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Chicago XI | ||||
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Studio album by | ||||
Released | September 12, 1977 | |||
Recorded | April – June 1977 | |||
Studio | Caribou Ranch, Nederland, Colorado | |||
Genre | Rock | |||
Length | 44:33 | |||
Label | Columbia | |||
Producer | James William Guercio | |||
Chicago chronology | ||||
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Singles from Chicago XI | ||||
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Chicago XI is the ninth studio album by the American rock band Chicago. It was released on September 12, 1977, through Columbia Records. It was both the last to feature guitarist and vocalist Terry Kath prior to his death in a gun accident just over four months later, and the last to be produced by longtime associate of the band James William Guercio.
Chicago XI was a commercial and critical success for the band, reaching the top 10 in the US and garnering generally positive reviews. Three singles were released from the album—"Baby, What a Big Surprise", "Little One", and "Take Me Back to Chicago"—with the former reaching number four on the Billboard Hot 100. Chicago XI would become the band's last album to make the top 10 until Chicago 16 in 1982.
The cover design for the album is called "Regional Map" on the group's official web site. [1]
According to the web site Ultimate Classic Rock, Chicago XI seems like a collection of solo songs rather than the work of the ensemble whole Chicago had been earlier in the 1970s. [2] Peter Cetera aimed to replicate the success of the Grammy-winning "If You Leave Me Now" with "Baby, What a Big Surprise", which proved to be the album's biggest hit, going to No. 4 on the Billboard Hot 100. [3] This was his only writing contribution to the album and, quite atypically, the only song with him on lead vocals. Terry Kath revived his old live favorite "Mississippi Delta City Blues" for the album, while turning in a touching vocal on Danny Seraphine's "Little One." Seraphine also co-wrote "Take Me Back to Chicago", which charted at No. 63. [4]
Kath, who was planning a forthcoming solo album, [5] [6] may have intended "Takin' It On Uptown" — which, besides some uncredited backup singers, possibly features only Kath himself — as a solo album "preview" along the lines of Lamm's "Skinny Boy" on Chicago VII . [nb 1] James Pankow sang lead on his own "Till the End of Time," as did Lee Loughnane on his original, "This Time." The once prolific Robert Lamm contributed only two songs, "Policeman" and "Vote For Me."
Upon its September 1977 release, Chicago XI (Columbia 34860) reached No. 6 in the US on the Billboard 200, [7] stayed in the charts for 20 weeks and went platinum in October the same year. [8] It did not chart in the UK. [9]
While recording Chicago XI, longtime producer James William Guercio's smothering artistic control had reached its breaking point, with the band deciding to take their career into their own hands and strike out on their own after finishing the album with him. [10] However, as big a change in their career as Guercio's dismissal would be for Chicago, it would be minor in comparison to the tragedy that awaited them.
On January 23, 1978, a few months after Chicago XI's release, Terry Kath, regarded by many as the "soul" of Chicago, accidentally and fatally shot himself during a party at roadie Don Johnson's house. A gun enthusiast, Kath attempted to calm the guests' surprise when—while reportedly inebriated—he pulled out his gun to clean it by demonstrating that it was unloaded and promptly pointed the gun to his head and pulled the trigger, not realizing a bullet was in the chamber. The remaining members of Chicago were shocked and devastated by Kath's death, and even considered breaking up. After a few weeks of mourning, they decided to move on, thus beginning a new era in the band's history. They would recruit singer/guitarist Donnie Dacus for the follow-up, Hot Streets . [11] [12]
In 2002, Chicago XI was remastered and reissued by Rhino Records with rehearsal recordings of Pankow's "Wish I Could Fly" (backing track) and Lamm's "Paris" as bonus tracks.
Review scores | |
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Source | Rating |
AllMusic | [13] |
The Rolling Stone Album Guide | [14] |
In her review of the album for The Sydney Morning Herald , Christine Hogan said, "If there had never been a Chicago X, this album would have been the best ever made by these perennials." [15] Writing for The Evening Journal , Hugh Cutler called the album a "critical and commercial triumph" and said it even drew a "rave review" from Rolling Stone . [16]
Record World described the single "Little One" as "a mid-tempo love song," saying that "the brass and vocal arrangements stand out as always." [17]
No. | Title | Writer(s) | Vocals | Length |
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1. | "Mississippi Delta City Blues" | Terry Kath | Terry Kath | 4:39 |
2. | "Baby, What a Big Surprise" | Peter Cetera | Peter Cetera | 3:04 |
3. | "Till the End of Time" | James Pankow | James Pankow | 4:49 [nb 2] |
4. | "Policeman" | Robert Lamm | Robert Lamm | 4:02 |
5. | "Take Me Back to Chicago" | Danny Seraphine, Hawk Wolinski | Lamm | 5:17 |
No. | Title | Writer(s) | Vocals | Length |
---|---|---|---|---|
6. | "Vote for Me" | Lamm | Lamm | 3:47 |
7. | "Takin' It on Uptown" | Fred Kagan, Kath [18] | Kath | 4:45 |
8. | "This Time" | Lee Loughnane | Lee Loughnane | 4:44 |
9. | "The Inner Struggles of a Man" | Dominic Frontiere [nb 3] | Instrumental | 2:44 |
10. | "Prelude (Little One)" | Seraphine, Wolinski | Kath | 0:52 |
11. | "Little One" | Seraphine, Wolinski | Kath | 5:40 |
Chart (1977) | Peak position |
---|---|
Australia (Kent Music Report) [19] | 17 |
United States (Billboard 200) [20] | 6 |
Year | Single | Chart | Position |
---|---|---|---|
1977 | "Baby, What a Big Surprise" | Billboard Hot 100 | 4 |
1978 | "Little One" | Billboard Hot 100 | 44 |
1978 | "Take Me Back to Chicago" | Billboard Hot 100 | 63 |
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [21] | Platinum | 100,000^ |
United States (RIAA) [22] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
Chicago is an American rock band formed in Chicago in 1967. The group began calling themselves the Chicago Transit Authority in 1968, then shortened the name in 1969. Self-described as a "rock and roll band with horns," their songs often also combine elements of classical music, jazz, R&B, and pop music.
Chicago Transit Authority is the debut studio album by the American rock band Chicago, known at the time of release as Chicago Transit Authority. It was recorded and released in April 1969 and became a sleeper hit, reaching number 17 on the Billboard 200 by 1971. Chicago Transit Authority spawned several successful singles, including "Does Anybody Really Know What Time It Is?", "Questions 67 and 68" and "Beginnings". The album stayed on the Billboard chart for 171 weeks, beating the previous record for a rock album's longevity of 155 weeks and has been certified double platinum by the Recording Industry Association of America (RIAA). For this inaugural recording effort, the group was nominated for a Grammy Award for 1969 Best New Artist of the Year. The album was inducted into the Grammy Hall of Fame in 2014.
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