"Questions 67 and 68" | ||||
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Single by Chicago | ||||
from the album Chicago Transit Authority | ||||
B-side |
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Released | July 1969, September 1971 | |||
Recorded | January 27/30, 1969 | |||
Genre | Jazz fusion | |||
Length | 5:03 (Album version) 4:48 (1969 single version) 3:26 (1971 Single edit) 4:52 ( Only the Beginning edit) | |||
Label | Columbia | |||
Songwriter(s) | Robert Lamm | |||
Producer(s) | James William Guercio | |||
Chicago singles chronology | ||||
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"Questions 67 and 68" is a 1969 song written by Robert Lamm for the rock band Chicago (then known as Chicago Transit Authority) and recorded for their debut album Chicago Transit Authority . It was their first single release. Peter Cetera is the primary lead singer with Lamm also on vocals. In 2015, Dave Swanson, writing for Ultimate Classic Rock , listed the song as ninth in a list of top ten Chicago songs. [1] Writing for Rock Cellar magazine, Frank Mastropolo rated the song as number 11 in a list of "Top 11 Question Songs". [2]
The questions in "Questions 67 and 68" relate to the nature of a romantic relationship Lamm had during 1967 and 1968. [3] In 2008, Lamm said, " 'It’s about a girl I knew during those years with a hint of acid imagery and very Beatles influenced.' " [4] The lyrics include the title phrase only as the last words.
With respect to the horn arrangement, James Pankow said in a 2000 Goldmine article, " 'In the old days, however, I used to write horns very harmonically. 'Questions 67 & 68' is probably a very good example of how I used to approach horns. I had no rests. We played from the first bar of the song, which is not very musical anymore. We got away with that then, I guess. Guercio [Chicago's producer then] used to triple, quite often. He'd have three sections, and the one in the middle was me playing pedals, that's why it sounded like Count Basie. It sounded like a big band.' " [5]
Billboard described the single as "a soulful, driving rhythm ballad with big band in strong support," and as a "potent chart item." [6]
Released in July 1969, the song was released as a mono single version with a slightly altered vocal mix. This peaked at No. 71 on the US Billboard Hot 100 [7] [8] and No. 82 on the Cash Box Top 100. [9] After the band's success with subsequent singles, "Questions 67 and 68" was edited to a more radio-friendly length and was re-released in September 1971, [8] with "I'm a Man" as the B-side. The edited single climbed to No. 24 on Billboard [10] [8] and No. 13 on Cash Box. [11]
Chart (1969) | Peak position |
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Canada RPM Top Singles | 54 |
France (IFOP) [12] | 79 |
US Billboard Hot 100 [7] [8] | 71 |
US Cash Box Top 100 [9] | 82 |
Chart (1971) | Peak position |
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US Billboard Hot 100 [10] [8] | 24 |
US Billboard Hot Adult Contemporary Tracks | 34 |
US Cash Box Top 100 [13] | 13 |
Cetera and Lamm recorded Japanese-language vocals for the song in 1971, and the version of the song with those vocals was released as a single in Japan. Columbia Records released the song only as a radio-only promotional 45 rpm single, with the English version on the other side. [14] This recording was released digitally in 1998 on the Japan-only compilation CD The Heart Of Chicago 1967-1971 Volume II Special Edition (green cover), which also contains "Lowdown" sung in Japanese. The group performed the song live with the Japanese lyrics during tours of Japan in 1972, documented on the Live In Japan album, and again in 1995. [15] The single's duration is incorrectly listed as 3:07, rather than 4:36, and omits the 22 second final sustained note. [16]
Chicago is an American rock band formed in Chicago, Illinois, in 1967. The group began calling itself the Chicago Transit Authority in 1968, then shortened the name in 1969. Self-described as a "rock and roll band with horns", Chicago was much influenced by jazz in its early years, and its songs often also combine elements of classical music, R&B, and pop music.
Chicago Transit Authority is the debut studio album by the American rock band Chicago. It was recorded and released in 1969 and became a sleeper hit, reaching number 17 on the Billboard 200 by 1971 and spawning several successful singles, including "Does Anybody Really Know What Time It Is?", "Questions 67 and 68" and "Beginnings". The album stayed on the Billboard chart for 171 weeks, beating the previous record for a rock album's longevity of 155 weeks and has been certified double platinum by the Recording Industry Association of America (RIAA). For this inaugural recording effort the group was nominated for a Grammy Award for 1969 Best New Artist of the Year. The album was inducted into the Grammy Hall of Fame in 2014.
Chicago is the second studio album by the American rock band Chicago. Like their debut album, Chicago Transit Authority, this was a double album. It was their first album under the name Chicago and the first to use the now ubiquitous cursive Chicago logo on the cover.
Chicago III is the third studio album by the American rock band Chicago. It was released on January 11, 1971, through Columbia Records. The album was produced by James William Guercio and was the band's third consecutive double album in less than two years.
Chicago V is the fourth studio album by the American rock band Chicago. It was released on July 10, 1972 by Columbia Records. It is notable for being the group's first single album release, after having released three consecutive double albums and a four-disc box set of live material.
Chicago VII is the sixth studio album by American soft rock band Chicago. It was released on March 11, 1974 by Columbia Records. It is notable for being their first double album of new material since 1971's Chicago III and remains their final studio release in that format. It features session percussionist Laudir de Oliveira, who would become a full-fledged band member for the release of Chicago VIII the following year.
Chicago IX: Chicago's Greatest Hits is the first greatest hits album, and ninth album overall, by the American band Chicago and was released in 1975 by Columbia Records in both stereo and SQ quadraphonic versions.
Greatest Hits, Volume II is the second greatest hits album by American soft rock band Chicago, released on November 23, 1981 by Columbia Records.
The Very Best of Chicago: Only the Beginning is a double greatest hits album by the American band Chicago, their twenty-seventh album overall. Released in 2002, this collection marked the beginning of a long-term partnership with Rhino Entertainment which, between 2002 and 2005, would remaster and re-release Chicago's 1969–1980 Columbia Records catalog.
"Make Me Smile" is a song written by James Pankow for the rock band Chicago with the band's guitarist, Terry Kath, on lead vocals. Part 1 of Pankow's 7-part "Ballet for a Girl in Buchannon" song cycle/suite, it was recorded for their second album, Chicago, which was released in 1970. The song "Now More Than Ever", a separate track from the same song suite, serves as a reprise of the song and appears edited together with it on many later versions, including a single edit, on several greatest hits collections, and in many live performances.
"I'm a Man" is a song written by Steve Winwood and record producer Jimmy Miller. It was first recorded in 1967 by the Spencer Davis Group, in which Winwood sang lead vocals and played keyboards. The song was a hit in the United Kingdom and the United States, reaching No. 9 and No. 10, respectively. It has been recorded by many other performers over the years, most successfully by Chicago, whose version charted at No. 8 in the UK in 1970 and No. 49 in the US in 1971.
"25 or 6 to 4" is a song written by American musician Robert Lamm, one of the founding members of the band Chicago. It was recorded in 1969 for their second album, Chicago, with Peter Cetera on lead vocals.
"Beginnings" is a song written by Robert Lamm for the rock band Chicago Transit Authority and recorded for its debut album Chicago Transit Authority, released in 1969. The song is the band's second single, but failed to chart on its initial release.
"Does Anybody Really Know What Time It Is?" is a song written and sung by Robert Lamm and recorded by the group Chicago. It was included on their 1969 debut album Chicago Transit Authority and released as a single in 1970.
"Free" is a song written by Robert Lamm as a part of the "Travel Suite" for the rock band Chicago and recorded for their third album Chicago III (1971), with Terry Kath singing lead vocals. It was the first single released from this album, and peaked at #20 on the U.S. Billboard Hot 100.
"Lowdown" is a song written by Peter Cetera and Danny Seraphine for the rock band Chicago and recorded for their third album Chicago III (1971). It was the second single released from this album, and peaked at No. 35 on the U.S. Billboard Hot 100. Cetera provided lead vocals while guitarist Terry Kath used a fuzzbox and wah-wah pedal for his guitar solo and Robert Lamm made prominent use of the Hammond organ.
"Feelin' Stronger Every Day" is a song written by Peter Cetera and James Pankow for the group Chicago and recorded for their album Chicago VI (1973). The first single released from that album, it reached #10 on the U.S. Billboard Hot 100.
"Alive Again" is a song written by James Pankow for the group Chicago and recorded for their album Hot Streets (1978), with Peter Cetera singing lead vocals. The first single released from that album, it reached No. 14 on the U.S. Billboard Hot 100 chart. In Canada, "Alive Again" spent two weeks at No. 11.
Live in Japan is a live album by American rock band Chicago, released in November 1972. It was recorded over the course of three days at the Osaka Festival Hall on the band's tour in support of Chicago V in 1972. The group recorded Japanese-language versions of "Lowdown" and "Questions 67 And 68" to coincide with their Japan performances. They performed both songs in Japanese during their stay, which are documented on this album.
"Colour My World" is a song written by American musician James Pankow, one of the founding members of the rock/jazz fusion band Chicago. Part of Pankow's "Ballet for a Girl in Buchannon" song cycle/suite, it was recorded for their second album Chicago, also called Chicago II (1970). Terry Kath sings the lead vocal, and Walter Parazaider performs the memorable flute solo.