"Climb Ev'ry Mountain" | |
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Song | |
Released | 1959 |
Genre | Show tune |
Composer(s) | Richard Rodgers |
Lyricist(s) | Oscar Hammerstein II |
"Climb Ev'ry Mountain" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. It is sung at the close of the first act and is sung again in the epilogue of the second act by the Mother Abbess. It is themed as an inspirational piece, to encourage people to take every step toward attaining their dreams.
This song shares inspirational overtones with the song "You'll Never Walk Alone" from Carousel . They are both sung by the female mentor characters in the shows, and are used to give strength to the protagonists in the story, and both are given powerful reprises at the end of their respective shows. As Oscar Hammerstein II was writing the lyrics, it developed its own inspirational overtones along the lines of an earlier Hammerstein song, "There's a Hill Beyond a Hill". He felt that the metaphors of climbing mountains and fording streams better fitted Maria's quest for her spiritual compass. [1] The muse behind the song was Sister Gregory, the head of Drama at Rosary College in Illinois. The letters that she sent to Hammerstein and to Mary Martin, the first Maria von Trapp on Broadway, described the parallels between a nun's choice for a religious life and the choices that humans must make to find their purpose and direction in life. When she read the manuscript of the lyrics, she confessed that it "drove [her] to the Chapel" because the lyrics conveyed a "yearning that ... ordinary souls feel but cannot communicate." [2]
The song has often been sung by operatically trained voices in professional stage productions. In the original Broadway production it was sung by Patricia Neway, in the original London production it was sung by Constance Shacklock, and in the original Australian production it was sung by Rosina Raisbeck.
In the original stage play, the Mother Abbess sings the song at the end of the first act. When Ernest Lehman wrote the screenplay for the film adaptation, he shifted the scene so that this song would be the first major song of the second act. When Robert Wise and his film crew were filming this scene, Peggy Wood had some reservations about the words, which she felt were too "pretentious." [3] In addition to that, while Peggy herself was an accomplished singer earlier in her career, the song was simply too difficult for her to perform at that age. As a result, her singing voice is dubbed by Margery MacKay, the wife of composer, music director and pianist Harper MacKay, as Wood was not able to sing the high notes of the song. Rodgers wrote the piece in the key of C, with a modulation towards the end of the piece into the key of D flat, making the last note that the Mother Abbess sings an A flat (Ab5), though in the film it was sung a tone lower. [4]
With the popularity of the stage play it would seem Peggy Wood was not alone. Given the range of the piece and the average age of the actor playing Mother Abbess, the oldest character in the story, the song has proven daunting for many actresses over the years. [5]
In addition, due to the long instrumental introduction of the song, Wood was repeatedly unable to catch the first word lip synching to McKay's playback. So they filmed the beginning part of her performance in silhouette against the wall of the set for the Mother Abbess' office with her back to camera. [6] As director Robert Wise reports, once the vocal had begun, she had no problem matching the performance. Reviewing the dailies later, everybody thought it looked as if the Mother Abbess was receiving divine guidance and so the performance was kept as it was.
This section needs additional citations for verification .(December 2015) |
"Climb Ev'ry Mountain" | ||||
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Single by Shirley Bassey | ||||
from the album Shirley Bassey | ||||
B-side | "Reach for the Stars" | |||
Released | July 1961 | |||
Recorded | 1959 | |||
Length | 3:10 | |||
Label | Columbia | |||
Songwriter(s) | Rodgers and Hammerstein | |||
Shirley Bassey singles chronology | ||||
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Oscar Greeley Clendenning Hammerstein II was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
The Sound of Music is a musical with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and a book by Howard Lindsay and Russel Crouse. It is based on the 1949 memoir of Maria von Trapp, The Story of the Trapp Family Singers. Set in Austria on the eve of the Anschluss in 1938, the musical tells the story of Maria, who takes a job as governess to a large family while she decides whether to become a nun. She falls in love with the children, and eventually their widowed father, Captain von Trapp. He is ordered to accept a commission in the German Navy, but he opposes the Nazis. He and Maria decide on a plan to flee Austria with the children. Many songs from the musical have become standards, including "Do-Re-Mi", "My Favorite Things", "Edelweiss", "Climb Ev'ry Mountain", and the title song "The Sound of Music".
Richard Charles Rodgers was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music.
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their musical theater writing partnership has been called the greatest of the 20th century.
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Mary Margaret Wood was an American actress of stage, film, and television. She is best remembered for her performance as the title character in the CBS television series Mama (1949–1957), for which she was nominated for a Primetime Emmy Award for Outstanding Lead Actress in a Drama Series; her starring role as Naomi, Ruth's mother-in-law, in The Story of Ruth (1960); and her final screen appearance as Mother Abbess in The Sound of Music (1965), for which she received nominations for both an Academy Award and a Golden Globe Award.
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"Something Wonderful" is a show tune from the 1951 Rodgers and Hammerstein musical The King and I.
"Sixteen Going on Seventeen" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music.
"The Sound of Music" is the title song from the musical of the same name that premiered in 1959. It was composed by Richard Rodgers with lyrics written by Oscar Hammerstein II. The song introduces the character of Maria, a young novice in an Austrian abbey.
"The Lonely Goatherd" is a popular show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music.
Jacqueline Lisa Dark was an Australian operatic mezzo-soprano who appeared mainly with Australian companies, for a while as a member of Opera Australia. She was known for her voice in leading roles, including world premieres, but also for her stage presence and "a unique sense of comic timing".
"My Favorite Things" is a song from the 1959 Rodgers and Hammerstein musical The Sound of Music.
"Make Believe" is a show tune from the 1927 Broadway musical Show Boat with music by Jerome Kern and lyrics by Oscar Hammerstein II.
The Groovy Sound of Music is an album by vibraphonist Gary Burton recorded in 1964 and released on the RCA label which features jazz interpretations of tunes from the Broadway musical The Sound of Music written by Richard Rodgers and Oscar Hammerstein II.
The Sound of Music Live! is an American television special that was originally broadcast by NBC on December 5, 2013. Directed by Rob Ashford and Beth McCarthy-Miller, produced by Craig Zadan and Neil Meron, and written by Austin Winsberg, the special was an adaptation of Rodgers and Hammerstein's 1959 Broadway musical The Sound of Music. The television special starred country singer and American Idol winner Carrie Underwood as Maria von Trapp, and was performed and televised live from Grumman Studios in Bethpage, New York.
Virgilia Lütz was a German Benedictine. She was the reigning abbess of Nonnberg in Salzburg from 1921 until her death in 1949. During her reign, Maria von Trapp entered the abbey as a postulant. Lütz is the basis for the Mother Abbess character in The Sound of Music.
The Sound of Music is a 70-minute studio album of Richard Rodgers's and Oscar Hammerstein's 1959 musical, starring Frederica von Stade, Håkan Hagegård and Eileen Farrell, performed with the Cincinnati Pops Orchestra under the direction of Erich Kunzel. It was released in 1988.