The Bishop of Hereford is a character in the Robin Hood legend. He is typically portrayed as a wealthy and greedy clergyman who is robbed by Robin and his Merry Men.
The character first appears by this name in the ballad "Robin Hood and the Bishop of Hereford". The earliest surviving text is in the Forresters manuscript (British Library Add MS 71158), which dates to the 1670s. [1] Relying on later printed versions, Francis James Child collected the work as Child Ballad 144. [2] In the song, Robin Hood and some of his men, disguised as shepherds, poach a deer in an area where they know the Bishop of Hereford will pass through. Finding them, the Bishop threatens to bring them before King Richard, and refuses to grant them pardon. Robin summons his Merry Men, who capture the Bishop and force him to "pay for" a feast with the outlaws and to sing a mass for them. [3] [4] Child regarded it as "far superior to most of the seventeenth-century broadsides". [2]
The work is related to Child Ballad 143, "Robin Hood and the Bishop", which features an unidentified bishop and ends in a nearly identical way. Both are variants of the episode in the much older "Gest of Robyn Hode" in which Robin robs a monk. [5] The Bishop of Hereford appears in the subsequent Child Ballad, "Robin Hood and Queen Katherine", in which he refers to the action in the previous work and refuses to bet on Robin in an archery contest. [6]
Scholar Stephen Knight notes that there are multiple historical Bishops of Hereford who have been suggested as a model for the character in the ballads. He may have been based on Adam Orleton, Bishop from 1317 to 1327, an antagonist of Edward II of England who became very unpopular during the reign of Edward III. He was a well-known figure at the time the earliest Robin Hood ballads likely developed in the 14th century. Another suggestion is the famously corrupt Peter of Aigueblanche, Bishop of Hereford from 1240 to 1268. However, he would have been much less well known in the 14th century. As the ballad identifies the sitting king as Richard, the contemporary bishop William de Vere, in office from 1186 until his death in 1198, has also been suggested, but Knight regards this as unlikely. [7] [8]
The Bishop of Hereford appears in Howard Pyle's influential children's book The Merry Adventures of Robin Hood (1883), based on the medieval ballads. The Merry Men rob him to pay Sir Richard at the Lee's debt. Later, he is scheduled to perform the marriage of Alan-a-Dale's sweetheart to her unwanted wooer, until Robin intervenes. He also appears in the archery contest scene, where the Queen (here Eleanor of Aquitaine) attributes his refusal to bet on Robin more to greed than to the impropriety of his betting. The Hereford Bishop appears in the anime series Robin Hood no Daibōken voiced by Yuu Shimaka, and is portrayed as a greedy bishop of Nottingham and ally to Baron Alwyn (the main antagonist) who desires Marian Lancaster for the Lancaster's wealth; however, he later betrays the Baron near the end and joins with Robin and his friends to overthrow his unstable leader.
The role of the Bishop of Hereford was played by Harold Innocent in the 1991 film Robin Hood: Prince of Thieves . In this version, he is depicted as a corrupt clergyman who supports the Sheriff and insists to Robin that the latter's father admitted to being a devil-worshiper. This culminates in Friar Tuck, disgusted and enraged at the Bishop's corruption and hypocrisy, shoving him out of a window to his death.
Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature, theatre, and cinema. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff. In the oldest known versions, he is instead a member of the yeoman class. Traditionally depicted dressed in Lincoln green, he is said to have stolen from the rich to give to the poor.
Sir Guy of Gisbourne is a character from the Robin Hood legends of English folklore. He first appears in "Robin Hood and Guy of Gisborne", where he is an assassin who attempts to kill Robin Hood but is killed by him. In later depictions, he has become a romantic rival to Robin Hood for Maid Marian's love.
Maid Marian is the heroine of the Robin Hood legend in English folklore, often taken to be his lover. She is not mentioned in the early, medieval versions of the legend, but was the subject of at least two plays by 1600. Her history and circumstances are obscure, but she commanded high respect in Robin’s circle for her courage and independence as well as her beauty and loyalty. For this reason, she is celebrated by feminist commentators as one of the early strong female characters in English literature.
Alan-a-Dale is a figure in the Robin Hood legend. According to the stories, he was a wandering minstrel who became a member of Robin's band of outlaws, the "Merry Men".
Will Scarlet is a prominent member of Robin Hood's Merry Men. He is present in the earliest ballads along with Little John and Much the Miller's Son.
The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire is an 1883 novel by the American illustrator and writer Howard Pyle. Pyle compiled the traditional Robin Hood ballads as a series of episodes of a coherent narrative. For his characters' dialog, Pyle adapted the late Middle English of the ballads into a dialect suitable for children.
Richard at the Lee is a major character in the early medieval ballads of Robin Hood, especially the lengthy ballad A Gest of Robyn Hode, and has reappeared in Robin Hood tales throughout the centuries.
Robin Hood is an Italian-Japanese anime series produced by Tatsunoko Productions, Mondo TV and NHK. It is an adaptation of the Alexandre Dumas version of the Robin Hood story consisting of 52 episodes. In this version, Robin and his allies are mostly pre-teens.
Gilbert Whitehand is a member of Robin Hood's Merry Men about whom next to nothing is known. It is possible that he is a character known from oral literature, with only allusions remaining in written literature.
"Robin Hood and Queen Katherine" is Child ballad 145. "Robin Hood's Chase", Child ballad 146, takes up after it.
Robin Hood and the Potter is a 15th century ballad of Robin Hood. While usually classed with other Robin Hood ballads, it does not appear to have originally been intended to be sung, but rather recited by a minstrel, and thus is closer to a poem. It is one of the very oldest pieces of the surviving Robin Hood legend, with perhaps only Robin Hood and the Monk older than it. It inspired a short play intended for use in May Day games, attested to around 1560. It was later published by Francis James Child as Child ballad #121 in his influential collection of popular ballads in the 1880s.
"Robin Hood and the Golden Arrow" is Child ballad 152. It features an archery competition for a golden arrow that has long appeared in Robin Hood tales, but it is the oldest recorded one where Robin's disguise prevents his detection.
Robin Hood and the Valiant Knight is an 18th century ballad of the death of Robin Hood. The song, written in Modern English, was included in the popular "garlands" (collections) of Robin Hood stories and songs published in the 18th and early 19th centuries, generally at the end as a suitable close to the garland. It was later published by Francis James Child as Child ballad #153 in his influential collection of popular ballads.
A Gest of Robyn Hode is one of the earliest surviving texts of the Robin Hood tales. Written in late Middle English poetic verse, it is an early example of an English language ballad, in which the verses are grouped in quatrains with an ABCB rhyme scheme, also known as ballad stanzas. Gest, which means tale or adventure, is a compilation of various Robin Hood tales, arranged as a sequence of adventures involving the yeoman outlaws Robin Hood and Little John, the poor knight Sir Richard at the Lee, the greedy abbot of St Mary's Abbey, the villainous Sheriff of Nottingham, and King Edward of England. The work survives in printed editions from the early 16th century, just some 30 years after the first printing press was brought to England. Its popularity is proven by the fact that portions of more than ten 16th- and 17th-century printed editions have been preserved. While the oldest surviving copies are from the early 16th century, many scholars believe that based on the style of writing, the work likely dates to the 15th century, perhaps even as early as 1400. The story itself is set somewhere from 1272 to 1483, during the reign of a King Edward; this contrasts with later works, which generally placed Robin Hood earlier in 1189–1216, during the reigns of Richard I of England and John, King of England.
Robin Hood and the Bishop of Hereford is Child ballad 144.
Robin Hood and the Monk is a Middle English ballad and one of the oldest surviving ballads of Robin Hood. The earliest surviving document with the work is from around 1450, and it may have been composed even earlier in the 15th century. It is also one of the longest ballads at around 2,700 words. It is considered one of the best of the original ballads of Robin Hood.
Jock the Leg and the Merry Merchant is Child ballad 282. The ballad tells of a merchant who defends himself from a thief. The story is similar to those of Robin Hood, except that the merchant does not join the band of thieves.
The Merry Men are the group of outlaws who follow Robin Hood in English literature and folklore. The group appears in the earliest ballads about Robin Hood and remains popular in modern adaptations.
Friar Tuck is one of the Merry Men, the band of heroic outlaws in the folklore of Robin Hood.
Robin Hood and Allan-a-Dale is a traditional English ballad, catalogued as Child Ballad No. 138 and as Roud Folk Song Index No. 3298.