Anthony Michaels-Moore (born 8 April 1957) is an English operatic baritone and the first British winner of the Luciano Pavarotti International Voice Competition (Philadelphia, 1985). [1] Michaels-Moore has since performed in many of the world's major opera houses across Europe, the Americas, and Asia. He has distinguished himself as a specialist in Verdi and Puccini roles, most renowned for his portrayals of Falstaff, Nabucco, Rigoletto, Simon Boccanegra, Iago in Otello, Germont in La traviata, Sharpless in Madama Butterfly, and Scarpia in Tosca. In addition to the standard repertoire, he has sung and recorded the baritone roles of some of the less-known 19th Century Italian operas, as well as the popular English art song cycles by Stanford and Vaughan Williams. [2]
Michaels-Moore currently lives in Santa Fe, New Mexico. [3] He is the first opera singer to provide the voice of Zozobra when he performed the role of old man gloom for the 96th Burning of Zozobra on 4 September 2020. [4]
Michaels-Moore was born in Essex. Between 1975 and 1978, he was commissioned as a second lieutenant in the British Army's Royal Tank Regiment [5] while studying music and history at Newcastle University upon Tyne, and, after a year at Fenham teacher training college, he became a primary school teacher. From 1981 onward he studied singing privately, became a member of the chorus at the English Bach Festival from 1982 to 1984. He attended the Royal Scottish Academy of Music and Drama from 1984 to 1985, earning a MMus/MA in Opera. In 1985 Michaels-Moore was named the first British winner of the Luciano Pavarotti Competition and sang the roles of Messenger ( Oedipus rex ) for Opera North and Scarpia in Tosca for Scottish Opera Go Round. [6] [7]
His career has been centered on the Italian repertoire, starting with lyric roles, but now focused on the great Verdi baritone roles. A review of his 2009 performances of Rigoletto with English National Opera noted his ability to be both "gloriously lyrical and terrifyingly baleful at the same time", combining beautiful Italianate legato with "monstrous power". [8] Another reviewer of that production opined that "he is [Britain's] leading Verdi baritone". [9] Performances in Canada as Rigoletto ("performing with amazing presence, his dark voice suited the character perfectly… brought a remarkable breadth of expression to the role") and in Europe as Scarpia ("he is obsequiously, sadistically, loathsomely mellifluous") as well as Falstaff in 2010 have also drawn high praise. [10]
Michaels-Moore made his debut at London's Royal Opera House, Covent Garden in 1987 and has subsequently appeared in many productions there including La Bohème, Pagliacci, The Barber of Seville, The Marriage of Figaro (1998), Andrea Chénier (1998), Tosca (2000), Macbeth (1997 & 2002), Falstaff (2003), Lucia di Lammermoor (2004), La traviata (2006), Il trovatore (2007), L’elisir d'amore (2009), and Madama Butterfly (2011). He has also appeared with all the other major British companies: English and Welsh National Operas, Opera North, Scottish Opera and Glyndebourne Festival Opera. [11]
In Europe he has appeared at major houses such as the Vienna State Opera, La Scala, Milan, the Opéra National de Paris, Munich's Bayerische Staatsoper, the Staatsoper and Deutsche Oper in Berlin, Barcelona's Liceu, La Monnaie in Brussels, the Grand Théâtre de Genève, Madrid's Teatro Real, Zurich Opera House (Falstaff, Otello), Oper Köln (Tosca, La Forza del Destino), and Teatro dell'Opera di Roma (Curlew River).[ citation needed ]
In North America Michaels-Moore has appeared at all of the major houses and some of the regional ones including New York's Metropolitan Opera, the San Francisco Opera, the Lyric Opera of Chicago (Attila), Pittsburgh Opera (Otello), Opera Colorado, Florida Grand Opera, Los Angeles Opera (Billy Budd), Lyric Opera of Kansas City (La traviata), Opera Philadelphia (Cold Mountain), [12] and Opéra de Montréal (Rigoletto). [13]
In the US, Michaels-Moore has a particularly strong relationship with the Santa Fe Opera; in their summer festivals he has appeared in classic Verdi parts such as Simon Boccanegra (2004), Falstaff (2008), and Germont pere (2009). Anthony has also appeared at the festival in less familiar roles and new works; singing the title role in Mozart's The Impresario and the Emperor in Stravinsky's The Nightingale in 2014, and creating the role of Robert Crosbie in the world premiere of Paul Moravec's The Letter in 2009, as well as the roles of Father Monroe and Pangle in the world premiere of Cold Mountain in 2015. Anthony's 2009 appearances as Robert Crosbie in The Letter brought him particular critical approval. [14] [15]
In South America the baritone has appeared in Andrea Chénier at the Teatro Colón in Buenos Aires and in Aida at the Theatro Municipal in São Paulo. [16] [17]
2017: Grammy nomination for Best Opera Recording – Jennifer Higdon's Cold Mountain recorded live at The Santa Fe Opera [18]
2004: Grammy nomination for Best Classical Album recording – LSO Live: Britten: Peter Grimes with Sir Colin Davis conducting the London Symphony Orchestra [19]
1995: Royal Philharmonic Society Music Award, the highest recognition for live classical music-making in the United Kingdom [20]
1985: First British winner of the Luciano Pavarotti Competition in Philadelphia, USA [21]
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. It is the most common male voice. The term originates from the Greek βαρύτονος (barýtonos), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, Kavalierbariton, Verdi baritone, dramatic baritone, baryton-noble baritone, and the bass-baritone.
Tito Gobbi was an Italian operatic baritone with an international reputation.
Louis Quilico, was a Canadian opera singer. One of the leading dramatic baritones of his day, he was an ideal interpreter of the great Italian and French composers, especially Giuseppe Verdi. He was often referred to as "Mr Rigoletto" in reference to the Verdi opera. During his 45-year-long career he shared performing credits with opera's greatest stars. He spent 25 consecutive years at the Metropolitan Opera in New York City. After his retirement from the stage in 1998 he continued to perform and record, most often with his second wife, pianist Christina Petrowska Quilico,, with whom he made four CDs. The couple also toured together extensively in concerts until Quilico's death in 2000. Quilico received the Governor General's Performing Arts Award, Canada's highest honour in the performing arts, in November 1999 for his lifetime contribution to classical music.
Piero Cappuccilli was an Italian operatic baritone. Best known for his interpretations of Verdi roles, he was widely regarded as one of the finest Italian baritones of the second half of the 20th century. He was enormously admired within the field of opera for his rich and abundant voice, fine vocal technique and exceptional breath control. In the great Italian tradition he fused words and music into elegant phrases. He focused on Italian repertory, particularly the operas of Verdi, singing 17 major roles.
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Cornell MacNeil was an American operatic baritone known for his exceptional voice and long career with the Metropolitan Opera, which spanned 642 performances in twenty-six roles. Opera News opined he "was a great baritone in era of great baritones — Warren, Gobbi, Merrill, Milnes — and in the contemporary press, comparisons to his colleagues were frequent. But MacNeil's performances had singular musical richness, and moral and intellectual complexity that were his alone. MacNeil may have had rivals, but he had no equals."
Joan Pons Álvarez is a Spanish operatic baritone, known internationally as Juan Pons. He is most famous for his Verdi roles.
Giuseppe Valdengo was an Italian operatic baritone. Opera News said that, "Although his timbre lacked the innate beauty of some of his baritone contemporaries, Valdengo's performances were invariably satisfying — bold and assured in attack but scrupulously musical."
Karl Gustaf Ingvar Wixell was a Swedish baritone who had an active international career in operas and concerts from 1955 to 2003. He mostly sang roles from the Italian repertory, and, according to The New York Times, "was best known for his steady-toned, riveting portrayals of the major baritone roles of Giuseppe Verdi — among them Rigoletto, Simon Boccanegra, Amonasro in Aida, and Germont in La traviata".
Michael Chioldi is an American opera singer who has performed leading baritone roles in the opera houses and festivals of North and South America, Europe and Asia. He first appeared at New York's Metropolitan Opera in 1995 when he was a winner of the Metropolitan Opera National Council Competition.
Paolo Silveri was an Italian baritone, particularly associated with the Italian repertory, one of the finest Verdi baritones of his time.
Scipio Colombo was an Italian dramatic baritone, and was known for his abilities as a musician and singing-actor.
Željko Lučić, is a Serbian operatic baritone who has had an active international career since 1993. He was a member of the Serbian National Theatre in Novi Sad from 1993 to 1998 and at the Frankfurt Opera from 1998 to 2008. He is particularly well known for his performances in the operas of Giuseppe Verdi; having portrayed a total of 23 leading roles from the great composer's works.
Giovanni Polese was an Italian operatic baritone who had an active international singing career from 1894-1928. He achieved the height of his success in the United States in the years 1908-1916 in the cities of Boston, Chicago, New York, and Philadelphia, and again from 1926-1928 in Chicago. While he sang a broad repertoire from the French, German, and Italian repertoires, he was most celebrated for his performances in the operas of Giuseppe Verdi. His voice is preserved on more than 20 recordings made by Edison Records.
Ambrogio Maestri is an Italian operatic baritone. He is especially known for his portrayal of the title character in Giuseppe Verdi's Falstaff. He studied piano and singing in his home town, Pavia. In Italy he has performed at the Teatro alla Scala in Milan, Teatro di San Carlo in Naples, Teatro Regio in Parma, Teatro dell'Opera di Roma, Teatro Regio in Turin, Teatro Verdi in Trieste and the Arena di Verona. Abroad he has performed at the Deutsche Oper Berlin, Teatro Nacional de São Carlos in Lisbon, the Royal Opera House in London, the Teatro Real in Madrid, the Metropolitan Opera in New York City, San Francisco Opera House, the Konzerthaus and the Staatsoper in Vienna, the Gran Teatre del Liceu in Barcelona and others.
Giovanni Meoni is an Italian operatic baritone.
Frederick Burchinal is an American operatic baritone, whose career centered on the works of Giuseppe Verdi as well as verismo opera more broadly. Burchinal is best known for his association with the Metropolitan Opera, and sang with the company for over 22 years.
Quinn Kamakanalani Kelsey is a Hawaiian baritone, who is particularly noted for his performances in operas by Verdi. He has been featured in leading roles by the Metropolitan Opera in New York City, as well as other major opera companies in America and Europe.
Silvano Carroli was an Italian baritone.
Frederick Sharp was an English baritone. Trained as a singer at the Royal College of Music, he made his debut in 1946 at the Glyndebourne Festival Opera as Junius in Benjamin Britten's The Rape of Lucretia. In 1947 he created the role of Sid in the world premiere of Britten's Albert Herring. He went on to sing thirteen seasons with the Sadler's Wells Opera; portraying such roles as Germont in La traviata, Paolo in Simon Boccanegra, Scarpia in Tosca, and the title roles in Eugene Onegin, Don Giovanni and Rigoletto among others. His final appearance with Saddler's Wells was in 1960.