Both of You, Dance Like You Want to Win!

Last updated

"Both of You, Dance Like You Want to Win!"
Neon Genesis Evangelion episode
Both of You.jpg
The episode's final battle, in which the two Evas fight in unison and act as one, received praise from critics.
Episode no.Episode 9
Directed by Seiji Mizushima
Written by Hideaki Anno, Akio Satsukawa
Original air dateNovember 29, 1995 (1995-11-29)
Running time22 minutes
Episode chronology
← Previous
"Asuka Strikes!"		Next →
"Magmadiver"
List of episodes

"Both of You, Dance Like You Want to Win!" [a] is the ninth episode of the Japanese anime television series Neon Genesis Evangelion , which was created by Gainax. The episode, written by Hideaki Anno and Akio Satsukawa and directed by Seiji Mizushima, was first broadcast on TV Tokyo on November 29, 1995. The series is set fifteen years after a worldwide cataclysm and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. The episode follows two Nerv mecha pilots, Asuka Langley Soryu and Shinji, who must defeat an Angel capable of splitting into two individuals, Israfel.

Contents

Anno conceived the episode to lighten the tone of the series after the previous episodes, which were characterized by an introspective, psychological mood. Shinji Higuchi, who worked with Anno on Nadia: The Secret of Blue Water and is known for his work's humor, drew the storyboards, giving the story a comedic tone. The installment contains cultural references to history, religion, films, series and previous works by the Gainax studio.

The episode's first broadcast scored a 7.1% audience share on Japanese television, and was well-received by audiences and critics. Reviewers appreciated the episode's humor, music score and action, ranking it as one of the best episodes in the series. Particularly positive was the reception given to the second and final clash of the installment, featuring the two mecha Evangelion 01 and 02 synchronized to music, which is also considered one of the best in the anime.

Plot

Asuka Langley Soryu, the pilot of the mecha Evangelion Unit-02 who has recently arrived in Japan from Germany, moves in with Misato Katsuragi, commander of the special agency Nerv, and starts living with Shinji Ikari, pilot of the Eva-01. She and Shinji intercept the seventh in a series of mankind's enemies called Angels, Israfel, along Suruga Bay. Asuka, eager to show off her skills, strikes the enemy by slashing it with her Sonic Glaive; shortly afterward, however, Israfel splits into two small individuals, who defeat the two pilots and are temporarily stopped by the United Nations forces.

While waiting for the enemy to resume its advance, Asuka and Shinji, under Misato's guidance, try to train themselves by synchronizing all their actions. After several days and nights spent acting in harmony in all the motions of daily life, Shinji and Asuka sleep alone at Misato's house, and Asuka urges Shinji not to enter her room. That night Asuka apparently sleepwalks into Shinji's room and lies down next to him. Shinji tries to kiss her, but stops himself when she starts calling out for her mother in her sleep. Meanwhile, Misato finds herself in a lift with her former lover, Ryoji Kaji, who kisses her. During the second clash against Israfel, Asuka and Shinji, aboard their Evangelions, perfectly synchronize their movements to a musical accompaniment and within a minute manage to defeat the enemy.

Production

Neon Genesis Evangelion first six episodes left the staff drained and feeling weighed down by the show's heavy mood; Hideaki Anno, director of the series, consequently decided to lighten the show's tone in the following episodes. [1] Anno then inserted Asuka to lighten the installments, introducing her as a sunny, extroverted girl, but without thinking to re-evaluate her character much as in the final episodes of the series and without foreshadowing. [2] Particularly important was the contribution of Shinji Higuchi, who had already worked on Nadia: The Secret of Blue Water [3] [4] and was known for the humorous character of his works. Higuchi infused the episode with an adolescent and comic tone, similar to his previous works. [5] [6] Gainax studio decided on the basic plot for "Both of You, Dance Like You Want to Win!" in 1993, [7] [8] when it wrote a presentation document of Neon Genesis Evangelion titled New Century Evangelion (tentative name) Proposal (新世紀エヴァンゲリオン (仮) 企画書, Shinseiki Evangelion (kari) kikakusho). [9] [10] The Proposal, published in 1994, [11] [12] describes "the Eva's first beside-water battle". [13] Akio Satsukawa and Anno co-wrote the script for the episode, [14] [15] whose storyboards were edited by Higuchi. [16] [17] Seiji Mizushima was chosen as the director, [18] Shinya Hasegawa worked as the chief animator, [19] [20] [21] and Mahiro Maeda and Mitsumu Wogi as the assistant character designers. [22] [23] Maeda also worked on Israfel's design. [24]

Shinji Higuchi drew the storyboard for the episode. Godzilla Resurgence World Premiere Red Carpet- Higuchi Shinji (27989045433).jpg
Shinji Higuchi drew the storyboard for the episode.

Hasegawa took care of the scene in which Shinji tries to kiss Asuka, [25] while Ogura Nobutoshi drew the scene of Shinji and Asuka's final phone call. [26] The first battle between the Evangelions and Israfel was done by Fumitomo Kizaki. Masayuki took care of Asuka and Shinji's six days of preparation; Keisuke Watabe served as the person in charge of the first half of the final battle, while Yutaka Nakamura worked on the second half. [5] Hasegawa also personally recruited new members to add to the animation staff, including artists not usually associated with Gainax works. The result, similar to Yoshinori Kanada's animations, such as perspective kicks and playful drawings, stood apart from the other Neon Genesis Evangelion episodes. [26]

Compared to the other episodes, "Both of You, Dance Like You Want to Win!" is distinguished by the abundant use of special animation techniques such as residual images and kinetic deformations. [27] For this purpose, the characters' faces were deformed to unreal expressions, exaggerating movements and caricatures. [28] For the scene in which Misato screams with glasses in her hands, the staff used a wide-angle lens; this was not indicated in the script, as it was chosen later by the direction. [29] For the final synchronized battle, the Evas' coordination is technically replicated by a montage consisting of hand-drawn and digitally composited graphics by means of which both the two Evas' and their pilots' bodies appear to merge into one single entity; the images were obtained by cutting the images of Asuka and Shinji with their respective Evangelions along the vertical central axis, combining them into one. [30] [31] Takehito Koyasu, Tomokazu Seki, Tetsuya Iwanaga, Hiro Yūki and Koichi Yamadera, voice actors of several main characters in the series, played unidentified characters for "Both of You, Dance Like You Want to Win!". [32] In some sequences of the installment, the staff also used the songs "You Are My Only One", "Aoi Legend" and "Toi sora no yakusoku" by Kotono Mitsuishi, Misato Katsuragi's voice actress, from the image album Lilia 〜 from Ys, [33] while Yoko Takahashi sang the final theme song for the episode, entitled "Acid Bossa Version", a rendition of "Fly Me to the Moon" with a bossa nova and acid house sound. [34] [35] In late home video editions of the series, staff replaced Yoko Takahashi's version with an "Asuka Bossa Techno" version. [36]

Cultural references and themes

Annotated Classic of Rites 59.jpg
Clark Gable and Claudette Colbert in It Happened One Night.jpg
"Both of You, Dance Like You Want to Win!" references the Confucian Book of Rites and It Happened One Night (1934).

"Both of You, Dance Like You Want to Win!" contains references to films, historical concepts, or previous works by Hideaki Anno. Asuka, for example, awkwardly quotes an existing Confucian proverb from the Book of Rites , [37] [38] while the training between her and Shinji has been compared to the game of twister. [39] [40] During the episode, Asuka takes refuge in Misato's room to avoid sleeping alone in the same room with Shinji. The sliding door separating them is renamed by her the "unshakable walls of Jericho". [41] [42] This nickname refers to the battle of Jericho, a biblical episode narrated in the book of Joshua, [43] [44] and the movie It Happened One Night (1934). [14] [45] In one of the most famous scenes in the film, the two main characters spend a night in the same motel room, using a blanket as a divider between their beds, called by the characters themselves "walls of Jericho". [46] In another scene, "Blood Type: Blue" is glimpsed on Ritsuko's PC, [18] [47] in reference to the Japanese title of Blue Christmas (1978). [25] [48]

The final battle of the episode has been compared to tokusatsu shows. [49] Yuichiro Oguro, editor of extra materials contained in the Evangelion Japanese home video releases, compared the battle of the two Evangelions without external power with Ultraman, the protagonist of the Ultraman franchise who could only fight for a few minutes of activity; [26] he and Gualtiero Cannarsi, responsible of the first Italian Evangelion localisation, also noted how in one sequence the body of the Angel defeated in the sixth episode, Ramiel, is visible. [50] [51] Oguro therefore described this episode as a more realistic version of the tokusatsu of his childhood. [26] The cut in which the legs of the Evangelions are seen toppled under the ground has been described as an homage to Kon Ichikawa's The Inugami Family (1976) [26] [52] and Shinji Sōmai's Typhoon Club (1985). [53] Even the typefaces used in the titles of this and other episodes of the series, characterized by an unconventional sense of reading, have been interpreted as an homage to the style of Ichikawa. [54] [55] During the course of the episode, the JS Haruna cruiser is mentioned, [56] while in the scene where Kensuke Aida and Toji Suzuhara sell pictures of Asuka, a text about the Tenshō embassy is glimpsed. [57]

Writer Dennis Redmond described "Both of You, Dance Like You Want to Win!" as the Evangelion's most explicit comic parody of the mecha genre; he also noted that the final battle references "the shot techniques of the televised sports event and Olympic gymnastics routine". [58] Jacob Parker-Dalton, a writer for the website Otaquest, mentioned the installment as an example of the influence of Space Battleship Yamato , Ultraman, and Mobile Suit Gundam on Anno. [59] Other references are to earlier Gainax works. In one scene Ritsuko wears glasses similar to Electra's character from Nadia: The Secret of Blue Water , [25] while the holograms with which Asuka and Shinji communicate, used unrealistically during conversations, have been compared to those in Gunbuster . [18] [60] During the first confrontation against Israfel, a building with the sign "Studio Fantasia", [61] a name listed as an associate producer on the staff of Gainax's Otaku no video , appears. [60]

According to DVD Talk, this and other installments of the arc adds a lot more "heart and soul" to the story, with a combination of action, comedy and even dramatic moments. [62] An official pamphlet of the series compared it to the island arch of Nadia: The Secret of Blue Water, [18] [19] The episode focuses on several themes in the series, such as the value of masculinity or the analysis of interpersonal relationships. [28] Cannarsi noted how the script analogizes the couples of Shinji and Asuka and that of Misato and Kaji, who both have kissing scenes during "Both of You, Dance Like You Want to Win!"; the former is characterized by adolescent tones, awkwardness, and uncertainty, while Misato and Kaji's has a much more adult sensuality. [63] [64] Moreover, the encyclopedia magazine Evangelion Chronicle noted how Asuka's personality is emphasized as she steps on love letters addressed to her in the first scenes. [65] Asuka flaunts her strength, but she is beaten in combat by Israfel, and in training with Shinji she is initially unsuccessful. Newtype magazine noted that she place herself in a physically higher position in the scene where she meets Rei for the first time, [66] [67] but she also cries in the bed scene with Shinji, saying the word "mama" in her sleep. [68] [69] The episode, therefore, also depicts the girl's inner fragility, hidden by her aggressive and seemingly strong facade. [70]

During the preparations for the battle against Israfel, Shinji and Asuka synchronize perfectly at the end. Writer Virginie Nebbia noted how this leads nowhere and later the scriptwriters regress Shinji. [71] Analyzing Shinji's psyche, psychiatrist Kōji Mizobe stated that the fundamental characteristic of Shinji is sociability, describing him as a "sympathetic person" who accepts and imitates others. Mizobe interpreted the scenes in which he synchronizes with Asuka's movements as proof of this ability. [72] Cannarsi also noted how in "Both of You, Dance Like You Want to Win!" Asuka scorns and questions Shinji's value, especially as a man, with barbs like "Are you stupid?" or "You're a man, aren't you?". [19] [73] Her behavior has been likened to a latent inferiority complex [74] toward the male sex or a masculine protest. [6] In an essay on the series, Japanese academic Yuya Sato noted how the series contains several elements of manga directed toward a young female audience, known as shōjo . From Asuka's arrival onward, however, Evangelion features several elements of boys' manga, named shōnen , such as effort, friendship, and victory over enemies. [75] All three of these themes are present in the installment: Asuka and Shinji strive together on synchronicity, solidarity is created between the two, and they win against the Angel. According to Sato, "Both of You, Dance Like You Want to Win!" is a rare moment of balance between shōjo and shōnen elements, [75] but the shōnen elements constitute a lure to attract men to shōjo. [76]

Reception

"Both of You, Dance Like You Want to Win!" was first broadcast on November 29, 1995, and drew a 7.1% audience share on Japanese television. [77] In 1996 it ranked second in Animage 's Anime Grand Prix poll of "Best Anime Episodes" with 567 votes. [78] In July 2020, Comic Book Resources reported an 8.2/10 rating on IMDb for the installment, ranking it tenth among the highest-rated Evangelion episodes. [79]

The episode was well received by critics, who praised the director, the humour, the action and the music of the installment. [59] [80] [81] Screen Rant, for example, listed the battle against Israfel among the best fights in the series. [82] [83] Film School Rejects's Max Covill ranked it second among the best episodes of the series; according to Covill, the installment doesn't move the plot forward in any particularly exciting way, but praised it for having the "most hilarious moments of the series" and the "excellent combat sequence". [84] He also lauded the scene in which Asuka and Shinji blame each other for the first defeat [85] and the one in which they try to synchronize for the final battle. [86] The Anime Café's Akio Nagatomi praised the performance of the voice actors, the humour and the late fight. [87] Writer Dennis Dedmond similarly praised Anno's scriptwriting, the near-kiss scene between Asuka and Shinji and the "gorgeously choreographed" final battle. [58] KKBox's Tomoyuki Mori described the namesake soundtrack, used during the battle, as "one of the most famous Evangelion songs"; according to Mori, it combines "lightness, sadness and strength". [88]

Other reviewers on Comic Book Resources criticized certain aspects of the characterization of the protagonists. Theo Kogod criticized Asuka's behavior, as well as Misato's decision to let her and Shinji live in her apartment. [89] [90] Andrew Tefft similarly took a negative view of Asuka for her authoritarian attitude in the first battle and for blaming Shinji during the synchronized training. [91] Conversely, Kristy Anderson, writing for Supanova Expo website, mentioned the training among the best moments of Shinji's character, [92] while SyFy Wire's Daniel Dockery described the final fight as a "beautiful display of action choreography". [93] Dengeki Online similarly praised "Both of You, Dance Like You Want to Win!" for its light tones and its "classic shōnen mecha charm". [94]

According to Gualtiero Cannarsi, the synchronized combat of Asuka and Shinji was virtually reproduced in the video game Rival Schools: United by Fate . [95] Official merchandise based on the episode has also been released, [96] [97] including T-shirts [98] [99] and action figures. [100]

Related Research Articles

Angels in <i>Neon Genesis Evangelion</i> Fictional entities in the anime television series Neon Genesis Evangelion

The Angels are fictional entities from the anime television series Neon Genesis Evangelion, which was produced by Gainax studio and directed by Hideaki Anno. The Angels also appear in the manga adaptation of the same name, which was illustrated by Yoshiyuki Sadamoto.

<span class="mw-page-title-main">Asuka Langley Soryu</span> Fictional character from Neon Genesis Evangelion

Asuka Langley Soryu is a fictional character from the Neon Genesis Evangelion franchise created by Gainax. She first appears in the original anime series, and also appears in the franchise's animated feature films and related media, including video games, the Rebuild of Evangelion films, and the manga adaptation by Yoshiyuki Sadamoto. In Japanese, Yūko Miyamura voices Asuka in all her animated appearances and merchandise. In English, Tiffany Grant voices her in the ADV Films dub and Stephanie McKeon voices her in the Netflix dub.

<span class="mw-page-title-main">Misato Katsuragi</span> Fictional character from Neon Genesis Evangelion

Misato Katsuragi is a fictional character from the Gainax-created media franchise Neon Genesis Evangelion. In the eponymous anime television series, Misato is head of the operations department of the special agency Nerv, and is in charge of directing and devising war strategies needed to defeat mysterious beings named Angels. Due to childhood emotional traumas, she developed a frivolous, exuberant character and a disordered lifestyle. The character also appears in the franchise's animated feature films and related media, including video games, the original net animation Petit Eva: Evangelion@School, the Rebuild of Evangelion films, and the manga adaptation by Yoshiyuki Sadamoto.

<span class="mw-page-title-main">Angel Attack</span> Episode of Neon Genesis Evangelion

"Angel Attack" is the first episode of the anime series Neon Genesis Evangelion, created by Gainax. The episode was written by the series director Hideaki Anno and directed by Kazuya Tsurumaki. It was originally aired on TV Tokyo on October 4, 1995. The series is mostly set in the futuristic, fortified city Tokyo-3, fifteen years after a worldwide cataclysm named Second Impact. The protagonist is Shinji Ikari, a teenage boy whose father Gendo has recruited him to the organization Nerv to pilot a giant bio-machine mecha named Evangelion to combat beings called Angels. In the episode, Tokyo-3 is attacked by the Angel Sachiel, who fights the United Nations Army and the JSSDF. Gendo summons Shinji for the first time and Shinji reluctantly agrees to pilot the mecha.

The Beast (<i>Neon Genesis Evangelion</i>) Episode of Neon Genesis Evangelion

"The Beast", known by the Japanese title "Unfamiliar Ceilings", is the second episode of the anime Neon Genesis Evangelion, created by Gainax. The episode was written by the series director Hideaki Anno and Yōji Enokido and directed by Kazuya Tsurumaki. It aired originally on TV Tokyo on October 11, 1995.

<span class="mw-page-title-main">Rei I</span> Episode of Neon Genesis Evangelion

"Rei I", also known by the Japanese title "Rei, Beyond the Heart", is the fifth episode of the anime Neon Genesis Evangelion, which was created by Gainax. "Rei I" was written by Hideaki Anno and Akio Satsukawa, and directed by Keiichi Sugiyama. It was first broadcast on TV Tokyo on November 1, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, mostly in the futuristic, fortified city called Tokyo-3. The episode's protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo into the organization Nerv to pilot a giant bio-machine mecha named Evangelion to combat certain beings called Angels. In the episode, Shinji tries, but fails, to connect with Rei Ayanami, a fellow pilot, who is close to his distant and cold father Gendo.

<span class="mw-page-title-main">Rei II</span> Episode of Neon Genesis Evangelion

"Rei II", also known by the Japanese title "Showdown in Tokyo-3", is the sixth episode of the anime Neon Genesis Evangelion, which was created by Gainax. "Rei II" was written by Hideaki Anno and Akio Satsukawa and directed by Hiroyuki Ishido. The series is set fifteen years after a worldwide cataclysm named Second Impact, and is mostly set in the futuristic, fortified fictional city of Tokyo-3. The episode's protagonist is teenage boy Shinji Ikari, who is recruited by his father Gendo to the organization Nerv to pilot a bio-machine mecha named Evangelion against beings called Angels. In the episode, Shinji must annihilate the fifth Angel Ramiel, who is able to destroy every enemy in its vicinity with an accelerated particles cannon. A plan called Operation Yashima is worked out, which involves Shinji shooting Ramiel from a distance with a Positron Rifle.

<span class="mw-page-title-main">A Human Work</span> Episode of Neon Genesis Evangelion

"A Human Work", also known by the Japanese title "The Works of Man", is the seventh episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Yoji Enokido and directed by Keiichi Sugiyama, was first broadcast on TV Tokyo on November 15, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a giant bio-mechanical mecha named Evangelion into combat with beings called Angels. In the episode, a rival organization of Nerv builds Jet Alone, a prototype giant robot with an onboard nuclear reactor as an alternative to the Evangelions. During the first public test of Jet Alone, it goes out of control and marches toward a nearby city with its reactor close to a meltdown. Shinji keeps the robot at bay in his Evangelion while Nerv's Major Misato Katsuragi gets inside Jet Alone and shuts down the reactor.

<span class="mw-page-title-main">Asuka Strikes!</span> Episode of Neon Genesis Evangelion

"Asuka Strikes!" is the eighth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Yoji Enokido and directed by Kazuya Tsurumaki, was first broadcast on TV Tokyo on November 22, 1995. The series is set fifteen years after a worldwide cataclysm and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. During the episode, Asuka Langley Soryu, a girl who is designated as the pilot of Evangelion Unit-02, is introduced; after the attack of Gaghiel, the sixth Angel, Asuka cooperates with Shinji aboard the Eva-02 to defeat the enemy.

<span class="mw-page-title-main">Magmadiver</span> Episode of Neon Genesis Evangelion

"Magmadiver" is the tenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Akio Satsukawa and directed by Tsuyoshi Kaga and Kiroyuki Ishido, was first broadcast on TV Tokyo on December 6, 1995. The series is set fifteen years after a worldwide cataclysm and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. During the episode, Asuka Langley Soryu, a girl who is designated as the pilot of Evangelion Unit-02, tries to capture the eighth Angel, Sandalphon, found in the magma chamber of a Volcano in a dormant state.

<span class="mw-page-title-main">The Day Tokyo-3 Stood Still</span> Episode of Neon Genesis Evangelion

"The Day Tokyo-3 Stood Still" is the eleventh episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Yoji Enokido and directed by Tetsuya Watanabe, was first broadcast on TV Tokyo on December 13, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact and is mostly set in the futuristic, fortified city of Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. In this episode, the special agency Nerv suddenly experiences a blackout due to sabotage by unidentified third parties. The three Evangelion mecha pilots, Shinji, Rei Ayanami and Asuka Langley Soryu, join forces to take down the ninth Angel, Matarael.

<span class="mw-page-title-main">Splitting of the Breast</span> Episode of Neon Genesis Evangelion

"Splitting of the Breast" is the sixteenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode was written by Hideaki Anno and Hiroshi Yamaguchi, and directed by Kazuya Tsurumaki. The series' protagonist is Shinji Ikari, a teenage boy whose father Gendo recruits him to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. In the episode, Shinji is absorbed into an Angel called Leliel in a space of imaginary numbers called Dirac sea. Shinji has a vision in which he sees another self as a child and discusses his lifestyle.

Ambivalence (<i>Neon Genesis Evangelion</i> episode) Episode of Neon Genesis Evangelion

"Ambivalence" is the eighteenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. Hideaki Anno and Shinji Higuchi wrote the episode, which animator Tensai Okamura directed. The series' protagonist is Shinji Ikari, a teenage boy whose father Gendo recruited him to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. In the course of the episode, new pilot Toji Suzuhara get into Eva-03. During the activation experiment, however, Eva-03 goes out of control, possessed by the Angel Bardiel. Shinji, aboard his Eva-01, refuses to fight against 03, coming into conflict with his father.

<span class="mw-page-title-main">He was aware that he was still a child</span> Episode of Neon Genesis Evangelion

"He was aware that he was still a child" is the twenty-first episode of the Japanese anime television series Neon Genesis Evangelion, created by Gainax. Hideaki Anno and Akio Satsukawa wrote the episode, which animator Hiroyuki Ishido directed. The series' protagonist is Shinji Ikari, a teenage boy whose father Gendo recruited him to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. In the course of the episode, Kozo Fuyutsuki, deputy commander of Nerv, is kidnapped by a secret organization called Seele, which questions him about his past and how he met Gendo. Fuyutsuki traces his youth and his meeting with Yui Ikari, a young scientist with whom he falls in love. Ryoji Kaji, a member of Nerv, meanwhile rescues Fuyutsuki, and is killed by Seele.

<span class="mw-page-title-main">She said, "Don't make others suffer for your personal hatred."</span> Episode of Neon Genesis Evangelion

"She said, 'Don't make others suffer for your personal hatred.'" is the twelfth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode was first broadcast on TV Tokyo on December 20, 1995. It was written by Hideaki Anno and Akio Satsukwa and directed by Hiroyuki Ishido. The series is set fifteen years after a worldwide cataclysm known as Second Impact and is mostly set in the futuristic city of Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the special military organization Nerv to pilot a bio-mechanical mecha named Evangelion into combat with beings called Angels. During the episode, Nerv's Major Misato Katsuragi recalls her past as a survivor of the Second Impact, while a new, large-sized Angel called Sahaquiel threatens to destroy the entire Nerv headquarters.

<span class="mw-page-title-main">A Transfer</span> Episode of Neon Genesis Evangelion

"A Transfer", known by the Japanese title "The Silent Phone", is the third episode of the anime Neon Genesis Evangelion, created by Gainax. Series director Hideaki Anno and writer Akio Satsukawa wrote the episode, directed by Hiroyuki Ishido. It aired originally on TV Tokyo on October 18, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, particularly in the futuristic fortified city of Tokyo-3. The protagonist is Shinji Ikari, a teenage boy whose father, Gendo, recruited him to the organization Nerv to pilot a giant bio-machine mecha named Evangelion into combat with beings called Angels. In the episode, Shinji begins attending his new school in Tokyo-3 and has a difficult time dealing with the fame of being an Evangelion pilot. His classmate Toji Suzuhara, whose little sister was injured in Shinji's fight against the Angel Sachiel shown in the previous episode, is angry at him; a new Angel named Shamshel appears, and Shinji must once again pilot Eva-01 to defeat it.

<span class="mw-page-title-main">Those women longed for the touch of others' lips, and thus invited their kisses</span> Episode of Neon Genesis Evangelion

"Those women longed for the touch of others' lips, and thus invited their kisses" is the fifteenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Akio Satsukawa and directed by Naoyasu Habu, was first broadcast on TV Tokyo on January 10, 1996. The series is set fifteen years after a worldwide cataclysm known as Second Impact and is mostly set in the futuristic, fortified city of Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo into the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels.

<span class="mw-page-title-main">Fourth Child</span> Episode of Neon Genesis Evangelion

"Fourth Child" is the seventeenth episode of the Japanese anime television series Neon Genesis Evangelion. Hideaki Anno and Shinji Higuchi wrote the episode, while Minoru Ohara worked as director. The series' protagonist is Shinji Ikari, a teenage boy whose father Gendo recruited him to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with Angels. In the episode, mecha Eva-04 and Nerv's Second American Division disappear, while Toji Suzuhara is selected as the pilot of Eva-03. Hikari Horaki, class leader of Toji and Shinji's class, asks Toji to prepare something for him to eat.

<span class="mw-page-title-main">Weaving a Story 2: oral stage</span> Episode of Neon Genesis Evangelion

"Weaving a Story 2: oral stage" is the twentieth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. Hideaki Anno wrote the episode, which animator Masahiko Otsuka directed. The series' protagonist is Shinji Ikari, a teenage boy whose father Gendo recruited him to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. In the course of the episode, Eva-01 absorbs Shinji inside its cockpit. Trapped inside the mecha devoid of a physical form, Shinji reflects on his life and past battles; meanwhile, Nerv implements a plan to rescue Shinji.

Hedgehogs Dilemma (<i>Neon Genesis Evangelion</i>) Episode of Neon Genesis Evangelion

"Hedgehog's Dilemma", also known by the Japanese title "Rain, After Running Away", is the fourth episode of the anime Neon Genesis Evangelion, which was created by Gainax. The episode, written by Akio Satsukawa and directed by Tsuyoshi Kaga, was first broadcast on TV Tokyo on October 25, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, and is mostly set in the futuristic, fortified city Tokyo-3. The episode's protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a giant bio-machine mecha named Evangelion into combat with beings called Angels. In the episode, Shinji is overcome by the stress of being an Evangelion pilot and runs away from home. After wandering around Tokyo-3, he must choose between quitting and staying at Nerv.

References

  1. ↑ Japanese: 瞬間、心、重ねて, Hepburn: Shunkan, kokoro, kasanete

Citations

  1. ↑ "庵野秀明 - Part II". 新世紀エヴァンゲリオン残酷な天使のように (in Japanese). Magazine Magazine. 1997. ISBN   4-906011-25-X.
  2. ↑ あんた、バカぁと、言われてみたい。（庵野秀明、宮村優子）. Animage (in Japanese). Tokuma Shoten. July 1996.
  3. ↑ Poggio 2008, p. 23.
  4. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 56.
  5. 1 2 Poggio 2008, p. 32.
  6. 1 2 Oguro, Yūichirō. "第41回 エヴァ雑記「第八話 アスカ、来日」". Style.fm (in Japanese). Archived from the original on October 10, 2018. Retrieved July 23, 2020.
  7. ↑ Gainax (1998). Neon Genesis Evangelion Newtype 100% Collection (in Japanese). Kadokawa Shoten. p. 88. ISBN   4-04-852700-2.
  8. ↑ Neon Genesis Evangelion Theatralical VHS Box Booklet (in Japanese). King Amusement Creative. 1997.
  9. ↑ Evangelion Chronicle (in Japanese). Vol. 1. Sony Magazines. p. 26.
  10. ↑ Nebbia (2023) , Chap. 2: La Proposition
  11. ↑ Nebbia (2023) , Chap. 1: Lancement du Project Eva
  12. ↑ "History 1993-1999". Neon Genesis Evangelion Blue Ray Ultimate Edition Encyclopedia. 2021.
  13. ↑ Evangelion Chronicle (in Japanese). Vol. 19. Sony Magazines. p. 23.
  14. 1 2 Platinum Booklet. Vol. 2. ADV.
  15. ↑ Gainax (1998). Neon Genesis Evangelion Newtype 100% Collection (in Japanese). Kadokawa Shoten. p. 178. ISBN   4-04-852700-2.
  16. ↑ Porori 2009, p. 84.
  17. ↑ Nebbia (2023) , Chap. 1: Bientôt la diffusion
  18. 1 2 3 4 "Explanation". Neon Genesis Evangelion Genesis 0:5 Laserdisc Encyclopedia (in Japanese). Starchild Stereo. 1995.
  19. 1 2 3 "Episode:9 Both of You, Dance Like You Want to Win!". Neon Genesis Evangelion Blue Ray Ultimate Edition Encyclopedia. 2021.
  20. ↑ Gainax, ed. (2003). Data of Evangelion (in Japanese). Gainax. pp. 21–22.
  21. ↑ 新世紀エヴァンゲリオン 原画集 Groundwork of Evangelion (PDF) (in Japanese). Vol. 2. Ground Works. 2000. p. 251. ISBN   4903713016. Archived from the original (PDF) on 26 October 2023.
  22. ↑ "Staff". Neon Genesis Evangelion Blue Ray Ultimate Edition Encyclopedia. 2021.
  23. ↑ Evangelion Chronicle (in Japanese). Vol. 44. Sony Magazines. p. 1.
  24. ↑ Nebbia (2023) , Chap. 2: Les Anges
  25. 1 2 3 Eva Tomo no Kaiエヴァ友の会[Eva Fan Club] (in Japanese). Vol. 5. Gainax. 1996.
  26. 1 2 3 4 5 Oguro, Yūichirō. "第42回 エヴァ雑記「第九話 瞬間、心、重ねて」". Style.fm (in Japanese). Archived from the original on December 20, 2019. Retrieved July 23, 2020.
  27. ↑ Cannarsi 1998, p. 16.
  28. 1 2 Cannarsi 1998, p. 41.
  29. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 52.
  30. ↑ Cannarsi 1998, p. 44.
  31. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 64.
  32. ↑ Gainax, ed. (2003). Data of Evangelion (in Japanese). Gainax. p. 63.
  33. ↑ Cannarsi 1998, p. 42-43.
  34. ↑ Cannarsi 1998, p. 28.
  35. ↑ Evangelion Chronicle (in Japanese). Vol. 26. Sony Magazines. p. 26.
  36. ↑ "Fly Me to the Moon". Neon Genesis Evangelion: Platinum Edition Booklet. Vol. 4. ADV.
  37. ↑ Cannarsi 1998, p. 23.
  38. ↑ Glossary 1998, p. 108.
  39. ↑ Evangelion Chronicle (in Japanese). Vol. 44. Sony Magazines. p. 8.
  40. ↑ Porori 2009, p. 87.
  41. ↑ Evangelion Chronicle (in Japanese). Vol. 9. Sony Magazines. pp. 25–26.
  42. ↑ Cannarsi 1998, p. 25.
  43. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 59.
  44. ↑ Evangelion Chronicle (in Japanese). Vol. 44. Sony Magazines. p. 9.
  45. ↑ Glossary 1998, p. 65.
  46. ↑ Cannarsi 1998, p. 43.
  47. ↑ Cannarsi 1998, p. 18.
  48. ↑ Glossary 1998, p. 143.
  49. ↑ Evangelion Chronicle (in Japanese). Vol. 44. Sony Magazines. p. 11.
  50. ↑ Cannarsi 1998, p. 21.
  51. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 50.
  52. ↑ Evangelion Chronicle (in Japanese). Vol. 44. Sony Magazines. p. 5.
  53. ↑ "【新世紀エヴァンゲリオン】第九話は『犬神家の一族』オマージュシーンも見どころ！" (in Japanese). 15 October 2021. Archived from the original on 30 June 2022. Retrieved 6 June 2022.
  54. ↑ "元祖「エヴァ」『市川崑のタイポグラフィ』の考察" (in Japanese). 27 August 2010. Archived from the original on 11 June 2022. Retrieved 6 June 2022.
  55. ↑ "エヴァンゲリオンが証明した、フォントのチカラ" (in Japanese). Evangelion Store. 20 January 2015. Archived from the original on 20 October 2021. Retrieved 6 June 2022.
  56. ↑ Glossary 1998, p. 133.
  57. ↑ Glossary 1998, p. 118.
  58. 1 2 Redmond, Dennis (2004). The World is Watching: Video as Multinational Aesthetics, 1968–1995. Southern Illinois University Press. p. 139. ISBN   0-8093-2535-7.
  59. 1 2 Jacob Parker-Dalton (1 February 2021). "Mind, Magma, Darkness: Three Excellent Episodic Evangelion Episodes". Otaquest. Archived from the original on 8 June 2022. Retrieved 8 June 2022.
  60. 1 2 Cannarsi 1998, pp. 39–40.
  61. ↑ Glossary 1998, p. 139.
  62. ↑ Randy Miller III (21 September 2004). "Neon Genesis Evangelion: Volume 2 (Platinum Collection)". dvdtalk.com. DVD Talk. Archived from the original on 22 November 2024. Retrieved 17 November 2024.
  63. ↑ Cannarsi 1998, pp. 25–26.
  64. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 61.
  65. ↑ Evangelion Chronicle (in Japanese). Vol. 44. Sony Magazines. p. 3.
  66. ↑ Newtype Complete Shinseiki EvangerionNewtype Complete 新世紀エヴァンゲリオン[Newtype Complete Neon Genesis Evangelion] (in Japanese). Kadokawa Shoten. 2005. p. 94.
  67. ↑ "還つてきた天使アスカ: 心の軌跡". Newtype (in Japanese). Kadokawa Shoten. July 1997. p. 12.
  68. ↑ Newtype Complete Shinseiki EvangerionNewtype Complete 新世紀エヴァンゲリオン[Newtype Complete Neon Genesis Evangelion] (in Japanese). Kadokawa Shoten. 2005. p. 35.
  69. ↑ "謎の深淵". Newtype (in Japanese). Kadokawa Shoten. February 1996. p. 17.
  70. ↑ Evangelion Chronicle (in Japanese). Vol. 44. Sony Magazines. p. 12.
  71. ↑ Nebbia (2023) , Chap. 2: Les poids des conséquences
  72. ↑ Mizobe, Koji (January 29, 2021). "『エヴァ』がTV放送から26年経っても、若者に「絶大な人気」を誇る理由". 現代ビジネス (in Japanese). Archived from the original on May 2, 2021. Retrieved May 1, 2021.
  73. ↑ Cannarsi 1998, p. 24.
  74. ↑ Gualtiero Cannarsi (1998). Evangelion Encyclopedia (in Italian). Vol. 6. Dynamic Italia. pp. 44–45.
  75. 1 2 Morikawa 1997, pp. 80–81.
  76. ↑ Morikawa 1997, p. 82.
  77. ↑ "Anime Land". Newtype (in Japanese). Kadokawa Shoten. February 1996. p. 66.
  78. ↑ "第18回アニメグランプリ［1996年5月号］". Tokuma Shoten. Archived from the original on October 19, 2010.
  79. ↑ Fois, Daniello (21 July 2020). "Top 10 Episodes Of Neon Genesis Evangelion, According To IMDb". Cbr.com. Comic Book Resources. Archived from the original on 24 March 2021. Retrieved 29 May 2021.
  80. ↑ Matthew Garcia (11 July 2011). "Five Thoughts on Neon Genesis Evangelion's "Mind, Matching, Moment" and "The Magma Diver"". Multiversitycomics.com. Multiversity Comics. Archived from the original on 11 July 2021. Retrieved 10 June 2022.
  81. ↑ Randolph, Ashley. "10 Best 90s Anime Fight Scenes That Still Hold Up". Screenrant.com. Screen Rant. Retrieved 16 May 2021.
  82. ↑ Cameron, Jack (7 July 2019). "Every Battle in Neon Genesis Evangelion Ranked". Screenrant.com. Screen Rant. Archived from the original on 17 November 2020. Retrieved 16 May 2021.
  83. ↑ Beach, Adam (7 May 2021). "Neon Genesis Evangelion: The 10 Best Fight Scenes In The Anime, Ranked". Screen Rant. Archived from the original on 19 May 2021. Retrieved 7 November 2021.
  84. ↑ Covill, Max (17 June 2019). "Every Episode of 'Neon Genesis Evangelion' Ranked". Filmschoolrejects.com. Film School Rejects. Archived from the original on 8 January 2021. Retrieved 16 May 2021.
  85. ↑ Covill, Max (19 June 2019). "The Perfect Shots of 'Neon Genesis Evangelion'". Filmschoolrejects.com. Film School Rejects. Archived from the original on 16 May 2021. Retrieved 16 May 2021.
  86. ↑ Covill, Max (17 June 2019). "The Perfect Shots of 'Neon Genesis Evangelion'". Filmschollrejects.com. Film School Rejects. Archived from the original on 26 March 2021. Retrieved 21 March 2021.
  87. ↑ Akio Nagatomi (24 October 1999). "Shinseiki Evangelion: Episode 9: With One Accord in a Flash / Both of You, Dance Like You Want to Win!". Abcdb.com. The Anime Café. Archived from the original on 5 October 2022. Retrieved 10 June 2022.
  88. ↑ Tomoyuki Mori (15 January 2021). "庵野秀明とエヴァンゲリオンの音楽" (in Japanese). KKBox. Archived from the original on 21 January 2022. Retrieved 16 January 2022.
  89. ↑ Kogod, Theo (8 November 2019). "Neon Genesis Evangelion: The 10 Worst Things Asuka Ever Did, Ranked". Comic Book Resources. Archived from the original on 28 January 2021. Retrieved 7 November 2021.
  90. ↑ Kogod, Theo (14 December 2019). "10 Things That Didn't Age Well In Neon Genesis Evangelion". Cbr.com. Comic Book Resources. Archived from the original on 8 January 2021. Retrieved 6 June 2021.
  91. ↑ Tefft, Andrew (9 December 2021). "Evangelion: 10 Ways Asuka Ruined Her Likability". Cbr.com. Comic Book Resources. Archived from the original on 3 June 2022. Retrieved 6 June 2022.
  92. ↑ Anderson, Kristy (June 4, 2020). "The Best Moments Of Shinji Ikari In 'Neon Genesis Evangelion'". Supanova.com.au. Archived from the original on January 8, 2021. Retrieved July 23, 2020.
  93. ↑ Dockery, Daniel (June 23, 2019). "The 10 most awesome (non-depressing) moments In Neon Genesis Evangelion". Syfy.com. Archived from the original on January 8, 2021. Retrieved July 23, 2020.
  94. ↑ "「私の唇奪おうとしたくせに！」アスカとシンジのユニゾン回"瞬間、心、重ねて"【エヴァンゲリオン再放送】" (in Japanese). Dengeki Online. 28 November 2022. Retrieved 13 October 2024.
  95. ↑ Cannarsi 1998, pp. 43–44.
  96. ↑ Porori 2010, p. 125.
  97. ↑ E-Mono (in Japanese). Gainax. 1997. p. 112. ISBN   4-04-852868-8.
  98. ↑ "【新商品：『新世紀エヴァンゲリオン』のサブタイトルビッグTシャツの登場です！】(2020.05.18更新)" (in Japanese). Eva Store. 18 May 2020. Archived from the original on 26 November 2021. Retrieved 8 June 2022.
  99. ↑ "【お知らせ：EVANGELION STORE HAKATA（博多）5月20日より店舗営業再開】（2020.05.21更新）" (in Japanese). Eva Store. 15 May 2020. Archived from the original on 28 May 2022. Retrieved 8 June 2022.
  100. ↑ "「エヴァ造形は20年でどのように進化したのか？」ワンフェスのエヴァ20周年記念ブース取材レポ". Gigazine.net. Gigazine. 26 July 2015. Archived from the original on 25 October 2023. Retrieved 10 June 2022.

Bibliography

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.