History
Captain Haddock was introduced in The Crab with the Golden Claws , depicted as a weak and alcoholic character [1] . Up until Haddock's introduction, supporting characters would recur with irregularity, and mainly in the background, used more to build continuity than serve as protagonists. Hergé however realised Haddock's potential as a foil to Tintin, and established the character as a permanent addition to the cast. This was at the expense of Snowy, whose role was reduced to accommodate Haddock.
Haddock's character swiftly grew from his beginnings. In his initial adventure he is almost as hazardous to Tintin as the villains of the piece. He is shown as short-tempered, given to emotional and expletive ridden outbursts, and capable of infuriating actions. However, the character is also portrayed as a kindly soul in need of reform, and by the end of the adventure Tintin has managed to reform the alcoholic and gained himself a loyal companion, albeit one still given to uttering the occasional 'expletive'. [1]
Hergé also allowed himself more artistic expression through Haddock's features than with Tintin's. Michael Farr, author of Tintin: The Complete Companion notes: "Whereas Hergé kept Tintin's facial expressions to a bare minimum ... Haddock's could be contorted with emotion." Farr goes on to write that "In Haddock, Hergé had come up with his most inspired character since creating Tintin" and sales of the volume in which Haddock was introduced indicated the character was well received. After a fairly serious role in The Shooting Star, where he is shown to have become the President of the Society of Sober Sailors, replete with a cabin full of whisky, Haddock takes a more central role in the next adventure, split over two books, The Secret of the Unicorn and Red Rackham's Treasure.
Hergé builds the adventure around Haddock, furnishing the character with an ancestral home, Marlinspike Hall, or "Moulinsart" in the original French. Harry Thompson, author of Tintin:Hergé and his creation writes that the introduction of this country mansion was "to provide a suitable ancestral home for Tintin and himself to move into." To achieve this in terms of the plot, Hergé also details Haddock's ancestry, something Thompson regards as distinctive: "Haddock is the only regular character whose relatives turn up in the Tintin stories at all (if one discounts Wagg)" [2]
Expletives
At the time Captain Haddock was first introduced, just before the Second World War, his manners presented a moral problem to Hergé. As a sailor, Haddock ought to have a very colourful language. However, Hergé had to balance that against the character's appearing in a Catholic children's magazine, which would dictate he would be unable to use any swearwords. The solution reportedly came when Hergé took advantage of a situation he had become embroiled in during 1933, shortly after the "Four Powers Act" had come into being. Hergé tried to intervene in a discussion between a shopkeeper and customer, but before he could the shopkeeper became so enraged that he lost his composure for a moment and accused his customer of being "a peace treaty". [2] This was the solution Hergé sought: what if the captain would use strange or difficult words that were not offensive in themselves, but would hurl them out as if they were very strong cusswords...?
The idea took form quickly and in his first anger-scene the captain storms towards a party of Bedouin raiders yelling expressions like 'Hydromeduse' (a form of jellyfish), 'troglodyte' (cave-dweller) and 'ectoplasm'. (The bedouins immediately take flight, but from French Meharistes (North African desert police) appearing behind the captain's back.) The trick with the false swearwords proved successful and was a mainstay in future books. Consequently Hergé actively started collecting difficult or dirty-sounding words for use in the captain's next anger attacks and on occasion even searched dictionaries to come up with inspiration. [2]
On one occasion however the scheme backfired. In one particularly angry state, Hergé had the captain yell the 'cussword' Pneumothorax (a medical emergency caused by the collapse of the lung within the chest). One week after the scene appeared in Tintin Magazine, Hergé received a letter allegedly from a father whose boy was a great fan of Tintin and also a heavy tuberculosis sufferer who had experienced a collapsed lung. According to the letter, the boy was devastated that his favourite comic made fun of his own condition. Afterwards it turned out that the letter was a fake written and planted by Hergé's friend and collaborator Jacques Van Melkebeke. [2] [1]
The most famous of Haddock's expressions is any of a number of permutations of 'Billions of blue blistering barnacles!' (mille millions de mille milliards de mille sabords!), used to the extent that Abdullah actually addressed the captain as 'Blistering Barnacles'.
The Adventures of Tintin is a series of 24 comic albums created by Belgian cartoonist Georges Remi, who wrote under the pen name Hergé. The series was one of the most popular European comics of the 20th century. By 2007, a century after Hergé's birth in 1907, Tintin had been published in more than 70 languages with sales of more than 200 million copies, and had been adapted for radio, television, theatre, and film.
Cigars of the Pharaoh is the fourth volume of The Adventures of Tintin, the series of comic albums by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from December 1932 to February 1934. The story tells of young Belgian reporter Tintin and his dog Snowy, who are travelling in Egypt when they discover a pharaoh's tomb filled with dead Egyptologists and boxes of cigars. Pursuing the mystery of these cigars, they travel across Arabia and India, and reveal the secrets of an international drug smuggling enterprise.
The Red Sea Sharks is the nineteenth volume of The Adventures of Tintin, the comic series by Belgian cartoonist Hergé. The story was initially serialised weekly in Belgium's Tintin magazine from October 1956 to January 1958 before being published in a collected volume by Casterman in 1958. The narrative follows the young reporter Tintin, his dog Snowy, and his friend Captain Haddock as they travel to the fictional Middle Eastern kingdom of Khemed with the intention of aiding the Emir Ben Kalish Ezab in regaining control after a coup d'état by his enemies, who are financed by slave traders led by Tintin's old nemesis Rastapopoulos.
Tintin and Alph-Art is the unfinished twenty-fourth and final volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Left incomplete on Hergé's death, the manuscript was posthumously published in 1986. The story revolves around Brussels' modern art scene, where the young reporter Tintin discovers that a local art dealer has been murdered. Investigating further, he encounters a conspiracy of art forgery, masterminded by a religious teacher named Endaddine Akass.
The Castafiore Emerald is the twenty-first volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from July 1961 to September 1962 in Tintin magazine. In contrast to the previous Tintin books, Hergé deliberately broke the adventure formula he had created: it is the only book in the series where the characters remain at Marlinspike Hall, Captain Haddock's family estate, and neither travel abroad nor confront dangerous criminals. The plot concerns the visit of the opera singer Bianca Castafiore and the subsequent theft of her emerald.
Flight 714 to Sydney is the twenty-second volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1966 to November 1967 in Tintin magazine. The title refers to a flight that Tintin and his friends fail to catch, as they become embroiled in their arch-nemesis Rastapopoulos' plot to kidnap an eccentric millionaire from a supersonic business jet on a Sondonesian island.
The Crab with the Golden Claws is the ninth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised weekly in Le Soir Jeunesse, the children's supplement to Le Soir, Belgium's leading francophone newspaper, from October 1940 to October 1941 amidst the German occupation of Belgium during World War II. Partway through serialisation, Le Soir Jeunesse was cancelled and the story began to be serialised daily in the pages of Le Soir. The story tells of young Belgian reporter Tintin and his dog Snowy, who travel to Morocco to pursue a gang of international opium smugglers. The story marks the first appearance of main character Captain Haddock.
Tintin in Tibet is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived and accompanied only by Snowy, Captain Haddock and the Sherpa guide Tharkey, Tintin crosses the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti.
The Secret of the Unicorn is the eleventh volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised daily in Le Soir, Belgium's leading francophone newspaper, from June 1942 to January 1943 amidst the Nazi German occupation of Belgium during World War II. The story revolves around young reporter Tintin, his dog Snowy, and his friend Captain Haddock, who discover a riddle left by Haddock's ancestor, the 17th century Sir Francis Haddock, which could lead them to the hidden treasure of the pirate Red Rackham. To unravel the riddle, Tintin and Haddock must obtain three identical models of Sir Francis's ship, the Unicorn, but they discover that criminals are also after these model ships and are willing to kill in order to obtain them.
Red Rackham's Treasure is the twelfth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised daily in Le Soir, Belgium's leading francophone newspaper, from February to September 1943 amidst the German occupation of Belgium during World War II. Completing an arc begun in The Secret of the Unicorn, the story tells of young reporter Tintin and his friend Captain Haddock as they launch an expedition to the Caribbean to locate the treasure of the pirate Red Rackham.
Tintin and the Picaros is the twenty-third volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The final instalment in the series to be completed by Hergé, it was serialized in Tintin magazine from September 1975 to April 1976 before being published in a collected volume by Casterman in 1976. The narrative follows the young reporter Tintin, his dog Snowy and his friends Captain Haddock and Professor Calculus as they travel to the (fictional) South American nation of San Theodoros to rescue their friend Bianca Castafiore, who has been imprisoned by the government of General Tapioca. Once there, they become involved in the anti-government revolutionary activities of Tintin's old friend General Alcazar.
The Seven Crystal Balls is the thirteenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised daily in Le Soir, Belgium's leading francophone newspaper, from December 1943 amidst the German occupation of Belgium during World War II. The story was cancelled abruptly following the Allied liberation in September 1944, when Hergé was blacklisted after being accused of collaborating with the occupying Germans. After he was cleared two years later, the story and its follow-up Prisoners of the Sun were then serialised weekly in the new Tintin magazine from September 1946 to April 1948. The story revolves around the investigations of a young reporter Tintin and his friend Captain Haddock into the abduction of their friend Professor Calculus and its connection to a mysterious illness which has afflicted the members of an archaeological expedition to Peru.
Prisoners of the Sun is the fourteenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised weekly in the newly established Tintin magazine from September 1946 to April 1948. Completing an arc begun in The Seven Crystal Balls, the story tells of young reporter Tintin, his dog Snowy, and friend Captain Haddock as they continue their efforts to rescue the kidnapped Professor Calculus by travelling through Andean villages, mountains, and rain forests, before finding a hidden Inca civilisation.
Land of Black Gold is the fifteenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, in which it was initially serialised from September 1939 until the German invasion of Belgium in May 1940, at which the newspaper was shut down and the story interrupted. After eight years, Hergé returned to Land of Black Gold, completing its serialisation in Belgium's Tintin magazine from September 1948 to February 1950, after which it was published in a collected volume by Casterman in 1950. Set on the eve of a European war, the plot revolves around the attempts of young Belgian reporter Tintin to uncover a militant group responsible for sabotaging oil supplies in the Middle East.
Explorers on the Moon is the seventeenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was serialised weekly in Belgium's Tintin magazine from October 1952 to December 1953 before being published in a collected volume by Casterman in 1954. Completing a story arc begun in the preceding volume, Destination Moon (1953), the narrative tells of the young reporter Tintin, his dog Snowy, and friends Captain Haddock, Professor Calculus, and Thomson and Thompson who are aboard humanity's first crewed rocket mission to the Moon.
The Calculus Affair is the eighteenth volume of The Adventures of Tintin, the comics series by the Belgian cartoonist Hergé. It was serialised weekly in Belgium's Tintin magazine from December 1954 to February 1956 before being published in a single volume by Casterman in 1956. The story follows the attempts of the young reporter Tintin, his dog Snowy, and his friend Captain Haddock to rescue their friend Professor Calculus, who has developed a machine capable of destroying objects with sound waves, from kidnapping attempts by the competing European countries of Borduria and Syldavia.
Tintin is the titular protagonist of The Adventures of Tintin, the comic series by Belgian cartoonist Hergé. The character was created in 1929 and introduced in Le Petit Vingtième, a weekly youth supplement to the Belgian newspaper Le Vingtième Siècle. Appearing as a young man with a round face and quiff hairstyle, Tintin is depicted as a precocious, multitalented reporter who travels the world with his dog Snowy.
Destination Moon is the sixteenth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. The story was initially serialised weekly in Belgium's Tintin magazine from March to September 1950 and April to October 1952 before being published in a collected volume by Casterman in 1953. The plot tells of young reporter Tintin and his friend Captain Haddock who receive an invitation from Professor Calculus to come to Syldavia, where Calculus is working on a top-secret project in a secure government facility to plan a crewed mission to the Moon.
Snowy is a fictional character in The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Snowy is a white Wire Fox Terrier who is a companion to Tintin, the series' protagonist. Snowy made his debut on 10 January 1929 in the first installment of Tintin in the Land of the Soviets, which was serialised in Le Petit Vingtième until May 1930.
