Background
While touring in support of Chicago VI in 1973, the band began getting restless and started integrating some lengthy jazz instrumentals into their sets. [4] While audiences' reactions varied, Chicago greatly enjoyed the experience, decided (after years of talking about it) to record a pure jazz-influenced set of tracks, and headed straight to producer James William Guercio's Caribou Ranch studios to cut their ambitious new album. [5]
While the sessions began well, there was soon dissension within the group about the jazz project, with, reportedly, Peter Cetera and Guercio both wary of the commercial risk of such an undertaking. [5] While the band reasoned that some of the jazzy material was too good to throw away, the others finally relented and accepted including the more pop and rock-oriented songs that the band had composed in the meantime. Almost by accident, Chicago had another double album on their hands.
Of the more conventional material, Chicago once again turned in a varied set of songs, with Terry Kath's "Byblos", named after a club that Chicago had played in Osaka, Japan, ranking among his best efforts. Robert Lamm, who was recording a solo album entitled Skinny Boy at the time, turned in several new songs, even donating his solo album's title track, featuring The Pointer Sisters on backing vocals. James Pankow came through with another success, "(I've Been) Searchin' So Long" (#9), and trumpeter Lee Loughnane succeeded on his first try at songwriting with the hit "Call on Me" (#6). Peter Cetera made the biggest strides on Chicago VII, composing "Happy Man" and "Wishing You Were Here" (#11), a lush ballad (signs of the future, taking the band even farther from their original style and sound) that features three of The Beach Boys on backing vocals and which became a big hit in late 1974. "Happy Man" was subsequently covered by Tony Orlando and Dawn on their album To Be With You. Peter Cetera also covered "Happy Man" in 1995 on his solo album One Clear Voice and again in 2005 on his solo album Faithfully which is a re-release of One Clear Voice.
Chicago VII is notable for having writing contributions from all (and only) the members of the band, and for having most of the members stretching out in new ways: Loughnane sang lead ("Song of the Evergreens") and wrote a song, Pankow sang backup, Kath played bass, Cetera played guitar, and Walter Parazaider and Danny Seraphine composed.
Released in March 1974, Chicago VII - despite its first disc being almost exclusively jazz instrumentals - reached #1 in the US, becoming another big success for the band.
The album was mixed and released in both stereo and quadraphonic. In 2002, Chicago VII was remastered and reissued on one CD by Rhino Records with one bonus track: an early rehearsal of Kath's "Byblos". Initial pressings of this edition contained an edited version of the track "Happy Man" that had appeared on Greatest Hits, Volume II , which omitted the "false start" and studio countdown heard on the original Chicago VII LP.
Chicago is an American rock band formed in Chicago, Illinois, in 1967. The group began calling itself the Chicago Transit Authority in 1968, then shortened the name in 1969. Self-described as a "rock and roll band with horns", Chicago was much influenced by jazz in its early years, and its songs often also combine elements of classical music, R&B, and pop music.
Terry Alan Kath was an American guitarist, singer and songwriter, best known as a founding member of the rock band Chicago. He played guitar and sang lead vocals on many of the band's early hit singles. He has been praised by his bandmates and other musicians for his guitar skills and Ray Charles–influenced vocal style, and was said to be one of Jimi Hendrix's favorite guitarists.
Chicago Transit Authority is the debut studio album by the American rock band Chicago. It was recorded and released in 1969 and became a sleeper hit, reaching number 17 on the Billboard 200 by 1971 and spawning several successful singles, including "Does Anybody Really Know What Time It Is?", "Questions 67 and 68" and "Beginnings". The album stayed on the Billboard chart for 171 weeks, beating the previous record for a rock album's longevity of 155 weeks and has been certified double platinum by the Recording Industry Association of America (RIAA). For this inaugural recording effort the group was nominated for a Grammy Award for 1969 Best New Artist of the Year. The album was inducted into the Grammy Hall of Fame in 2014.
Chicago VI is the fifth studio album by American soft rock band Chicago and was released on June 25, 1973 by Columbia Records. It was the band's second in a string of five consecutive albums to make it to No. 1 in the US, was certified gold less than a month after its release, and has been certified two-times platinum since. It is the first album to feature percussionist Laudir de Oliveira, who would become a full-fledged member of the band for Chicago VIII. VI is the first studio album to feature the original band members on the cover before the death of leader and co-founder Terry Kath.
Chicago VIII is the seventh studio album by American soft rock band Chicago, released on March 24, 1975 by Columbia Records. Following the experimental jazz/pop stylings of Chicago VII, the band returned to a more streamlined rock-based sound on this follow-up.
Chicago IX: Chicago's Greatest Hits is the first greatest hits album, and ninth album overall, by the American band Chicago and was released in 1975 by Columbia Records in both stereo and SQ quadraphonic versions.
Chicago XI is the ninth studio album by the American soft rock band Chicago. It was released on September 12, 1977 through Columbia Records. It was both the last to feature guitarist and vocalist Terry Kath prior to his death in a gun accident just over four months later, and the last to be produced by longtime associate of the band James William Guercio.
Hot Streets is the tenth studio album by the American soft rock band Chicago, released on October 2, 1978 by Columbia Records. This was the band's first album with all-new material released since their second that did not have a numbered title. It was also the first album not to feature original guitarist/vocalist Terry Kath, who died from an accidental self-inflicted gunshot wound in January 1978. He was replaced by Donnie Dacus on this album.
Greatest Hits, Volume II is the second greatest hits album by American soft rock band Chicago, released on November 23, 1981 by Columbia Records.
"Lowdown" is a song written by Peter Cetera and Danny Seraphine for the rock band Chicago and recorded for their third album Chicago III (1971). It was the second single released from this album, and peaked at No. 35 on the U.S. Billboard Hot 100. Cetera provided lead vocals while guitarist Terry Kath used a fuzzbox and wah-wah pedal for his guitar solo and Robert Lamm made prominent use of the Hammond organ.
"Feelin' Stronger Every Day" is a song written by Peter Cetera and James Pankow for the group Chicago and recorded for their album Chicago VI (1973). The first single released from that album, it reached #10 on the U.S. Billboard Hot 100.
"(I've Been) Searchin' So Long" is a song written by James Pankow for the group Chicago and recorded for their album Chicago VII (1974). The first single released from that album, it reached number 9 on the U.S. Billboard Hot 100. It also hit number 8 on the Adult Contemporary chart. In Canada, the song peaked at number 5.
"Call on Me" is a song written by Lee Loughnane for the group Chicago and recorded for their album Chicago VII (1974). Peter Cetera sang lead vocals and the arrangement makes prominent use of conga drums played by Guille Garcia.
"Wishing You Were Here" is a song written by Peter Cetera for the group Chicago and recorded for their album Chicago VII (1974), with lead vocals by Terry Kath, while Cetera sang the song's bridge. The third single released from that album, it reached No. 11 on the U.S. Billboard Hot 100, No. 9 on the Cash Box Top 100, and hit No. 1 on the Easy Listening chart.
"Harry Truman" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago VIII (1975), with lead vocals by Lamm. The first single released from that album, it reached number 13 on the U.S. Billboard Hot 100. It also reached number 23 on the Adult Contemporary chart. In Canada, the song peaked at number 16.
"Old Days" is a song written by James Pankow for the group Chicago and recorded for their album Chicago VIII (1975). It was the second single released from that album with lead vocals by Peter Cetera.
"Another Rainy Day in New York City" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago X (1976). Described as "the only typical Chicago cut on the album[:] upbeat and light with good blending of lead vocal by [Peter] Cetera", the track would be the album's lead single but was largely passed over for radio airplay in favor of the album cut "If You Leave Me Now". Rush-released as a single, "If You Leave Me Now" debuted on the Billboard Hot 100 of 14 August 1976 at No. 60 - on its way to No. 1 - and immediately eclipsed "Another Rainy Day..." which on the same chart fell to No. 46 from its No. 32 peak. "Another Rainy Day..." peaked at No. 2 on the Billboard Adult Contemporary chart. Billboard described the song as "a pop /jazzy rocker with a touch of reggae flavor." Cash Box said that "the lyric is good, really creates a mood." Record World called it a "Caribbean-styled number is handled with the band's consummate professionalism and good taste."
"Alive Again" is a song written by James Pankow for the group Chicago and recorded for their album Hot Streets (1978), with Peter Cetera singing lead vocals. The first single released from that album, it reached No. 14 on the U.S. Billboard Hot 100 chart. In Canada, "Alive Again" spent two weeks at No. 11.
"No Tell Lover" is a song written by Peter Cetera, Lee Loughnane, and Danny Seraphine for the group Chicago and recorded for their album Hot Streets (1978), with Cetera and Donnie Dacus singing lead vocals. The second single released from that album, it reached No. 14 on the U.S. Billboard Hot 100 chart and No. 5 on the adult contemporary chart.
"Brand New Love Affair" sometimes alternatively listed as "Brand New Love Affair (Parts I and II)", is a song written by James Pankow for the group Chicago and recorded for their album Chicago VIII. The song peaked at #61 on the charts. Guitarist Terry Kath sings the first half while bassist Peter Cetera sings the second half. Keyboardist Robert Lamm played the distinctive Fender Rhodes electric piano on the song—the intro particularly showcases its lush vibrato bell-like sound.
