Boccaccio '70 | |
---|---|
Directed by | |
Written by |
|
Produced by | |
Starring | |
Music by | |
Production companies |
|
Distributed by |
|
Release dates |
|
Running time |
|
Countries |
|
Languages |
|
Budget | $2.5 million [2] |
Boccaccio '70 is a 1962 comedy anthology film directed by Vittorio De Sica, Federico Fellini, Mario Monicelli and Luchino Visconti from an idea by Cesare Zavattini. It consists of four episodes, each by one of the directors, all about a different aspect of morality and love in modern times in the style of Giovanni Boccaccio.
Directed by Mario Monicelli. Written by Giovanni Arpino, Italo Calvino, Suso Cecchi d'Amico and Mario Monicelli. Music by Piero Umiliani. With Marisa Solinas and Germano Giglioli.
In Renzo e Luciana (Renzo and Luciana), a young couple tries to hide their marriage and the wife’s supposed pregnancy from the Draconian rules at their place of employment, which has banned female employees from getting married and having children. Their efforts – both at their shared home (having temporarily moved into her family's crowded apartment), and at work (where they go so far as to pretend not to know each other) – causes pressure to mount on the couple. Their hope is to make it through until they have managed to save some money to move out, and are dependent on Renzo going to night school to become an accountant. Finally, their life together has some privacy, but they are increasingly separated by their respective shifts: he returns home from work just when she has to leave to go there.
This first episode was only included in the Italian distribution of the film. Out of solidarity toward Monicelli, the other three directors did not go to the Cannes Film Festival for the presentation of the film. [3]
Directed by Federico Fellini. Written by Fellini, Ennio Flaiano and Tullio Pinelli. Music by Nino Rota. With Peppino De Filippo and Anita Ekberg.
In Le Tentazioni del Dottor Antonio (The Temptation of Dr Antonio), Dr Antonio Mazzuolo, a middle-aged man, has taken it upon himself to be the protector of Rome's morality and law and order from what he sees as vice, crime and immorality throughout the city. The doctor (in his tiny Fiat equipped with a police spotlight) wages his one-man crusade – shining the spotlight at lovers in parked cars, or bounding on stage of a cabaret, ordering the stage crew (which includes a smiling police officer) to shut the lights, as he closes the curtain behind a line of bewildered chorus girls. He admonishes the audience to 'go home, and spend (their) money' in a 'better way instead of seeing this filth.' His anger knows no bounds when a provocative billboard of Anita Ekberg with the tag line "drink more milk" is put up in a park near his residence. Little does he know how the billboard will impact his life. Throughout the film, children are heard singing the jingle "Bevete più latte, bevete più latte!" ("Drink more milk!"). The image begins to haunt him with hallucinations in which Ekberg appears as a temptress. After his delirium culminates in throwing a spear at Ekberg's image, he is found collapsed on top of the billboard and transported away in an ambulance to the children's song.
Directed by Luchino Visconti. Written by Suso Cecchi d'Amico and Visconti. Music by Nino Rota. With Romy Schneider, Tomas Milian, and Romolo Valli.
Il Lavoro (The Job), is about an aristocratic couple. The husband is caught by the press visiting prostitutes. After saying, she intends from then on to work for her income, the wife demands payment from her husband for her sexual services, to which he agrees.
Directed by Vittorio De Sica. Written by Cesare Zavattini. Music by Armando Trovajoli. With Sophia Loren.
In La Riffa (The Raffle), a timid lottery winner is entitled to one night with the attractive Zoe (Sophia Loren). Zoe, however, has other plans.
Vittorio De Sica was an Italian film director and actor, a leading figure in the neorealist movement.
Italian neorealism, also known as the Golden Age, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation.
Bicycle Thieves, also known as The Bicycle Thief, is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.
Kerstin Anita Marianne Ekberg was a Swedish actress active in American and European films, known for her beauty and curvy figure. She became prominent in her iconic role as Sylvia in the Federico Fellini film La Dolce Vita (1960). Ekberg worked primarily in Italy, where she became a permanent resident in 1964.
Mario Alberto Ettore Monicelli was an Italian film director and screenwriter, one of the masters of the commedia all'italiana. He was nominated six times for an Oscar, and received the Golden Lion for his career.
It Started in Naples is a 1960 American romantic comedy film directed by Melville Shavelson and produced by Jack Rose from a screenplay by Suso Cecchi d'Amico, based on the story by Michael Pertwee and Jack Davies. The Technicolor cinematography was directed by Robert Surtees. The film stars Clark Gable, Sophia Loren, Vittorio De Sica and an Italian cast. This was Gable's final film to be released within his lifetime and his last film in color.
Giovanni Boccaccio (1313–1375) was an Italian author and poet.
Giuseppe Rotunno was an Italian cinematographer.
Commedia all'italiana, or Italian-style comedy, is an Italian film genre born in Italy in the 1950s and developed in the 1960s and 1970s. It is widely considered to have started with Mario Monicelli's Big Deal on Madonna Street in 1958, and derives its name from the title of Pietro Germi's Divorce Italian Style (1961). According to most of the critics, La Terrazza (1980) by Ettore Scola is the last work considered part of the commedia all'italiana.
Furio Scarpelli, also called Scarpelli, was an Italian screenwriter, famous for his collaboration on numerous commedia all'italiana films with Agenore Incrocci, forming the duo Age & Scarpelli.
Franco Interlenghi was an Italian actor.
Giovanna Cecchi, known professionally as Suso Cecchi d'Amico, was an Italian screenwriter and actress. She was one of the first female Italian screenwriters and helped pioneer the Italian neorealist movement. Though her screenwriting career spanned sixty years, she won the 1980 David di Donatello Award for lifetime career as well as the Golden Lion for Lifetime Achievement at the 1994 Venice Film Festival.
Giovanni Arpino was an Italian writer and journalist.
Marisa Anna Solinas, best known as Marisa Solinas, was an Italian actress and singer.
The Nastro d'Argento is a film award assigned each year, since 1948, by Sindacato Nazionale dei Giornalisti Cinematografici Italiani, the association of Italian film critics.
Mimmo Poli was an Italian film character actor.
Varma Films was a film production and distribution company founded in Bombay, India. The company was predominantly involved in producing and distributing Hindi-language films and to a lesser extent distributing some Italian-language films with English subtitles in India.