Chicago III

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Chicago III
ChicagoIII.jpg
Studio album by
ReleasedJanuary 11, 1971
RecordedJune – December 1970
Studio CBS 30th Street, New York City
Genre
Length71:29
Label Columbia
Producer James William Guercio
Chicago chronology
Chicago
(1970)
Chicago III
(1971)
Chicago at Carnegie Hall
(1971)
Singles from Chicago III
  1. "Free"
    Released: February 1971
  2. "Lowdown"
    Released: April 1971
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [1]

Chicago III is the third studio album by the American rock band Chicago. It was released on January 11, 1971, through Columbia Records. The album was produced by James William Guercio and was the band's third consecutive double album in less than two years. [2]

Contents

Much like the previous year's Chicago (many times referred to as Chicago II), Chicago III is made up of both multi-part suites and more conventional individual songs. The album saw the band integrate a number of different genres including folk and country ("What Else Can I Say", "Flight 602"), free improvisation ("Free Country"), and musique concrète ("Progress?") into their sound, while also continuing in their trademark jazz-rock style.

Chicago III was a critical and commercial success. It peaked at number two in the US, their highest chart placement at that point, and received positive reviews. While neither of its singles ("Free" and "Lowdown") matched the success of the band's previous and following singles, both managed to make the top 40, peaking at numbers 20 and 35, respectively. After the release of the album, Chicago would perform at New York's Carnegie Hall. Performances from this run would be released on the following album, Chicago at Carnegie Hall .

Background

In the wake of the enormous worldwide success of their second album, Chicago spent almost all of 1970 on the road, an exhausting undertaking. Former drummer Danny Seraphine, described the members of the band as "fatigued and road-weary" when they went into the studio to record the album. [3] :122

Released in January 1971, initially on Columbia Records, Chicago III — the band's first album to sport a Roman numeral in its title [2] — sold well upon its release and was certified gold by the Recording Industry Association of America (RIAA) a month later. [4] It provided Chicago with its highest charting disc yet in the US, going to No. 2 on the Billboard 200. [5] "Free", written by Robert Lamm, made it into the top 20 of the Billboard Hot 100 chart, and "Lowdown", co-written by Peter Cetera and Danny Seraphine, reached the top 40. [6] Chicago III marked a dwindling in UK fortunes in comparison to the band's first two albums, Chicago Transit Authority and Chicago, reaching No. 9 in a brief chart run. [7]

In 1974, jazz bandleader Stan Kenton added a suite of songs from the album ("Canon", "Mother", "Once Upon a Time" and "Free") to his band's repertoire, releasing it on the album Stan Kenton Plays Chicago. [8]

Musical style, writing, composition

The band had used up its storehouse of original material on its first two albums. It needed new material for Chicago III, and the songwriters worked "nonstop" [3] :122 Danny Seraphine said the band "took the opportunity to experiment with instrumentals and showcase our skills as musicians." [3] :122

Their long hours on the road gave the principal songwriters, Robert Lamm, Terry Kath and James Pankow, much food for thought, resulting in more serious subject matter, which contrasted with the positivity of their first two sets.[ citation needed ] In his retrospective review of the album, Jeff Giles writes that Lamm's "Travel Suite" was "inspired by the boredom, loneliness, and beauty of the road," and characterizes Pankow's "Elegy" suite is an "ecologically minded composition" [9] (an issue Lamm also touches upon in "Mother").[ citation needed ] While Kath's multi-part "An Hour in the Shower" provides a reprieve from the sobering explorations elsewhere, Chicago III was undeniably the result of a band who had seen the flip side of the world over the last several months.[ citation needed ] "Lowdown", co-written by Peter Cetera and Danny Seraphine, was Seraphine's first co-writing credit, and he was appreciative of the support Cetera gave him during the writing process. [3] :123

Chicago III incorporates a variety of musical styles. [10] "Sing a Mean Tune Kid" features the influence of funk,[ citation needed ] "What Else Can I Say" and "Flight 602" have a country feel,[ citation needed ] while abstract qualities are found in "Free Country" and "Progress?"[ citation needed ]

Recording and production

The album was produced by James William Guercio, who was Chicago's producer for its first eleven albums. [11] [12] This album was mixed and released in both stereo and quadraphonic. In 2002, Chicago III was remastered and reissued on one CD by Rhino Records. [13]

Artwork and packaging

The album cover design is titled "Tattered Flag" on the band's website. [2] Included with the album was a poster of the band dressed in the uniforms of America's wars, standing in front of a field of crosses, representing those who had died in the still ongoing Vietnam War. It also gave the number of casualties from each war up until the time of the album's release. [14]

Track listing

Side One
No.TitleLyricsMusicLead vocalsLength
1"Sing a Mean Tune Kid" Robert Lamm Lamm Peter Cetera 9:13
2"Loneliness is Just a Word" Terry Kath 2:36
3"What Else Can I Say"CeteraCeteraCetera3:12
4"I Don't Want Your Money"LammKathLamm4:47
Side Two
No.TitleLyricsMusicLead vocalsLength
1–6"Travel Suite"
(total length: 22:30)
"Flight 602"LammLammLamm2:45
"Motorboat to Mars" Danny Seraphine 1:30
"Free"LammLammKath2:16
"Free Country"5:46
"At the Sunrise"LammLamm
  • Lamm
  • Cetera
2:48
"Happy 'Cause I'm Going Home"7:28
Side Three
No.TitleLyricsMusicLead vocalsLength
1"Mother"LammLammLamm4:30
2"Lowdown"
  • Cetera
  • Seraphine
CeteraCetera3:35
3–7"An Hour in
the Shower"
(total length: 5:30)
"A Hard Risin' Morning Without Breakfast"KathKathKath1:52
"Off to Work"0:45
"Fallin' Out"0:53
"Dreamin' Home"0:49
"Morning Blues Again"1:11
Side Four
No.TitleLyricsMusicLead vocalsLength
1–6"Elegy"
(total length: 15:27)
"When All the Laughter Dies in Sorrow" Kendrew Lascelles Lamm1:03
"Canon" James Pankow 1:05
"Once Upon a Time..."2:34
"Progress?" (sound effects courtesy of the Industrial Revolution)2:34
"The Approaching Storm"Pankow6:26
"Man vs. Man: The End"1:33

Personnel

Chicago

Production

Charts

Certifications

RegionCertification Certified units/sales
Canada (Music Canada) [26] Gold50,000^
United States (RIAA) [27] Platinum1,000,000^

^ Shipments figures based on certification alone.

Related Research Articles

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<i>Chicago Transit Authority</i> (album) 1969 studio album by Chicago

Chicago Transit Authority is the debut studio album by the American rock band Chicago, known at the time of release as Chicago Transit Authority. This double album was released on April 28, 1969 and became a sleeper hit, reaching number 17 on the Billboard 200 by 1971. Chicago Transit Authority spawned several successful singles, including "Does Anybody Really Know What Time It Is?", "Questions 67 and 68" and "Beginnings". The album stayed on the Billboard chart for 171 weeks, beating the previous record for a rock album's longevity of 155 weeks and has been certified double platinum by the Recording Industry Association of America (RIAA). For this inaugural recording effort, the group was nominated for a Grammy Award for 1969 Best New Artist of the Year. The album was inducted into the Grammy Hall of Fame in 2014.

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<i>Chicago IX: Chicagos Greatest Hits</i> 1975 compilation album by Chicago

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<i>Chicago XI</i> 1977 studio album by Chicago

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<span class="mw-page-title-main">Lowdown (Chicago song)</span> 1971 single by Chicago

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<i>Live in Japan</i> (Chicago album) 1972 live album by Chicago

Live in Japan is a live album by American rock band Chicago, released in November 1972. It was recorded over the course of three days at the Osaka Festival Hall on the band's tour in support of Chicago V in 1972. The group recorded Japanese-language versions of "Lowdown" and "Questions 67 And 68" to coincide with their Japan performances. They performed both songs in Japanese during their stay, which are documented on this album.

References

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