"Colour of Love" | ||||
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Single by Snap! | ||||
from the album The Madman's Return | ||||
Released | 9 December 1991 [1] | |||
Genre | ||||
Length | 3:57 | |||
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Songwriter(s) |
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Producer(s) |
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Snap! singles chronology | ||||
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Music video | ||||
"Colour of Love" on YouTube |
"Colour of Love" is a song by German Eurodance group Snap!, released in December 1991 by Arista and Logic as the first single from their second studio album, The Madman's Return (1992). It features vocals by American singer-songwriter Thea Austin and rap by Turbo B, and received positive reviews from music critics, many of them naming it a standout of the album. Quite successful on the charts in Europe, the song became a top-10 hit in at least 11 countries, as well as on the Eurochart Hot 100, where it peaked at number eight. The accompanying music video was filmed in Death Valley, California.
AllMusic named "Colour of Love" a "standout" track from The Madman's Return . [3] J.D. Considine from The Baltimore Sun opined that it's the only track "that comes even close to the group's early vigor". [4] Ken Capobianco from The Boston Globe complimented Thea Austin's "colorful" voice, describing the song as "a meek but graceful look at interracial love." [5] Clark and DeVaney from Cashbox also named it a "standout" cut from the album, remarking that the sounds that are offered on this album have a little more depth and variety compared to their last release. [6] Dave Jennings from Melody Maker felt the tension between Turbo B's "gruff rumbling" and "abandoned, soulful female wailing" by Austin "is still highly effective." [7] Another Melody Maker editor, Push, described it as "dreamy" and named it the "highlight" of the LP. [8]
Machgiel Bakker from Music & Media wrote that it "pairs a bass-heavy and soothing Massive-type of production to rapper Turbo's firm vocals. The soulful female vocals provided by Thea Austin makes the song an easy add-on for EHR formats." [9] Newcastle Evening Chronicle noted that a "slow menacing opening gives way to a mix of soul and Turbo B's rap". [10] The newspaper also noted that the "macho" rap contrasts with the new singer's "catchy" soul vocal. [11] Rozalla Miller reviewed the song for Smash Hits , commenting, "I like the beat a lot, very groovy. Snap are really good. I've liked lots of their records up until now, and this one sounds like one of the best." [12]
"Colour of Love" was quite successful on the charts in Europe, reaching the top 5 in Austria (4), Italy (3), Portugal (3), Spain (5) and Switzerland (4), and the top 10 in Denmark (8), Germany (9), Greece (8), the Netherlands (6), Norway (6) and Sweden (6). In Belgium, it peaked within the top 20, as number 14 in both Flanders and Wallonia. In the UK, the single was less successful, reaching number 54. [13] On Music Week's dance singles chart, it climbed to number 23. On both the Eurochart Hot 100 and the European Dance Radio Chart, "Colour of Love" peaked at number eight in February 1992. Outside Europe, it charted in both Australia and New Zealand, where it peaked at number 66 and 36, respectively.
A music video was produced to promote the single, directed by Angel [14] and filmed in Death Valley, California. The video begins with Turbo B and two others riding on motorcycles through a desert landscape on a bright day. Thea Austin sings standing on a rocky mantle with a cape. Dancers perform actobats and dance on rocks. Some of them wear masks and has body paint. As the video ends, it has become night in the desert, while Austin still performs. [15]
Weekly charts
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Eurodance is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of rap, techno and Eurodisco. This genre of music is heavily influenced by the use of rich vocals, sometimes with rapped verses. This, combined with cutting-edge synthesizers, strong bass rhythm and melodic hooks, establishes the core foundation of Eurodance music.
Snap! is a German Eurodance group formed in 1989 by producers Michael Münzing and Luca Anzilotti. The act has been through a number of lineup changes over the years, including American singers, songwriters, and rappers Thea Austin, Turbo B, Niki Haris, and Penny Ford. Their best-known hits are "The Power" and "Rhythm Is a Dancer", both of which reached No. 1 in multiple countries.
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"Rhythm Is a Dancer" is a song by German Eurodance group Snap!, released in March 1992 as the second single from their second studio album, The Madman's Return (1992). It features vocals by American singer Thea Austin. The song is written by Benito Benites, John "Virgo" Garrett III and Austin, and produced by Benites and Garrett III. It was an international success, topping the charts in France, Ireland, Italy, Netherlands, Germany, and the United Kingdom. The single also reached the top-five on the US Billboard Hot 100 and number one on the Billboard Dance Club Songs chart. It spent six weeks at the top of the UK Singles Chart, becoming the second biggest-selling single of 1992. Its music video was directed by Howard Greenhalgh and filmed in Florida, the US.
"The Power" is a song by German Eurodance group Snap!, released as their debut single. It was released on 3 January 1990 as the lead single from their debut studio album, World Power (1990). The song reached number one in Greece, the Netherlands, Spain, Switzerland, the UK and Zimbabwe, as well as on the US Billboard Hot Dance Club Play and Hot Rap charts. On the Billboard Hot 100, "The Power" managed to reach number two for one week.
"Change" is a song by British singer-songwriter and actress Lisa Stansfield from her second album, Real Love (1991). The song was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. It was released as the lead single on 7 October 1991. "Change" was remixed by Frankie Knuckles and Driza Bone.
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The Madman's Return is the second studio album by German Eurodance group Snap! It contains the international massive hit "Rhythm Is a Dancer", which reached No. 1 in France, Ireland, Italy, the Netherlands, Germany and the United Kingdom and peaked at No. 5 in the US and Canada. The album was certified platinum in Switzerland and gold in Germany, Austria and the United Kingdom but only reached No. 121 on the US Billboard 200.
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