Amplitude modulation (AM) is a modulation technique used in electronic communication, most commonly for transmitting messages with a radio wave. In amplitude modulation, the amplitude of the wave is varied in proportion to that of the message signal, such as an audio signal. This technique contrasts with angle modulation, in which either the frequency of the carrier wave is varied, as in frequency modulation, or its phase, as in phase modulation.
In radio communications, single-sideband modulation (SSB) or single-sideband suppressed-carrier modulation (SSB-SC) is a type of modulation used to transmit information, such as an audio signal, by radio waves. A refinement of amplitude modulation, it uses transmitter power and bandwidth more efficiently. Amplitude modulation produces an output signal the bandwidth of which is twice the maximum frequency of the original baseband signal. Single-sideband modulation avoids this bandwidth increase, and the power wasted on a carrier, at the cost of increased device complexity and more difficult tuning at the receiver.
In radio communications, a sideband is a band of frequencies higher than or lower than the carrier frequency, that are the result of the modulation process. The sidebands carry the information transmitted by the radio signal. The sidebands comprise all the spectral components of the modulated signal except the carrier. The signal components above the carrier frequency constitute the upper sideband (USB), and those below the carrier frequency constitute the lower sideband (LSB). All forms of modulation produce sidebands.
Digital Audio Broadcasting (DAB) is a digital radio standard for broadcasting digital audio radio services in many countries around the world, defined, supported, marketed and promoted by the WorldDAB organisation. The standard is dominant in Europe and is also used in Australia, and in parts of Africa and Asia.
Shortwave radio is radio transmission using shortwave (SW) radio frequencies. There is no official definition of the band, but the range always includes all of the high frequency band (HF), which extends from 3 to 30 MHz ; above the medium frequency band (MF), to the bottom of the VHF band.
Medium wave (MW) is the part of the medium frequency (MF) radio band used mainly for AM radio broadcasting. The spectrum provides about 120 channels with more limited sound quality than FM stations on the FM broadcast band. During the daytime, reception is usually limited to more local stations, though this is dependent on the signal conditions and quality of radio receiver used. Improved signal propagation at night allows the reception of much longer distance signals. This can cause increased interference because on most channels multiple transmitters operate simultaneously worldwide. In addition, amplitude modulation (AM) is often more prone to interference by various electronic devices, especially power supplies and computers. Strong transmitters cover larger areas than on the FM broadcast band but require more energy and longer antennas. Digital modes are possible but have not reached momentum yet.
AM broadcasting is radio broadcasting using amplitude modulation (AM) transmissions. It was the first method developed for making audio radio transmissions, and is still used worldwide, primarily for medium wave transmissions, but also on the longwave and shortwave radio bands.
Radio broadcasting is the transmission of audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio station, while in satellite radio the radio waves are broadcast by a satellite in Earth orbit. To receive the content the listener must have a broadcast radio receiver (radio). Stations are often affiliated with a radio network that provides content in a common radio format, either in broadcast syndication or simulcast, or both. Radio stations broadcast with several different types of modulation: AM radio stations transmit in AM, FM radio stations transmit in FM, which are older analog audio standards, while newer digital radio stations transmit in several digital audio standards: DAB, HD radio, DRM. Television broadcasting is a separate service that also uses radio frequencies to broadcast television (video) signals.
In-band on-channel (IBOC) is a hybrid method of transmitting digital radio and analog radio broadcast signals simultaneously on the same frequency. The name refers to the new digital signals being broadcast in the same AM or FM band (in-band), and associated with an existing radio channel (on-channel). By utilizing additional digital subcarriers or sidebands, digital information is "multiplexed" on existing signals, thus avoiding re-allocation of the broadcast bands.
A subcarrier is a sideband of a radio frequency carrier wave, which is modulated to send additional information. Examples include the provision of colour in a black and white television system or the provision of stereo in a monophonic radio broadcast. There is no physical difference between a carrier and a subcarrier; the "sub" implies that it has been derived from a carrier, which has been amplitude modulated by a steady signal and has a constant frequency relation to it.
C-QUAM is the method of AM stereo broadcasting used in Canada, the United States and most other countries. It was invented in 1977 by Norman Parker, Francis Hilbert, and Yoshio Sakaie, and published in an IEEE journal.
Digital Radio Mondiale is a set of digital audio broadcasting technologies designed to work over the bands currently used for analogue radio broadcasting including AM broadcasting—particularly shortwave—and FM broadcasting. DRM is more spectrally efficient than AM and FM, allowing more stations, at higher quality, into a given amount of bandwidth, using xHE-AAC audio coding format. Various other MPEG-4 and Opus codecs are also compatible, but the standard now specifies xHE-AAC.
Digital radio is the use of digital technology to transmit or receive across the radio spectrum. Digital transmission by radio waves includes digital broadcasting, and especially digital audio radio services.
Multichannel Television Sound, better known as MTS, is the method of encoding three additional audio channels into an analog NTSC-format audio carrier. It was developed by the Broadcast Television Systems Committee, an industry group, and sometimes known as BTSC as a result.
Amateur television (ATV) is the transmission of broadcast quality video and audio over the wide range of frequencies of radio waves allocated for radio amateur (Ham) use. ATV is used for non-commercial experimentation, pleasure, and public service events. Ham TV stations were on the air in many cities before commercial television stations came on the air. Various transmission standards are used, these include the broadcast transmission standards of NTSC in North America and Japan, and PAL or SECAM elsewhere, utilizing the full refresh rates of those standards. ATV includes the study of building of such transmitters and receivers, and the study of radio propagation of signals travelling between transmitting and receiving stations.
AM stereo is a term given to a series of mutually incompatible techniques for radio broadcasting stereo audio in the AM band in a manner that is compatible with standard AM receivers. There are two main classes of systems: independent sideband (ISB) systems, promoted principally by American broadcast engineer Leonard R. Kahn; and quadrature amplitude modulation (QAM) multiplexing systems.
HD Radio (HDR) is a trademark for an in-band on-channel (IBOC) digital radio broadcast technology. HD radio generally simulcasts an existing analog radio station in digital format with less noise and with additional text information. HD Radio is used primarily by AM and FM radio stations in the United States, U.S. Virgin Islands, Canada, Mexico and the Philippines, with a few implementations outside North America.
FM broadcasting is the method of radio broadcasting that uses frequency modulation (FM). Invented in 1933 by American engineer Edwin Armstrong, wide-band FM is used worldwide to transmit high-fidelity sound over broadcast radio. FM broadcasting offers higher fidelity—more accurate reproduction of the original program sound—than other broadcasting techniques, such as AM broadcasting. It is also less susceptible to common forms of interference, having less static and popping sounds than are often heard on AM. Therefore, FM is used for most broadcasts of music and general audio. FM radio stations use the very high frequency range of radio frequencies.
Radio is the technology of signaling and communicating using radio waves. Radio waves are electromagnetic waves of frequency between 30 hertz (Hz) and 300 gigahertz (GHz). They are generated by an electronic device called a transmitter connected to an antenna which radiates the waves, and received by another antenna connected to a radio receiver. Radio is widely used in modern technology, in radio communication, radar, radio navigation, remote control, remote sensing, and other applications.
Leonard R. Kahn was an electrical engineer, who invented technology for AM broadcasting. He held over 100 patents. He was primarily known for advocating several technologies designed to improve the sound quality of AM radio. His Kahn-Hazeltine system was the chief competitor to Motorola's C-Quam AM Stereo system. More than 100 stations used his stereo system before Motorola's system ultimately won out as the AM Stereo standard. Later, a part of that system was used to develop the CAM-D AM digital broadcasting technology. His other notable inventions include maximum ratio combining used in multiple output systems. Leonard also developed the Symmetra Peak for AM radio which was used to equalize the negative and positive modulation peaks prior to the F.C.C. permitting asymmetrical modulation. Another one of Leonard's developments was a system called the Voice Line. It was a combination 4 input remote mixer and studio decoder. The system modulated a carrier at approximately 3 kHz. with the low frequency components 50 Hz-250 Hz at the remote site then demodulated the 3 kHz carrier at the studio end. This was then combined with the telephone quality audio and produced a much more natural sounding broadcast ranging from 50 Hz to as high as the telephone line would permit with the exception of the sharp notch at 3 kHz to filter out the carrier.
