The cinema of Italy comprises the films made within Italy or by Italian directors. Since its beginning, Italian cinema has influenced film movements worldwide. Italy is one of the birthplaces of art cinema and the stylistic aspect of film has been one of the most important factors in the history of Italian film. As of 2018, Italian films have won 14 Academy Awards for Best Foreign Language Film as well as 12 Palmes d'Or, one Academy Award for Best Picture and many Golden Lions and Golden Bears.
Federico Fellini was an Italian film director and screenwriter. He is known for his distinctive style, which blends fantasy and baroque images with earthiness. He is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked highly in critical polls such as that of Cahiers du Cinéma and Sight & Sound, which lists his 1963 film 8+1⁄2 as the 10th-greatest film.
Italian neorealism, also known as the Golden Age of Italian Cinema, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. Italian Neorealist filmmakers used their films to tell stories that explored the contemporary daily life and struggles of Italians in the post-war period. Italian neorealist films have become explanatory discourse for future generations to understand the history of Italy during a specific period through the storytelling of social life in the context, reflecting the documentary and communicative nature of the film. Some people believe that neorealistic films evolved from Soviet montage films. But in reality, compared to Soviet filmmakers describing the people's opposition to class struggle through their films, neorealist films aim to showcase individuals' resistance to reality in a social environment.
Marcello Vincenzo Domenico Mastroianni was an Italian actor. He is generally regarded one of Italy's most iconic male performers of the 20th-century, who played leading roles for many of the country's top directors, in a career spanning 147 films between 1939 and 1996, garnering many international honours including two BAFTA Awards, two Best Actor awards at the Venice and Cannes film festivals, two Golden Globes, and three Academy Award nominations.
La dolce vita is a 1960 satirical comedy-drama film directed by Federico Fellini and written by Fellini, Ennio Flaiano, Tullio Pinelli, and Brunello Rondi. The film stars Marcello Mastroianni as Marcello Rubini, a tabloid journalist who, over seven days and nights, journeys through the "sweet life" of Rome in a fruitless search for love and happiness. The screenplay can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue, according to the most common interpretation.
Bicycle Thieves, also known as The Bicycle Thief, is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.
Kerstin Anita Marianne Ekberg was a Swedish actress active in American and European films, known for her beauty and curvaceous figure. She became prominent in her iconic role as Sylvia in the Federico Fellini film La Dolce Vita (1960). Ekberg worked primarily in Italy, where she became a permanent resident in 1964.
It Started in Naples is a 1960 American romantic comedy film directed by Melville Shavelson and produced by Jack Rose from a screenplay by Suso Cecchi d'Amico, based on the story by Michael Pertwee and Jack Davies. The Technicolor cinematography was directed by Robert Surtees. The film stars Clark Gable, Sophia Loren, Vittorio De Sica and an Italian cast. This was Gable's final film to be released within his lifetime and his last film in color.
Giuseppe Rotunno was an Italian cinematographer.
Commedia all'italiana, or Italian-style comedy, is an Italian film genre born in Italy in the 1950s and developed in the 1960s and 1970s. It is widely considered to have started with Mario Monicelli's Big Deal on Madonna Street in 1958, and derives its name from the title of Pietro Germi's Divorce Italian Style (1961). According to most of the critics, La Terrazza (1980) by Ettore Scola is the last work considered part of the commedia all'italiana.
Furio Scarpelli, also called Scarpelli, was an Italian screenwriter, famous for his collaboration on numerous commedia all'italiana films with Agenore Incrocci, forming the duo Age & Scarpelli.
Franco Interlenghi was an Italian actor.
Giovanna Cecchi, known professionally as Suso Cecchi d'Amico, was an Italian screenwriter and actress. She was one of the first female Italian screenwriters and helped pioneer the Italian neorealist movement. Though her screenwriting career spanned sixty years, she won the 1980 David di Donatello Award for lifetime career as well as the Golden Lion for Lifetime Achievement at the 1994 Venice Film Festival.
The Nastro d'Argento is a film award assigned each year, since 1948, by Sindacato Nazionale dei Giornalisti Cinematografici Italiani, the association of Italian film critics.
Lorenza Mazzetti was an Italian film director, novelist, photographer and painter.
This is a list of Italian television related events of 1975.
Varma Films was a film production and distribution company founded in Bombay, India. The company was predominantly involved in producing and distributing Hindi-language films and to a lesser extent distributing some Italian-language films with English subtitles in India.
