"Bennie and the Jets" | ||||
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Single by Elton John | ||||
from the album Goodbye Yellow Brick Road | ||||
B-side | "Harmony" | |||
Released | 4 February 1974 | |||
Recorded | 1973 | |||
Studio | Château d'Hérouville, France | |||
Genre | ||||
Length | 5:23 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Gus Dudgeon | |||
Elton John singles chronology | ||||
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Official Music Video | ||||
Bennie and the Jets on YouTube |
"Bennie and the Jets" (also titled "Benny & the Jets") is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John. [3] The song first appeared on the Goodbye Yellow Brick Road album in 1973. "Bennie and the Jets" has been one of John's most popular songs and was performed during his appearance at Live Aid.
The track was a massive hit in the United States and Canada, released in 1974 as an A-side using the spelling "Bennie". In most territories the track was released as the B-side to "Candle in the Wind", using the spelling "Benny". Album artwork (back-cover track listing and center-panel design) consistently lists the song as "Bennie" while either "Bennie" or "Benny" appears on the vinyl album depending on territory. The track was released as an A-side in the UK in 1976, as "Benny and the Jets".
It is ranked number 371 on Rolling Stone's list of The 500 Greatest Songs of All Time. [4]
The song tells of "Bennie and the Jets", a fictional band of whom the song's narrator is a fan. In a 2014 Rolling Stone interview, Taupin said "I saw Bennie and the Jets as a sort of proto-sci-fi punk band, fronted by an androgynous woman, who looks like something out of a Helmut Newton photograph." [5]
Produced by Gus Dudgeon, the song was recorded during the Goodbye Yellow Brick Road sessions in France at Château d'Hérouville's Strawberry Studios, [6] where John and Taupin had recorded their previous two albums Honky Château and Don't Shoot Me I'm Only the Piano Player .
When performing the song live, John rarely plays the studio arrangement, and often makes subtle or even drastic changes, sometimes including phrases from Glenn Miller's "In the Mood" and closing with the five-note combination from John Williams' score for Close Encounters of the Third Kind . [7] [ better source needed ] During his live performances, the piano solo has been played in all sorts of variations, from very close to the original to wildly improvised and extended versions, such as the elaborate version during his Central Park concert in 1980, the version from his 30 June 1984, Wembley Stadium performance and another take on it during the "Elton and his band" part of the show recorded in Sydney, Australia, on 14 December 1986, his last show before his throat surgery in January 1987. [8]
Despite sounding as if it’s recorded live, the song was recorded in studio, with live sound effects added later. Producer Gus Dudgeon explained: [9]
For some weird reason, Elton happened to have hit the opening piano chord of the song exactly one bar before the song actually started. So I was doing the mix and this chord kept coming on which you normally wouldn't expect to hear. I turned to engineer [David Hentschel] and I said, 'What does that remind you of? … It's the sort of thing that people do on stage just before they're going to start a song.' Just to kind of get everybody, 'Okay, here we go, ready?' For some reason that chord being there made me think, 'Maybe we should fake-live this.'
Dudgeon mixed in sounds from a 1972 performance by John at the Royal Festival Hall and a 1970 Jimi Hendrix concert on the Isle of Wight. [10] He included a series of whistles from a live concert in Vancouver, and added hand claps and various shouts. [11]
The song was the closing track on side one of the double album Goodbye Yellow Brick Road , and John was set against releasing it as a single, believing it would fail. CKLW in Windsor, Ontario, began heavy airplay of the song and it became the No. 1 song in the Detroit market. [12] This attention caused other American and Canadian Top 40 stations to add it to their playlists as well. As a result, the song peaked at No. 1 on the US singles chart in 1974. In the US, it was certified Gold on 8 April 1974 and Platinum on 13 September 1995 by the RIAA, [13] and had sold 2.8 million copies by August 1976. [14]
Cash Box said that "the song is a strong one and worth every second of its 5:10." [15] Record World said that "With Elton showcasing his remarkable voice range, it can't miss grabbing the top spot." [16]
"Bennie and the Jets" was John's first Top 40 hit on what at the time was called the Billboard Hot Soul Singles chart, where it peaked at No. 15, the highest position out of the three of his singles which reached that chart. [17] The acceptance of "Bennie" on R&B radio helped land John, a huge soul music fan, a guest appearance on 17 May 1975 edition of Soul Train , where he played "Bennie and the Jets" and "Philadelphia Freedom". In Canada, it held the No. 1 spot on the RPM national singles chart for two weeks (13–20 April), becoming his first No. 1 single of 1974 and his fourth overall. [18] [19]
In May 2017, the music video for "Bennie and the Jets" premiered at the Cannes Film Festival as a winner of Elton John: The Cut, a competition organised in partnership with AKQA, Pulse Films, and YouTube in honour of the fiftieth anniversary of his songwriting relationship with Bernie Taupin. The competition called upon independent filmmakers to submit treatments for music videos for one of three Elton John songs from the 1970s, with each song falling within a specific concept category. "Bennie and the Jets" was designated for the choreography category, and was directed by Jack Whiteley and Laura Brownhill. The video was influenced by early cinema and the work of Busby Berkeley, portraying characters as participants on a talent show auditioning for Bennie. [20] [21]
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The song contains the line "She's got electric boots, a mohair suit", which is often misheard as "She's got electric boobs, and mohair shoes". [44] A scene in the film 27 Dresses shows that this is but one of many mondegreens that listeners have invented for this song. [45]
Tumbleweed Connection is the third studio album by English singer-songwriter Elton John. It was recorded at Trident Studios, London, in March 1970, and released in October 1970 in the UK and January 1971 in the US. It is a concept album based on country and western and Americana themes. All songs are written by John and Bernie Taupin, with the exception of "Love Song" by Lesley Duncan.
Don't Shoot Me I'm Only the Piano Player is the sixth studio album by English musician Elton John. Released on 26 January 1973 by DJM Records, it was the first of two studio albums he released in 1973, and was his second straight No. 1 album on the US Billboard 200 and first No. 1 album on the UK Albums Chart.
Goodbye Yellow Brick Road is the seventh studio album by English singer, pianist, and composer Elton John. A double album, it was released on 5 October 1973, by DJM Records. Recorded at the Château d'Hérouville in France, the album became a double LP once John and his band became inspired by the locale. Among the 17 tracks, the album contains the hits "Candle in the Wind", US number-one single "Bennie and the Jets", "Goodbye Yellow Brick Road" and "Saturday Night's Alright for Fighting", along with the live favourite "Funeral for a Friend/Love Lies Bleeding".
Caribou is the eighth studio album by English musician Elton John, released on 24 June 1974 by MCA Records in the US and on 28 June by DJM Records in the UK. It was his fourth chart-topping album in the United States and his third in the United Kingdom. The album contains the singles "Don't Let the Sun Go Down on Me", which reached number 16 in the UK Singles Chart and number two in the US, and "The Bitch Is Back", which reached number 15 in the UK and number four in the US. Both singles reached number one in Canada on the RPM 100 national Top Singles Chart, as did the album itself.
Captain Fantastic and the Brown Dirt Cowboy is the ninth studio album by English musician Elton John, released on 23 May 1975 by DJM Records in the UK and MCA Records in the US. The album is an autobiographical account of the early musical careers of Elton John and his long-term lyricist Bernie Taupin. An instant commercial success, the album was certified gold before its release, and reached No. 1 in its first week of release on the US Billboard 200, the first album to achieve both honours. It sold 1.4 million copies within four days of release, and stayed in the top position in the chart for seven weeks.
Greatest Hits is the eleventh official album release for English musician Elton John, and the first compilation. Released on 8 November 1974, it spans the years 1970 to 1974, compiling ten of John's singles, with one track variation for releases in North America and for Europe and Australia. It topped the album chart in both the United States and the United Kingdom, staying at number one for ten consecutive weeks on the Billboard 200 and eleven weeks on the UK Albums Chart. In Canada, it was number one for 13 weeks between 14 December 1974, and 22 March 1975, missing only 28 December 1974, at number two to Jim Croce's Photographs & Memories.
"Tiny Dancer" is a song written by English musician and composer Elton John and lyricist Bernie Taupin, and performed by John. It was originally released on John's 1971 album Madman Across the Water as its opening track, and was later produced and released as a single in 1972.
"Daniel" is a song written by English musician Elton John and his long-time songwriting partner Bernie Taupin, and performed by John. It was first released on John's 1973 album Don't Shoot Me I'm Only the Piano Player as its opening track. The original single release was also notable for a re-recorded version of 'Skyline Pigeon" on its B-side, which went on to be a popular track in its own right.
"Candle in the Wind" is a threnody style ballad written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It was originally written in 1973, in honour of Marilyn Monroe, who had died 11 years earlier.
Elton John's Greatest Hits Volume II is the sixteenth official album release for English musician Elton John, and the second compilation. The original 1977 US version features one song from 1971 and two songs from 1974 that were not on the first greatest hits album. It also features several hit songs from 1975 and two hit singles from John's past year of performing in 1976. The cover photograph was taken by Gered Mankowitz.
"Crocodile Rock" is a song written by Elton John and Bernie Taupin, and recorded in summer 1972 at the Château d'Hérouville studio in France, where John and his team had previously recorded the Honky Château album. It was released on 27 October 1972 in the UK and 20 November 1972 in the U.S., as a pre-release single from his forthcoming 1973 album Don't Shoot Me I'm Only the Piano Player, and became his first U.S. number-one single, reaching the top spot on 3 February 1973, and staying there for three consecutive weeks. In the U.S., it was certified Gold on 5 February 1973 and Platinum on 13 September 1995 by the Recording Industry Association of America (RIAA).
"Funeral for a Friend/Love Lies Bleeding" is a medley of two songs written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It is the opening track of the 1973 double album Goodbye Yellow Brick Road.
"Levon" is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It was recorded on 27 February 1971, and was released on John's 1971 album, Madman Across the Water. Backing vocals are provided by Tony Burrows. Paul Buckmaster wrote the orchestral arrangements and conducted the orchestra.
"Goodbye Yellow Brick Road" is a ballad written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It is the title track on John's album of the same name. The titular road is a reference to L. Frank Baum's The Wizard of Oz film and book series.
"Saturday Night's Alright for Fighting" (sometimes written "Saturday Night's Alright (For Fighting)") is a song originally recorded by English musician Elton John. John composed it with his long-time songwriting partner Bernie Taupin. It was released on John's best-selling album Goodbye Yellow Brick Road (1973) and as the first single. It has been covered by many artists and featured on motion picture, video game, and television soundtracks.
"The Bitch Is Back" is a rock song written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It was the second single released from John's 1974 album Caribou, and reached number 1 in Canada, number 4 in the United States and number 15 in the United Kingdom.
The album discography of British singer, songwriter, and pianist Elton John consists of 32 studio albums, 5 live albums, 10 soundtrack albums, 16 compilation albums, 4 extended plays, 3 tribute albums, 4 collaboration albums, and 2 holiday albums.
"Harmony" is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It is the final song on the 1973 double album Goodbye Yellow Brick Road. The song was recorded in May 1973, at Château d'Hérouville, France.
"Rocket Man(I Think It's Going to Be a Long, Long Time)" is a song written by English musician Elton John and songwriter Bernie Taupin and performed by John. It was originally released on 17 April 1972 in the US, as the lead single to John's album Honky Château. The song first charted in the UK on 22 April, rising to No. 2 in the UK Singles Chart and No. 6 in the US Billboard Hot 100, becoming a major hit single for John.
Revamp: Reimagining the Songs of Elton John & Bernie Taupin and Restoration: Reimagining the Songs of Elton John and Bernie Taupin are two tribute albums to English musician Elton John and his frequent songwriting partner Bernie Taupin, both released on 6 April 2018. Revamp was described as John's project and features covers of the duo's back catalogue by pop, rock and R&B artists, whereas Restoration was seen as Taupin's project and features covers by country music artists. Revamp was released via Island Records and Restoration by Universal Music Group Nashville. The release of the albums coincided with John's 2018–2023 Farewell Yellow Brick Road tour.
It's the perfect 'drunken rom-com scene' song, because it's okay to sing the wrong words to this song; who even knows what the right words are?