| "Call on Me" | ||||
|---|---|---|---|---|
 | ||||
| Single by Chicago | ||||
| from the album Chicago VII | ||||
| B-side | "Prelude to Aire" | |||
| Released | June 1974 | |||
| Genre | Soft rock, jazz fusion | |||
| Length | 4:02 | |||
| Label | Columbia | |||
| Songwriter(s) | Lee Loughnane | |||
| Producer(s) | James William Guercio | |||
| Chicago singles chronology | ||||
| ||||
"Call on Me" is a song written by Lee Loughnane for the group Chicago and recorded for their album Chicago VII (1974). Peter Cetera sang lead vocals and the arrangement makes prominent use of conga drums played by Guille Garcia.
"Call on Me" was the first Loughnane composition to be released by the band. It was written with uncredited help from Peter Cetera. [1] Loughnane was the last original Chicago member to receive a songwriting credit.
According to Cetera, though, he needed some help. "I tried to help Lee Loughnane with a song," Cetera says, "and that song turned out to be 'Call On Me.' Lee had written a song. It wasn't called, 'Call On Me,' it was called something else, and it in fact was terrible. I talked to him at the ranch one day, and he was all bent out of shape. He said that he had played the song for the guys, and they had told him in fact to get the heck out of there with the song. I said, 'Well, come on, let's have a go.' So Lee and I went and re-wrote the lyrics and re-wrote the melody and came up with the song called, 'Call On Me,' which was a big hit for him." Loughnane remembers it a little differently. "Peter changed a couple of the words and the way he sang the melody in order for him to be able to play the bass and sing the melody at the same time because that's the way he felt it." Loughnane added, "I appreciate his efforts, and we did make the song a hit."
Billboard described "Call on Me" as a "good, summer sounding disk" that sounds a little like Chicago's earlier single "Saturday in the Park." [2] Record World said that the "light Latin lilt is perfect for summer airwaves." [3]
The second single released from the album, it reached number six on the US Billboard Hot 100 and number one on the Easy Listening chart. [4]
Chicago V is the fourth studio album by American rock band Chicago and was released on July 10, 1972. It is notable for being the group's first single album release, after having released three consecutive double albums and a four-disc box set of live material.
Chicago VII is the sixth studio album by American rock band Chicago and was released in 1974. It is notable for being their first double album of new material since 1971's Chicago III and remains their final studio release in that format. It features session percussionist Laudir de Oliveira, who would become a full-fledged band member for the release of Chicago VIII the following year.
Chicago IX: Chicago's Greatest Hits is the first greatest hits album, and ninth album overall, by the American band Chicago and was released in 1975 by Columbia Records in both stereo and SQ quadraphonic versions.
Greatest Hits, Volume II is the second greatest hits album by the American rock band Chicago, and its fifteenth album overall, released in 1981.
Chicago 16 is the thirteenth studio album by the American band Chicago, released on June 7, 1982. It is considered their "comeback" album because it was their first album to go platinum since 1978's Hot Streets. It made it into the Billboard 200 top ten, and produced their second number one single in the United States, "Hard to Say I'm Sorry." The album was certified gold by the Recording Industry Association of America (RIAA) in August, 1982, two months after its release, and platinum in December, 1982. "Hard to Say I'm Sorry" was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal.
"Make Me Smile" is a song written by James Pankow for the rock band Chicago with the band's guitarist, Terry Kath, on lead vocals. Part 1 of Pankow's 7-part "Ballet for a Girl in Buchannon" song cycle/suite, it was recorded for their second album, Chicago, which was released in 1970. The song "Now More Than Ever", a separate track from the same song suite, serves as a reprise of the song and appears edited together with it on many later versions, including a single edit, on several greatest hits collections, and in many live performances.
"Feelin' Stronger Every Day" is a song written by Peter Cetera and James Pankow for the group Chicago and recorded for their album Chicago VI (1973). The first single released from that album, it reached #10 on the U.S. Billboard Hot 100.
"Just You 'n' Me" is a song written by James Pankow for the group Chicago and recorded for their fifth studio album Chicago VI (1973). The lead vocals are sung by bassist Peter Cetera.
"(I've Been) Searchin' So Long" is a song written by James Pankow for the group Chicago and recorded for their album Chicago VII (1974). The first single released from that album, it reached number 9 on the U.S. Billboard Hot 100. It also hit number 8 on the Adult Contemporary chart. In Canada, the song peaked at number 5.
"Wishing You Were Here" is a song written by Peter Cetera for the group Chicago and recorded for their album Chicago VII (1974), with lead vocals by Terry Kath, while Cetera sang the song's bridge. The third single released from that album, it reached No. 11 on the U.S. Billboard Hot 100, No. 9 on the Cash Box Top 100, and hit No. 1 on the Easy Listening chart.
"Harry Truman" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago VIII (1975), with lead vocals by Lamm. The first single released from that album, it reached number 13 on the U.S. Billboard Hot 100. It also reached number 23 on the Adult Contemporary chart. In Canada, the song peaked at number 16.
"Old Days" is a song written by James Pankow for the group Chicago and recorded for their album Chicago VIII (1975). It was the second single released from that album with lead vocals by Peter Cetera.
"Another Rainy Day in New York City" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago X (1976). Described as "the only typical Chicago cut on the album[:] upbeat and light with good blending of lead vocal by [Peter] Cetera", the track would be the album's lead single but was largely passed over for radio airplay in favor of the album cut "If You Leave Me Now". Rush-released as a single, "If You Leave Me Now" debuted on the Billboard Hot 100 of 14 August 1976 at No. 60 - on its way to No. 1 - and immediately eclipsed "Another Rainy Day..." which on the same chart fell to No. 46 from its No. 32 peak. "Another Rainy Day..." peaked at No. 2 on the Billboard Adult Contemporary chart. Billboard described the song as "a pop /jazzy rocker with a touch of reggae flavor." Cash Box said that "the lyric is good, really creates a mood." Record World called it a "Caribbean-styled number is handled with the band's consummate professionalism and good taste."
"Baby, What a Big Surprise" is a power ballad written by Peter Cetera for the group Chicago and recorded for their album Chicago XI (1977), with Cetera singing lead vocals. The first single released from the album reached number 4 on the US Billboard Hot 100 chart.
"No Tell Lover" is a song written by Peter Cetera, Lee Loughnane, and Danny Seraphine for the group Chicago and recorded for their album Hot Streets (1978), with Cetera and Donnie Dacus singing lead vocals. The second single released from that album, it reached No. 14 on the U.S. Billboard Hot 100 chart and No. 5 on the adult contemporary chart.
"Hard Habit to Break" is a song written by Steve Kipner and John Lewis Parker, produced and arranged by David Foster and recorded by the group Chicago for their 1984 album Chicago 17, with Bill Champlin and Peter Cetera sharing lead vocals. Released as the second single from the album, it reached No. 3 on the Billboard Hot 100 and was prevented from charting higher by "Caribbean Queen" by Billy Ocean and "I Just Called to Say I Love You" by Stevie Wonder. "Hard Habit to Break" also peaked at No. 3 on the Adult Contemporary chart. Overseas it peaked at No. 8 on the UK Singles Chart.
"Love Me Tomorrow" is a song written by Peter Cetera and David Foster for the group Chicago and recorded for their album Chicago 16 (1982), with Cetera singing lead vocals. The second single released from the album, it reached No. 22 on the U.S. Billboard Hot 100 chart and No. 8 on the adult contemporary chart. Songwriter Cetera, a member of the American Society of Composers, Authors and Publishers (ASCAP), won an ASCAP Pop Music Award for the song in the category, Most Performed Songs.
"You're the Inspiration" is a song written by Peter Cetera and David Foster for the group Chicago and recorded for their fourteenth studio album Chicago 17 (1984), with Cetera singing lead vocals. The third single released from that album, it reached No. 3 on the US Billboard Hot 100 chart in January 1985 and also climbed to the top position on the Adult Contemporary chart at the same time. The song won honors for Cetera from the American Society of Composers, Authors and Publishers (ASCAP), in 1986 in the most-performed songs category.
"Will You Still Love Me?" is a song recorded by the American rock band Chicago for their fifteenth studio album Chicago 18 (1986). The song was written by David Foster, Tom Keane and Richard Baskin, and produced by Foster.
"Brand New Love Affair" sometimes alternatively listed as "Brand New Love Affair (Parts I and II)", is a song written by James Pankow for the group Chicago and recorded for their album Chicago VIII. The song peaked at #61 on the charts. Guitarist Terry Kath sings the first half while bassist Peter Cetera sings the second half. Keyboardist Robert Lamm played the distinctive Fender Rhodes electric piano on the song—the intro particularly showcases its lush vibrato bell-like sound.
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