American Hi-Fi is an American rock band formed in Boston, Massachusetts in 1998. The band consists of lead vocalist and rhythm guitarist Stacy Jones, lead guitarist Jamie Arentzen, bassist and backing vocalist Drew Parsons, and drummer Brian Nolan. Prior to the group's formation, Jones was well known for being a drummer in the successful alternative rock bands Veruca Salt and Letters to Cleo. American Hi-Fi has a close relationship with Miley Cyrus, whose band shares two members with American Hi-Fi. The group has a mixed musical style that includes influences from pop-punk, alternative rock, and power pop.

<span class="mw-page-title-main">Holiday (Green Day song)</span> 2005 single by Green Day

"Holiday" is an anti-war protest song by American rock band Green Day. It was released as the third single from the group's seventh studio album American Idiot, and is also the third track. The song is in the key of F minor. Though the song is a prelude to "Boulevard of Broken Dreams", "Holiday" was released as a single later on, on March 14, 2005.

<span class="mw-page-title-main">The Middle (Jimmy Eat World song)</span> 2001 single by Jimmy Eat World

"The Middle" is a song by American rock band Jimmy Eat World. It was released in October 2001 as the second single of their fourth album, Bleed American (2001). It was a number-five hit on the US Billboard Hot 100 in 2002 and reached the top 50 in Australia, Ireland, New Zealand and the United Kingdom. The song was a breakthrough hit for Jimmy Eat World, who had self-financed the recording of the Bleed American album after being dropped by Capitol Records in 1999. It is considered the band's signature song.

<span class="mw-page-title-main">Fat Lip</span> 2001 single by Sum 41

"Fat Lip" is a song by Canadian rock band Sum 41. It is the fourth track on their debut album, All Killer No Filler (2001), and was released as the lead single in April 2001. It is the band's most successful single to date, topping the Billboard Modern Rock Tracks chart. It peaked at number 66 on the Billboard Hot 100 chart and at number eight on the UK Singles Chart.

<span class="mw-page-title-main">E-Bow the Letter</span> 1996 single by R.E.M.

"E-Bow the Letter" is the first single from American rock band R.E.M.'s 10th studio album, New Adventures in Hi-Fi (1996). It was released on August 19, 1996, several weeks before the album's release. During the same month, R.E.M. signed a then record-breaking five-album contract with Warner Bros. Records. The song features American singer-songwriter and "Godmother of Punk" Patti Smith performing backing vocals. Smith was cited as a major influence by band members Michael Stipe and Peter Buck, and she also provided backing vocals for "Blue", the closing track on the band's final studio album, Collapse into Now, in 2011.

<span class="mw-page-title-main">Flavor of the Weak</span> 2000 single by American Hi-Fi

"Flavor of the Weak" is a song by American rock band American Hi-Fi. The song was released as the first single from their self-titled debut album on December 22, 2000. It is the band's highest-charting single, reaching number 41 on the US Billboard Hot 100 and peaking within the top 50 in Italy, New Zealand, and the United Kingdom.

<span class="mw-page-title-main">Stacy Jones</span> American rock musician

Stacy Glen Jones is an American musician, songwriter, and producer. He is currently the musical director and drummer for Miley Cyrus and Life of Dillon, and is also known for being the lead vocalist, rhythm guitarist, and primary songwriter of American Hi-Fi, and as the drummer for Letters to Cleo.

<i>The Art of Losing</i> (American Hi-Fi album) 2003 studio album by American Hi-Fi

The Art of Losing is the second studio album by American rock band American Hi-Fi. It was released on February 25, 2003, through Island Records. While touring in support of their eponymous debut studio album (2001), the band wrote new songs on their tour bus. They initially recorded for the album at Sunset Sound Studio 2 in Hollywood, California, with producer Nick Launay, before moving to Media Vortex in Burbank, California, and Sage and Sound, in Hollywood of the state. It has been described as pop-punk, power pop, and rock, while received comparisons to the works of Blink-182 and Sum 41.

<span class="mw-page-title-main">Ocean Avenue (song)</span> 2003 single by Yellowcard

"Ocean Avenue" is a song written and recorded by American rock band Yellowcard for their fourth studio album of the same name. It was released as the second single from Ocean Avenue on December 15, 2003, through Capitol Records. "Ocean Avenue" shares writing credits between the band's singer Ryan Key, guitarist Ben Harper, bassist Pete Mosely, drummer Longineu W. Parsons III, and violinist Sean Mackin. It was written about the band's teenage years along the Atlantic Coast. Neal Avron, a veteran punk rock producer, engineered and produced the tune.

<span class="mw-page-title-main">The Impression That I Get</span> 1997 single by the Mighty Mighty Bosstones

"The Impression That I Get" is a song by American ska punk band the Mighty Mighty Bosstones, released as the lead single from their fifth studio album, Let's Face It (1997), in February 1997. The track reached number one on the US Billboard Modern Rock Tracks chart and number 23 on the Billboard Hot 100 Airplay chart while also charting highly in Australia, Canada, and the United Kingdom. The song was certified gold in the United States and Australia. Chris Applebaum directed the song's music video while Adam Stern produced it.

<span class="mw-page-title-main">My Own Worst Enemy (song)</span> 1999 single by Lit

"My Own Worst Enemy" is a song by the American rock band Lit. It was commercially released in June 1999 as the lead single from Lit's second album, A Place in the Sun (1999). It is the band's signature and most popular song, making them one hit wonders. Lit had first formed over a decade earlier in Southern California, where they alternated between metal and punk early on. Later, the band secured a contract with RCA Records, who funded A Place in the Sun.

<i>Chase This Light</i> 2007 studio album by Jimmy Eat World

Chase This Light is the sixth studio album by American rock band Jimmy Eat World. The band began working on the follow-up to Futures (2004) by late 2005, and had made demos by early 2006. They started recording their next album with engineer Chris Testa between Arizona and California. Butch Vig was enlisted as an executive producer, acting in a consultancy role, where he would provide feedback on the material. Sessions began in August 2006 and lasted until May 2007, with tours of the US and Europe in between. Described as a power pop, pop rock and pop-punk record, the guitars drew comparison to the Outfield and U2, while individual song comparisons were made to the likes of the Killers, the All-American Rejects and Shout Out Louds.

References

Citations

  1. 1 2 Tatangelo, Wade (September 1, 2005). "Band combines punk and practicality". Tampa Bay Times. Archived from the original on October 26, 2020. Retrieved October 23, 2020.
  2. 1 2 3 4 Island Records. "Artist Focus". Yahoo! Launch. Archived from the original on May 16, 2003. Retrieved October 23, 2020.
  3. 1 2 3 4 5 6 7 8 9 10 Lambeth, Sam (November 9, 2016). "Wall of Sound – American Hi-Fi's Debut Turns 15". Louder Than War. Archived from the original on September 9, 2020. Retrieved October 23, 2020.
  4. 1 2 Cornell, Jeff. "American Hi-Fi: Flavor Of The Week?". Sonicnet. Archived from the original on June 2, 2001. Retrieved August 14, 2022.
  5. 1 2 American Hi-Fi (booklet). American Hi-Fi. Island Records. 2001. Promo.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  6. 1 2 3 4 5 American Hi-Fi (booklet). American Hi-Fi. Island Records. 2001. 314 542 871-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  7. 1 2 Richardson, Sean (February 20–27, 2003). "Revenge of the losers". The Boston Phoenix . Archived from the original on March 6, 2003. Retrieved February 20, 2023.
  8. 1 2 3 Barker, Emily (June 9, 2014). "20 Pop Punk Albums Which Will Make You Nostalgic". NME. Archived from the original on March 24, 2017. Retrieved July 29, 2015.
  9. ↑ Roth, Kaj (February 24, 2003). "American Hi-Fi - The Art of Losing". Melodic. Archived from the original on September 9, 2020. Retrieved September 9, 2020.
  10. 1 2 Gordon, Keith A. "Live From Tokyo - American Hi-Fi | Songs, Reviews, Credits". AllMusic. Archived from the original on June 7, 2019. Retrieved October 23, 2020.
  11. 1 2 "American Hi-Fi". American Hi-Fi. Archived from the original on February 21, 2001. Retrieved October 24, 2020.
  12. ↑ "American Hi-Fi". American Hi-Fi. Archived from the original on March 4, 2001. Retrieved October 24, 2020.
  13. ↑ Borges, Mario Mesquita. "American Hi-Fi - American Hi-Fi | Release Info". AllMusic. Retrieved September 5, 2020.
  14. ↑ American Hi-Fi (sleeve). American Hi-Fi. Island Records. 2001. 586 457-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  15. ↑ Kemp, Rob (February 13, 2001). "Eve 6 To Tour U.S. With VAST, American Hi-Fi". MTV. Archived from the original on October 26, 2020. Retrieved October 23, 2020.
  16. 1 2 Chart Attack (May 18, 2001). "American Hi-Fi Run The Gauntlet". Chart Attack. Archived from the original on March 4, 2018. Retrieved April 4, 2018.{{cite web}}: CS1 maint: unfit URL (link)
  17. ↑ Nome, Valerie (May 29, 2001). "Staind, Green Day, Tantric, More Rock D.C.'s HFStival". MTV. Archived from the original on February 22, 2018. Retrieved October 23, 2020.
  18. ↑ Rasmussen, Eric Schumacher (May 2, 2001). "Everclear To Headline Civic Tour, Offer Custom Coupes". MTV. Archived from the original on October 27, 2020. Retrieved October 23, 2020.
  19. ↑ "Flavor of the Weak" (sleeve). American Hi-Fi. Island Records. 2001. HI-FI1.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  20. ↑ "Flavor of the Weak" (sleeve). American Hi-Fi. The Island Def Jam Music Group. 2001. 572944-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  21. ↑ Weiss, Neal (September 28, 2001). "News - American Hi-Fi Sheds Concerns About Touring, Kicks Off Launch Dates". Yahoo! Launch. Archived from the original on November 16, 2002. Retrieved October 23, 2020.
  22. ↑ Appleby, Ollie (November 8, 2001). "The 45s - single delay, tour goes ahead". Drowned in Sound. Archived from the original on November 20, 2004. Retrieved October 23, 2020.
  23. ↑ "Another Perfect Day" (sleeve). American Hi-Fi. Island Records. 2001. 588 889-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  24. 1 2 Borges, Mario Mesquita. "American Hi-Fi - American Hi-Fi | Songs, Reviews, Credits". AllMusic. Archived from the original on June 7, 2019. Retrieved September 5, 2020.
  25. 1 2 "American Hi-Fi — American Hi-Fi". Chart Attack. April 17, 2001. Archived from the original on March 4, 2018. Retrieved April 4, 2018.{{cite web}}: CS1 maint: unfit URL (link)
  26. 1 2 Bezer, Terry (September 5, 2001). "Album Review: American Hi-Fi - American Hi-Fi / Releases". Drowned in Sound. Archived from the original on March 25, 2016. Retrieved October 23, 2020.
  27. ↑ Griffiths, Mark (June 23, 2001). "Albums". Kerrang! . No. 858. UK: EMAP. p. 46.
  28. 1 2 Wippsson, Johan. "American Hi-Fi - American Hi-Fi". Melodic. Archived from the original on January 7, 2019. Retrieved July 17, 2017.
  29. 1 2 Salmutter, Elmar (September–November 2001). "Reviews: American Hi-Fi / American Hi-Fi CD". Ox-Fanzine (in German). Archived from the original on September 9, 2020. Retrieved May 27, 2019.
  30. 1 2 Schnadelbach, Buffo (July 25, 2001). "American Hi-Fi - American Hi-Fi". Rock Hard (in German). Archived from the original on September 9, 2020. Retrieved September 9, 2020.
  31. 1 2 Walters, Barry (May 10, 2001). "American Hi-Fi: American Hi-Fi : Music Reviews". Rolling Stone. Archived from the original on May 12, 2008. Retrieved January 11, 2017.
  32. ↑ Cross, Charles R. (2004). "American Hi-Fi". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp.  17. ISBN   0-7432-0169-8.
  33. ↑ Birk, Nathan T. (May 17, 2001). "American Hi-Fi American Hi-Fi". Ink19. Archived from the original on November 25, 2021. Retrieved November 25, 2021.
  34. 1 2 "American Hi-Fi Chart History (Billboard 200)". Billboard. Retrieved October 24, 2020.
  35. 1 2 3 Chart Log UK: "A – Azzido Da Bass". UK Albums Chart. Zobbel.de. Retrieved October 24, 2020.
  36. 1 2 "American Hi-Fi - Chart History (Alternative Airplay)". Billboard. Archived from the original on September 11, 2020. Retrieved September 11, 2020.
  37. ↑ "American Hi-Fi - Chart History (Mainstream Top 40)". Billboard. Archived from the original on September 11, 2020. Retrieved October 23, 2020.
  38. ↑ "American Hi-Fi - Chart History (Adult Top 40)". Billboard. Archived from the original on September 11, 2020. Retrieved October 23, 2020.
  39. ↑ "American Hi-Fi - Chart History (Radio Songs)". Billboard. Archived from the original on September 11, 2020. Retrieved October 23, 2020.
  40. ↑ "American Hi-Fi - Chart History (Hot 100)". Billboard. Archived from the original on September 11, 2020. Retrieved October 23, 2020.
  41. ↑ Smith, Troy L. (March 2, 2022). "The 100 greatest pop punk songs of all time". Cleveland.com. Archived from the original on March 3, 2022. Retrieved March 3, 2022.
  42. ↑ "American Hi-Fi Chart History (Heatseekers Albums)". Billboard. Retrieved May 21, 2022.

Sources

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.