Barbie of Swan Lake | |
---|---|
Directed by | Owen Hurley |
Written by | Elana Lesser Cliff Ruby |
Based on | Swan Lake by Pyotr Ilyich Tchaikovsky |
Produced by | Kim Dent Wilder Rob Hudnut |
Starring | Kelly Sheridan Mark Hildreth Kelsey Grammer Maggie Wheeler Kathleen Barr Nicole Oliver |
Edited by | Greg Richardson |
Music by | Arnie Roth |
Production companies | |
Distributed by | North America: Artisan Home Entertainment ( Family Home Entertainment ) Overseas: Universal Pictures Video UK and Ireland: Right Entertainment [1] |
Release date |
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Running time | 83 minutes |
Countries | Canada United States |
Language | English |
Barbie of Swan Lake is a 2003 animated fantasy film co-produced by Mainframe Entertainment and Mattel Entertainment, and distributed by Artisan Home Entertainment.
Based on the Tchaikovsky ballet Swan Lake , [2] [3] it is the third in the Barbie film series, with Kelly Sheridan providing the voice of Barbie. [4]
Barbie of Swan Lake was released on VHS and DVD on September 30, 2003 by Artisan, later making a television premiere on Nickelodeon on November 16, 2003. [5] and was subsequently released overseas through Entertainment Rights and Universal Pictures Video. [6]
Barbie tells the following story to her little sister, Kelly, who is feeling uneasy about being at overnight camp for the first time.
Odette is a young woman who lives in a small village with her father and sister, and works in the family bakery. She is a talented dancer but is shy and timid about it. Meanwhile, Prince Daniel is informed by his mother that it is time for him to marry and she is hosting a ball for him to choose a wife. The men of the village go after a unicorn named Lila. She is followed by a curious Odette into an Enchanted Forest. Lila becomes caught in a bush, so Odette looks for something to free her. She spots a crystal lodged in a rock which she easily removes as the other denizens of the forest watch in astonishment.
The Fairy Queen tells Odette that by freeing the magic crystal, she is destined to defeat the sorcerer Rothbart. Rothbart, her cousin, was angered when she was chosen to become the next ruler of the Forest. Rothbart left and returned years later with his daughter Odile; and has since taken over most of the forest, turning the fairies and elves into animals. Odette, afraid to get involved, declines to help but is confronted by Rothbart, who gives her the same curse as the others, turning her into a swan. The Queen gifts Odette with a tiara embedded with the crystal that protects her from Rothbart's magic. As her powers are too weak, the Queen only partially reverses the spell, allowing Odette to regain human form by night but turn back into a swan by day.
Odette and Lila go meet Erasmus, a troll who takes care of a massive library, in order to find the Book of Forest Lore, which can tell them how to break the spell; however, they are unsuccessful. Daniel, who is out hunting, is lured into the forest by Rothbart, determined to get him to hunt and kill Odette. However, just as he's about to shoot her down, Daniel is captivated by the swan's beauty and decides to let her live. Odette then transforms in front of him and protects him from Rothbart. The two of them spend the night together and fall in love. Daniel invites Odette to the ball the next night.
Erasmus finds the book and reveals that the key to defeating Rothbart is true love. However, if Daniel falls for another girl, the magic crystal will lose its power and Odette will die. Rothbart abducts Erasmus and the book. While Odette rescues Erasmus, Rothbart attends the ball with Odile, magically disguised as Odette. Odette flies to the castle in her swan form to warn Daniel, but is too late; Daniel pledges his love to Odile, causing Odette to collapse.
With the crystal's power gone, Rothbart takes it from Odette. In the Forest, he turns the Fairy Queen into a mouse. Odette wakes up as Daniel arrives to confront Rothbart. Rothbart's spell hits them both, their hands intertwined. At that moment, Rothbart is consumed by the crystal's magic, as Daniel and Odette had tried to protect each other out of true love. Rothbart's evil is undone. Everyone from the village and the Forest celebrate as Odette and Daniel are to be married. Rothbart becomes a cuckoo clock while Odile ends up as a maid in Erasmus's library.
This story of courage gives Kelly new resolve and she promises she will participate in a race the following day.
The huge success of the first two Barbie videos, Barbie in the Nutcracker and Barbie as Rapunzel , led to Mattel deciding to make a third film. [7] with the movie being announced by Mainframe in September 2002. [8] Barbie of Swan Lake's story is based on the 19th-century German fairy tale "Swan Lake". [9]
As with Barbie's first ballet film Barbie in the Nutcracker, Barbie of Swan Lake was choreographed by the New York City Ballet master-in-chief Peter Martins, and features the movement of New York City Ballet dancers computer animated through motion capture imaging. The dancers were filmed over two days for the ballet sequences with 16 light-emitting cameras that tracked their movements based on reflective squares attached to the dancers' elbows, wrists and legs. The production team at Mainframe Entertainment then superimposed the motion capture data onto computer models of the movie characters, and animated the characters' faces. [10] Motion capture performer Cailin Stadnyk portrayed Barbie's movements, [11] while ballerina Maria Kowroski performed the character's dancing scenes. [12]
The film features Tchaikovsky's score from Swan Lake performed by the London Symphony Orchestra, [13] with 15-year-old violinist Nicola Benedetti performing the violin solos. [14] [15] In addition, the film has a theme song that plays over the end credits, "Wings", written by Jason Blume and performed by Leslie Mills. [16]
The film was released on VHS and DVD on September 30, 2003.[ citation needed ]
The DVD includes the bonus features "The Ballet Dances of Swan Lake", which showcases the film's ballet sequences with accompanying commentary for young viewers, [13] "The Music in You", a 20-minute documentary profiling four girls studying at the Juilliard School of Music, [17] and an interactive game, "Explore the Stars!", challenging children to identify the constellations. [18] [19]
As with the previous two Barbie movies, Entertainment Rights secured global distribution rights to the film outside North America, [6] which remained as such despite the company losing international merchandising rights back to Mattel at the end of the year. [20]
Joseph Szadkowski of The Washington Times praised the film as "beautiful" and "another triumph for Barbie that should inspire youngsters". [19] Rating it two-and-a-half stars out of five, the New Straits Times ' R. S. Murthi called it "charming" and wrote, "The CGI work is fluid and the dance choreography by the New York City Ballet [...] is superly translated." [21] Scott Hettrick of the South Florida Sun-Sentinel wrote that the film has "all the elements of a good fairy tale that [are] delightfully translated here visually in this comforting, entertaining and engaging presentation." [22]
Describing the film as "teem[ing] with villainy, magic and fantasy", Nancy Churnin in The Dallas Morning News wrote that Barbie of Swan Lake "exceeds expectations"; she noted its educational value. [23] Reviewing the film for Video Business, Buzz McClain wrote, "Director Hurley overcomes the potential robotic coldness of the digital animation, which at times resembles that of a videogame, by infusing undeniable charm into the story and characters." McClain also noted the cultural value of the film's ballet sequences and classical music, highlighted in the DVD extras. [13]
K. Lee Benson of The Video Librarian recommended Barbie of Swan Lake, calling it a "class act" and a "marked improvement" over the previous two CGI Barbie films. [18] Lynne Heffley of the Los Angeles Times called it a "lavishly detailed computer-animated feature whose creativity and sweet nature nearly mitigates its unavoidable product promotion." [24] Stephanie Prange of Video Store praised the film's animation as "truly beautiful, with bright colours and [a] polished look". [25]
A review in The Daily Telegraph opined that "Transformed into cartoon form, Swan Lake isn't exactly a masterpiece", but recommended the film as a way to introduce children to Tchaikovsky. [26] In a negative review, Robert Gottlieb of The New York Observer opined that Barbie of Swan Lake's "divergences from the ballet are profoundly distorting. Nothing of the troubling heart of Swan Lake remains. Instead, we get a frisky, feminist unicorn and an adorable skunk! To call this Disneyfication is to insult the genius of early Disney and the professionalism of later Disney." [27] Two eight-year-old reviewers for Newsday rated the film 4/5 stars, writing that they enjoyed its "beautiful music and dancing" and "nice message about believing in yourself." [28]
In a 2021 retrospective review, The Sunday Telegraph called it a "gentle tale" and wrote, "The 2003 animation looks a bit dated now but it can still capture the imagination." [29]
Swan Lake, Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular of all ballets.
The Swan Princess is a 1994 American animated musical fantasy film based on the ballet Swan Lake. Featuring Michelle Nicastro, Howard McGillin, Jack Palance, John Cleese, Steven Wright, Sandy Duncan, and Steve Vinovich, the film is directed by former Disney animation director Richard Rich and scored by Lex de Azevedo. The film was distributed by New Line Cinema in the United States and by Columbia TriStar Film Distributors International outside the US. It was released theatrically on November 18, 1994, and grossed $9.8 million against a $21 million budget, becoming a box-office bomb, partly due to struggling competition with a re-release of The Lion King (1994). The film later became popular through home video releases and has since been followed by a series of direct-to-video sequels starting in 1997.
Matthew Bourne's Swan Lake is a contemporary ballet based on the Russian romantic work Swan Lake, from which it takes the music by Tchaikovsky and the broad outline of the plot. Bourne's rendering is best known for having the traditionally female parts of the swans danced by men.
Barbie as Rapunzel is a 2002 animated fairy tale film co-produced by Mainframe Entertainment and Mattel Entertainment, and distributed by Artisan Home Entertainment.
Barbie in the Nutcracker is a December 20, 2001 animated fantasy film co-produced by Mainframe Entertainment and Mattel Entertainment, and distributed by Artisan Home Entertainment.
Barbie in the 12 Dancing Princesses is a 2006 animated dance film. It premiered on Nickelodeon on September 10, 2006, and it was later released to DVD on September 19.
Gillian Murphy is an American ballet dancer who is a principal dancer with the American Ballet Theatre.
Irina Kolesnikova is a Russian ballet dancer. She is the prima ballerina of the St Petersburg Ballet Theatre.
The Swan Princess: Escape from Castle Mountain, alternatively known as The Swan Princess and the Secret of the Castle in European territories, is a 1997 American animated musical-fantasy-comedy film and the first direct-to-video sequel to the 1994 animated film The Swan Princess. Directed by Richard Rich, the film follows Derek and Odette's first anniversary of their wedding being disrupted by the actions of a wicked magician, Sir Clavius, who wants to find a magical orb, the source of the Forbidden Arts, and take over the world. The film was released on July 18, 1997. It is the only film in the series not distributed through Sony Pictures Home Entertainment. Chronologically, this film takes place after The Swan Princess: Christmas, since Odette mentions this as the first Christmas since her father's death.
Swan Lake is an anime film based on the ballet Swan Lake by Pyotr Tchaikovsky.
The 1895 Petipa/Ivanov/Drigo revival of Swan Lake is a famous version of the ballet Swan Lake,, . This is a ballet by Pyotr Ilyich Tchaikovsky based on an ancient German legend, presented in either four acts, four scenes, three acts, four scenes or, more rarely, in two acts, four scenes. Originally choreographed by Julius Reisinger to the music of Pyotr Ilyich Tchaikovsky, it was first presented as The Lake of the Swans by the Ballet of the Moscow Imperial Bolshoi Theatre on 20 February/4 March 1877 in Moscow, Russia. Although the ballet is presented in many different versions, most ballet companies today base their stagings both choreographically and musically on this revival by Marius Petipa and Lev Ivanov, staged for the Imperial Ballet, first presented on 15 January/27 January 1895, at the Imperial Mariinsky Theatre in St. Petersburg, Russia instead of the original version.
The Swan Princess III: The Mystery of the Enchanted Treasure, alternatively titled The Swan Princess: The Mystery of the Enchanted Kingdom, is a 1998 American animated direct-to-video musical adventure film and the third installment in The Swan Princess franchise. It was directed again by Richard Rich, and features the voices of Michelle Nicastro and Brian Nissen as Odette and Derek. This film follows Derek and Odette having to deal with Zelda, a sorceress who is seeking the Forbidden Arts and wishes to use it to destroy their happiness.
Sarah Lane is an American ballet dancer who was a principal dancer with American Ballet Theatre (ABT). She served as a "dance double" for Natalie Portman in the 2010 film Black Swan.
Christine Shevchenko is a Ukrainian-American ballet dancer. She currently performs as a principal dancer with American Ballet Theatre.
Black Swan is a 2010 American psychological horror film directed by Darren Aronofsky from a screenplay by Mark Heyman, John McLaughlin, and Andres Heinz, based on a story by Heinz. The film stars Natalie Portman in the lead role, with Vincent Cassel, Mila Kunis, Barbara Hershey, and Winona Ryder in supporting roles. The plot revolves around a production of Tchaikovsky's Swan Lake by the company of New York City Ballet. The production requires a ballerina to play the innocent and fragile White Swan, for which the committed dancer Nina Sayers (Portman) is a perfect fit, as well as the dark and sensual Black Swan, which are qualities better embodied by the new rival Lily (Kunis). Nina is overwhelmed by a feeling of immense pressure when she finds herself competing for the role, causing her to lose her tenuous grip on reality and descend into madness.
Irma Nioradze, is a Georgian ballerina and Principal Dancer of the Kirov-Mariinsky Ballet.
Lana Jones is an Australian retired ballet dancer. She was a principal dancer with The Australian Ballet, and danced with the company for 16 years.
The Swan Princess: Christmas is a 2012 American animated fantasy family film directed by Richard Rich, produced by Crest Animation Productions and Nest Family Entertainment. It is the fourth film in The Swan Princess series, and the first in 14 years. It follows the adventures of Odette and Derek celebrating their first Christmas together. While the three previous films in the series were animated using traditional 2D hand-drawn techniques, The Swan Princess Christmas was the first in the series to be created entirely with CGI animation.
Vladimir Bourmeister was a Soviet choreographer best known for his choreography of Swan Lake, a ballet dance by Peter Tchaikovsky. Made in 1952, his choreography of the dance, unlike other choreographies at the time, was designed to be closely related to the original dance by Tchaikovsky whilst also being modern. The most recognized change in his choreography to the ballet was adding a prologue that showed Odette being turned into a swan by Rothbart. By the end of Bourmeister's choreography, she gets restored to herself. In the Ballroom scene of the dance, Bourmeister made Odile more like an attractive and respectable girl than a seductive vamp to make Siegreid portraying Odette more realistic. Bourmeister's choreography had been played over by the Stanislavsky orchestra. In 1960 the choreography was adopted by the Paris Opera Ballet. When he was invited to choreograph The Snow Maiden for London Festival Ballet in 1961, he became the first Soviet choreographer to work with a Western company.