Comparison of recording media

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This article details a comparison of audio recording mediums.

Contents

Comparison

FormatTypeImageTypical length
Phonograph cylinders Analog CylinderRecordsWPackage.jpg around 2–4 minutes
78 rpm record Analog 78 rmp bill haley 01.jpg around 3–5 minutes per side
45 rpm record Analog 45rpm.jpg often around 4 minutes (EP: 7 minutes) per side, up to 6 per side, in some cases even a few minutes longer.
LP record Analog Vynil vinil 92837841.png typically 15–25 minutes per side (30 minutes per side for classical & spoken word), although 45 minutes is possible with tight groove spacing and no spacing between tracks.
Audio cassette Analog Tdkc60cassette.jpg usually 30 (C-60) or 45 (C-90) minutes per side, 60 (C-120) minutes per side have also been sold although the tape is more prone to stretching or breaking.
8-Track Analog 8track inside.JPG up to 100 minutes, often 45 to 80
Reel-to-Reel Analog Magtape1.jpg 1.5 hours (both sides) if recorded at 7.5 inches per second (ips) on a standard 1800 ft reel.

Professionals record at 30 ips on 3600 ft reels that will fit 22.5 minutes (one side only). A 3600 ft reel can hold up to 48 hours if recorded in mono (4 sides) at 15/16 ips.

Compact disc Digital OD Compact disc.svg Earlier discs: up to 74 minutes (or up to 650 MB of data files)
Later discs: up to 80 minutes (or up to 700 MB of data files)
Recordable discs Digital CD-R with degraded dye - 20080220.jpg Up to 99 minutes, though unlikely to be reliable after 90 minutes due to mistracking
MiniDisc Digital Minidisc.jpeg Earlier discs: 74 minutes up to 296 minutes, dependent upon compression used.
Later discs: 80 minutes up to 320 minutes, dependent upon compression used.
Hi-MD Digital Sony Hi-MD back.jpg Up to 13 hours on a standard 80-minute MiniDisc.
Up to 45 hours on a 1 GB Hi-MD (MiniDisc)
Digital audio player Digital Ipod 5th Generation white rotated.png Roughly 186 hours of playback per 10 GiB, assuming an average bitrate of 128 kbit/s. Roughly 372 hours with 64 kbit/s and roughly 74 hours with 320 kbit/s.
DVD Digital DVD-R bottom-side.jpg around 8.5 hours per layer (4.7 GB), with a maximum of two layers per side, which roughly equals 35 hours on a dual layered, two sided disc (can change due to compression).
SACD DigitalHybrid: A "Red Book" layer compatible with most legacy Compact Disc players, dubbed the "CD layer," and a 4.7 GB SACD layer, dubbed the "HD layer."
Single-layer: Physically a DVD-5 DVD, a single-layer SACD includes a 4.7 GB HD layer with no CD layer.
Dual-layer: Physically a DVD-9 DVD, a dual-layer SACD includes two HD layers totalling 8.5 GB, with no CD layer.
HD DVD Digital Hddvdback.png Single-layer: 15 GB
Dual-layer capacity: 30 GB
Blu-ray Digital Blu ray icon.png 50 GB (23 Hours)
VHS/S-VHS-tapeAnalog VHS-Video-Tape-Top-Flat.jpg 240 minutes for PAL/SECAM, 180 minutes for NTSC
VHS-C/S-VHS-C-tapeAnalog45 minutes for PAL/SECAM, 40 minutes for NTSC
DAT-tapeDigital120 minutes
DCC-tapeDigital105 minutes

The typical duration of a vinyl album is about 15 to 25 minutes per side. Classical music and spoken word recordings can extend to over 30 minutes on a side. If a side exceeds the average time, the maximum groove amplitude is reduced to make room for the additional program material. This can cause hiss in the sound from lower quality amplifiers when the volume is turned up to compensate for the lower recorded level. An extreme example, Todd Rundgren's Initiation LP, with 36 minutes of music on one side, has a "technical note" at the bottom of the inner sleeve: "if the sound does not seem loud enough on your system, try re-recording the music onto tape." The total of around 4045 minutes often influences the arrangement of tracks, with the preferred positions being the opening and closing tracks of each side.

Although the term EP is commonly used to describe a 7" single with more than two tracks, technically they are not different from a normal 7" single. The EP uses reduced dynamic range and a smaller run-off groove area to extend the playing time. However, there are examples of singles, such as The Beatles' "Hey Jude" or Queen's "Bohemian Rhapsody", which are six minutes long or more. (in 1989, RCA released 'Dreamtime' by the band Love and Rockets, which clocks at 8:40). These longer recordings would require the same technical approach as an EP. The term EP has also been used for 10" 45 rpm records, typically containing a reduced number of tracks.

Vinyl albums have a large 12" (30 cm) album cover, which also allows cover designers scope for imaginative designs, often including fold-outs and leaflets.

See also

Related Research Articles

<span class="mw-page-title-main">Single (music)</span> Release with one to three tracks

In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album.

<span class="mw-page-title-main">Extended play</span> Musical recording longer than a single but shorter than a full album

An extended play (EP) is a musical recording that contains more tracks than a single but fewer than an album or LP record. Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of records other than 78 rpm standard play (SP) and LP, but it is now applied to mid-length CDs and downloads as well. In K-pop they are usually referred to as mini albums. Ricardo Baca of The Denver Post said, "EPs—originally extended-play 'single' releases that are shorter than traditional albums—have long been popular with punk and indie bands." In the United Kingdom, the Official Chart Company defines a boundary between EP and album classification at 25 minutes of maximum length and no more than four tracks.

<span class="mw-page-title-main">Phonograph record</span> Disc-shaped vinyl analog sound storage medium

A phonograph record, a vinyl record, or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the common use of the word vinyl.

RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Arista Records, and Epic Records. The label has released multiple genres of music, including pop, classical, rock, hip hop, afrobeat, electronic, R&B, blues, jazz, and country. Its name is derived from the initials of its defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records is the corporate successor of the Victor Talking Machine Company, founded in 1901, making it the second-oldest record label in American history, after sister label Columbia Records, founded in 1889.

<span class="mw-page-title-main">Mastering (audio)</span> Form of audio post-production

Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device, the source from which all copies will be produced. In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering.

<span class="mw-page-title-main">Twelve-inch single</span> Type of vinyl phonograph record

The twelve-inch single is a type of vinyl gramophone record that has wider groove spacing and shorter playing time with a 'single' or a few related sound tracks on each surface, compared to LPs which have several songs on each side. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either 33+13 or 45 rpm. The conventional 7‐inch single usually holds three or four minutes of music at full volume. The 12‐inch LP sacrifices volume for extended playing time.

<span class="mw-page-title-main">Monaural</span> Sound intended to be heard as if it were emanating from one position

Monaural or monophonic sound reproduction is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or stereo, which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers. Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is "panned" to the center. In the final stage, the various center-panned signal paths are usually mixed down to two identical tracks, which, because they are identical, are perceived upon playback as representing a single unified signal at a single place in the soundstage. In some cases, multitrack sources are mixed to a one-track tape, thus becoming one signal. In the mastering stage, particularly in the days of mono records, the one- or two-track mono master tape was then transferred to a one-track lathe used to produce a master disc intended to be used in the pressing of a monophonic record. Today, however, monaural recordings are usually mastered to be played on stereo and multi-track formats, yet retain their center-panned mono soundstage characteristics.

<span class="mw-page-title-main">Double album</span> Audio recording album that spans two units of its format

A double album is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions such as John Lennon's Some Time in New York City and OutKast's Speakerboxxx/The Love Below . Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD-Audio versions of the same recordings. Some such discs were also released on a two-sided format called DualDisc.

<span class="mw-page-title-main">Album</span> Collection of audio recordings

An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at 33+13 rpm.

<span class="mw-page-title-main">Unusual types of gramophone records</span> Gramophone records with non standard features

The overwhelming majority of records manufactured have been of certain sizes, playback speeds, and appearance. However, since the commercial adoption of the gramophone record, a wide variety of records have also been produced that do not fall into these categories, and they have served a variety of purposes.

<span class="mw-page-title-main">Picture disc</span>

Picture discs are gramophone (phonograph) records that show images on their playing surface, rather than being of plain black or colored vinyl. Collectors traditionally reserve the term picture disc for records with graphics that extend at least partly into the actual playable grooved area, distinguishing them from picture label discs, which have a specially illustrated and sometimes very large label, and picture back discs, which are illustrated on one unplayable side only.

<span class="mw-page-title-main">Stereophonic sound</span> Method of sound reproduction using two audio channels

Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers in such a way as to create the impression of sound heard from various directions, as in natural hearing.

<span class="mw-page-title-main">Record collecting</span>

Record collecting is the hobby of collecting sound recordings, usually of music, but sometimes poetry, reading, historical speeches, and ambient noises. Although the typical focus is on vinyl records, all formats of recorded music can be collected.

<span class="mw-page-title-main">Album cover</span> Photo on the front cover of an album

An album cover is the front packaging art of a commercially released studio album or other audio recordings. The term can refer to either the printed paperboard covers typically used to package sets of 10 in (25 cm) and 12 in (30 cm) 78-rpm records, single and sets of 12 in (30 cm) LPs, sets of 45 rpm records, or the front-facing panel of a cassette J-card or CD package, and, increasingly, the primary image accompanying a digital download of the album, or of its individual tracks.

A multisided record is a type of vinyl record that has more than one groove per side. This technique allows hidden tracks to be encoded on LPs, 45 rpms and 78 rpms. On a disc that has a multi-groove, whether the listener plays the main track or the hidden track depends on where the stylus is cued.

Pickwick Records was an American record label and British record distributor known for its budget album releases of sound-alike recordings, bargain bin reissues and repackagings under the brands Design, Bravo, Hurrah, Grand Prix, and children's records on the Cricket and Happy Time labels.

<span class="mw-page-title-main">RIAA equalization</span> Specification for the recording and playback of phonograph records

RIAA equalization is a specification for the recording and playback of phonograph records, established by the Recording Industry Association of America (RIAA). The purposes of the equalization are to permit greater recording times, to improve sound quality, and to reduce the groove damage that would otherwise arise during playback.

The history of sound recording - which has progressed in waves, driven by the invention and commercial introduction of new technologies — can be roughly divided into four main periods:

<span class="mw-page-title-main">Highway Hi-Fi</span> Phonograph record system playable in cars

Highway Hi-Fi was a system of proprietary players and seven-inch phonograph records with standard LP center holes designed for use in automobiles. Designed and developed by Peter Goldmark, who also developed the LP microgroove, the discs utilized 135 grams of vinyl each, enough to press a standard 10-inch LP.

<span class="mw-page-title-main">LP record</span> Analog sound storage medium

The LP is an analog sound storage medium, a phonograph record format characterized by: a speed of 33+13 rpm; a 12- or 10-inch diameter; use of the "microgroove" groove specification; and a vinyl composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution.

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Further reading