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Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
Charles Parker Jr., nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely fast virtuoso and introduced revolutionary harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. He was known for the very clear, sweet and articulate notes he could produce from the saxophone.
Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.
Charles James Shavers was an American jazz trumpeter who played with Dizzy Gillespie, Nat King Cole, Roy Eldridge, Johnny Dodds, Jimmie Noone, Sidney Bechet, Midge Williams, Tommy Dorsey, and Billie Holiday. He was also an arranger and composer, and one of his compositions, "Undecided", is a jazz standard.
Dillon "Curley" Russell was an American jazz musician, who played bass on many bebop recordings.
Irving Sidney "Duke" Jordan was an American jazz pianist.
Gene M. Roland was an American jazz composer and musician. He played many instruments during his career, but was most significant as an arranger/composer and for his association with Stan Kenton. Roland was the only arranger to write for Kenton, in all four decades of the band's existence.
Ernest Harold "Benny" Bailey was an American jazz trumpeter.
Teddy Kotick was an American jazz bassist, who appeared as a sideman with many of the leading figures of the 1940s and 1950s, including Charlie Parker, Buddy Rich, Artie Shaw, Horace Silver, Phil Woods and Bill Evans.
This is a list of recordings by American jazz alto saxophonist Charlie Parker. Parker primarily recorded for three labels: Savoy, Dial, and Verve. His work with these labels has been chronicled in box sets. Charlie Parker's Savoy and Dial Sessions have been issued on The Complete Savoy Sessions, Charlie Parker on Dial and Complete Charlie Parker on Dial and The Complete Savoy & Dial Master Takes. His Verve recordings are available on Bird: The Complete Charlie Parker on Verve and The Complete Verve Master Takes.
Charles Thomas Potter was an American jazz double bass player, best known for having been a member of Charlie Parker's "classic quintet", with Miles Davis, between 1947 and 1950.
"Ko-Ko" is a 1945 bebop recording composed by Charlie Parker. The original recorded version lists Parker on alto saxophone with trumpeter Miles Davis, double bassist Curley Russell and drummer Max Roach. Due to the absence of Bud Powell, Dizzy Gillespie was enlisted to play piano, instead of his usual trumpet. Pianist Sadik Hakim, then known as Argonne Thornton, was also known to be present at the session. Rumors persist to this day about precisely who played trumpet and piano on this piece; some claim it's young Miles Davis who plays trumpet and Gillespie comping at piano, on both takes; most claim Gillespie plays trumpet and, or instead of, piano; some claim Hakim is the pianist on all or part of one or both of the takes. However, Miles Davis confirms in his autobiography that he did not play trumpet on "Ko Ko":
"I remember Bird wanting me to play "Ko-Ko," a tune that was based on the changes of "Cherokee." Now Bird knew I was having trouble playing "Cherokee" back then. So when he said that that was the tune he wanted me to play, I just said no, I wasn't going to do it. That's why Dizzy's playing trumpet on "Ko-Ko," "Warmin' up a Riff," and "Meandering" on Charlie Parker’s Reboppers, because I wasn't going to get out there and embarrass myself. I didn't really think I was ready to play tunes at the tempo of "Cherokee" and I didn't make no bones about it."
Leonard Gaskin was an American jazz bassist born in New York City.
The Metronome All-Stars were a collection of jazz musicians assembled for studio recordings by Metronome Magazine, based on its readers' polls. The studio sessions were held in the years 1939-42, 1946–53, and 1956, and typically consisted of two tracks which allowed each participant a chance to solo for one chorus. Earlier recordings feature more swing style, while the later sessions tend more toward bebop.
Bud Plays Bird is a studio album by the jazz pianist Bud Powell, recorded late 1957/early 1958 for Roulette, but unreleased until 1997, when it was rediscovered by Michael Cuscuna and released by Blue Note as part of The Blue Note Collection.
To Bird with Love is a live album by trumpeter Dizzy Gillespie with an array of guest stars. It was recorded at the Blue Note Jazz Club in New York City on January 29, 1992 and released on the Telarc label. Gillespie's performances at the club in January and February of that year yielded two additional live albums, Bird Songs: The Final Recordings and To Diz with Love. Together, these three titles represent his final recordings prior to his death in 1993.
To Diz with Love is a live album by trumpeter Dizzy Gillespie with an array of guest stars recorded at the Blue Note in 1992 and released on the Telarc label. The album, along with To Bird with Love and Bird Songs: The Final Recordings, represent the last recordings made by the trumpeter before his death in 1993.
The Charlie Parker Story is an LP record by Charlie Parker, released posthumously by Savoy Records. While many of the tracks on this album had been previously released on other formats, this is the first album that chronicles the entire session, recorded November 26, 1945, including all takes of all pieces. This session is famous in that it is the first recorded under Parker's name. It is also controversial, in that to this day it is unclear who the pianist and trumpet player are on all of the tracks.
References
- ↑ Russell, Ross (1996). Bird Lives! The High Life & Hard Times of Charlie (Yardbird) Parker. New York: Da Capo Press. ISBN 0-306-80679-7.
- ↑ ""Billie's Bounce" | Stories of Standards". KUVO. 5 July 2016. Retrieved 8 July 2021.
- ↑ Grammy Hall of Fame Archived July 7, 2015, at the Wayback Machine - retrieved on 28 April 2009
- 1 2 Billie's Bounce at jazzstandards.com - retrieved on 28 April 2009
- ↑ "Tina May – Live In Paris". Discogs.
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