This article needs additional citations for verification .(January 2012) |
Chicago VI | ||||
---|---|---|---|---|
Studio album by | ||||
Released | June 25, 1973 | |||
Recorded | February 1973 | |||
Studio | Caribou Ranch, Nederland, Colorado | |||
Genre | ||||
Length | 38:21 | |||
Label | Columbia | |||
Producer | James William Guercio | |||
Chicago chronology | ||||
| ||||
Singles from Chicago VI | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | C [2] |
Rolling Stone | (not rated) [3] |
Chicago VI is the fifth studio album by American rock band Chicago and was released on June 25, 1973, by Columbia Records. It was the band's second in a string of five consecutive albums to make it to No. 1 in the US, [4] was certified gold less than a month after its release, and has been certified two-times platinum since. [5] It is the first album to feature percussionist Laudir de Oliveira, [6] who would become a full-fledged member of the band for Chicago VIII . [7] [8] VI is the first studio album (the other being 1975's compilation Chicago IX ) to feature the original band members on the cover before the death of leader and co-founder Terry Kath.
After having recorded all of Chicago's first five albums in New York City (except for parts of the second album recorded at CBS in Los Angeles), producer James William Guercio had his own Caribou Studios built in Nederland, Colorado during 1972. It was finished in time for the band to record their sixth album the following February, [9] and would remain their recording base for the next four years. [8]
Robert Lamm authored half of the album's tracks, including his response to some of Chicago's negative reviewers in "Critics' Choice". James Pankow wrote the album's two hits, "Just You 'n' Me", which peaked at No. 4 on the Billboard Hot 100 chart, [10] and "Feelin' Stronger Every Day", which peaked at No. 10. [11] The latter was co-composed with Peter Cetera, who also wrote "In Terms of Two", and sang lead vocal on all three songs.
Released in June 1973, Chicago VI was another commercial success, spending five non-consecutive weeks at No. 1 on the Billboard 200 chart in the US, [4] [9] and was certified gold by the Recording Industry Association of America (RIAA) less than a month after its release. [5] It was certified two-times platinum in 1986, the first year the RIAA awarded platinum certification to albums released before 1976. [12] The album did not chart in the UK, although the band's first three studio albums had charted in the top ten there. [13]
The album was mixed and released in both stereo and quadraphonic. The original US CD release (Columbia CK #32400) was mastered for CD by Joe Gastwirt. Chicago VI was remastered and reissued by Rhino Records in 2002, with two bonus tracks: a Terry Kath demo called "Beyond All Our Sorrows", and a recording of Al Green's "Tired of Being Alone", taken from the 1973 TV special Chicago in the Rockies. In 2013, the audiophile reissue company Mobile Fidelity Sound Lab remastered Chicago VI and released it on Hybrid SACD, which can be played on both CD players and SACD players.
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "Critics' Choice" | Robert Lamm | Robert Lamm | 2:49 |
2. | "Just You 'n' Me" | James Pankow | Peter Cetera | 3:42 |
3. | "Darlin' Dear" | Lamm | Lamm | 2:56 |
4. | "Jenny" | Terry Kath | Terry Kath | 3:31 |
5. | "What's This World Comin' To" | Pankow | Lamm, Cetera, Kath | 4:58 |
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
6. | "Something in This City Changes People" | Lamm | Kath, Lamm, Cetera, Lee Loughnane | 3:42 |
7. | "Hollywood" | Lamm | Lamm | 3:52 |
8. | "In Terms of Two" | Peter Cetera | Cetera | 3:29 |
9. | "Rediscovery" | Lamm | Lamm | 4:47 |
10. | "Feelin' Stronger Every Day" | Cetera/Pankow | Cetera | 4:15 |
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "Beyond All Our Sorrows" (Terry Kath demo) | Kath | Kath | 7:06 |
2. | "Tired of Being Alone" (with Al Green) | Green | Green | 4:09 |
Chart (1973-1974) | Position |
---|---|
Australian Albums (Kent Music Report) [14] | 12 |
Canada Top Albums/CDs ( RPM ) [15] | 3 |
Finnish Albums (The Official Finnish Charts) [16] | 26 |
Italian Albums ( Musica e Dischi ) [17] | 22 |
Japanese Albums (Oricon) [18] | 18 |
Norwegian Albums (VG-lista) [19] | 13 |
US Billboard 200 [20] | 1 |
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [21] | Platinum | 100,000^ |
United States (RIAA) [22] | 2× Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. |
Chicago is an American rock band formed in Chicago in 1967. The group began calling themselves the Chicago Transit Authority in 1968, then shortened the name in 1969. Self-described as a "rock and roll band with horns," their songs often also combine elements of classical music, jazz, R&B, and pop music.
Chicago Transit Authority is the debut studio album by the American rock band Chicago, known at the time of release as Chicago Transit Authority. This double album was released on April 28, 1969 and became a sleeper hit, reaching number 17 on the Billboard 200 by 1971. Chicago Transit Authority spawned several successful singles, including "Does Anybody Really Know What Time It Is?", "Questions 67 and 68" and "Beginnings". The album stayed on the Billboard chart for 171 weeks, beating the previous record for a rock album's longevity of 155 weeks and has been certified double platinum by the Recording Industry Association of America (RIAA). For this inaugural recording effort, the group was nominated for a Grammy Award for 1969 Best New Artist of the Year. The album was inducted into the Grammy Hall of Fame in 2014.
Chicago is the second studio album by the American rock band Chicago. Like their debut album, Chicago Transit Authority, this was a double album. It was their first album under the name Chicago and the first to use the now ubiquitous cursive Chicago logo on the cover.
Chicago III is the third studio album by the American rock band Chicago. It was released on January 11, 1971, through Columbia Records. The album was produced by James William Guercio and was the band's third consecutive double album in less than two years.
Chicago at Carnegie Hall is the first live album, and fourth album overall, by American band Chicago. It was initially released on October 25, 1971 by Columbia Records as a four-LP vinyl box set, and was also available for a time as two separate two-record sets. A quadraphonic mix of the album was proposed, but was never made, possibly due to the band's objection to the album being released in the first place. This is the only Chicago album of the group's first ten releases not to have a quadraphonic release in any format.
Chicago V is the fourth studio album by the American rock band Chicago. It was released on July 10, 1972, by Columbia Records. It is notable for being the group's first single album release, after having released three consecutive double albums and a four-disc box set of live material.
Chicago VII is the sixth studio album by American rock band Chicago. It was released on March 11, 1974 by Columbia Records. It is notable for being their first double album of new material since 1971's Chicago III and remains their final studio release in that format. It features session percussionist Laudir de Oliveira, who would become a full-fledged band member for the release of Chicago VIII the following year.
Chicago VIII is the seventh studio album by American rock band Chicago, released on March 24, 1975 by Columbia Records. Following the experimental jazz/pop stylings of Chicago VII, the band returned to a more streamlined rock-based sound on this follow-up.
Chicago IX: Chicago's Greatest Hits is the first greatest hits album, and ninth album overall, by the American band Chicago and was released in 1975 by Columbia Records in both stereo and SQ quadraphonic versions.
Chicago X is the eighth studio album by the American rock band Chicago. It was recorded at Caribou Ranch and it was released by Columbia Records on June 14, 1976. The album made it to number three on the Billboard 200, and was certified gold by the Recording Industry Association of America (RIAA) on June 21, 1976, a week after its release. It was the band's first album to be certified platinum, on September 14, 1976, and has since been certified multi-platinum. In honor of the group's platinum album achievement, Columbia Records awarded the group a 25-pound bar of pure platinum, made by Cartier.
Chicago XI is the ninth studio album by the American rock band Chicago. It was released on September 12, 1977, through Columbia Records. It was both the last to feature guitarist and vocalist Terry Kath prior to his death in a gun accident just over four months later, and the last to be produced by longtime associate of the band James William Guercio.
Hot Streets is the tenth studio album by the American rock band Chicago, released on October 2, 1978, by Columbia Records. This was the band's first album with all-new material released since their second that did not have a numbered title. It was also the first album not to feature original guitarist/vocalist Terry Kath, who died from an accidental self-inflicted gunshot wound in January 1978. He was replaced by Donnie Dacus on this album.
Chicago XIV is the twelfth studio album by American rock band Chicago, released on July 21, 1980. Recorded at a time of waning interest in the band, Chicago XIV remains one of Chicago's poorest-selling albums, failing to reach Gold certification by the Recording Industry Association of America (RIAA), and was deemed a commercial flop. It is also notable for being their last studio album with Columbia Records, and the last one to feature percussionist Laudir de Oliveira.
Greatest Hits, Volume II is the second greatest hits album by American rock band Chicago, released on November 23, 1981 by Columbia Records.
Chicago 16 is the thirteenth studio album by the American rock band Chicago, released on June 7, 1982. It is considered their "comeback" album because it was their first album to go platinum since 1978's Hot Streets. It made it into the Billboard 200 top ten, and produced their second number one single in the United States, "Hard to Say I'm Sorry". The album was certified gold by the Recording Industry Association of America (RIAA) in August, 1982, two months after its release, and platinum in December, 1982. "Hard to Say I'm Sorry" was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal.
"Make Me Smile" is a song written by James Pankow for the rock band Chicago with the band's guitarist, Terry Kath, on lead vocals. Part 1 of Pankow's 7-part "Ballet for a Girl in Buchannon" song cycle/suite, it was recorded for their second album, Chicago, which was released in 1970. The song "Now More Than Ever", a separate track from the same song suite, serves as a reprise of the song and appears edited together with it on many later versions, including a single edit, on several greatest hits collections, and in many live performances.
"Feelin' Stronger Every Day" is a song written by Peter Cetera and James Pankow for the group Chicago and recorded for their album Chicago VI (1973). The first single released from that album, it reached #10 on the U.S. Billboard Hot 100.
"Wishing You Were Here" is a song written by Peter Cetera for the group Chicago and recorded for their album Chicago VII (1974), with lead vocals by Terry Kath, while Cetera sang the song's bridge. The third single released from that album, it reached No. 11 on the U.S. Billboard Hot 100, No. 9 on the Cash Box Top 100, and hit No. 1 on the Easy Listening chart.
"Harry Truman" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago VIII (1975), with lead vocals by Lamm. The first single released from that album, it reached number 13 on the U.S. Billboard Hot 100. It also reached number 23 on the Adult Contemporary chart. In Canada, the song peaked at number 16.
"Old Days" is a song written by James Pankow for the group Chicago and recorded for their album Chicago VIII (1975). It was the second single released from that album with lead vocals by Peter Cetera.