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OKeh Records is an American record label founded by the Otto Heinemann Phonograph Corporation, a phonograph supplier established in 1916, which branched out into phonograph records in 1918. The name was spelled "OkeH" from the initials of Otto K. E. Heinemann but later changed to "OKeh". In 1965, OKeh became a subsidiary of Epic Records, a subsidiary of Sony Music. OKeh has since become a jazz imprint, distributed by Sony Masterworks.
"West End Blues" is a multi-strain twelve-bar blues composition by Joe "King" Oliver. It is most commonly performed as an instrumental, although it has lyrics added by Clarence Williams.
"Memories of You" is a popular song about nostalgia with lyrics written by Andy Razaf and music composed by Eubie Blake and published in 1930.
"When You're Smiling" is a popular song written by Larry Shay, Mark Fisher and Joe Goodwin. First published in 1928, popular recordings were made by Seger Ellis (1928), Louis Armstrong (1929), and Ted Wallace & His Campus Boys (1930).
"Dinah" is a popular song published in 1925 and introduced by Ethel Waters at the Plantation Club on Broadway. It was integrated into the show Kid Boots. The music was written by Harry Akst and the lyrics by Sam M. Lewis and Joe Young. Hit versions in 1926 were by Ethel Waters, The Revelers, Cliff Edwards, and Fletcher Henderson.
"Blue Yodel #9" is a blues-country song by Jimmie Rodgers and is the ninth of his "Blue Yodels". Rodgers recorded the song on July 16, 1930 in Los Angeles with an unbilled Louis Armstrong on trumpet and his wife Lil Hardin Armstrong on piano. Armstrong and Hardin were not listed on this session due to Armstrong's contract with Okeh; this session was for Victor. According to Thomas Brothers, the irregular blues form along with the irregular phrases used by Rodgers frequently threw off Armstrong until he reached his own solo chorus, where he sticks to a regular 12 bar blues form.
"Ain't Misbehavin'" is a 1929 stride jazz/early swing song. Andy Razaf wrote the lyrics to a score by Thomas "Fats" Waller and Harry Brooks for the Broadway musical comedy play Connie's Hot Chocolates. As a work from 1929 with its copyright renewed, it will enter the American public domain on January 1, 2025.
"Everybody Loves My Baby", also known as "Everybody Loves My Baby, but My Baby Don't Love Nobody but Me", is a popular and jazz standard song composed by Spencer Williams in 1924. Lyrics were written by Jack Palmer.
"If I Could Be with You (One Hour Tonight)" is a popular song, with music by James P. Johnson and lyrics by Henry Creamer. Published in 1926, the song was first recorded by Clarence Williams' Blue Five with vocalist Eva Taylor in 1927. It was popularized by the 1930 recording by McKinney's Cotton Pickers, who used it as their theme song and by Louis Armstrong's record for Okeh Records (catalogue No.41448), both of which featured in the charts of 1930. Armstrong's recording of "If I Could Be with You" is defined by his sparse vocal style and ornamental virtuosic trumpet-playing.
"After You've Gone" is a 1918 popular song composed by Turner Layton with lyrics by Henry Creamer.
"Rockin' Chair is a 1929 popular song with lyrics and music composed by Hoagy Carmichael. Musically it is unconventional, as after the B section when most popular songs return to A, this song has an A-B-C-A1 structure. Carmichael recorded the song in 1929, 1930, and 1956. Mildred Bailey made it famous by using it as her theme song. Like other 1920s standards, "Rockin' Chair" relied on the stereotypes of minstrelsy, citing "Aunt Harriet" from the anti-Uncle Tom song "Aunt Harriet Becha Stowe" (1853).
"(What Did I Do to Be So) Black and Blue" is a 1929 jazz standard and racial protest song composed by Fats Waller and Harry Brooks with lyrics by Andy Razaf.
"Big Butter and Egg Man" is a 1926 jazz song written by Percy Venable. Venable was a record producer at the Sunset Cafe and wrote the song for Louis Armstrong and singer May Alix. The song is often played by Dixieland bands, and is considered a jazz standard.
"Muskrat Ramble" is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group's most frequently recorded piece. It was paired on the flip side with another one of Armstrong's hits, "Heebie Jeebies." It was a prominent part of the Dixieland revival repertoire in the 1930s and 1940s, and was recorded by Bob Crosby, Roy Eldridge, Lionel Hampton, Woody Herman, Muggsy Spanier, Chet Atkins, Lu Watters, the Andrews Sisters, Harry James, and Al Hirt, among others. It is considered a part of the jazz standard repertoire.
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing " (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others.
"I Can't Believe That You're in Love with Me" is a 1926 popular song and jazz standard composed by Jimmy McHugh, with lyrics by Clarence Gaskill.
"Dippermouth Blues" is a song first recorded by King Oliver's Creole Jazz Band for Gennett Records in April 1923 and for Okeh Records in June of that same year. It is most often attributed to Joe "King" Oliver, though some have argued that Louis Armstrong was in fact the composer. This is partly because "Dippermouth", in the song's title, was a nickname of Armstrong's. Also, the phonograph recordings from 1922 gave credit to Armstrong and Oliver jointly. The song is a strong example of the influence of the blues on early jazz. There is a twelve-bar blues harmonic progression, with frequent bent notes and slides into notes.
"Georgia Grind" is a jazz and dirty blues tune, written by Spencer Williams and copyrighted by him in 1926. The lyrics were added by Bud Allen. A recording was released by Louis Armstrong with his Hot Five by Okeh Records on a 78 rpm, mono 10" shellac single record in April 1926. The melody was the same as used in the song, "Shake That Thing", written in 1925 by Papa Charlie Jackson.
References
- ↑ Stephens, Joe. "Victor 78 Record 30000 - 39999 Discography" . Retrieved 2011-05-27.
- ↑ Riccardi, Ricky. "The Wonderful World of Louis Armstrong: 80 Years of "Confessin'"" . Retrieved 2011-05-27.
- ↑ Minn, Michael; Johnson, Scott. "The Louis Armstrong Discography". Archived from the original on 2011-08-22. Retrieved 2011-05-27.
- 1 2 Burlingame, Sandra. "I'm Confessin' That I Love You". JazzStandards.com. Retrieved 2010-08-27.
- ↑ Brothers, Thomas (2014). Louis Armstrong: Master of Modernism. W.W. Norton & Company: W.W. Norton & Company. p. 397. ISBN 978-0-393-06582-4.
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