Blasting St. Vincent's Rock, Clifton

Last updated

Blasting St. Vincent's Rock, Clifton
John Sell Cotman - Blasting St. Vincent's Rock, Clifton.jpg
Artist John Sell Cotman
Year1830 (1830)
Type watercolor with touches of gum Arabic over pencil on off-white paper
Dimensions34 cm× 57.8 cm(13.5 in× 22.75 in)
Location Indianapolis Museum of Art, Indianapolis, Indiana
St Vincent rock near Bristol prior to blasting work, by Charles Joseph Hullmandel 'St Vincent rock near Bristol' RMG PY6092.jpg
St Vincent rock near Bristol prior to blasting work, by Charles Joseph Hullmandel

Blasting St. Vincent's Rock, Clifton is a watercolor created by Norwich artist John Sell Cotman. Created in 1830, it is currently part of the permanent collection in the Indianapolis Museum of Art.

Contents

Description

In the foreground, there is a boat, floating down the Avon River, right outside Bristol. There is a second boat, further down the river, nearer to the action of the painting. The dark, rocky cliffs on the left are juxtaposed with the light, sheer cliffs on the right, creating a deep contrast for the centre, where the river runs through. The subject of the painting, not in the foreground, is a chunk of limestone being blown off the cliff face, in preparation for the construction of the Clifton Suspension Bridge. [1]

Historical information

The subject matter was given to Cotman by his friend and patron, Reverend James Bulwer, who lived in Bristol. The view is believed to be one of the last views from this popular vantage point, as the view was lost in 1831, when construction of the Clifton Suspension Bridge started. [2] Cotman's style of watercolor varied from his contemporaries, opting to use watercolors like paint, instead of a tint. He used the paints in unique ways, using the translucent quality of the medium to his full advantage.

Acquisition

The Indianapolis Museum of Art purchased Blasting St. Vincent's Rock in 1999, using the Beeler Fund, the Mr. and Mrs. Spurlock Fund and James E. Roberts fund.

Related Research Articles

<span class="mw-page-title-main">Clifton Suspension Bridge</span> Bridge spanning the Avon Gorge and the River Avon

The Clifton Suspension Bridge is a suspension bridge spanning the Avon Gorge and the River Avon, linking Clifton in Bristol to Leigh Woods in North Somerset. Since opening in 1864, it has been a toll bridge, the income from which provides funds for its maintenance. The bridge is built to a design by William Henry Barlow and John Hawkshaw, based on an earlier design by Isambard Kingdom Brunel. It is a Grade I listed building and forms part of the B3129 road.

<span class="mw-page-title-main">Watercolor painting</span> Type of painting method using water-based solutions

Watercolor or watercolour, also aquarelle, is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called aquarellum atramento by experts. However, this term has now tended to pass out of use.

The Norwich School of painters was the first provincial art movement established in Britain, active in the early 19th century. Artists of the school were inspired by the natural environment of the Norfolk landscape and owed some influence to the work of landscape painters of the Dutch Golden Age such as Hobbema and Ruisdael.

<span class="mw-page-title-main">Avon Gorge</span> Gorge on the River Avon in Bristol, England

The Avon Gorge is a 1.5-mile (2.5-kilometre) long gorge on the River Avon in Bristol, England. The gorge runs south to north through a limestone ridge 1.5 miles (2.4 km) west of Bristol city centre, and about 3 miles (5 km) from the mouth of the river at Avonmouth. The gorge forms the boundary between the unitary authorities of North Somerset and Bristol, with the boundary running along the south bank. As Bristol was an important port, the gorge formed a defensive gateway to the city.

<span class="mw-page-title-main">George Vincent (painter)</span> English painter (by 1796 – c. 1832)

George Vincent was an English landscape painter who produced watercolours, etchings and oil paintings. He is considered by art historians to be one of the most talented of the Norwich School of painters, a group of artists connected by location and personal and professional relationships, who were mainly inspired by the Norfolk countryside. Vincent's work was founded on the Dutch school of landscape painting as well as the style of John Crome, also of the Norwich School. The school's reputation outside East Anglia in the 1820s was based largely upon the works of Vincent and his friend James Stark.

<span class="mw-page-title-main">Clifton Rocks Railway</span> Former (1893–1934) funicular railway in Bristol, England

The Clifton Rocks Railway was an underground funicular railway in Bristol, England, linking Clifton at the top to Hotwells and Bristol Harbour at the bottom of the Avon Gorge in a tunnel cut through the limestone cliffs.

<i>The Oxbow</i> 1836 painting by Thomas Cole

View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm, commonly known as The Oxbow, is a seminal American landscape painting by Thomas Cole, founder of the Hudson River School. The 1836 painting depicts a Romantic panorama of the Connecticut River Valley just after a thunderstorm. It has been interpreted as a confrontation between wilderness and civilization.

<span class="mw-page-title-main">Clifton Observatory</span> Observatory in Bristol, England

Clifton Observatory is a former mill, now used as an observatory, located on Clifton Down, close to the Clifton Suspension Bridge, Bristol, England.

<i>The Heart of the Andes</i> Painting by Frederic Edwin Church

The Heart of the Andes is a large oil-on-canvas landscape painting by the American artist Frederic Edwin Church (1826–1900). It depicts an idealized landscape in the South American Andes, where Church traveled on two occasions. Measuring more than five feet high and almost ten feet wide, its New York City exhibition in 1859 was a sensation, establishing Church as the foremost landscape painter in the United States.

<span class="mw-page-title-main">Portway, Bristol</span> A4 road in Bristol, UK

The Portway is a major road in the City of Bristol. It is part of the A4 and connects Bristol City Centre to the Avonmouth Docks and the M5 motorway via the Avon Gorge.

<i>Max Schmitt in a Single Scull</i> 1871 painting by Thomas Eakins

Max Schmitt in a Single Scull is an 1871 oil-on-canvas painting by the American artist Thomas Eakins, Goodrich catalogue #44. It is in the permanent collection of the Metropolitan Museum of Art. Set on the Schuylkill River in Philadelphia, Pennsylvania, it celebrates Eakins's friend Max Schmitt's victory in the October 5, 1870, single sculls competition.

<i>Langlois Bridge at Arles</i> Series of paintings by Vincent van Gogh

The Langlois Bridge at Arles is the subject of four oil paintings, one watercolor and four drawings by Vincent van Gogh. The works, made in 1888 when van Gogh lived in Arles, in southern France, represent a melding of formal and creative aspects. Van Gogh used a perspective frame that he built and used in The Hague to create precise lines and angles when portraying perspective.

<i>Right and Left</i> 1909 painting by Winslow Homer

Right and Left is a 1909 oil on canvas painting by the American artist Winslow Homer. It depicts a pair of common goldeneye ducks at the moment they are hit by a hunter's shotgun blast as they attempt to take flight. Completed less than two years before his death, it was Homer's last great painting, and has been the subject of a variety of interpretations regarding its origin, composition and meaning. As with his other late masterworks, it represents a return to the sporting and hunting subjects of Homer's earlier years, and was to be his final engagement with the theme. Its design recalls that of Japanese art, and the composition resembles that of a colored engraving by John James Audubon.

<span class="mw-page-title-main">William West (artist)</span> English painter

William West (1801–61) was an English oil painter and watercolourist who was a member of the Bristol School of artists. He was also the builder of the Clifton Observatory at Clifton Down, Bristol.

<i>Seine</i> (Van Gogh series) Painting series by Vincent van Gogh

Seine (paintings) is the subject and location of paintings that Vincent van Gogh made in 1887. The Seine has been an integral part of Parisian life for centuries for commerce, travel and entertainment. Here van Gogh primarily captures the respite and relief from city life found in nature.

<i>Saintes-Maries</i> (Van Gogh series) Painting series by Vincent van Gogh

The French town of Saintes-Maries-de-la-Mer is the subject of a series of paintings that Vincent van Gogh made in June 1888. When Van Gogh lived in Arles, he took a week-long trip to Saintes-Maries-de-la-Mer on the Mediterranean Sea, where he made several paintings of the seascape and town.

<i>Pegwell Bay, Kent – a Recollection of October 5th 1858</i> 1860 painting by William Dyce

Pegwell Bay, Kent – a Recollection of October 5th 1858 is an oil-on-canvas painting by British artist William Dyce, depicting the landscape at Pegwell Bay, on the east coast of Kent. Considered a Pre-Raphaelite work, Dyce employs a mode of heightened realism and intricate detail to create a powerful landscape. It is considered to be Dyce's best painting, and is held by the Tate Gallery.

<i>Sudden Shower over Shin-Ōhashi Bridge and Atake</i> 1857 woodblock print by Hiroshige

Sudden Shower over Shin-Ōhashi bridge and Atake is a woodblock print in the ukiyo-e genre by the Japanese artist Hiroshige. It was published in 1857 as part of the series One Hundred Famous Views of Edo and is one of his best known prints.

<span class="mw-page-title-main">John Thirtle</span> English landscape painter (1777–1839)

John Thirtle was an English watercolour artist and frame-maker. Born in Norwich, where he lived for most of his life, he was a leading member of the Norwich School of painters.

<i>Castel SantAngelo and the Tiber, Rome</i> 1820s painting by Jean-Baptiste-Camille Corot

Castel Sant'Angelo and the Tiber, Rome is an oil-on-canvas painting made by French artist Jean-Baptiste-Camille Corot, between 1826 and 1828. Its a veduta which depicts the cityscape formed by the Castel Sant'Angelo and the Tiber River, in Rome, Italy. It is held at the Louvre, in Paris. Corot signed it, at the bottom left.

References

  1. "Gallery Label for Blasting St. Vincent's Rock".
  2. "Catalog Entry for Blasting St. Vincent's Rock".