Underground comix are small press or self-published comic books that are often socially relevant or satirical in nature. They differ from mainstream comics in depicting content forbidden to mainstream publications by the Comics Code Authority, including explicit drug use, sexuality, and violence. They were most popular in the United States in the late 1960s and 1970s, and in the United Kingdom in the 1970s.
Last Gasp is a San Francisco–based book publisher with a lowbrow art and counterculture focus. Owned and operated by Ron Turner, for most of its existence Last Gasp was a publisher, distributor, and wholesaler of underground comix and books of all types.
William Henry Jackson Griffith is an American cartoonist who signs his work Bill Griffith and Griffy. He is best known for his surreal daily comic strip Zippy. The catchphrase "Are we having fun yet?" is credited to Griffith.
Jay Patrick Lynch was an American cartoonist who played a key role in the underground comix movement with his Bijou Funnies and other titles. He is best known for his comic strip Nard n' Pat and the running gag Um tut sut. His work is sometimes signed Jayzey Lynch. Lynch was the main writer for Bazooka Joe comics from 1967 to 1990; he contributed to Mad, and in the 2000s expanded into the children's book field.
Jay Kinney is an American author, editor, and former underground cartoonist. Kinney has been noted for "adding new dimensions to the political comic" in the underground comix press of the 1970s and '80s.
Rory Hayes was an American underground cartoonist in the late 1960s and early 1970s. His comics were drawn in an expressionistic, primitivist style and usually dealt with grim subject matter such as paranoia, violent crime, and drug abuse. In addition to his own titles, Bogeyman and Cunt Comics, he was published in many of the most prominent comics in the underground scene, including Bijou Funnies and Arcade.
Arcade: The Comics Revue is a magazine-sized comics anthology created and edited by cartoonists Art Spiegelman and Bill Griffith to showcase underground comix. Published quarterly by the Print Mint, it ran for seven issues between 1975 and 1976. Arriving late in the underground era, Arcade "was conceived as a 'comics magazine for adults' that would showcase the 'best of the old and the best of the new comics'". Many observers credit it with paving the way for the Spiegelman-edited anthology Raw, the flagship publication of the 1980s alternative comics movement.
Diane Robin Noomin was an American comics artist associated with the underground comics movement. She is best known for her character DiDi Glitz, who addresses transgressive social issues such as feminism, female masturbation, body image, and miscarriages.
Bijou Funnies was an American underground comix magazine which published eight issues between 1968 and 1973. Edited by Chicago-based cartoonist Jay Lynch, Bijou Funnies featured strong work by the core group of Lynch, Skip Williamson, Robert Crumb, and Jay Kinney, as well as Art Spiegelman, Gilbert Shelton, Justin Green, and Kim Deitch. Bijou Funnies was heavily influenced by Mad magazine, and, along with Zap Comix, is considered one of the titles to launch the underground comix movement.
Donald Richard Donahue was a comic book publisher, operating under the name Apex Novelties, one of the instigators of the underground comix movement in the 1960s.
Gary Edson Arlington was an American retailer, artist, editor, and publisher, who became a key figure in the underground comix movement of the 1960s and 1970s. As owner of one of America's first comic book stores, the San Francisco Comic Book Company, located in San Francisco's Mission District, Arlington's establishment became a focal point for the Bay Area's underground artists. He published comics under the name San Francisco Comic Book Company, as well as publishing and distributing comics under the name Eric Fromm. Cartoonist Robert Crumb has noted, "Gary made a cultural contribution in San Francisco in the late 1960s, through the '70s, '80s & '90s that was more significant than he realizes."
Larry S. Todd is an American illustrator and cartoonist, best known for Dr. Atomic and his other work in underground comix, often with a science fiction bent.
Leonard Rifas is an American cartoonist, critic, editor, and publisher associated with underground comix, comics journalism, left-wing politics, and the anti-nuclear movement. He is notable for his contributions to the form of minicomics as well as publishing Japanese manga in the United States. Rifas' publishing company, EduComics, operated most actively from 1976 to 1982.
Armageddon is a 1972–1974 underground comic title published by Last Gasp. Written and illustrated by Barney Steel, the comic expressed an anarcho-capitalist philosophy, influenced by Ayn Rand, and explored sociopolitical themes.
Slow Death is an underground comix anthology published by Last Gasp, the first title published by the San Francisco Bay Area-based press. Conceived as an ecologically themed comics magazine, the title's "underlying theme was always about what the human race was doing to damage the native planet." Frequent contributors to Slow Death included Greg Irons, Jaxon, Dave Sheridan, Richard Corben, Jim Osborne, Tom Veitch, and Dennis Ellefson. Released sporadically from 1970 to 1992, 11 issues were published in all.
Young Lust was an underground comix anthology published sporadically from 1970 to 1993. The title, which parodied 1950s romance comics such as Young Love, was noted for its explicit depictions of sex. Unlike many other sex-fueled underground comix, Young Lust was generally not perceived as misogynistic. Founding editors Bill Griffith and Jay Kinney gradually morphed the title into a satire of societal mores. According to Kinney, Young Lust "became one of the top three best-selling underground comix, along with Zap Comix and The Fabulous Furry Freak Brothers".
Yellow Dog was an underground comix newspaper and later comic book published by the Print Mint in Berkeley, California. It published 22 issues from 1968 to 1973, featuring many of the period's most notable underground cartoonists, including Robert Crumb, Joel Beck, Robert Williams, Rick Griffin, Greg Irons, and Trina Robbins. Other frequent contributors included Andy Martin, Franz Cilensek, John Thompson, Buckwheat Florida, Jr., Jim Osborne, Ronald Lipking, and Hak Vogrin. The founding editor was Print Mint co-publisher Don Schencker.
San Francisco Comic Book was an underground comix anthology published between 1970 and 1983. Conceived of and edited by Gary Arlington, the anthology highlighted the work of many of San Francisco's top underground talents, including Bill Griffith, Robert Crumb, Kim Deitch, Justin Green, Rory Hayes, Willy Murphy, Jim Osborne, Trina Robbins, and Spain Rodriguez.
Willy Murphy was an American underground cartoonist. Murphy's humor focused on hippies and the counterculture. His signature character was Arnold Peck the Human Wreck, "a mid-30s beanpole with wry observations about his own life and the community around him." Murphy's solo title was called Flamed-Out Funnies; in addition, he contributed to such seminal underground anthologies as Arcade, Bijou Funnies, and San Francisco Comic Book, as well as the National Lampoon.
Death Rattle was an American black-and-white horror anthology comic book series published in three volumes by Kitchen Sink Press in the 1970s, 1980s, and 1990s. Death Rattle is not related to the Australian one-shot comic Death Rattle, published by Gredown in c. 1983.
