Asuka Strikes!

Last updated

"Asuka Strikes!"
Neon Genesis Evangelion episode
Asuka Strikes.jpg
Evangelion Unit-02 (left) and Gaghiel during a battle. "Asuka Strikes!" received positive comments by critics, who praised action elements and the fight against Gaghiel.
Episode no.Episode 8
Directed by Kazuya Tsurumaki
Written by Hideaki Anno, Yoji Enokido
Original air dateNovember 22, 1995 (1995-11-22)
Running time22 minutes
Episode chronology
← Previous
"A Human Work"		Next →
"Both of You, Dance Like You Want to Win!"
List of episodes

"Asuka Strikes!" [a] is the eighth episode of the Japanese anime television series Neon Genesis Evangelion , which was created by Gainax. The episode, written by Hideaki Anno and Yoji Enokido and directed by Kazuya Tsurumaki, was first broadcast on TV Tokyo on November 22, 1995. The series is set fifteen years after a worldwide cataclysm and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. During the episode, Asuka Langley Soryu, a girl who is designated as the pilot of Evangelion Unit-02, is introduced; after the attack of Gaghiel, the sixth Angel, Asuka cooperates with Shinji aboard the Eva-02 to defeat the enemy.

Contents

Anno conceived "Asuka Strikes!" to lighten the tone of the series after the previous episodes, which were characterized by an introspective, psychological mood. Shinji Higuchi, who worked with Anno on Nadia: The Secret of Blue Water and is known for his work's humor, drew the storyboards, giving the story a comedic tone. For the installment, the show's production staff drew several real-life vehicles while incorporating cultural references to the plays of William Shakespeare and Gainax's earlier works.

The episode's first broadcast scored a 7.6% audience share on Japanese television, and was well-received by audiences and critics. Reviewers appreciated the episode's humor and action, and its introduction of Asuka's character, ranking it as one of the best episodes in the series.

Plot

Misato Katsuragi, captain of the special paramilitary agency Nerv, takes Shinji Ikari and his friends Toji and Kensuke on a flight to a United Nations carrier battlegroup that is transporting a giant mecha named Evangelion Unit-02 and its German-American pilot Asuka Langley Sohryu to Japan. Escorting Asuka to Japan is Misato's ex-boyfriend Ryoji Kaji. A massive aquatic creature called Gaghiel, the sixth of a series of enemies named Angels, begins attacking the fleet. Asuka decides to fight Gaghiel using Unit-02 and she takes Shinji with her. The Angel drags Unit-02 underwater and Misato devises a plan to kill it by lodging two sunken battleships in its mouth and then firing all of their weapons into it. The Angel is killed; some time after, Kaji delivers an embryo-like creature named Adam to Gendo, Nerv's commander, and Asuka transfers to Shinji's class.

Production

Gainax studio decided the basic plot for "Asuka Strikes!" in 1993, when it wrote a presentation document of Neon Genesis Evangelion titled New Century Evangelion (tentative name) Proposal (新世紀エヴァンゲリオン (仮) 企画書, Shinseiki Evangelion (kari) kikakusho). [1] [2] The Proposal, published in 1994, [3] [4] describes "a battle held on the deck of an aircraft carrier" for the eighth installment of the series. [5] Staff originally thought "Asuka's morning arrival" (アスカ、来朝) as the title for the installment at the time, [6] [7] which was later changed to the double title "Asuka's Arrival" (アスカ、来日) and "Asuka Strikes!". [8] [9] Hideaki Anno [10] and Yoji Enokido wrote the episode. [11] [12] Kazuya Tsurumaki directed the installment, [13] Shinji Higuchi drew the storyboards; [14] Masahiko Otsuka worked as the assistant director, [15] while Takeshi Honda served as chief animator. The animation crew also included Hidenori Matsubara, Yoh Yoshinari and Shoichi Masuo, [16] while Mahiro Maeda and Mitsumu Wogi served as character designers. [17] [18] Maeda also worked on Gaghiel's design. [19]

Shinji Higuchi drew the storyboard for "Asuka Strikes!" Godzilla Resurgence World Premiere Red Carpet- Higuchi Shinji (27989045433).jpg
Shinji Higuchi drew the storyboard for "Asuka Strikes!"

The series' first six episodes left the staff drained and feeling weighed down by the show's heavy mood; Hideaki Anno, director of the series, consequently decided to lighten the show's tone from the seventh and eighth episodes. [20] Anno then inserted Asuka to lighten the installments, introducing her in "Asuka Strikes!" as a sunny, extroverted girl, but without thinking to re-evaluate her character much as in the final episodes of the series and without foreshadowing. The director "didn't completely grasp the character" at first, but she came to life with her recurring lines, "Are you stupid?" and "What a chance!", which were used for the first time in "Asuka Strikes!". [21] Anno also said that he had forgotten about Rei Ayanami while writing the installment, since he did not feel particularly close to the character, so he did not include her in any sequence. [22] Particularly important was the contribution of Higuchi, who had already worked on Nadia: The Secret of Blue Water and was known for the humorous character of his works. Higuchi infused the episode with an adolescent and comic tone, [23] [24] similar to his previous works. The similarities led the crew to refer to "Asuka Strikes!" and the ninth episode of Evangelion as the "island arc" after the Nadia episodes of the same name. [25] The staff also used humorous graphic symbols typical of comedy anime and manga in the episode. [26] [27]

In the original intentions of the authors, the Angel who should have fought at sea against Unit 02 was Sachiel, an idea that was set aside and reused for Gaghiel, while Sachiel was then made to appear in the first episode. [28] The official filmbooks of the series noted that Gaghiel's battle with the battleships is realistically impossible; according to the filmbooks, however, Gainax could have ignored the realism of the clash in an attempt to seek the viewers' catharsis. [29] According to the original script, three battleships should have been used for the fight, but only two were used in the final version. [30] "Asuka Strikes!" also depicts existing military vehicles, such as the Sukhoi Su-33 (or Su-27), [31] the Yakovlev Yak-38, [32] [33] the Northrop Grumman EA-6B Prowler, the Northrop Grumman E-2 Hawkeye, and the Mil Mi-2, [34] [35] along with a Mil MI-55D, [36] a helicopter that does not exist in the real world designed for the episode. [37] [38]

Production staff inserted some German technical jargon terms to use during the operations, such as bewegung, nerven anschlussess, anslösung, rinkskleidung[ sic ]. [39] Yuko Miyamura, Asuka's voice actress, took lessons at a language school to practice before finding out it was technical jargon; when she asked her native-German-speaking teacher for advice, he told her he did not understand it. [21] Tomomichi Nishimura and Jin Yamanoi served as voice actors for the captain and vice-captain of the Over The Rainbow. [40] A background radio program was also written for the episode; [41] voice actors Nishimura, Yuriko Yamaguchi, and Kotono Mitsuishi played the characters on the program, [42] while singer Aya sang "Fly Me To The Moon" in bossa nova style [43] for the closing theme of the installment. [44] [45]

References and themes

The names of the ships in the United Nations fleet refer to the works of William Shakespeare. Renato cattani, busto di william shakespeare, 1910, 02.jpg
The names of the ships in the United Nations fleet refer to the works of William Shakespeare.

The Nimitz-class aircraft carrier USS Harry S. Truman, [46] renamed Over The Rainbow in homage to The Wizard of Oz song, [47] appears in the episode, [48] [49] as do the Kiev-class Soviet aircraft carrier Novorossiysk, [50] [51] the Russian battlecruiser Kirov, [52] the Russian destroyer Udaloy, [53] the JS Kongō , [54] [55] [56] Iowa-class battleships USS Illinois (BB-65) , [57] [58] the USS Kentucky (BB-66), [59] [60] [61] Russian aircraft carrier Admiral Kuznetsov, Arleigh Burke-class guided missile destroyer USS Ramage, [62] USS Ticonderoga (CG-47), Tachikaze, Hatakaze, Asagiri-class destroyers and Chikugo-class destroyer escorts. [63] Moreover, the ships' code names for internal use in the fleet — including Othello , [64] [65] Cymbeline , [66] [67] Titus Andronicus [68] [69] and The Tempest [70] [71] — are derived from titles of plays by William Shakespeare. [72] [73]

Kingston valves are mentioned during the battle against Gaghiel; [74] these are special valves that are used to fill ships' hulls with water and are located at the stern of some old ships. [75] [76] Gainax previously mentioned the same valves in the original video animation GunBuster . [77] At the end of the episode, Gendo describes Adam as "the first human being" [78] in homage to a similar scene in Nadia: The Secret of Blue Water. [79] [80] For Dennis Redmond, writer of The World is Watching, the admiral of Over the Rainbow also constitutes a tribute to Nadia; according to him, "Asuka Strikes!" "manage[s] to pastiche all the classic ocean adventures from Moby Dick up to Jaws ". [81] Yūichirō Oguro, editor of some of the extra content of the Japanese home video editions of the series, noted from "Asuka Strikes!" onward the series portrays the characters and their interpersonal communications in a positive light. [82] In the episode, Shinji and Asuka cooperate to defeat an Angel, beginning the series' action arc. [83] [84] Compared to its predecessors, the episode is characterised by great positivity, [85] a lot of action and humour. [86] Anime News Network's Nick Creamer also noted after Asuka's debut Neon Genesis Evangelion adopts a monster of the week pattern. [87]

Reception

"Asuka Strikes!" was first broadcast on November 22, 1995, and drew a 7.6% audience share on Japanese television. [88] In 1996, it ranked nineteenth in Animage 's Anime Grand Prix list of "Best Anime Episodes". [89] Official merchandise based on the episode has also been released, [90] [91] including a line of T-shirts. [92] [93]

The episode was received positively by critics and reviewers, who lauded its direction, plot, humor, action, and Asuka's introduction. Digitally Obsessed's reviewer Joel Cunningham praised "Asuka Strikes!", describing it as "the funniest episode in the series"; Cunningham particularly enjoyed the "hilarious" relationship between Shinji and Asuka, saying; "A great introduction of a great character, and some very amusing dialogue, make this one of the standouts of the show thus far". [94] Film School Rejects's Max Covill ranked it among the best episodes of the series, saying; "an Asuka-centered episode is usually a great sign of quality, and this is a lot of fun"; [95] he also praised the first scene, which portrays Asuka in shadow, for bringing a sense of mystery to the new character. [96] Animation Planet magazine's John Beam positively reviewed "Asuka Strikes!"; he also lauded the show for its "outstanding characterizations, animations, and dramatic presentation". [97]

Asuka provides a natural foil for the dourness of Rei and timid uncertainty of Shinji. .... Evangelion doesn't have too many light-hearted episodes. .... "Asuka Strikes!" is an exception to the rule, and it's one of the better balanced and paced episodes of the first arc. Asuka and Kaji provided much needed energy and humour, while providing some much needed backstory.

–Alex Walker (Kotaku) [98]

Animé Café's Japanese reviewer Akio Nagatomi negatively received the episode. He criticized the introduction of Asuka and Kaji, which he said are stereotypical and cliché characters, and the introduction of Eva-02 "with a Phantom of the Opera style cloak". The reviewer was particularly critical of Asuka, the script, and the details of the plot and setting, which he said are unrealistic. Despite this, he praised the direction, saying; "the show does have flow; something to which a lot of other feature's can't lay claim". [99] Looper's Thompson Smith described Gaghiel as one of the less-interesting Angels in Neon Genesis Evangelion; according to Smith, the Angel provides a problem for Asuka to solve in her first appearance, but "lacks any sort of significance beyond all that". [100] Comic Book Resources' Theo Kogod criticized Asuka's behavior in her first appearance; he negatively transposed the scene in which her skirt accidentally rises due to the sea breeze and slaps Toji, Kensuke and Shinji, and, since none of the boys could control the weather, Kogod considered it "an overreaction—the first of many". [101]

The sequence in which the episode's title appears with the sound effect of Asuka's slaps received appreciation. [102] Writers Kazuhisa Fujie and Martin Forster in their Neon Genesis Evangelio: The Unofficial Guide also said Asuka's line "Are you stupid?" has become popular since her first appearance in the eighth episode. [103] [104] Screen Rant's Adam Beach ranked the battle against Gaghiel among the best fights in Neon Genesis Evangelion; Beach described it as "memorable" for both Asuka's introduction and the marine setting, praising its "interesting choreography". [105] His colleague Jack Cameron expressed a similar view, [106] while Daniel Dockery of SyFy Wire similarly ranked the fight among the best "non-depressing moments" in Neon Genesis Evangelion. [107] Newtype magazine praised the episode's drawings and Asuka's facial expressions. [108] Alex Walker of Kotaku ranked "Asuka Strikes!" among the best Neon Genesis Evangelion episodes. [98] Multiversity Comics' Matthew Garcia said the episode's treatment of Asuka in view of her team is interesting. [109] For Anthony Gramuglia of Comic Book Resources, she is a refreshing character compared to Shinji's insecurities in the previous seven episodes, and this invigorates the series with a "great deal of joy". According to Gramuglia; "She changes the show, offering a diversity of perspective that livens things up". [110] Crunchyroll's reviewer Noelle Ogawa similarly wrote; "From her confident introduction aboard a battleship to her forceful and agressive [ sic ] battle style in her bright red Eva, she is a joy every time she's on screen". [111] Jemima Sebastian from IGN compared a scene from Godzilla vs. Kong (2021), in which King Kong on a ship suffers an underwater attack from Godzilla, to the fight between Gaghiel and Eva-02, describing it as a possible homage to Evangelion. [112]

Related Research Articles

Angels in <i>Neon Genesis Evangelion</i> Fictional entities in the anime television series Neon Genesis Evangelion

The Angels are fictional entities from the anime television series Neon Genesis Evangelion, which was produced by Gainax studio and directed by Hideaki Anno. The Angels also appear in the manga adaptation of the same name, which was illustrated by Yoshiyuki Sadamoto.

<span class="mw-page-title-main">Asuka Langley Soryu</span> Fictional character from Neon Genesis Evangelion

Asuka Langley Soryu is a fictional character from the Neon Genesis Evangelion franchise created by Gainax. She first appears in the original anime series, and also appears in the franchise's animated feature films and related media, including video games, the Rebuild of Evangelion films, and the manga adaptation by Yoshiyuki Sadamoto. In Japanese, Yūko Miyamura voices Asuka in all her animated appearances and merchandise. In English, Tiffany Grant voices her in the ADV Films dub and Stephanie McKeon voices her in the Netflix dub.

<span class="mw-page-title-main">Misato Katsuragi</span> Fictional character from Neon Genesis Evangelion

Misato Katsuragi is a fictional character from the Gainax-created media franchise Neon Genesis Evangelion. In the eponymous anime television series, Misato is head of the operations department of the special agency Nerv, and is in charge of directing and devising war strategies needed to defeat mysterious beings named Angels. Due to childhood emotional traumas, she developed a frivolous, exuberant character and a disordered lifestyle. The character also appears in the franchise's animated feature films and related media, including video games, the original net animation Petit Eva: Evangelion@School, the Rebuild of Evangelion films, and the manga adaptation by Yoshiyuki Sadamoto.

<span class="mw-page-title-main">Angel Attack</span> Episode of Neon Genesis Evangelion

"Angel Attack" is the first episode of the anime series Neon Genesis Evangelion, created by Gainax. The episode was written by the series director Hideaki Anno and directed by Kazuya Tsurumaki. It was originally aired on TV Tokyo on October 4, 1995. The series is mostly set in the futuristic, fortified city Tokyo-3, fifteen years after a worldwide cataclysm named Second Impact. The protagonist is Shinji Ikari, a teenage boy whose father Gendo has recruited him to the organization Nerv to pilot a giant bio-machine mecha named Evangelion to combat beings called Angels. In the episode, Tokyo-3 is attacked by the Angel Sachiel, who fights the United Nations Army and the JSSDF. Gendo summons Shinji for the first time and Shinji reluctantly agrees to pilot the mecha.

The Beast (<i>Neon Genesis Evangelion</i>) Episode of Neon Genesis Evangelion

"The Beast", known by the Japanese title "Unfamiliar Ceilings", is the second episode of the anime Neon Genesis Evangelion, created by Gainax. The episode was written by the series director Hideaki Anno and Yōji Enokido and directed by Kazuya Tsurumaki. It aired originally on TV Tokyo on October 11, 1995.

<span class="mw-page-title-main">Rei I</span> Episode of Neon Genesis Evangelion

"Rei I", also known by the Japanese title "Rei, Beyond the Heart", is the fifth episode of the anime Neon Genesis Evangelion, which was created by Gainax. "Rei I" was written by Hideaki Anno and Akio Satsukawa, and directed by Keiichi Sugiyama. It was first broadcast on TV Tokyo on November 1, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, mostly in the futuristic, fortified city called Tokyo-3. The episode's protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo into the organization Nerv to pilot a giant bio-machine mecha named Evangelion to combat certain beings called Angels. In the episode, Shinji tries, but fails, to connect with Rei Ayanami, a fellow pilot, who is close to his distant and cold father Gendo.

<span class="mw-page-title-main">Rei II</span> Episode of Neon Genesis Evangelion

"Rei II", also known by the Japanese title "Showdown in Tokyo-3", is the sixth episode of the anime Neon Genesis Evangelion, which was created by Gainax. "Rei II" was written by Hideaki Anno and Akio Satsukawa and directed by Hiroyuki Ishido. The series is set fifteen years after a worldwide cataclysm named Second Impact, and is mostly set in the futuristic, fortified fictional city of Tokyo-3. The episode's protagonist is teenage boy Shinji Ikari, who is recruited by his father Gendo to the organization Nerv to pilot a bio-machine mecha named Evangelion against beings called Angels. In the episode, Shinji must annihilate the fifth Angel Ramiel, who is able to destroy every enemy in its vicinity with an accelerated particles cannon. A plan called Operation Yashima is worked out, which involves Shinji shooting Ramiel from a distance with a Positron Rifle.

<span class="mw-page-title-main">A Human Work</span> Episode of Neon Genesis Evangelion

"A Human Work", also known by the Japanese title "The Works of Man", is the seventh episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Yoji Enokido and directed by Keiichi Sugiyama, was first broadcast on TV Tokyo on November 15, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a giant bio-mechanical mecha named Evangelion into combat with beings called Angels. In the episode, a rival organization of Nerv builds Jet Alone, a prototype giant robot with an onboard nuclear reactor as an alternative to the Evangelions. During the first public test of Jet Alone, it goes out of control and marches toward a nearby city with its reactor close to a meltdown. Shinji keeps the robot at bay in his Evangelion while Nerv's Major Misato Katsuragi gets inside Jet Alone and shuts down the reactor.

<span class="mw-page-title-main">Both of You, Dance Like You Want to Win!</span> Episode of Neon Genesis Evangelion

"Both of You, Dance Like You Want to Win!" is the ninth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Akio Satsukawa and directed by Seiji Mizushima, was first broadcast on TV Tokyo on November 29, 1995. The series is set fifteen years after a worldwide cataclysm and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. The episode follows two Nerv mecha pilots, Asuka Langley Soryu and Shinji, who must defeat an Angel capable of splitting into two individuals, Israfel.

<span class="mw-page-title-main">Magmadiver</span> Episode of Neon Genesis Evangelion

"Magmadiver" is the tenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Akio Satsukawa and directed by Tsuyoshi Kaga and Kiroyuki Ishido, was first broadcast on TV Tokyo on December 6, 1995. The series is set fifteen years after a worldwide cataclysm and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. During the episode, Asuka Langley Soryu, a girl who is designated as the pilot of Evangelion Unit-02, tries to capture the eighth Angel, Sandalphon, found in the magma chamber of a Volcano in a dormant state.

<span class="mw-page-title-main">The Day Tokyo-3 Stood Still</span> Episode of Neon Genesis Evangelion

"The Day Tokyo-3 Stood Still" is the eleventh episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Yoji Enokido and directed by Tetsuya Watanabe, was first broadcast on TV Tokyo on December 13, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact and is mostly set in the futuristic, fortified city of Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. In this episode, the special agency Nerv suddenly experiences a blackout due to sabotage by unidentified third parties. The three Evangelion mecha pilots, Shinji, Rei Ayanami and Asuka Langley Soryu, join forces to take down the ninth Angel, Matarael.

<span class="mw-page-title-main">Lilliputian Hitcher</span> Episode of Neon Genesis Evangelion

"Lilliputian Hitcher" is the thirteenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by anime studio Gainax. The episode, written by Hideaki Anno, Mitsuo Iso, and Akio Satsukwa and directed by Tensai Okamura, was first broadcast on TV Tokyo on December 27, 1995.

<span class="mw-page-title-main">Splitting of the Breast</span> Episode of Neon Genesis Evangelion

"Splitting of the Breast" is the sixteenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode was written by Hideaki Anno and Hiroshi Yamaguchi, and directed by Kazuya Tsurumaki. The series' protagonist is Shinji Ikari, a teenage boy whose father Gendo recruits him to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. In the episode, Shinji is absorbed into an Angel called Leliel in a space of imaginary numbers called Dirac sea. Shinji has a vision in which he sees another self as a child and discusses his lifestyle.

Ambivalence (<i>Neon Genesis Evangelion</i> episode) Episode of Neon Genesis Evangelion

"Ambivalence" is the eighteenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. Hideaki Anno and Shinji Higuchi wrote the episode, which animator Tensai Okamura directed. The series' protagonist is Shinji Ikari, a teenage boy whose father Gendo recruited him to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. In the course of the episode, new pilot Toji Suzuhara get into Eva-03. During the activation experiment, however, Eva-03 goes out of control, possessed by the Angel Bardiel. Shinji, aboard his Eva-01, refuses to fight against 03, coming into conflict with his father.

<span class="mw-page-title-main">She said, "Don't make others suffer for your personal hatred."</span> Episode of Neon Genesis Evangelion

"She said, 'Don't make others suffer for your personal hatred.'" is the twelfth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode was first broadcast on TV Tokyo on December 20, 1995. It was written by Hideaki Anno and Akio Satsukwa and directed by Hiroyuki Ishido. The series is set fifteen years after a worldwide cataclysm known as Second Impact and is mostly set in the futuristic city of Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the special military organization Nerv to pilot a bio-mechanical mecha named Evangelion into combat with beings called Angels. During the episode, Nerv's Major Misato Katsuragi recalls her past as a survivor of the Second Impact, while a new, large-sized Angel called Sahaquiel threatens to destroy the entire Nerv headquarters.

<span class="mw-page-title-main">A Transfer</span> Episode of Neon Genesis Evangelion

"A Transfer", known by the Japanese title "The Silent Phone", is the third episode of the anime Neon Genesis Evangelion, created by Gainax. Series director Hideaki Anno and writer Akio Satsukawa wrote the episode, directed by Hiroyuki Ishido. It aired originally on TV Tokyo on October 18, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, particularly in the futuristic fortified city of Tokyo-3. The protagonist is Shinji Ikari, a teenage boy whose father, Gendo, recruited him to the organization Nerv to pilot a giant bio-machine mecha named Evangelion into combat with beings called Angels. In the episode, Shinji begins attending his new school in Tokyo-3 and has a difficult time dealing with the fame of being an Evangelion pilot. His classmate Toji Suzuhara, whose little sister was injured in Shinji's fight against the Angel Sachiel shown in the previous episode, is angry at him; a new Angel named Shamshel appears, and Shinji must once again pilot Eva-01 to defeat it.

<span class="mw-page-title-main">Those women longed for the touch of others' lips, and thus invited their kisses</span> Episode of Neon Genesis Evangelion

"Those women longed for the touch of others' lips, and thus invited their kisses" is the fifteenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Akio Satsukawa and directed by Naoyasu Habu, was first broadcast on TV Tokyo on January 10, 1996. The series is set fifteen years after a worldwide cataclysm known as Second Impact and is mostly set in the futuristic, fortified city of Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo into the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels.

<span class="mw-page-title-main">Fourth Child</span> Episode of Neon Genesis Evangelion

"Fourth Child" is the seventeenth episode of the Japanese anime television series Neon Genesis Evangelion. Hideaki Anno and Shinji Higuchi wrote the episode, while Minoru Ohara worked as director. The series' protagonist is Shinji Ikari, a teenage boy whose father Gendo recruited him to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with Angels. In the episode, mecha Eva-04 and Nerv's Second American Division disappears, while Toji Suzuhara is selected as the pilot of Eva-03. Hikari Horaki, class leader of Toji and Shinji's class, asks Toji to prepare something for him to eat.

Hedgehogs Dilemma (<i>Neon Genesis Evangelion</i>) Episode of Neon Genesis Evangelion

"Hedgehog's Dilemma", also known by the Japanese title "Rain, After Running Away", is the fourth episode of the anime Neon Genesis Evangelion, which was created by Gainax. The episode, written by Akio Satsukawa and directed by Tsuyoshi Kaga, was first broadcast on TV Tokyo on October 25, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, and is mostly set in the futuristic, fortified city Tokyo-3. The episode's protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a giant bio-machine mecha named Evangelion into combat with beings called Angels. In the episode, Shinji is overcome by the stress of being an Evangelion pilot and runs away from home. After wandering around Tokyo-3, he must choose between quitting and staying at Nerv.

References

  1. ↑ Japanese: アスカ、来日, Hepburn: Asuka, rainichi, lit. 'Asuka Arrives in Japan'

Citations

  1. ↑ Evangelion Chronicle (in Japanese). Vol. 1. Sony Magazines. p. 26.
  2. ↑ Nebbia (2023) , Chap. 2: La Proposition
  3. ↑ "History 1993-1999". Neon Genesis Evangelion Blue Ray Ultimate Edition Encyclopedia. 2021.
  4. ↑ Nebbia (2023) , Chap. 1: Lancement du Project Eva
  5. ↑ Evangelion Chronicle (in Japanese). Vol. 18. Sony Magazines. p. 25.
  6. ↑ Gainax (1998). Neon Genesis Evangelion Newtype 100% Collection (in Japanese). Kadokawa Shoten. p. 88. ISBN   4-04-852700-2.
  7. ↑ Neon Genesis Evangelion Theatralical VHS Box Booklet (in Japanese). King Amusement Creative. 1997.
  8. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 32.
  9. ↑ Glossary 1998, p. 6.
  10. ↑ Porori 2009, p. 80.
  11. ↑ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 23.
  12. ↑ Nebbia (2023) , Chap. 1: Production et catastrophes
  13. ↑ Gainax (1998). Neon Genesis Evangelion Newtype 100% Collection (in Japanese). Kadokawa Shoten. p. 178. ISBN   4-04-852700-2.
  14. ↑ Nebbia (2023) , Chap. 1: Bientôt la diffusion
  15. ↑ Poggio 2008, p. 23.
  16. ↑ Groundwork of Evangelion (PDF) (in Japanese). Vol. 1. Gainax. 2000. p. 217. ISBN   4903713008. Archived from the original (PDF) on 26 October 2023.
  17. ↑ "Staff". Neon Genesis Evangelion Blue Ray Ultimate Edition Encyclopedia. 2021.
  18. ↑ Gainax, ed. (2003). Data of Evangelion (in Japanese). Gainax. p. 21.
  19. ↑ Nebbia (2023) , Chap. 2: Les Anges
  20. ↑ "庵野秀明 - Part II". 新世紀エヴァンゲリオン残酷な天使のように (in Japanese). Magazine Magazine. 1997. ISBN   4-906011-25-X.
  21. 1 2 あんた、バカぁと、言われてみたい。（庵野秀明、宮村優子）. Animage (in Japanese). Tokuma Shoten. July 1996.
  22. ↑ Takekuma 1997, pp. 93–96.
  23. ↑ Poggio 2008, p. 32.
  24. ↑ Oguro, Yūichirō. "第41回 エヴァ雑記「第八話 アスカ、来日」". Style.fm (in Japanese). Archived from the original on October 10, 2018. Retrieved July 23, 2020.
  25. ↑ Platinum Booklet. Vol. 2. ADV.
  26. ↑ Cannarsi 1998, p. 31.
  27. ↑ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 28.
  28. ↑ Evangelion Chronicle (in Japanese). Vol. 23. Sony Magazines. pp. 7–8.
  29. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 35.
  30. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 42.
  31. ↑ Glossary 1998, p. 82.
  32. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 40.
  33. ↑ Glossary 1998, p. 159.
  34. ↑ Porori 2009, p. 83.
  35. ↑ Cannarsi 1998, pp. 56–57.
  36. ↑ Glossary 1998, p. 156.
  37. ↑ Cannarsi 1998, pp. 26–27.
  38. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 24.
  39. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 36.
  40. ↑ Gainax, ed. (2003). Data of Evangelion (in Japanese). Gainax. p. 62.
  41. ↑ Cannarsi 1998, p. 41.
  42. ↑ Eva Tomo no Kaiエヴァ友の会[Eva Fan Club] (in Japanese). Vol. 4. Gainax. 1996.
  43. ↑ Evangelion Chronicle (in Japanese). Vol. 26. Sony Magazines. p. 26.
  44. ↑ Cannarsi 1998, p. 34.
  45. ↑ Neon Genesis Evangelion Laserdisc Encyclopedia (in Japanese). Vol. 4. 1996.
  46. ↑ Glossary 1998, p. 35.
  47. ↑ "The Anime Café - Café Trivia". The Anime Café. Archived from the original on 29 April 2006. Retrieved 24 January 2022.
  48. ↑ Cannarsi 1998, pp. 13–14.
  49. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 25.
  50. ↑ Cannarsi 1998, pp. 48–49.
  51. ↑ Glossary 1998, pp. 127–128.
  52. ↑ Glossary 1998, p. 43.
  53. ↑ Glossary 1998, p. 21.
  54. ↑ Cannarsi 1998, pp. 50–51.
  55. ↑ Evangelion Chronicle (in Japanese). Vol. 8. Sony Magazines. p. 25.
  56. ↑ Glossary 1998, p. 57.
  57. ↑ Evangelion Chronicle (in Japanese). Vol. 2. Sony Magazines. p. 26.
  58. ↑ Glossary 1998, pp. 16–17.
  59. ↑ Cannarsi 1998, p. 52.
  60. ↑ Evangelion Chronicle (in Japanese). Vol. 8. Sony Magazines. p. 23.
  61. ↑ Glossary 1998, p. 52.
  62. ↑ Cannarsi 1998, p. 53.
  63. ↑ Cannarsi 1998, pp. 54–55.
  64. ↑ Evangelion Chronicle (in Japanese). Vol. 4. Sony Magazines. p. 25.
  65. ↑ Glossary 1998, p. 36.
  66. ↑ Evangelion Chronicle (in Japanese). Vol. 10. Sony Magazines. p. 24.
  67. ↑ Glossary 1998, p. 78.
  68. ↑ Evangelion Chronicle (in Japanese). Vol. 16. Sony Magazines. p. 21.
  69. ↑ Glossary 1998, p. 105.
  70. ↑ Evangelion Chronicle (in Japanese). Vol. 19. Sony Magazines. p. 19.
  71. ↑ Glossary 1998, p. 118.
  72. ↑ Cannarsi 1998, p. 28.
  73. ↑ "Episode:8 Asuka Strikes!". Neon Genesis Evangelion Blue Ray Ultimate Edition Encyclopedia. 2021.
  74. ↑ Glossary 1998, p. 47.
  75. ↑ Cannarsi 1998, pp. 32–33.
  76. ↑ Evangelion Chronicle (in Japanese). Vol. 6. Sony Magazines. p. 24.
  77. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 43.
  78. ↑ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 31.
  79. ↑ Cannarsi 1998, pp. 44–45.
  80. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. pp. 46–47.
  81. ↑ Redmond, Dennis (2004). The World is Watching: Video as Multinational Aesthetics, 1968–1995. Southern Illinois University Press. p. 137. ISBN   0-8093-2535-7.
  82. ↑ Oguro, Yūichirō. "第44回 エヴァ雑記「第拾壱話 静止した闇の中で」" (in Japanese). Archived from the original on November 28, 2020. Retrieved July 23, 2020.
  83. ↑ Oguro, Yūichirō. "第43回 エヴァ雑記「第拾話 マグマダイバー」" (in Japanese). Archived from the original on October 1, 2021. Retrieved July 23, 2020.
  84. ↑ Oguro, Yūichirō. "第45回 エヴァ雑記「第拾弐話 奇跡の価値は」" (in Japanese). Archived from the original on March 1, 2021. Retrieved July 23, 2020.
  85. ↑ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 32.
  86. ↑ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 25.
  87. ↑ Creamer, Nick (10 July 2019). "Neon Genesis Evangelion". Anime News Network. Archived from the original on 9 September 2019. Retrieved 8 November 2021.
  88. ↑ "Anime Land". Newtype (in Japanese). Kadokawa Shoten. February 1996. p. 66.
  89. ↑ "第18回アニメグランプリ［1996年5月号］". Tokuma Shoten. Archived from the original on October 19, 2010.
  90. ↑ "EVA×錦 弐号機、来日 総刺繍スカジャン". Store.shopping.yahoo.co.jp (in Japanese). Evangelion Store Yahoo! Japan. Archived from the original on 6 November 2021. Retrieved 6 November 2021.
  91. ↑ "新世紀エヴァンゲリオン ジグソーパズル アスカ、来日". Store.shopping.yahoo.co.jp (in Japanese). Evangelion Store Yahoo! Japan. Archived from the original on 6 November 2021. Retrieved 6 November 2021.
  92. ↑ "新世紀エヴァンゲリオン 全話Tシャツ 「第八話 アスカ、来日」". Store.shopping.yahoo.co.jp (in Japanese). Evangelion Store Yahoo! Japan. Archived from the original on 8 November 2021. Retrieved 6 November 2021.
  93. ↑ Porori 2010, p. 125.
  94. ↑ Cunningham, Joel (8 March 2002). "Neon Genesis Evangelion Collection 0:2 (1995)". Digitallyobsessed.com. Digitally Obsessed!. Archived from the original on 2 June 2021. Retrieved 30 May 2021.
  95. ↑ Covill, Max (17 June 2019). "Every Episode of 'Neon Genesis Evangelion' Ranked". Filmschoolrejects.com. Film School Rejects. Archived from the original on 8 January 2021. Retrieved 16 May 2021.
  96. ↑ Covill, Max (19 June 2019). "The Perfect Shots of 'Neon Genesis Evangelion'". Filmschoolrejects.com. Film School Rejects. Archived from the original on 16 May 2021. Retrieved 16 May 2021.
  97. ↑ Beam, John (1997). G. Michael Dobbs (ed.). "Neon Genesis Evangelion: Genesis 0:4". Animation Planet. Vol. 1, no. 2. Inkwell Productions. pp. 13–14.
  98. 1 2 Walker, Alex (5 July 2021). "The Best Neon Genesis: Evangelion Episodes". Kotaku.com. Kotaku. Archived from the original on 5 July 2021. Retrieved July 23, 2020.
  99. ↑ Nagatomi, Akio. "Shinseiki Evangelion Review Pages – Episode 8: Asuka Strikes!". Abcb.com. The Animé Café. Archived from the original on 2 August 2018. Retrieved 31 May 2021.
  100. ↑ Smith, Thompson (13 August 2021). "The Most Powerful Angels From Neon Genesis Evangelion Ranked". Looper. Archived from the original on 8 November 2021. Retrieved 7 November 2021.
  101. ↑ Kogod, Theo (8 November 2019). "Neon Genesis Evangelion: The 10 Worst Things Asuka Ever Did, Ranked". Comic Book Resources. Archived from the original on 28 January 2021. Retrieved 7 November 2021.
  102. ↑ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 27.
  103. ↑ Fujie & Foster 2004, p. 162.
  104. ↑ See also Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 24.
  105. ↑ Beach, Adam (7 May 2021). "Neon Genesis Evangelion: The 10 Best Fight Scenes In The Anime, Ranked". Screen Rant. Archived from the original on 19 May 2021. Retrieved 7 November 2021.
  106. ↑ Cameron, Jack (7 July 2019). "Every Battle in Neon Genesis Evangelion Ranked". Screenrant.com. Screen Rant. Archived from the original on 17 November 2020. Retrieved 16 May 2021.
  107. ↑ Dockery, Daniel (June 23, 2019). "The 10 most awesome (non-depressing) moments In Neon Genesis Evangelion". Syfy.com. Archived from the original on January 8, 2021. Retrieved July 23, 2020.
  108. ↑ Newtype Complete Shinseiki EvangerionNewtype Complete 新世紀エヴァンゲリオン[Newtype Complete Neon Genesis Evangelion] (in Japanese). Kadokawa Shoten. 2005. p. 26.
  109. ↑ "Five Thoughts on Neon Genesis Evangelion's "The Works of Man" and "Asuka Arrives in Japan"". Multiversity Comics. 4 July 2021. Archived from the original on 4 July 2021. Retrieved 16 January 2022.
  110. ↑ "Evangelion's Asuka Is One of the Most Fascinating Characters in Anime". June 29, 2019. Archived from the original on July 18, 2019. Retrieved April 27, 2020.
  111. ↑ Ogawa, Noelle (December 4, 2019). "Why Asuka is One of the Best Anime Characters of All Time". Crunchyroll. Archived from the original on June 2, 2020. Retrieved May 7, 2020.
  112. ↑ Sebastian, Jemima (24 March 2021). "Godzilla vs Kong tiene un par de referencias a Evangelion" (in Spanish). IGN. Archived from the original on 7 November 2021. Retrieved 7 November 2021.

Bibliography

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.