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Chicago V | ||||
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Studio album by | ||||
Released | July 10, 1972 | |||
Recorded | September 20–29, 1971 | |||
Studio | Columbia 52nd Street, New York City | |||
Genre | ||||
Length | 45:16 | |||
Label | Columbia | |||
Producer | James William Guercio | |||
Chicago chronology | ||||
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Singles from Chicago V | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | (not rated) [2] |
Chicago V is the fourth studio album by the American rock band Chicago. It was released on July 10, 1972, by Columbia Records. It is notable for being the group's first single album release, after having released three consecutive double albums and a four-disc box set of live material.
Following the release of Chicago III in 1971, the group changed from producing double albums, with many songs arranged in extended suites, in favor of more concise tracks on a single album. [3] It is often considered the group's return-to-basics as it has a sound resembling their first album, Chicago Transit Authority.Chicago V is also notable for Robert Lamm's prolific songwriting; Eight out of its ten tunes are composed solely by him. Terry Kath wrote and sang the album's final track "Alma Mater", which showcased his acoustic guitar abilities. The song "A Hit by Varèse" is a tribute to French-American composer Edgard Varèse. This would be the last album not to have any compositions from Peter Cetera during his tenure in the band.
Recorded just before Chicago at Carnegie Hall was released in late 1971, Chicago V was cut in just over a week and held over for release until the following summer. Released shortly before the album, the single "Saturday in the Park" was the band's biggest hit to that point, reaching No. 3 in the US. [4] Chicago V was critically acclaimed and became Chicago's first No.1 album, [5] [6] spending nine weeks atop the charts in the US. [7] In the UK, the release managed to reach No. 24. [8] The follow-up single "Dialogue (Part I & II)" also became a hit, peaking at No. 24 in the US. [4]
This album was mixed and released in both stereo and quadraphonic. In 2002, Chicago V was remastered and reissued by Rhino Records with three bonus tracks: a rehearsal of Lamm's "A Song for Richard and His Friends", which was debuted at Carnegie Hall, an early rehearsal of Kath's "Mississippi Delta City Blues" (which would later be re-recorded and released on Chicago XI ), and a single edit of "Dialogue".
On August 17, 2011, Warner Japan released this album as a hybrid stereo-multichannel Super Audio CD in their Warner Premium Sound series. [9]
No. | Title | Writer(s) | Vocals | Length |
---|---|---|---|---|
1. | "A Hit by Varèse" | Robert Lamm | Lamm | 4:56 |
2. | "All Is Well" | Lamm | Lamm | 3:52 |
3. | "Now That You've Gone" | James Pankow | Terry Kath | 5:01 |
4. | "Dialogue (Part I)" | Lamm | Kath, Peter Cetera | 2:57 |
5. | "Dialogue (Part II)" | Lamm | Kath, Cetera | 4:13 |
No. | Title | Writer(s) | Vocals | Length |
---|---|---|---|---|
1. | "While the City Sleeps" | Lamm | Lamm | 3:53 |
2. | "Saturday in the Park" | Lamm | Lamm, Cetera | 3:56 |
3. | "State of the Union" | Lamm | Cetera | 6:12 |
4. | "Goodbye" | Lamm | Cetera | 6:02 |
5. | "Alma Mater" | Kath | Kath | 3:56 |
Chart (1972) | Position |
---|---|
Australian Albums (Kent Music Report) [12] | 5 |
Canada Top Albums/CDs ( RPM ) [13] | 4 |
Dutch Albums (Album Top 100) [14] | 4 |
Finnish Albums (The Official Finnish Charts) [15] | 14 |
Italian Albums ( Musica e Dischi ) [16] | 13 |
Japanese Albums (Oricon) [17] | 3 |
Norwegian Albums (VG-lista) [18] | 7 |
UK Albums (OCC) [19] | 24 |
US Billboard 200 [20] | 1 |
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [21] | Platinum | 100,000^ |
United States (RIAA) [22] | 2× Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. |
Chicago Transit Authority is the debut studio album by the American rock band Chicago, known at the time of release as Chicago Transit Authority. The double album was released on April 28, 1969 and became a sleeper hit, reaching number 17 on the Billboard 200 by 1971. Chicago Transit Authority spawned several successful singles, including "Does Anybody Really Know What Time It Is?", "Questions 67 and 68" and "Beginnings". The album stayed on the Billboard chart for 171 weeks, beating the previous record for a rock album's longevity of 155 weeks and has been certified double platinum by the Recording Industry Association of America (RIAA). For this inaugural recording effort, the group was nominated for a Grammy Award for 1969 Best New Artist of the Year. The album was inducted into the Grammy Hall of Fame in 2014.
Chicago III is the third studio album by the American rock band Chicago. It was released on January 11, 1971, through Columbia Records. The album was produced by James William Guercio and was the band's third consecutive double album in less than two years.
Chicago VI is the fifth studio album by American rock band Chicago and was released on June 25, 1973, by Columbia Records. It was the band's second in a string of five consecutive albums to make it to No. 1 in the US, was certified gold less than a month after its release, and has been certified two-times platinum since. It is the first album to feature percussionist Laudir de Oliveira, who would become a full-fledged member of the band for Chicago VIII. VI is the first studio album to feature the original band members on the cover before the death of leader and co-founder Terry Kath.
Chicago VII is the sixth studio album by American rock band Chicago. It was released on March 11, 1974 by Columbia Records. It is notable for being their first double album of new material since 1971's Chicago III and remains their final studio release in that format. It features session percussionist Laudir de Oliveira, who would become a full-fledged band member for the release of Chicago VIII the following year.
Chicago VIII is the seventh studio album by American rock band Chicago, released on March 24, 1975 by Columbia Records. Following the experimental jazz/pop stylings of Chicago VII, the band returned to a more streamlined rock-based sound on this follow-up.
Chicago IX: Chicago's Greatest Hits is the first greatest hits album, and ninth album overall, by the American band Chicago and was released in 1975 by Columbia Records in both stereo and SQ quadraphonic versions.
Chicago XI is the ninth studio album by the American rock band Chicago. It was released on September 12, 1977, through Columbia Records. It was both the last to feature guitarist and vocalist Terry Kath prior to his death in a gun accident just over four months later, and the last to be produced by longtime associate of the band James William Guercio.
Chicago XIV is the twelfth studio album by American rock band Chicago, released on July 21, 1980. Recorded at a time of waning interest in the band, Chicago XIV remains one of Chicago's poorest-selling albums, failing to reach Gold certification by the Recording Industry Association of America (RIAA), and was deemed a commercial flop. It is also notable for being their last studio album with Columbia Records, and the last one to feature percussionist Laudir de Oliveira.
Greatest Hits, Volume II is the second greatest hits album by American rock band Chicago, released on November 23, 1981 by Columbia Records.
Chicago 16 is the thirteenth studio album by the American rock band Chicago, released on June 7, 1982. It is considered their "comeback" album because it was their first album to go platinum since 1978's Hot Streets. It made it into the Billboard 200 top ten, and produced their second number one single in the United States, "Hard to Say I'm Sorry". The album was certified gold by the Recording Industry Association of America (RIAA) in August, 1982, two months after its release, and platinum in December, 1982. "Hard to Say I'm Sorry" was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal.
"Make Me Smile" is a song written by James Pankow for the rock band Chicago with the band's guitarist, Terry Kath, on lead vocals. Part 1 of Pankow's 7-part "Ballet for a Girl in Buchannon" song cycle/suite, it was recorded for their second album, Chicago, which was released in 1970. The song "Now More Than Ever", a separate track from the same song suite, serves as a reprise of the song and appears edited together with it on many later versions, including a single edit, on several greatest hits collections, and in many live performances.
"Beginnings" is a song written by Robert Lamm for the rock band Chicago Transit Authority and recorded for its debut album Chicago Transit Authority, released in 1969. The song is the band's second single, but failed to chart on its initial release.
"Free" is a song written by Robert Lamm as a part of the "Travel Suite" for the rock band Chicago and recorded for their third album Chicago III (1971), with Terry Kath singing lead vocals. It was the first single released from this album, and peaked at #20 on the U.S. Billboard Hot 100.
"Lowdown" is a song written by Peter Cetera and Danny Seraphine for the rock band Chicago and recorded for their third album Chicago III (1971). It was the second single released from this album, and peaked at No. 35 on the U.S. Billboard Hot 100. Cetera provided lead vocals while guitarist Terry Kath used a fuzzbox and wah-wah pedal for his guitar solo and Robert Lamm made prominent use of the Hammond organ.
"Dialogue" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago V (1972). On the album the song is over 7 minutes long and is divided in two parts. An edited version was released as a single in October 1972, eventually reaching #24 on the U.S. Billboard Hot 100. A live recording of the full song can be heard in Chicago XXXIV: Live in '75. Part II was included in Greatest Hits, Volume II (1982).
"Wishing You Were Here" is a song written by Peter Cetera for the group Chicago and recorded for their album Chicago VII (1974), with lead vocals by Terry Kath, while Cetera sang the song's bridge. The third single released from that album, it reached No. 11 on the U.S. Billboard Hot 100, No. 9 on the Cash Box Top 100, and hit No. 1 on the Easy Listening chart.
"Harry Truman" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago VIII (1975), with lead vocals by Lamm. The first single released from that album, it reached number 13 on the U.S. Billboard Hot 100. It also reached number 23 on the Adult Contemporary chart. In Canada, the song peaked at number 16.
"Old Days" is a song written by James Pankow for the group Chicago and recorded for their album Chicago VIII (1975). It was the second single released from that album, with lead vocals by Peter Cetera.
"Another Rainy Day in New York City" is a song written by Robert Lamm for the group Chicago and recorded for their album Chicago X (1976). Described as "the only typical Chicago cut on the album[:] upbeat and light with good blending of lead vocal by [Peter] Cetera", the track would be the album's lead single but was largely passed over for radio airplay in favor of the album cut "If You Leave Me Now". Rush-released as a single, "If You Leave Me Now" debuted on the Billboard Hot 100 of 14 August 1976 at No. 60 - on its way to No. 1 - and immediately eclipsed "Another Rainy Day..." which on the same chart fell to No. 46 from its No. 32 peak. "Another Rainy Day..." peaked at No. 2 on the Billboard Adult Contemporary chart.
"Baby, What a Big Surprise" is a ballad written by Chicago's then bassist/singer Peter Cetera, which appeared on their album Chicago XI (1977), with Cetera singing lead vocals. The first single released from the album reached number 4 on the US Billboard Hot 100 chart.