Chicago XIV

Last updated
Chicago XIV
Chicago - Chicago XIV.jpg
Studio album by
ReleasedJuly 21, 1980
RecordedMarch–May 1980
Studio
Genre Rock
Length38:58
Label Columbia
Producer Tom Dowd
Chicago chronology
Chicago 13
(1979)
Chicago XIV
(1980)
Greatest Hits, Volume II
(1981)
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [2]
The Rolling Stone Album Guide Star full.svgStar empty.svgStar empty.svgStar empty.svgStar empty.svg [3]

Chicago XIV is the twelfth studio album by American rock band Chicago, released on July 21, 1980. Recorded at a time of waning interest in the band, Chicago XIV remains one of Chicago's poorest-selling albums, failing to reach Gold certification by the Recording Industry Association of America (RIAA), [4] and was deemed a commercial flop. It is also notable for being their last studio album with Columbia Records, and the last one to feature percussionist Laudir de Oliveira.

Contents

Background

After the commercial and critical disappointment of Chicago 13 , [5] and the departure of guitarist Donnie Dacus, Chicago decided that a new strategy was in order. Chris Pinnick played guitar on the sessions and would later become an official member. [1] The band also tried a new producer, this time Tom Dowd, [1] who had worked with Aretha Franklin, Cream, and Eric Clapton. With Dowd taking the reins, and with Chicago abandoning the dance club sound that permeated their previous album, the band recorded a lean, more streamlined record which would, predictably, be called Chicago XIV. Possibly designed as a response to the under-produced, new wave efforts on the radio at the time, the album was the band's least orchestrated effort to date.

Artwork, packaging

Designed by John Berg, art director of Columbia/CBS Records, the album cover front features an album-cover-size black thumbprint on a white background, with the Chicago logo embedded in the whorls. The album cover back also features an album-cover-size black fingerprint or thumbprint on white background, but without the embedded Chicago logo. The inside dust cover is white with black printing that lists album credits, and also has at the edge four life-size black fingerprints from a right hand on the credits side of the liner, and a corresponding life-size black thumbprint at the edge of the back of the liner. This small thumbprint also has the Chicago logo embedded in the whorls. [6] [7] Berg was nominated for a Grammy Award for Best Album Package for this album. [8] The cover was included in a 2012-2013 exhibit of Berg's album covers at Guild Hall of East Hampton. [7] The cover artwork is in the permanent collection of The Museum of Modern Art in New York City. [9]

Release and aftermath

With four solo writing credits and one cowriting credit among the ten songs on the album, [6] Peter Cetera took on a greater songwriting role in the band than in the past. His compositions included a mix of ballads, pop and rock songs. Robert Lamm turned in the rockers "Manipulation" and "I'd Rather Be Rich" (a song from 1975 [nb 1] ); James Pankow delivered the uptempo – if downbeat – "The American Dream"; and Lamm and Danny Seraphine co-wrote "Thunder and Lightning". [6] "Birthday Boy" marked the final collaboration between Seraphine and his songwriting partner Hawk Wolinski. Like Chicago 13 before it, Chicago XIV failed to improve Chicago's fortunes. [10] To the record-buying public, Chicago's image was out of touch in 1980, and once the new album was released, it became clear that any attempt to win new fans would be in vain.

Columbia Records was increasingly disappointed with the poor sales performance of the band. [11] Chicago XIV went unnoticed upon release and bombed, reaching only number seventy-one on the Billboard 200 chart in the US, [12] and disappeared quickly. Again, there were no singles hits, with "Thunder and Lightning" stalling below the top fifty [13] and "Song For You" failing to chart. Chicago also saw a poor attendance in many venues during the supporting tour.[ citation needed ] Realizing that the relationship had soured considerably, Columbia Records terminated their contract with Chicago with a buyout of approximately $2 million. [14] In 1982, Robert Lamm recalled,

The thrill was gone as far as they were concerned, I think. Especially after Jeff Wald, who managed us in 1978 and 1979, kind of bullied them into signing a ridiculous multimillion dollar contract where every time we delivered an album, they had to cough up a million bucks. CBS didn't get close to recouping their money, and they wanted to get out of the deal. In fact they ended up paying us to leave the label. [15]

As a settlement to ending the arrangement early, Columbia released the band's second greatest-hits album and jettisoned them from the label. The money from the settlement was used to record Chicago 16 independently, [1] while the band shopped for a new label (eventually they signed with Warner). Realizing that the Latin/Jazz percussion style evident in the latter half of the previous decade no longer fit with their "more pop-oriented sound", while beginning work on Chicago 16, the album Chicago XIV signaled the end of percussionist Laudir de Oliveira's tenure with the band after nine years. [16] :200 Peter Cetera, meanwhile, concentrated on his first self-titled solo album during the hiatus. [17]

In 2003, Chicago XIV was remastered and reissued by Rhino Records, with three outtakes from the sessions, "Doin' Business" (which first appeared on the 1991 4-Disc anthology Group Portrait), "Live It Up", and "Soldier of Fortune" as bonus tracks.

Track listing

Track titles, track order, and writers for tracks one through ten from 1980 vinyl LP liner. [6]

Side One
No.TitleWriter(s)Lead vocalsLength
1."Manipulation" Robert Lamm Lamm3:45
2."Upon Arrival"Lamm, Peter Cetera Cetera, Lamm3:48
3."Song for You"CeteraCetera3:41
4."Where Did the Lovin' Go"CeteraCetera4:06
5."Birthday Boy" Danny Seraphine, David "Hawk" Wolinski Cetera4:55
Side Two
No.TitleWriter(s)Lead vocalsLength
6."Hold On"CeteraCetera4:15
7."Overnight Cafe"CeteraCetera4:19
8."Thunder and Lightning"Lamm, Seraphine [nb 2] Cetera, Lamm3:32
9."I'd Rather Be Rich"LammLamm3:08
10."The American Dream" James Pankow Cetera3:19
Bonus tracks on Rhino reissue
No.TitleWriter(s)Lead vocalsLength
11."Doin' Business"LammLamm3:31
12."Live It Up"PankowCetera3:23
13."Soldier of Fortune"LammLamm3:50

Personnel

Chicago

Additional musicians

Production

Charts

Chart (1980)Peak
position
Australia (Kent Music Report) [18]
71
United States (Billboard 200) [19]
71

Notes

  1. A 1975 recording of this song, slightly different from the final version, appears as a bonus track on the Rhino CD reissue of Chicago X.
  2. The Rhino CD reissue credits this song to Lamm, Seraphine and Cetera.

Related Research Articles

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References

  1. 1 2 3 4 Ruhlmann, William James (1991). Chicago Group Portrait (Box Set) (Media notes). New York City, NY: Columbia Records. p. 8. Archived from the original (CD booklet archived online) on March 28, 2019. Retrieved July 26, 2017.
  2. https://www.allmusic.com/album/r3856/review
  3. The Rolling Stone Album Guide. Random House. 1992. p. 130.
  4. "Gold & Platinum - RIAA: Search by Artist". RIAA. Archived from the original on December 16, 2016. Retrieved July 26, 2017.
  5. Amicone, Michael (July 20, 2002). "A vigorous 35-year-old feelin' stronger every day". Billboard. Howard Lander. p. 50. Retrieved July 28, 2017 via Google Books. . . . Chicago 13 (1979), proved to be as unlucky as its number would portend.
  6. 1 2 3 4 Chicago XIV (vinyl LP liner). Chicago. CBS Inc. 1980. BL 36517.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  7. 1 2 Jacobson, Aileen (November 23, 2012). "Album Covers That Are as Evocative as the Music". The New York Times . Archived from the original on January 16, 2018. Retrieved December 28, 2017.
  8. "John Berg". GRAMMY.com. Recording Academy. May 14, 2017. Archived from the original on August 12, 2021. Retrieved October 25, 2017.
  9. "John Berg, Nick Fasciano, Gerard Huerta. Cover for Chicago's twelfth self-titled album. 1980 | MoMA". The Museum of Modern Art. Archived from the original on October 25, 2017. Retrieved October 25, 2017.
  10. Amicone, Michael (July 20, 2002). "A vigorous 35-year-old feelin' stronger every day". Billboard. Howard Lander. p. 50. Retrieved July 28, 2017 via Google Books. . . . Chicago XIV, produced by Tom Dowd, could not stem the band's commercial downturn . . .
  11. Seraphine, Danny (2011). Street Player: My Chicago Story. John Wiley & Sons Inc. pp. 192–193. ISBN   9780470416839.
  12. "Top 200 Albums for September 13, 1980". Billboard. Archived from the original on February 19, 2018. Retrieved July 26, 2017.
  13. "Music: Top 100 Songs | Billboard Hot 100 Chart for September 20, 1980". Billboard. Archived from the original on July 10, 2017. Retrieved July 27, 2017.
  14. Seraphine, Danny (2011). Street Player: My Chicago Story. John Wiley & Sons Inc. pp. 197–198. ISBN   9780470416839.
  15. Van Matre, Lynn (June 13, 1982). "Revitalized Chicago Back On Road Again". Chicago Tribune . Archived from the original on January 17, 2017. Retrieved July 26, 2017.
  16. Seraphine, Danny (2011). Street Player: My Chicago Story. John Wiley & Sons, Inc. ISBN   978-0-470-41683-9.
  17. Cetera, Peter (October 1, 1992). "Old Interview: Peter Cetera, October 1, 1992". Listening Is Everything (Interview). Interviewed by Jeff Giles. Jeff Giles. Archived from the original on September 22, 2017. Retrieved September 22, 2017.
  18. Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 62. ISBN   0-646-11917-6.
  19. "Billboard 200: Chicago III". Billboard. Archived from the original on January 22, 2019. Retrieved January 21, 2019.