The song was initially released as the B-side to "Make Me Smile" in March 1970.[2] It was re-released in June 1971 as the B-side to the re-release of "Beginnings";[2] this second single reached No.7 on the U.S. Billboard Hot 100.[2][3]
"Colour My World" is the first significant hit by Chicago to largely abstain from their heavy woodwind and brass oriented sound. It became a popular "slow dance" song at high school proms, university dances and weddings during the 1970s.[4][5][6]
Chicago continues to perform the song, either on its own, or as part of the Ballet. Since Kath's death in 1978 and being brought back into their set list in 1982, lead vocals were performed by Bill Champlin until 1991,[7] when Robert Lamm took the lead.[8] It has been sung by trumpeter Lee Loughnane since 2009.[9][10]
Frank Sinatra wanted to record a version of the song on the condition that Pankow write an additional verse. Pankow declined the offer.[11] The song is notable for only containing one verse and the flute solo.
1 2 3 Ruhlmann, William James (1991). Chicago Group Portrait (Box Set)(CD booklet archived online) (Media notes). New York City, NY: Columbia Records. p.4. Archived from the original on November 12, 2017. Retrieved March 29, 2019.
Chicago is an American rock band formed in Chicago, Illinois, in 1967. The group began calling itself the Chicago Transit Authority in 1968, then shortened the name in 1969. Self-described as a "rock and roll band with horns", Chicago was much influenced by jazz in its early years, and its songs often also combine elements of classical music, R&B, and pop music.
Chicago Transit Authority is the debut studio album by the American rock band Chicago. It was recorded and released in 1969 and became a sleeper hit, reaching number 17 on the Billboard 200 by 1971 and spawning several successful singles, including "Does Anybody Really Know What Time It Is?", "Questions 67 and 68" and "Beginnings". The album stayed on the Billboard chart for 171 weeks, beating the previous record for a rock album's longevity of 155 weeks and has been certified double platinum by the Recording Industry Association of America (RIAA). For this inaugural recording effort the group was nominated for a Grammy Award for 1969 Best New Artist of the Year. The album was inducted into the Grammy Hall of Fame in 2014.
Chicago V is the fourth studio album by the American rock band Chicago. It was released on July 10, 1972 by Columbia Records. It is notable for being the group's first single album release, after having released three consecutive double albums and a four-disc box set of live material.
Chicago VI is the fifth studio album by American soft rock band Chicago and was released on June 25, 1973 by Columbia Records. It was the band's second in a string of five consecutive albums to make it to No. 1 in the US, was certified gold less than a month after its release, and has been certified two-times platinum since. It is the first album to feature percussionist Laudir de Oliveira, who would become a full-fledged member of the band for Chicago VIII. VI is the first studio album to feature the original band members on the cover before the death of leader and co-founder Terry Kath.
Chicago VII is the sixth studio album by American soft rock band Chicago. It was released on March 11, 1974 by Columbia Records. It is notable for being their first double album of new material since 1971's Chicago III and remains their final studio release in that format. It features session percussionist Laudir de Oliveira, who would become a full-fledged band member for the release of Chicago VIII the following year.
Chicago VIII is the seventh studio album by American soft rock band Chicago, released on March 24, 1975 by Columbia Records. Following the experimental jazz/pop stylings of Chicago VII, the band returned to a more streamlined rock-based sound on this follow-up.
Chicago IX: Chicago's Greatest Hits is the first greatest hits album, and ninth album overall, by the American band Chicago and was released in 1975 by Columbia Records in both stereo and SQ quadraphonic versions.
Chicago XI is the ninth studio album by the American soft rock band Chicago. It was released on September 12, 1977 through Columbia Records. It was both the last to feature guitarist and vocalist Terry Kath prior to his death in a gun accident just over four months later, and the last to be produced by longtime associate of the band James William Guercio.
Greatest Hits, Volume II is the second greatest hits album by American soft rock band Chicago, released on November 23, 1981 by Columbia Records.
Lee David Loughnane is an American trumpeter, flugelhorn player, vocalist, and songwriter, best known for being a founding member of the rock band Chicago.
Walter Parazaider is an American woodwind musician best known for being a founding member of the rock band Chicago. He plays a wide variety of wind instruments, including saxophone, flute, and clarinet. He also occasionally plays guitar.
"Make Me Smile" is a song written by James Pankow for the rock band Chicago with the band's guitarist, Terry Kath, on lead vocals. Part 1 of Pankow's 7-part "Ballet for a Girl in Buchannon" song cycle/suite, it was recorded for their second album, Chicago, which was released in 1970. The song "Now More Than Ever", a separate track from the same song suite, serves as a reprise of the song and appears edited together with it on many later versions, including a single edit, on several greatest hits collections, and in many live performances.
"Free" is a song written by Robert Lamm as a part of the "Travel Suite" for the rock band Chicago and recorded for their third album Chicago III (1971), with Terry Kath singing lead vocals. It was the first single released from this album, and peaked at #20 on the U.S. Billboard Hot 100.
"Just You 'n' Me" is a song written by James Pankow for the group Chicago and recorded for their fifth studio album Chicago VI (1973). The lead vocals are sung by bassist Peter Cetera.
"Wishing You Were Here" is a song written by Peter Cetera for the group Chicago and recorded for their album Chicago VII (1974), with lead vocals by Terry Kath, while Cetera sang the song's bridge. The third single released from that album, it reached No. 11 on the U.S. Billboard Hot 100, No. 9 on the Cash Box Top 100, and hit No. 1 on the Easy Listening chart.
"Harry Truman" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago VIII (1975), with lead vocals by Lamm. The first single released from that album, it reached number 13 on the U.S. Billboard Hot 100. It also reached number 23 on the Adult Contemporary chart. In Canada, the song peaked at number 16.
"Baby, What a Big Surprise" is a ballad written by Chicago's then bassist/singer Peter Cetera, which appeared on their album Chicago XI (1977), with Cetera singing lead vocals. The first single released from the album reached number 4 on the US Billboard Hot 100 chart.
"Alive Again" is a song written by James Pankow for the group Chicago and recorded for their album Hot Streets (1978), with Peter Cetera singing lead vocals. The first single released from that album, it reached No. 14 on the U.S. Billboard Hot 100 chart. In Canada, "Alive Again" spent two weeks at No. 11.
Live in Japan is a live album by American rock band Chicago, released in November 1972. It was recorded over the course of three days at the Osaka Festival Hall on the band's tour in support of Chicago V in 1972. The group recorded Japanese-language versions of "Lowdown" and "Questions 67 And 68" to coincide with their Japan performances. They performed both songs in Japanese during their stay, which are documented on this album.
"Brand New Love Affair" sometimes alternatively listed as "Brand New Love Affair (Parts I and II)", is a song written by James Pankow for the group Chicago and recorded for their album Chicago VIII. The song peaked at #61 on the charts. Guitarist Terry Kath sings the first half while bassist Peter Cetera sings the second half. Keyboardist Robert Lamm played the distinctive Fender Rhodes electric piano on the song—the intro particularly showcases its lush vibrato bell-like sound.
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